Bibliografías temáticas / Land-art

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Literatura académica sobre el tema "Land-art"

Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 15 de marzo de 2025

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Artículos de revistas sobre el tema "Land-art"

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Pataki, Elisabeta. "Land art". Hiperboreea A1, n.º 4 (1 de enero de 2012): 15–20. http://dx.doi.org/10.5325/hiperboreea.1.4.0015.

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Bann, Stephen. "Land Art". Critique d’art, n.º 3 (1 de abril de 1994): 73–77. http://dx.doi.org/10.4000/critiquedart.104211.

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Bann, Stephen. "Land Art". Critique d’art, n.º 3 (1 de abril de 1994): 73–77. http://dx.doi.org/10.4000/critiquedart.103974.

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Süssekind, Pedro. "Land Art". Rapsódia, n.º 7 (20 de diciembre de 2013): 5. http://dx.doi.org/10.11606/issn.2447-9772.i7p5-5.

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Bae-Dimitriadis, Michelle. "Land-Based Art Criticism: (Un)learning Land Through Art". Visual Arts Research 47, n.º 2 (1 de diciembre de 2021): 102–14. http://dx.doi.org/10.5406/visuartsrese.47.2.0102.

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Abstract This article provides an overview of how land-based settler colonial critique can reorient art criticism and art education to expand the scope of art and art practice to critical considerations of land politics and social justice, particularly in terms of the repatriation of Indigenous lands. In particular, land-based perspectives can help to rethink place/land by offering decolonizing methods for critiquing Western works of art that address place. Art educators’ ability to understand and critique settler colonialism in art has been hindered by Eurocentric art criticism. This article seeks to reveal settler colonial imperatives and ambitions regarding land through a critical analysis of American landscape paintings and land art. This piece further examines contemporary Indigenous artists’ site-specific works through adopting decolonial, land-based inquiry. Land-based art criticism interrupts the dominant mode of art inquiry to more comprehensively analyze art associated with place/land and expand the scope of social, cultural, and political understandings of social equity.
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Somerville, Kristine. "Urban Art Land". Ecotone 7, n.º 2 (2012): 231. http://dx.doi.org/10.1353/ect.2012.0030.

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Battisti, Eugenio. "El significado antropológico de lo colosal: del "Land Art" al "Minimal Art"." Astrágalo. Cultura de la arquitectura y la ciudad, n.º 17 (2001): 17–30. http://dx.doi.org/10.12795/astragalo.2001.i17.03.

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El significado, para quienes contemplan urbanísticamente, y viven las consecuencias de lo colosal en la ciudad y en la arquitectura se percibe en términos de una exaltación estética; ante la pérdida de los valores funcional y social, la exaltación de la cualidad virtual de la urbanidad, la publicidad y la arquitectura escenográfica.
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Yagmur, Onder. "ART OF THE NATURE SHAPING LAND ART". Idil Journal of Art and Language 5, n.º 27 (30 de noviembre de 2016): 1977–88. http://dx.doi.org/10.7816/idil-05-27-08.

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Bulkina, Polina y Hanna Novik. "PHILOSOPHY OF THE ART OF LAND ART". Theory and practice of design, n.º 26 (2022): 268–74. http://dx.doi.org/10.32782/2415-8151.2022.26.32.

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Schmidt, Alex. "Art in the Land". Boom 1, n.º 3 (2011): 62–66. http://dx.doi.org/10.1525/boom.2011.1.3.62.

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This article examines the significance of a growing trend in Southern Californian art, tour art that invites viewers to move through the landscape in unusual ways and perceive their surroundings in new ways. Examples of this trend include the work of the Center for Land Use Interpretation, the LA Urban Rangers, and Kim Stringfellow’s Jackrabbit Homestead project.
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Tesis sobre el tema "Land-art"

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Sleeman, Alison Joy. "Landscape and land art". Thesis, University of Leeds, 1995. http://etheses.whiterose.ac.uk/15211/.

