Bibliografías temáticas / Jewish authors – history and criticism

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Literatura académica sobre el tema "Jewish authors – history and criticism"

Autor: Grafiati
Publicado: 26 de julio de 2024
Última modificación: 31 de julio de 2025

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Artículos de revistas sobre el tema "Jewish authors – history and criticism"

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Kozerod, O. V. "Fighting Judaism in Soviet Ukraine in the years of the NEP." Ukrainian Religious Studies, no. 16 (December 5, 2000): 41–48. http://dx.doi.org/10.32420/2000.16.1112.

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Questions of the history of the struggle against the Jewish national tradition were considered in many works of the Soviet authors of the 20-ies of the twentieth century. Among them, first of all, are those who studied various problems of the theory and practice of anti-religious propaganda in Soviet Ukraine, the history of the development of atheism. This is a monograph by Boris Zavadovsky "Moses or Darwin" and M. Sheynman "On Rabbis and Synagogues". In the late 20's and early 1930's, collections entitled "Antireligiozer Lerwukh", "Komsomolisha Agada" appeared, in which issues of the history
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Ghifari, Muhammad, and Ulfah Zakiyah. "The Origin of Isnad in Orientalist Perspective: Critical Study of Michael Cook’s Thought." Mashdar: Jurnal Studi Al-Qur'an dan Hadis 3, no. 1 (2021): 33–52. http://dx.doi.org/10.15548/mashdar.v3i1.2609.

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This article review Michael Cook’s thoughts on the early history of the use of isnad. Michael Cook disagrees with the opinions of the hadith scholars who said that the system of isnad only exists in Islam and is not found in other religions. Michael Cook believes that Islam is not the only sole owner of the isnad system. Long before Islam came the system of isnad had been used by previous religions, that is, it had been used by Jews in transmitting Mishnah. Even Michael Cook concluded that Islam had plagiarized the Jewish isnad system. The Islamic isnad system is very closely related to the Je
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Novikova, Valeriia. "The History of the Jewish communities in the Mamlūk Sultanate (1250–1517): approaches and discourses." Vostok. Afro-aziatskie obshchestva: istoriia i sovremennost, no. 2 (2024): 165. http://dx.doi.org/10.31857/s086919080027672-6.

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The article discusses the main approaches and discourses that are used in writing the history of Jewish communities in the Mamlūk Sultanate (1250–1517). The review on the topic includes the classics of the Jewish history, studies of contemporary authors in English, Arabic and Hebrew. Two main approaches are distinguished. There are two approaches. The first is the “theory of decline,” which characterizes the reign of the Mamluks as a period of systematic decline of the entire Mamluk society, which subsequently influenced the state of the Jewish community itself. approach that describes the per
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Gradinskaitė, Vilma. "Jewish Art Studies in the Lithuanian Yiddish Press of the Interwar Period (1918–1940)." Art History & Criticism 20, no. 1 (2024): 32–52. http://dx.doi.org/10.2478/mik-2024-0003.

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Summary Lithuanian art studies as an independent branch of science began to take shape in the First Republic of Lithuania between year 1918 and 1940. During 22 years in a multinational free state, it followed a winding path of mastery, professionalism, and the formation of a critic’s thought. However, if the origins, development, and forms of interwar Lithuanian art studies already are being explored, the Jewish art studies are still waiting for its first investigations. The purpose of this article is to broaden the scope of Lithuanian art research by incorporating the layers of interwar Jewis
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Wright, Benjamin G. "The Septuagint as a Hellenistic Greek Text." Journal for the Study of Judaism 50, no. 4-5 (2019): 497–523. http://dx.doi.org/10.1163/15700631-12505130.

