Bibliografías temáticas / Jazz research

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Literatura académica sobre el tema "Jazz research"

Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 20 de febrero de 2023

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Artículos de revistas sobre el tema "Jazz research"

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Oldfather, Penny, and Jane West. "Qualitative Research as Jazz." Educational Researcher 23, no. 8 (November 1994): 22–26. http://dx.doi.org/10.3102/0013189x023008022.

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Mills, Michael K. "Seeing Jazz - Doing Research." International Journal of Market Research 51, no. 3 (January 2009): 1–16. http://dx.doi.org/10.1177/147078530905100309.

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This paper uses the metaphor of jazz music-making to contribute to the growing literature concerning the need for a more holistic approach to research, and to suggest directions for research implementation. It suggests researchers can work towards an ‘effortless mastery’ of their craft, and posits potential new forms of evaluation criteria useful in evaluating research (and researcher) quality.
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McGowan, James, and Robin Desmeules. "Jazz Research Bibliography (2005–2006)." Journal of Jazz Studies 7, no. 1 (February 28, 2011): 145. http://dx.doi.org/10.14713/jjs.v7i1.8.

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McGowan, James, and Robin Desmeules. "Jazz Research Bibliography (2007–2008)." Journal of Jazz Studies 7, no. 2 (November 16, 2011): 266. http://dx.doi.org/10.14713/jjs.v7i2.16.

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Desmeules, Robin. "Jazz Research Bibliography (2009-2010)." Journal of Jazz Studies 8, no. 1 (July 17, 2012): 105. http://dx.doi.org/10.14713/jjs.v8i1.34.

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Porter, Lewis. "Some Problems in Jazz Research." Black Music Research Journal 8, no. 2 (1988): 195. http://dx.doi.org/10.2307/779352.

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Mordue, Tom, and Noel Dennis. "Performing jazz and the jazz constellation." Marketing Theory 17, no. 2 (February 24, 2017): 241–57. http://dx.doi.org/10.1177/1470593116689756.

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In this article, we explore the arts/market dualism in jazz from a fresh methodological, empirical and theoretical perspective in which post-structuralist thought on performativity, relational space and actor–networks is used to interrogate the ecology of jazz production and consumption we call ‘the jazz constellation’. In this, we trace the positioning(s) and movements of an increasingly well-known jazz musician via an analytic auto-ethnographical account of being and becoming an authentic jazz musician in the United Kingdom. By this, we give a rich, first-hand account of how the jazz constel
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West, Chad. "What Research Reveals About School Jazz Education." Update: Applications of Research in Music Education 33, no. 2 (September 10, 2014): 34–40. http://dx.doi.org/10.1177/8755123314547825.

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Suwannabhum, Tayakorn, and Kyle Fyr. "Jazz History in Thailand: From Profession to Music Education." ASIAN-EUROPEAN MUSIC RESEARCH JOURNAL 9 (June 27, 2022): 83–92. http://dx.doi.org/10.30819/aemr.9-6.

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This qualitative research has collected exhaustive data on topics ranging from the history of jazz in Thailand to the genre entering the realm of music education. Cassettes, CDs, gramophone records, online databases, research articles, and extant documents form the basis of the investigation. Observations and in-depth interviews with seventeen key informants—jazz teachers, jazz event organizers, jazz musicians, and business owners—were conducted. The study shows that initially, jazz in Thailand was inextricably linked to the entertainment venues in which Siamese aristocrats dined and were ente
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Suryati, Suryati. "Pemanfaatan YouTube sebagai Media Pembelajaran Vokal Pop Jazz di Prodi Pendidikan Musik Institut Seni Indonesia Yogyakarta." Resital: Jurnal Seni Pertunjukan 22, no. 2 (December 22, 2021): 117–26. http://dx.doi.org/10.24821/resital.v22i2.6040.

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Utilizing Youtube as a Learning Media for Pop-Jazz Vocal Course at Music Education Study Program of Institut Seni Indonesia Yogyakarta. The research aims to reveal the learning process of the Pop-Jazz vocal course and the utilization of youtube as an accompaniment in learning the Pop- Jazz vocal course. This research is expected to provide solutions for students who face problems in the learning process of the Pop-Jazz vocal course during the covid-19 pandemic. It is qualitative research with a case study approach. Data collection techniques were carried out through direct observation during t
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Tesis sobre el tema "Jazz research"

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Rose, Jeremy Philip. "A Deeper Shade of Blue: A Compositional Folio Informed by Ethnographic Research into the Sydney Jazz Scene." Thesis, The University of Sydney, 2016. http://hdl.handle.net/2123/14901.