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Landscape and Land Art focuses on so-called ‘Land Art' in Britain in the period from the mid-1960s to the present day. The dissertation concentrates particularly on Richard Long who, it is argued, functions as the definitive index of British Land Art. Land Art Beginning investigates how Land Art's earliest instances have shaped its subsequent discourse and introduces the methodological approaches employed in the dissertation. Land Art is then studied through a series of frames or milieus in the following chapters. Land Art Sculpture defends the necessity of viewing Land Art in the context of the practice and theory of sculpture. Land Art Repetition examines repetition as one of the most prevalent and informing strategies of Land Art practice and theory. Land Art Body focuses on one of the most overlooked and yet crucial components of Land Art, the body. Through identifying and delineating the different kinds of bodies and representations of bodies included in (and excluded from) Land Art discourse and practice, this chapter considers the ways in which the body has been suppressed in Land Art and the possibilities for a bodily re-engagement. Land Art Landscape views critically the landscape aspect of British Land Art which serves to link it to past art and particularly to a British 'Landscape Tradition'. The final chapter considers Land Art in relation to gardening and laughter through the construct of the ha-ha. The dissertation thus ends on a humorous note, but also an intensely serious one. Laughter and humour are powerful strategies against the most resistant orthodoxy, and British Land Art is perhaps best characterised in that way, as an orthodoxy, a dogma or an institution. This study aims to uncover and reveal the ways in which that orthodoxy has been constructed and is sustained, offering along the way some suggestions as to how it might be construed otherwise.
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Amizlev, Iris. "Land Art, layers of memory : the use of prehistoric references in Land Art". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape2/PQDD_0022/NQ52135.pdf.

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Dante, Fabrizio <1988&gt. "Arte Sella e land art". Master's Degree Thesis, Università Ca' Foscari Venezia, 2017. http://hdl.handle.net/10579/9756.

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La tesi prende in considerazione il contesto storico all'interno del quale è nata la land art in America ed in Europa durante gli anni Sessanta. Focus su Arte Sella, gli artisti, le opere più significative e la relativa analisi. In conclusione si ricercano le attuali tendenze nell'arte contemporanea e nella società di oggi affini alla filosofia e al pensiero naturalistico.
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Brun, Jean-Paul. "Paysage, art contemporain et société : le cas du land art /". Besançon : J.-P. Brun, 1996. http://catalogue.bnf.fr/ark:/12148/cb376500085.

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Brašeňová, Kristina. "Land art v zahradně-architektonickém umění". Master's thesis, Česká zemědělská univerzita v Praze, 2016. http://www.nusl.cz/ntk/nusl-259979.

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My thesis Land art in garden-architectural design deals about land art as artistic movement which was born in the twentieth century. In the historical literature review, namely the theoretical section are an informations about the origin of this art, also presented are the creations of the most important land artists known worldwide and also in Czechoslovakia together with their works as well as the alternative of using these works in different types of places in landscape gardening and landscape architecture. Practical part (chapter Results and suggestions) contains, on the basis of knowledge, designs and studies of my own land art installations in selected localities of Slovakia and Czech republic together with the characteristics of the locality, analysis of the locality, main idea, inspiration and material used for implementation.
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PRINCELLE, PHILIPPE. "Spectre et fantome. L'ephemere et le photographique dans le land art". Strasbourg 2, 2000. http://www.theses.fr/2000STR20004.