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AbstractAs a response to the tradition of scholarship that focused on questions of LXX origins, translation techniques and textual criticism, this article looks at how the LXX translations in antiquity were already in certain respects marked as Greek texts at their production, constructed as Greek literary texts in their origins, and subsequently employed in the same ways as compositional Greek texts by those who engaged them. It shows how the author of Aristeas constructs the LXX as a Greek text, how it functioned as such for Aristobulos and Philo. Already the translators demonstrate in their
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Nam, JungAe. "The Jewishness in Characters, Themes, and Literary Styles of Arthur Miller's Plays." Korean Society of Culture and Convergence 45, no. 12 (2023): 985–97. http://dx.doi.org/10.33645/cnc.2023.12.45.12.985.

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This study aims to identify Jewish characteristics in Arthur Miller's eight major plays, focusing on their characters, themes, and writing styles. As a Jewish American immigrant, Miller has been praised for portraying the American ego or culture. Until now, criticism of Miller's plays has taken his imperfect American self for granted as the standard of universality. Critics analyzed only the form and content revealed on the surface of the plays, which have become ambiguous due to the author's double identities. Miller presents a typical American middle-class character on the surface of his wor
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Kabalek, Kobi. "Commemorating Failure: Unsuccessful Rescue of Jews in German Film and Literature, 1945–1960*." German History 38, no. 1 (2019): 96–112. http://dx.doi.org/10.1093/gerhis/ghz021.

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Abstract Scholars have so far interpreted postwar depictions of Germans saving Jews from Nazi persecution mainly as apologetic references that allowed Germans to avoid addressing problematic aspects of their history. Yet although such portrayals appear in many postwar German accounts, depictions of successful rescues of Jews are relatively rare in literary and filmic works produced between 1945 and the early 1960s. This article argues that in presenting failed rescue of Jews, several German authors aimed to contribute to the re-education and moral transformation of the German population. The a
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Ziemann, Zofia. "Polish Kafka? O pewnym stereotypie anglojęzycznej recepcji Schulza." Schulz/Forum, no. 15 (September 24, 2020): 26–43. http://dx.doi.org/10.26881/sf.2020.15.02.

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The paper revisits a popular trope of the anglophone reception of the work and figure of Bruno Schulz, offering an overview of its history based on examples from literary criticism and paratextual framing since the first edition of Celina Wieniewska’s translation in 1963 to the present. It is argued that although in the beginning the mentions of Kafka naturally had a marketing potential, helping to introduce a then unknown author to Englishspeaking readers, the analogy was not used in a cynical or superficial way, nor was Schulz ever presented as Kafka’s poor relative. Its early proponents (Is
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Shishkin, Dmitry V. "Dialogue with «the leader»: letters and notes to G. E. Zinoviev as a means of communication between citizens and authorities. 1918–1921." Herald of an archivist, no. 1 (2024): 85–97. http://dx.doi.org/10.28995/2073-0101-2024-1-85-97.

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The article examines the practice of communication between the population and G. E. Zinoviev, the first chairman of the Petrograd Soviet after the October Revolution, during the Civil War (1918-1921). Based on the material of written appeals to the leader ("letters to the authorities") the problematic components of the public image of the head of the local government and their solutions within the framework of Zinoviev's campaigning activities. Researchers had previously used this type of source mainly to reconstruct public sentiment in subsequent eras of New Economic Policy and Industrializat
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Zakharov, Vladimir N. "The Idea of Ethnopoetics in Contemporary Research." Проблемы исторической поэтики 18, no. 3 (2020): 7–19. http://dx.doi.org/10.15393/j9.art.2020.8382.

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<p>In recent decades, ethnopoetics has become one of the new philological disciplines. Its idea first appeared in the treatise of Nicolas Boileau “The Art of Poetry” (1674), in which the classicist theorist formulated the requirement of local and historical color in art. His rule was followed by many poets, playwrights and novelists of Modern history. In Anglo-American criticism, the term ethnopoetics was introduced in 1968. Jerome Rotenberg, who, along with Dennis Tedlock and Dell Himes, founded the principles and methods of studying American Indian poetry. In the 20
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Tesis sobre el tema "Jewish authors – history and criticism"

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Traves, Julie. "Writing himself and others : Philip Roth and the autobiographical tradition in Jewish-American fiction." Thesis, McGill University, 1996. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=26763.