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This folio contains scores and audio recordings of five original compositions with critical commentary and ethnographic investigation. The research aims to test existing concepts of an Australian jazz identity and create new constructs for how music is created by a practicing jazz composer and performer. The research presents the results elicited from 11 interviews with selected Sydney jazz scene participants, providing an oral account of the way they create, conceive and perceive jazz music in Sydney and to compare evidence. In the five compositions I research various ways of integrating imp
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Abbey, Nicholas Leonard. "Phantoms, An original jazz trio studio recording - and - Dispelling phantoms: An Australian bassist exploring assumptions of jazz practice, An exegesis." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2019. https://ro.ecu.edu.au/theses/2259.

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This PhD research explores ways of adapting to the reportedly common creative, financial, and psychological challenges facing jazz musicians developing and operating in the late 2010s, an era in which the context surrounding jazz music is rapidly evolving. Motivated by the problem of resolving my own creative inertia and personal wellbeing dysfunctions, born of grappling with these issues as an Australian freelance bassist, this study investigates the theory that often-unquestioned assumptions underpinning practice are sedimented socially and that those based on historic, hegemonic, or habitua
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Butete, Netsayi. "The jazz divas an analysis of the musical careers of six New Brighton vocalists." Thesis, Rhodes University, 2012. http://hdl.handle.net/10962/d1002298.

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There has been insufficient academic research on the music of the Eastern Cape in general and Port Elizabeth and New Brighton in particular. This study, as part of the International Library of African Music (ILAM)lRed Location Museum Music History Project (ILAMIRLMHP) - an oral history intervention to save the music history of New Brighton from extinction through research and documentation of the memories of veteran musicians - is focused on jazz vocalists. The primary objective of my study is to investigate, critically analyze, interpret and document the career experiences of six New Brighton
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Beach, Todd A. "Formative assessment and all that jazz: A collaborative action research project in a U.S. hIgh school." Thesis, University of Sussex, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.488793.

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Meagher, Andrea. "The symbiosis of improvised and rehearsed elements in the creation of contemporary jazz ensemble music." Thesis, Queensland University of Technology, 2010. https://eprints.qut.edu.au/45467/1/Andrea_Meagher_Exegesis.pdf.

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This research investigates the symbiotic relationship between composition and improvisation and the notion of improvisation itself. With a specific interest in developing, extending and experimenting with the relationship of improvisation within predetermined structures, the creative work component of this research involved composing six new works with varying approaches for The Andrea Keller Quartet and guest improvisers, for performance on a National Australian tour. This is documented in the CD recording Galumphing Round the Nation - Collaborations Tour 2009. The exegesis component is inten
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Holgate, Gary David. "Interactions in improvised music: people at play." Thesis, The University of Sydney, 2014. http://hdl.handle.net/2123/10076.

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Interactions in improvised music: people at play This project began as an open exploration of musical interactions in a trio in which I have played bass for many years. We gave three concerts for the project and I explored our interactions by talking with the pianist/bandleader and drummer after each concert. They described a broad range of interactions and explored a number of different conceptions of what entails a musical interaction. The musicians were keen to talk about the factors that motivate them to perform together, mainly the desire to play. Play, for them, is its own reward. They a
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Lile, Trudy. "Creating new standards : jazz arrangements of pop songs : a thesis presented in partial fulfillment of the requirements for the degree of Master of Music in Jazz Performance, New Zealand School of Music, Auckland, New Zealand." New Zealand School of Music, 2009. http://hdl.handle.net/10179/1203.

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This study involves the research, analysis, and performance of existing arrangements of songs that have been played and recorded by jazz musicians, and are identifiable as pop songs of the last thirty years. This project will discuss the development of these songs as new repertoire in the jazz idiom. In particular it will examine transcriptions of arrangements by Herbie Hancock, Dianne Reeves, Brad Meldau, Charlie Hunter, Christian McBride, and Bob Belden. The analysis of these transcriptions will consider the techniques these musicians used in their arrangements including reharmonisation, mel
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Strazzullo, Guy, University of Western Sydney, of Arts Education and Social Sciences College, and School of Contemporary Arts. "An intercultural approach to composition and improvisation." THESIS_CAESS_CAR_Strazzullo_G.xml, 2003. http://handle.uws.edu.au:8081/1959.7/501.