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Les oeuvres monumentales des annees 70 ont cede le pas a des oeuvres douees et ephemeres. Et devant l'importance grandissante du travail paraphotographique, la trace de l'oeuvre disparue est trop souvent prise (a tors) pour l'oeuvre elle-meme. Bien des contradictions sont issues de l'utilisation meme de la photographie, mais l'idee mise en avant est que la trace est indipensable et fait partie integrante de l'oeuvre disparue. La question est : comment et pourquoi ? la trace n'est pas toujours un accident ou un dechet residuel. Les analyses revelent une trace balise, qui est aussi chemin de l'emotion, ou encore instrument de mise a distance. La trace est bien plus qu'une compensation au vide laisse par la disparition de l'oeuvre. La trace apparait successivement comme l'agent de la disparition, de l'oubli et donc du vide et de la desacralisation qui en resultent. Outil de production, la trace insuffle la vie a l'oeuvre, la tue, la limite et la critique. Deja responsable de l'artialisation et << pontifex >>, entre la preuve et l'indice, la trace photographique est maintenant reconnue << fibule >>, venant sceller l'experience, entreprise par l'artiste, de mise a distance et de liaison. Malgre cela, l'oeuvre basee sur la notion d'instant, jouant avec << l'encore vif et le deja mort >>, persiste a nous echapper. Seuls subsistent le spectre de l'ephemere et ses fantomes.
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Brun, Jean-Paul. "Nature, art contemporain et société : le Land art comme analyseur du social /". Danjoutin (6 rue de Verdun, 90400) : J.-P. Brun, 2002. http://catalogue.bnf.fr/ark:/12148/cb390766694.

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Brun, Jean-Paul. "Nature, art contemporain et société : le Land Art comme analyseur du social". Besançon, 2002. http://www.theses.fr/2002BESA1026.

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Il s'agit de comprendre la nature des forces sociales à l'œuvre dans l'Amérique des Sixties, qui mènent, entre 1969 et 1973, De Maria, Heizer, Holt, Ross, Smithson, Turell, à construire ou à projeter des œuvres-sites-monuments (œuvres de terre, dont la Planète est le socle, de dimensions monumentales) dans les déserts du Sud-ouest. Qu'expriment ces œuvres du social de leur époque, nommées par la suite Land Art ? Sont-elles un art de rupture enraciné dans la culture américaine et portant ses traits identitaires ? La thèse retrace la construction de l'identité culturelle de l'Amérique, les fondements et l'histoire de la contestation. Elle présente le " bricolage " conceptuel articulé autour des notions de réseaux et de cliques et la méthode d'enquête mobilisant monographies et journal de bord. C'est la lecture des pratiques sociales de création alliées aux intentions des artistes révélées par la forme des œuvres qui montre les traits identitaires qu'elles portent.
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Brun, Jean-Paul. "Nature, art contemporain et société : le Land art comme analyseur du social". Paris ; Budapest ; Kinshasa [etc.] : l'Harmattan, 2005. http://catalogue.bnf.fr/ark:/12148/cb40092117t.

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Brun, Jean-Paul. "Nature, art contemporain et société : le Land art comme analyseur du social". Paris ; Budapest ; Kinshasa [etc.] : l'Harmattan, 2006. http://catalogue.bnf.fr/ark:/12148/cb409277393.

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Libros sobre el tema "Land-art"

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Tiberghien, Gilles A. Land art. London: Art Data, 1995.

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Tufnell, Ben. Land art. London: Tate, 2006.

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Tiberghien, Gilles A. Land art. Paris: Editions Carré, 1993.

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A, Tiberghien Gilles. Land art. New York: Princeton Architectural Press, 1995.

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Schubert, Armin, Maria Schuster-Kastner y Veronika Schubert. Land Art: Armin Schubert. Hohenems: Bucher Verlag, 2018.

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Jeffrey, Kastner y Wallis Brian 1953-, eds. Land and environmental art. London: Phaidon Press, 1998.

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Penders, Anne-Françoise. En chemin, le land art. Bruxelles: Ante Post, 1999.

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Penders, Anne-Françoise. En chemin, le land art. Bruxelles: Ante Post, 1999.

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Kouwenhoven, Paula y Tamar Maagdenberg. Land Art Delft: Sculpturen 2016. Delft: Land Art Delft, 2016.

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Marl, Skulpturenmuseum der Stadt, Kunst-Museum Ahlen, Kunstverein Ahlen y Künstlerzeche Unser Fritz 2/3, eds. Industrial land art im Ruhrland. Essen: Klartext, 2009.

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Capítulos de libros sobre el tema "Land-art"

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Hodge, Susie. "Land-Art". En 50 Schlüsselideen Kunst, 188–91. Berlin, Heidelberg: Springer Berlin Heidelberg, 2014. http://dx.doi.org/10.1007/978-3-642-39328-0_48.