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Philip Roth's parody of autobiography in the Zuckerman series is part of a larger debate concerning the problems of Jewish art. As Roth manipulates personal and personified autobiography, he both underlines and undermines Jewish traditions of reading and writing. To be sure, Zuckerman's struggle for artistic identity articulates a long-standing Jewish concern with the tensions of collective representation. It is from a culture consistently threatened by alienation and extermination that Roth finds his terms of reference. Zuckerman and his creator are subject to a whole discourse of Jewish text
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Soloway, Jason A. "Negotiating a hyphenated identity, three Jewish-Canadian writers." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ39887.pdf.

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Schroeder, Elfrieda Neufeld. "Fragmented identity, a comparative study of German Jewish and Canadian Mennonite literature after World War II." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/NQ60565.pdf.

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Kay, Devra. "Women and the vernacular : the Yiddish tkhine of Ashkenaz." Thesis, University of Oxford, 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.670310.

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Molkou, Elizabeth. "Contributions d'ecrivains juifs a la problematique de l'autofiction." Thesis, McGill University, 2000. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=37784.

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The present literary production in France indicates the return of the subject, which has been proclaimed dead since the New Novel. With the proliferation of autobiographical texts in the nineteen-eighties, a generalized movement towards an aesthetic genre valuing this particularity was noticed. This proliferation renders the scope of this literary form immense. It covers a range from strictly historical texts, including autobiographies, memoirs and intimate journals to semi-referential texts, qualified as autobiographical fictions, "autofictions" or again "factual fictions". Midway between the
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Meir, Amira. "Medieval Jewish interpretation of pentateuchal poetry." Thesis, McGill University, 1994. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=28842.

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This dissertation studies parts of six medieval Jewish Torah commentaries in order to examine how they related to what we call Pentateuchal poetry. It examines their general approaches to Bible interpretation and their treatments of all Pentateuchal poems. It focusses on qualities we associate with poetry--parallelism, structure, metaphor, and syntax--and explores the extent to which they treated poems differently from prose.<br>The effort begins by defining Pentateuchal poetry and discussing a range of its presentations by various ancient writers. Subsequent chapters examine its treatment by
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Spergel, Julie. "Canada's "second history": the fiction of Jewish Canadian women writers." Hamburg Kovač, 2009. http://d-nb.info/997540079/04.

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Weekes, Ann Owens. "BEGINNING A TRADITION: IRISH WOMEN'S WRITING, 1800-1984 (EDGEWORTH, JOHNSTONE, KEANE, IRELAND)." Diss., The University of Arizona, 1986. http://hdl.handle.net/10150/183990.

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In search of an Irish women's literary tradition, this dissertation examines the fiction of Irish women writers from Maria Edgeworth in 1800 to Jennifer Johnston in 1984. Contemporary anthropological, psychoanalytical, and literary theory suggests that women, even those of different cultures, excluded from public life and limited to the domestic sphere, would develop similar interests. When these interests ran counter to those of the dominant group, the women would have had to develop a technique to simultaneously express and encode these interests and concerns. This technique in literature, a
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Poetini, Christian. "Weiterüberleben, Jean Améry und Imre Kertész." Doctoral thesis, Universite Libre de Bruxelles, 2013. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/209520.

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Synopsis :<p><p>La thèse démontre la force du discours de la survivance à travers tant l’essai que le roman, respectivement chez deux auteurs représentatifs et exemplaires. Jean Améry est l’initiateur d’un discours où l’accent est mis sur l’expérience de la privation totale de liberté et sur le suicide comme paroxysme de l’acte libre voulu par le survivant des camps de concentration. Imre Kertész fonde, lui, une écriture synonyme de stratégie de survie. Le suicide y constitue le moyen fictionnel, pour l’être survivant, de regagner sa liberté et son propre « destin ».<p><p><p><p>Résumé :<p><p>L
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Marron, Rosalyn Mary. "Rewriting the nation : a comparative study of Welsh and Scottish women's fiction from the wilderness years to post-devolution." Thesis, University of South Wales, 2012. https://pure.southwales.ac.uk/en/studentthesis/rewriting-the-nation(acc79b10-cd63-48ee-b045-dabb5af2f77c).html.