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Experiences as a composer and performer in Australia involve a number of significant collaborations with musicians from diverse cultures and musical backgrounds. The musical result incorporates a number of world music elements in the form of drones, rhythms and the use of instruments such as modified guitars and the tabla. But it is distinctly different in content and approach from the generic term, World music, because it deals almost exclusively with music traditions where improvisation is central to collaborative processes. The application of the term ‘intercultural improvisation’ is a more
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Strazzullo, Guy. "An intercultural approach to composition and improvisation." Thesis, View thesis, 2003. http://handle.uws.edu.au:8081/1959.7/501.

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Experiences as a composer and performer in Australia involve a number of significant collaborations with musicians from diverse cultures and musical backgrounds. The musical result incorporates a number of world music elements in the form of drones, rhythms and the use of instruments such as modified guitars and the tabla. But it is distinctly different in content and approach from the generic term, World music, because it deals almost exclusively with music traditions where improvisation is central to collaborative processes. The application of the term ‘intercultural improvisation’ is a more
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10

Love, Aaron Anyabwile. "UNINTERRUPTED CONVERSATIONS WITH OUR EEGUN: PRELIMINARY CONSIDERATIONS FOR METHODOLOGICAL APPROACHES TO THE RESEARCH OF AFRICAN MUSIC AND THE MUSIC OF JOHN COLTRANE." Diss., Temple University Libraries, 2014. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/289387.

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African American Studies<br>Ph.D.<br>African music and its musicians from the Pharaonic periods to Mali to the Mississippi Delta to the South Bronx have contributed some of the most lasting and influential cultural creations known. The music and musicians of Africa have been studied as early as the early 18th century. As interest in African music grew so did the discipline of ethnomusicology. Ethnomusicology has sought to understand, interpret and catalog the various areas of African music. In the United States interest in the music as a continuation of African culture was also sought after an
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Libros sobre el tema "Jazz research"

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Kahr, Michael. Artistic Research in Jazz. New York: Routledge, 2021. http://dx.doi.org/10.4324/9780429275838.

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W, Megill David, and Gerow Maurice, eds. Jazz. 9th ed. Boston: McGraw Hill, 2001.

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Meadows, Eddie S. Jazz research and performance materials: A select annotated bibliography. 2nd ed. New York: Garland Pub., 1995.

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S, Molasky Michael, ed. Nyū jazu sutadīzu: Jazu kenkyū no arata na ryōiki e = New horizons in jazz research. Musashino-shi: Arutesu Paburisshingu, 2010.

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Paxton, Mike. Expanding the audience for jazz: A report of the findings from a qualitative research study. London: Arts Council of Great Britain, 1990.

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Improvisation, creativity, and consciousness: Jazz as integral template for music, education, and society. Albany: State University of New York Press, 2013.

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Meadows, Eddie S. Jazz: Research and Pedagogy. Taylor & Francis Group, 2016.

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Brown, Charles T. Jazz Research Papers 1985. Intl Assn of Jazz Education, 1985.

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Meadows, Eddie S. Jazz: Research and Pedagogy. Taylor & Francis Group, 2013.

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Meadows, Eddie S. Jazz: Research and Pedagogy. Taylor & Francis Group, 2013.

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Capítulos de libros sobre el tema "Jazz research"

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Kahr, Michael. "Artistic Research in Jazz." In Artistic Research in Jazz, 46–64. New York: Routledge, 2021. http://dx.doi.org/10.4324/9780429275838-5.

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Cobussen, Marcel. "Improvising Artistic Research." In Artistic Research in Jazz, 3–14. New York: Routledge, 2021. http://dx.doi.org/10.4324/9780429275838-2.

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McMullen, Tracy. "The Lessons of Jazz." In Artistic Research in Jazz, 85–97. New York: Routledge, 2021. http://dx.doi.org/10.4324/9780429275838-8.

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Duby, Marc. "Articulating Musical Practice and Research." In Artistic Research in Jazz, 155–74. New York: Routledge, 2021. http://dx.doi.org/10.4324/9780429275838-13.