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Crowther, Paul. "Land Art". En Theory of the Art Object, 76–88. London ; New York : Routledge, 2019. | Series: Routledge advances in art and visual studies: Routledge, 2019. http://dx.doi.org/10.4324/9780429264320-5.

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Pollock, Venda Louise. "Land, art". En The Routledge Companion to Landscape Studies, 215–26. Second edition. | Milton Park, Abingdon, Oxon ; New York : Routledge, 2018.: Routledge, 2018. http://dx.doi.org/10.4324/9781315195063-17.

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Klein, Bernhard. "Land Measuring: an Upstart Art". En Maps and the Writing of Space in Early Modern England and Ireland, 42–60. London: Palgrave Macmillan UK, 2001. http://dx.doi.org/10.1057/9780230598119_3.

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Foss, Perkins. "Art for land and water". En The Literature and Arts of the Niger Delta, 102–14. Abingdon, Oxon; New York, NY : Routledge, 2021. | Series: Routledge contemporary Africa: Routledge, 2021. http://dx.doi.org/10.4324/9781003136750-12.

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Stirek, Lindsey. "Land-Art Relationships in Chanoyu Practice*". En Experiments in Art Research, 150–52. London: Routledge, 2024. http://dx.doi.org/10.4324/9781003430971-29.

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van der Molen, W. H. "Land Drainage: Art, Skill, Science, or Technology?" En Hydraulic Design in Water Resources Engineering: Land Drainage, 1–8. Berlin, Heidelberg: Springer Berlin Heidelberg, 1986. http://dx.doi.org/10.1007/978-3-662-22014-6_1.

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Grice, Malcolm Le. "Art in the Land of Hydra-Media [1998]". En Experimental Cinema in the Digital Age, 297–309. London: British Film Institute, 2001. http://dx.doi.org/10.1007/978-1-349-91371-8_25.

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O'Dea, Rory. "True Fictions and Dark Mediations". En Robert Smithson, Land Art, and Speculative Realities, 62–103. New York: Routledge, 2023. http://dx.doi.org/10.4324/9781003305262-3.

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O'Dea, Rory. "Introduction". En Robert Smithson, Land Art, and Speculative Realities, 1–15. New York: Routledge, 2023. http://dx.doi.org/10.4324/9781003305262-1.

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Actas de conferencias sobre el tema "Land-art"

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Leveille, Michael y Robert Langlois. "Spacial Modelling and Simulation of On-deck Helicopter Securing and Manoeuvring". En Vertical Flight Society 70th Annual Forum & Technology Display, 1–10. The Vertical Flight Society, 2014. http://dx.doi.org/10.4050/f-0070-2014-9586.

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For smaller ships in rough seas, flight deck motion can become considerable and result in significant dynamic behaviour of embarked helicopters. The current state-of-the-art in dynamic modelling of the on-deck helicopter/ship dynamic interface includes a fully-spacial securing simulation and a separate one capable of modelling planar traversing and manoeuvring operations. A fully-spacial securing and manoeuvring simulation named SSMASH (Spacial Securing and Manoeuvring Analysis for Shipboard Helicopters) has been developed to provide complete analysis capability of the on-deck helicopter/ship dynamic interface. Specifically, a new capability to model helicopter response to manoeuvring events in the presence of flight deck motion is realized. The model is compared to the state-of-the-art securing simulation Dynaface®and experimental data from land-based manoeuvring trials. Excellent correlation with the Dynaface® simulation is achieved, while good correlation with the experimental data is also observed.
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Detrois, Martin, Chang-Yu Hung, Stoichko Antonov y Paul D. Jablonski. "Creep Resistant Martensitic Steels for Operation at High-Temperatures in Power Generation Applications". En AM-EPRI 2024, 147–58. ASM International, 2024. http://dx.doi.org/10.31399/asm.cp.am-epri-2024p0147.