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Since devolution there has been a wealth of stimulating and exciting literary works by Welsh and Scottish women writers, produced as the boundaries of nationality were being dismantled and ideas of nationhood transformed. This comparative study brings together, for the first time, Scottish and Welsh women writers’ literary responses to these historic political and cultural developments. Chapter one situates the thesis in a historical context and discusses some of the connections between Wales and Scotland in terms of their relationship with ‘Britain’ and England. Chapter two focuses on the the
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Libros sobre el tema "Jewish authors – history and criticism"

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Waten, Judah L. Fiction, memoirs, criticism. University of Queensland Press, 1998.

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Spergel, Julie. Canada's "second history": The fiction of Jewish Canadian women writers. Kovač, 2009.

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Hope, Herzog Hillary, Herzog Todd, and Lapp Benjamin 1958-, eds. Rebirth of a culture: Jewish identity and Jewish writing in Germany and Austria today. Berghahn Books, 2008.

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Association, Modern Humanities Research, ed. Post-war Jewish women's writing in French. Legenda, 2011.

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Cairns, Lucille. Post-war Jewish women's writing in French. Legenda, 2011.

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1948-, Anand Tarlochan Singh, ed. Contemporary American-Jewish novel. ABS Publications, 1994.

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International Society for the Study of Deuterocanonical and Cognate Literature. International Conference. History and identity: How Israel's later authors viewed its earlier history. Walter de Gruyter, 2006.

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Hetenyi, Zsuzsa. In a maelstrom: The history of Russian-Jewish prose (1860-1940). Central European University Press, 2008.

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Hetényi, Zsuzsa. In a maelstrom: The history of Russian-Jewish prose, 1860-1940. Central European University Press, 2007.

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1948-, Wirth-Nesher Hana, ed. What is Jewish literature? Jewish Publication Society, 1994.

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Capítulos de libros sobre el tema "Jewish authors – history and criticism"

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Scrivener, Michael. "Jewish Representations, Literary Criticism and History." In Jewish Representation in British Literature 1780–1840. Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230120020_2.

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Sullivan, Hannah. "1.3.2. Revision." In Comparative History of Literatures in European Languages. John Benjamins Publishing Company, 2024. http://dx.doi.org/10.1075/chlel.xxxv.17sul.

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Understood in its broadest sense, as the amelioration or improvement of an earlier textual state, revision is a universal compositional practice. At the same time, authors’ ideas about revision, their capacity for making changes, and the changes themselves are strongly influenced by both the material circumstances of writing and by broader cultural ideas about originality and the ontology of artworks. In addition, the study of revision informs very different intellectual disciplines and methodologies: creative writing pedagogy; editorial practice; traditional biographical criticism; and geneti
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Sullivan, Hannah. "1.3.2. Revision." In Comparative History of Literatures in European Languages. John Benjamins Publishing Company, 2024. http://dx.doi.org/10.1075/chlel.35.17sul.

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Understood in its broadest sense, as the amelioration or improvement of an earlier textual state, revision is a universal compositional practice. At the same time, authors’ ideas about revision, their capacity for making changes, and the changes themselves are strongly influenced by both the material circumstances of writing and by broader cultural ideas about originality and the ontology of artworks. In addition, the study of revision informs very different intellectual disciplines and methodologies: creative writing pedagogy; editorial practice; traditional biographical criticism; and geneti
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Frank, Christine. "Exophonie – Das Heraustreten der Stimme aus der Schrift." In Handbuch Deutschsprachig-jüdische Literatur seit der Aufklärung. Neue Forschungszugänge in Paradigmen. Springer Berlin Heidelberg, 2024. https://doi.org/10.1007/978-3-662-67563-2_26.