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Meelberg, Vincent. "Improvising Touch." In Artistic Research in Jazz, 15–28. New York: Routledge, 2021. http://dx.doi.org/10.4324/9780429275838-3.

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Dean, Roger T. "Silent Groove, Frames and Applied Improvisation in Miles Davis’ “Shhh/Peaceful” and austraLYSIS’ “Silent Waves”." In Artistic Research in Jazz, 115–34. New York: Routledge, 2021. http://dx.doi.org/10.4324/9780429275838-11.

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Bain, Andrew. "Embodied Hope." In Artistic Research in Jazz, 175–91. New York: Routledge, 2021. http://dx.doi.org/10.4324/9780429275838-14.

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Banfield, William C. "It Don’t Mean a Thing Without My Web Fan Base Thing." In Artistic Research in Jazz, 98–111. New York: Routledge, 2021. http://dx.doi.org/10.4324/9780429275838-9.

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Burke, Robert L. "Analysis and Observations of Pre-learnt and Idiosyncratic Elements in Improvisation." In Artistic Research in Jazz, 135–54. New York: Routledge, 2021. http://dx.doi.org/10.4324/9780429275838-12.

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Stover, Chris. "Mapping Jazz’s Affect." In Artistic Research in Jazz, 29–45. New York: Routledge, 2021. http://dx.doi.org/10.4324/9780429275838-4.

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Actas de conferencias sobre el tema "Jazz research"

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Finlay, Jacqui, Andy Connor, and Russel Pears. "Mining Software Metrics from Jazz." In 2011 9th International Conference on Software Engineering Research, Management and Applications (SERA). IEEE, 2011. http://dx.doi.org/10.1109/sera.2011.40.

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Cherkashina, Yulia Sergeevna. "Genre of a music review in specialized jazz publications." In VIII International Research-to-practice conference. TSNS Interaktiv Plus, 2017. http://dx.doi.org/10.21661/r-117184.

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Francesconi, Fabiano, Fabiano Dalpiaz, and John Mylopoulos. "Models for strategic planning: Applying TBIM to the Montreux Jazz Festival case study." In 2015 IEEE 9th International Conference on Research Challenges in Information Science (RCIS). IEEE, 2015. http://dx.doi.org/10.1109/rcis.2015.7128884.

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Koerber, A. "Increasing feminist visibility in professional communication research." In IPCC 99. Communication Jazz: Improvising the New International Communication Culture. Proceedings 1999 IEEE International Professional Communication Conference. IEEE, 1999. http://dx.doi.org/10.1109/ipcc.1999.799102.

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Pawan, Marry Tracy, and Juliana Langgat. "IMPACT OF COVID-19 ON EVENT INDUSTRY: EVENT AUDIENCE READINESS TOWARDS EVENT DIGITIZATION." In GLOBAL TOURISM CONFERENCE 2021. PENERBIT UMT, 2021. http://dx.doi.org/10.46754/gtc.2021.11.056.

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For the event organiser, Sabah is one of the states that becomes a focal point. As Sabah is one of the most popular tourist destinations, several large events such as the Sabah Jazz Festival, Pesta Lepa-lepa, Pesta Kaamatan, Pesta Kalimaran, and other festivals have been held. However, COVID 19’s disruptive impacts have had such a significant impact on the event sector. Most of the events are getting cancelled or postponed all over the world. Over the past several months, a significant number of meetings and conferences have been redesigned as virtual events. However, the event industry needs
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Weinberger, Maor, and Dan Bouhnik. "The Emergence of Music Streaming Applications and Its Effect on Changes in Personal Information Management and Privacy Related Issues [Abstract]." In InSITE 2020: Informing Science + IT Education Conferences: Online. Informing Science Institute, 2020. http://dx.doi.org/10.28945/4523.

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Aim/Purpose: In this exploratory study we examine personal information management within music streaming applications. Also, we investigate the sense of ownership over songs being played on music streaming applications and whether the use of these services may be considered a social activity. In addition, we explore the extent of user privacy concern in using music streaming applications. Background: This paper represents the second phase of the article titled Usage Habits in Music Streaming Applications and their Influence on Privacy Related Issues [Research in Progress] (Weinberger &amp; Bou
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