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Abstract Increasing the temperature capabilities of ferritic/martensitic 9-12% Cr steels can help in increasing the operating temperature of land-based turbines and minimize the use of expensive high-temperature alloys in the hot section. A creep resistant martensitic steel, JMP, was developed with the potential to operate at or above 650°C. The design of the alloys originated from computational modeling for phase stability and precipitate strengthening using fifteen constituent elements. Cobalt was used for increased solid solution strengthening, Si for oxidation resistance and different W and Mo concentrations for matrix strength and stability. The JMP steels showed increases in creep life compared to MARBN/SAVE12AD at 650°C for testing at various stresses between 138 MPa and 207 MPa. On a Larson-Miller plot, the performance of the JMP steels surpasses that of state-of-the-art MARBN steel. Approximately 21 years of cumulative creep data are reported for the JMP steels which encompasses various compositions. The relationships between composition-microstructure-creep properties are discussed including characterization of microstructures after &gt;20,000 hours in creep.
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Zhang Jian. "On sponsors and land art". En Conceptual Design (CAID/CD). IEEE, 2008. http://dx.doi.org/10.1109/caidcd.2008.4730793.

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Kuo, Yi-Ting. "Land Art Creation and Environmental Space Beautification". En The Asian Conference on Arts and Humanities 2023. The International Academic Forum(IAFOR), 2023. http://dx.doi.org/10.22492/issn.2186-229x.2023.2.

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Zhou, Aihong, Zhiguang Li, Chao Yin y Ying Yuan. "State-of-the-art in the Study of Urban Land Subsidence". En 3rd International Conference on Management Science, Education Technology, Arts, Social Science and Economics. Paris, France: Atlantis Press, 2015. http://dx.doi.org/10.2991/msetasse-15.2015.184.

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Landis, John D. "Modeling urban land use change: Approaches, state-of-the art, prospects". En 2012 Socio-economic Benefits Workshop. IEEE, 2012. http://dx.doi.org/10.1109/sebw.2012.6292279.

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Vasiliev, Denis. "THE ROLE OF LANDSCAPE DESIGN AND LAND ART IN COMMUNITY ENGAGEMENT". En 21st SGEM International Multidisciplinary Scientific GeoConference Proceedings 2021. STEF92 Technology, 2021. http://dx.doi.org/10.5593/sgem2021v/6.2/s27.33.

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Russo, F. y G. Musolino. "Urban Land-Use Transport Interaction modelling: state of the art and applications". En URBAN TRANSPORT 2007. Southampton, UK: WIT Press, 2007. http://dx.doi.org/10.2495/ut070491.

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Guerrero Balarezo, Maria Laura y Kayvan Karimi. "Urban Art and place. Spatial patterns of urban art and their contribution to urban regeneration". En 24th ISUF 2017 - City and Territory in the Globalization Age. Valencia: Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/isuf2017.2017.6069.

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Cities face several challenges regarding public space and urban regeneration. Some of them are the depersonalization and lack of interest of citizens in their own city, privatization, gentrification, technologization and gender-insecurity. Public spaces lose their character as articulator and generator of human relations, while neighborhoods lose their role as the basic unity of community and urban identity. Nowadays, many bottom-up strategies have arisen as expressions of neighborhood’s inhabitant’s will, producing cultural diversity and civic engagement, with a placemaking effect. Urban art is one of them. Social and economic products of urban art have been studied, but the spatial manifestation and impact have been largely absent from the discourse of urban morphology. Spatial conditions are representational of social practices like art, by structuring patterns of movement, encounter and separation in the city (Cartiere &amp; Zebracki, 2016). This study aims to discover the spatial relation between urban art displays and the network of public spaces, and whether this pattern has a role in neighborhood regeneration. To identify these relations in Shoreditch, London, Space Syntax analysis and spatial clustering were used, combined with a survey of geographically located public urban art (extracted from social networks data). Also, the spatial patterns of land prices and land uses from 1995 to 2016 were examined. Research showed that various types of artwork have a strong relation with certain spatial network characteristics and visibility of locations from each other. Economic and use outcomes were also related to the development of the art pattern through the years.
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Xu, Y. S., S. L. Shen y Y. Bai. "State-of-the-Art of Land Subsidence Prediction due to Groundwater Withdrawal in China". En GeoShanghai International Conference 2006. Reston, VA: American Society of Civil Engineers, 2006. http://dx.doi.org/10.1061/40867(199)5.