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ZusammenfassungAls exophon gelten Autor:innen, die in einer anderen als ihrer Muttersprache schreiben. Dabei liegt der Fokus auf Literatur im Kontext von Postkolonialismus und globaler Migration. Im vorliegenden Beitrag hingegen wird Exophonie weiter gefasst als prinzipiell kulturkritische Schreibweise, die ‚Anders-Sprachigkeit‘ argumentativ und mit ästhetischen Mitteln reflektiert. Damit wird der Begriff auch relevant für die Beschreibung und Analyse der deutschen Sprachkultur von Juden und zwar sowohl in historischer Perspektive wie im Hinblick auf Deutsch schreibende exophone jüdische Autor
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Brinkmann, Tobias. "Jewish Migrations or Wandering Jews?" In Between Borders. Oxford University PressNew York, 2024. http://dx.doi.org/10.1093/oso/9780197655658.003.0010.

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Abstract This chapter discusses the 1940s, a decisive phase in the history of Jewish migrations. On the eve of the Holocaust, several later influential authors of studies about Jewish and general migration reached New York. Their personal flight from Nazi persecution provides background for a discussion of two contrasting “resettlement” plans developed by academics on behalf of the Nazi regime and the Roosevelt administration during the war. Jewish scholars made substantial contributions to the American “M Project.” During the Holocaust the view that throughout history Jewish migrations were p
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Wodziński, Marcin. "The Beginnings: Anti-Hasidic Criticism in the Last Years of the Polish–Lithuanian Commonwealth." In Haskalah and Hasidism in the Kingdom of Poland, translated by Sarah Cozens and Agnieszka Mirowska. Liverpool University Press, 2005. http://dx.doi.org/10.3828/liverpool/9781904113089.003.0002.

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This chapter discusses anti-hasidic criticism in the last years of the Polish–Lithuanian Commonwealth. Opposition to hasidism is almost as old as the hasidic movement itself. However, it was not the supporters of the Jewish Enlightenment ideology, the maskilim, but representatives of the rabbinical elite who were the first to begin an organized wave of opposition. Their hasidic opponents therefore called them ‘mitnagedim’ (opponents). The first maskilic voices to criticize the hasidic movement were heard at almost the same time as those of the mitnagedim, or perhaps, as some historians suggest
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Parente, Fausto. "Spencer, Maimonides, and the History of Religion." In History of Scholarship. Oxford University PressOxford, 2006. http://dx.doi.org/10.1093/oso/9780199284313.003.0009.

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Abstract SPENCER’S DE LEGIBUS HEBRAEORUM RITUALIBUS AND ITS MODERN EVALUATION John Spencer’s De legibus Hebraeorum ritualibus et earum rationibus was published in Cambridge in 1685 in three books. It set out to demonstrate that the majority of Jewish ritual laws were of Egyptian origin.1 A second, expanded edition with an additional fourth book was brought out posthumously in 1727 by Leonard Chappelow.2 It contained, among other material, a dissertation on the origins of phylacteries, which Spencer wrote shortly before his death in 1693. In 1732 the German theologian Ch. M. Pfaff (the author o
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Galipeau, Claude J. "Introduction." In Isaiah Berlin’s Liberalism. Oxford University PressOxford, 1994. http://dx.doi.org/10.1093/oso/9780198278689.003.0001.

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Abstract Sir Isaiah Berlin is a British man of letters of Russian-Jewish origins. Born in Riga, Latvia, in 1909, his family emigrated to Britain in 1919, fleeing the Russian Revolution. He was brought up and educated in Britain, and has spent most of his professional life studying and lecturing at Oxford University, or at universities in America and Israel while on leave. To the international scholarly community he is best known as the author of ‘Two Concepts of Liberty’ (1958),1 yet his professional interests cover many fields in addition to moral and political philosophy: music and literary
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"The Authors." In History, Memory, and Jewish Identity. Academic Studies Press, 2019. http://dx.doi.org/10.1515/9781618114754-016.