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Informes sobre el tema "Land-art"

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DURRNAT-WHYTE, HUGH. A Critical Review of the State-of-the-Art in Autonomous Land Vehicle Systems and Technology. Office of Scientific and Technical Information (OSTI), noviembre de 2001. http://dx.doi.org/10.2172/792867.

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Ronneberger, Kerstin, Maria Berrittella, Francesco Bosello y Richard Tol. KLUM@GTAP: Spatially-Explicit, Biophysical Land Use in a Computable General Equilibrium Model. GTAP Working Paper, abril de 2008. http://dx.doi.org/10.21642/gtap.wp50.

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*Chapter 12 of the forthcoming book "Economic Analysis of Land Use in Global Climate Change Policy," edited by Thomas W. Hertel, Steven Rose, and Richard S.J. Tol In this paper the global agricultural land use model KLUM is coupled to an extended version of the computable general equilibrium model (CGE) GTAP in order to consistently assess the integrated impacts of climate change on global cropland allocation and its implications for economic development. The methodology is innovative as it introduces dynamic economic land-use decisions based also on the biophysical aspects of land into a state-of the-art CGE; it further allows the projection of resulting changes in cropland patterns at a spatially explicit level. A convergence test and illustrative future simulations underpin the robustness analysis and serve to highlight the potential of the coupled system. Reference simulations with the uncoupled models emphasize the impact and relevance of the coupling; the results of coupled and uncoupled simulations can differ by several hundred percent.
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Lee, Huey-Lin, Thomas Hertel, Brent Sohngen y Navin Ramankutty. Towards An Integrated Land Use Database for Assessing the Potential for Greenhouse Gas Mitigation. GTAP Technical Paper, diciembre de 2005. http://dx.doi.org/10.21642/gtap.tp25.

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This paper describes the GTAP Land Use Data Base designed to support integrated assessments of the potential for greenhouse gas mitigation. It disaggregates land use by agro-ecological zone (AEZ). To do so, it draws upon global land cover data bases, as well as state-of-the-art definition of AEZs from the FAO and IIASA. Agro-ecological zoning segments a parcel of land into smaller units according to agro-ecological characteristics, including: precipitation, temperature, soil type, terrain conditions, etc. Each zone has a similar combination of constraints and potential for land use. In the GTAP-AEZ Data Base, there are 18 AEZs, covering six different lengths of growing period spread over three different climatic zones. Land using activities include crop production, livestock raising, and forestry. In so doing, this extension of the standard GTAP Data Base permits a much more refined characterization of the potential for shifting land use amongst these different activities. When combined with information on greenhouse gas emissions, this data base permits economists interested in integrated assessment of climate change to better assess the role of land use change in greenhouse gases mitigation strategies.
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Eickhout, Bas, Hans van Meijl, Andrzej Tabeau y Elke Stehfest. The Impact of Environmental and Climate Constraints on Global Food Supply. GTAP Working Paper, abril de 2008. http://dx.doi.org/10.21642/gtap.wp47.

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*Chapter 9 of the forthcoming book "Economic Analysis of Land Use in Global Climate Change Policy," edited by Thomas W. Hertel, Steven Rose, and Richard S.J. Tol The goal of this Chapter is to study the complex interaction between agriculture, economic growth and the environment, given future uncertainties. We combine economic concepts and biophysical constraints in one consistent modeling framework to be able to quantify and analyze the long-term socio-economic and environmental consequences of different scenarios. Here, we present the innovative methodology of coupling an economic and a biophysical model to combine state of the art knowledge from economic and biophysical sources. First, a comprehensive representation of the agricultural and land markets is required in the economic model. Therefore we included a land demand structure to reflect the degree of substitutability of types of land-use types and we included a land supply curve to include the process of land conversion and land abandonment. Secondly, the adapted economic model (LEITAP) is linked to the biophysical-based integrated assessment model IMAGE allowing to feed back spatially and temporarily varying land productivity to the economic framework. Thirdly, the land supply curves in the economic model are parameterized by using the heterogeneous information of land productivity from IMAGE. This link between an economic and biophysical model benefits from the strengths of both models. The economic model captures features of the global food market, including relations between world regions, whereas the bio-physical model adds geographical explicit information on crop growth within each world region. An illustrative baseline analyses shows the environmental consequences of the default baseline and a sensitivity analyses is performed with regard to the land supply curve. Results indicate that economic and environmental consequences are very dependent on whether a country is land scarce or land abundant.
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McIntyre, Phillip, Susan Kerrigan y Marion McCutcheon. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Coffs Harbour. Queensland University of Technology, 2021. http://dx.doi.org/10.5204/rep.eprints.208028.

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Coffs Harbour on the north coast of NSW is a highway city sandwiched between the Great Dividing Range and the Pacific Ocean. For thousands of years it was the traditional land of the numerous Gumbaynggirr peoples. Tourism now appears to be the major industry, supplanting agriculture and timber getting, while a large service sector has grown up around a sizable retirement community. It is major holiday destination. Located further away from the coast in the midst of a dairy farming community, Bellingen has become a centre of alternative culture which relies heavily on a variety of festivals activated by energetic tree changers and numerous professionals who have relocated from Sydney. Both communities rely on the visitor economy and there have been considerable changes to how local government in this region approach strategic planning for arts and culture. The newly built Coffs Harbour Education Campus (CHEC) is an experiment in encouraging cross pollination between innovative businesses and education and incorporates TAFE NSW, Coffs Harbour Senior College and Southern Cross University as well as the Coffs Harbour Technology Park and Coffs Harbour Innovation Centre all on one site. The 250 seat Jetty Memorial Theatre is the main theatre in Coffs Harbour for local and touring productions while local halls and converted theatres are the mainstay of smaller communities in the region. As peak body Arts Mid North Coast reports, there is a good record of successful arts related events which range across all genres of music, art, sculpture, Aboriginal culture, street art, literature and even busking and opera. These are mainly managed by passionate local volunteers.
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Kerrigan, Susan, Phillip McIntyre y Marion McCutcheon. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Ballarat. Queensland University of Technology, 2020. http://dx.doi.org/10.5204/rep.eprints.206963.

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Description Ballarat sits on Wathaurong land and is located at the crossroads of four main Victorian highways. A number of State agencies are located here to support and build entrepreneurial activity in the region. The Ballarat Technology Park, located some way out of the heart of the city at the Mount Helen campus of Federation University, is an attempt to expand and diversify the technology and innovation sector in the region. This university also has a high profile presence in the city occupying part of a historically endowed precinct in the city centre. Because of the wise preservation and maintenance of its heritage listed buildings by the local council, Ballarat has been used as the location for a significant set of feature films, documentaries and television series bringing work to local crews and suppliers. With numerous festivals playing to the cities strengths many creative embeddeds and performing artists take advantage of employment in facilities such as the Museum of Australian Democracy at Eureka. The city has its share of start-ups, as well as advertising, design and architectural firms. The city is noted for its museums, its many theatres and art galleries. All major national networks service the TV and radio sector here while community radio is strong and growing.
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Morkun, Volodymyr S., Сергій Олексійович Семеріков, Svitlana M. Hryshchenko y Kateryna I. Slovak. System of competencies for mining engineers. Видавництво “CSITA”, 2016. http://dx.doi.org/10.31812/0564/719.