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KAPLAN, LOUIS. "Reframing the Self-Criticism:." In Jewish Identity in Modern Art History. University of California Press, 2023. http://dx.doi.org/10.2307/jj.2711633.12.

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Actas de conferencias sobre el tema "Jewish authors – history and criticism"

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M. Ali Jabara, Kawthar. "The forced displacement of Jews in Iraq and the manifestations of return In the movie "Venice of the East"." In Peacebuilding and Genocide Prevention. University of Human Development, 2021. http://dx.doi.org/10.21928/uhdicpgp/1.

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The character of the Jew was absent from Iraqi cinematic works, while it was present in many Arab cinematic works produced in other Arab countries, and the manner of presenting these characters and the goals behind choosing that method differed. While this character was absent from the Iraqi cinematic narration, it was present in the Iraqi novelist narration, especially after the year 2003. Its presence in the Iraqi narration was diverse, due to the specificity of the Iraqi Jewish character and its attachment to the idea of being an Iraqi citizen, and the exclusion and forced displacement that
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Zlotnikova, Tatyana. "Power in Russia: Modus Vivendi and Artis Imago." In Russian Man and Power in the Context of Dramatic Changes in Today’s World, the 21st Russian scientific-practical conference (with international participation) (Yekaterinburg, April 12–13, 2019). Liberal Arts University – University for Humanities, Yekaterinburg, 2019. http://dx.doi.org/10.35853/ufh-rmp-2019-pc02.

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Contemporary Russian socio-cultural, cultural and philosophical, socio psychological, artistic and aesthetic practices actualize the Russian tradition of rejection, criticism, undisguised hatred and fear of power. Today, however, power has ceased to be a subject of one-dimensional denial or condemnation, becoming the subject of an interdisciplinary scientific discourse that integrates cultural studies, philosophy, social psychology, semiotics, art criticism and history (history of culture). The article provides theoretical substantiation and empirical support for the two facets of notions of p
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Ovodova, Svetlana. "Representation of Cultural Traumas in Contemporary Public Discourse: “New Frankness” of Meta-Modernism." In The Public/Private in Modern Civilization, the 22nd Russian Scientific-Practical Conference (with international participation) (Yekaterinburg, April 16-17, 2020). Liberal Arts University – University for Humanities, Yekaterinburg, 2020. http://dx.doi.org/10.35853/ufh-public/private-2020-04.

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The prerequisites for this study are criticism of postmodernism by theorists and philosophers of culture, and the actualisation of metamodernism as one of the most popular theories of postmodernism. The relevance of the study is determined by the appearance of a ‘new sensitivity’ having arisen from geopolitical events of the 2000s. Metamodernism theory authors declare the new structure of sensation to be different from the dominants of postmodernism and modernism. The article describes the transformation of the representation of cultural traumas in public discourse with the consideration of id
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Aleksić, Jana. "UMETNIČKA EPOHA KRALjA MILUTINA U KULTURNOISTORIJSKOJ I ESTETIČKOJ OPTICI MILANA KAŠANINA." In Kralj Milutin i doba Paleologa: istorija, književnost, kulturno nasleđe. Publishing House of the Eparchy of Šumadija of the Serbian Orthodox Church - "Kalenić", 2023. http://dx.doi.org/10.46793/6008-065-5.817a.

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Milan Kašanin (1895–1981) in his integral study of medieval Serbian culture pays significant attention to the works and authors who created in the time of King Stefan Uroš II Milutin Nemanjića (1282–1321). Kašanin’s analysis also includes medieval literary and artistic achievements whose central theme is the King's personality and symbols of rule, as well as the spiritual and socio-histor- ical characteristics of the era the era of this important founder and great artistic patron. The author of the monographs Serbian Literature in the Middle Ages (1975) and Stone Discoveries (1978) seeks to sy
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