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Topicality of the material, highlighted in this article is stipulated by the need to ensure effectiveness of educational process while preparing mining engineers. System of competencies for future mining engineers, taken as basis for high school sectoral standard for Mining 6.050301 update is theoretically substantiated and developed. Sources of state-of-the-art foreign educational system and technologies as well as scientific research results of local teachers have been analyzed, enabling development of new sectoral standard. Switching to new high school competencies-based sectoral standards is the necessary step in high education reforming in Ukraine, while the application of competencies-based approach to high school sectoral standards development facilitates tuning of education towards labour market’s requirements and demands, further development of educational techniques and educational system as a whole. Objective of the article: to project system of competencies and to define components of environmental competencies for mining engineers. Methods: – theoretical: analysis, generalization, systematization of legislative framework, educational standards, Internet - sources in order to distinguish theoretical basis of research, develop system of competencies for future mining engineers. – Empirical – improvement of system of competencies for future mining engineers. Scientific novelty is represented with structured system, consisting of 49 competencies, comprising the core of new sectoral standard for mining engineers preparation; Practical importance of the outcomes is related to developments: separate constituents of high school draft sectoral standard for Mining engineers bachelors’ preparation 6.050301 Mining (system of social & personal, general scientific, tool-based, general professional and special professional competencies. Research outcomes can be used while developing educational qualification profile and training program for Mining bachelors 6.050301 education field, in course of geoinformational technologies review by ecology, land survey and geography bachelors.
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8

Döring, Thpmas y Franziska Rischkowsky. Finanzwissenschaftliche Bewertung des Ausschöpfungsgrads von Gewerbe- und Grundsteuer in Rheinland-Pfalz. Sonderforschungsgruppe Institutionenanalyse, 2015. http://dx.doi.org/10.46850/sofia.9783941627437.

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Mit Blick auf Deutschland steht außer Frage, dass die im bestehenden föderativen System enthaltene Garantie der kommunalen Selbstverwaltung ein hinreichendes Maß an dezentraler Finanzautonomie voraussetzt. Die Bewältigung der den Kommunen im Rahmen der föderalen Zuständigkeitsverteilung zugewiesenen Aufgaben und das Tätigen der damit verbundenen Ausgaben sind ohne eine entsprechende Ausstattung mit Einnahmen, d.h. der Verfügbarkeit über angemessene finanzielle Mittel zur Aufgabenerfüllung, nicht möglich. Diese grundlegende Einsicht spiegelt sich bereits in Art. 28 Abs. 2 Grundgesetz (GG), wonach den Gemeinden und Gemeindeverbänden das Recht gewährleistet sein muss, „alle Angelegenheiten der örtlichen Gemeinschaft im Rahmen der Gesetze in eigener Verantwortung zu regeln“. Und weiter heißt es dort: „Die Gewährleistung der Selbstverwaltung umfasst auch die Grundlagen der finanziellen Eigenverantwortung“. Dieser im Rahmen der Grundgesetzanpassung von 1994 hinzugefügte Satz stellt nicht allein eine verfassungsrechtliche Grundlage für die Zuweisung eigener Steuerhoheiten an die kommunale Ebene durch den Bundesgesetzgeber dar. Er ist zugleich auch die grundgesetzliche Basis einer garantierten (vertikalen) Zuweisung von finanziellen Mitteln eines jeweiligen Landes an seine Kommunen und bildet damit den rechtlichen Bezugspunkt für den auf Landesebene bestehenden kommunalen Finanzausgleich, dessen Durchführung in den jeweiligen Landesverfassungen geregelt ist. Vor diesem Hintergrund hat auch der Verfassungsgerichtshof Rheinland-Pfalz in seinem Urteil vom 14. Februar 2012 im Rahmen des Normenkontrollverfahrens zur Änderung des Landesfinanzausgleichsgesetzes vom 12. Juni 2007 zum einen auf die Verpflichtung des Landes aus Art. 49 Abs. 6 LV hingewiesen, über den kommunalen Finanzausgleich eine „angemessene Finanzausstattung“ der Kommunen zur Erfüllung pflichtiger wie freiwilliger Selbstverwaltungsaufgaben zu gewährleisten. Zugleich wird vom Verfassungsgerichtshof zum anderen aber auch darauf verwiesen, dass als wesentliche Grundlage für einen funktionsfähigen Finanzausgleich „die Kommunen ihre eigenen Einnahmequellen angemessen auszuschöpfen und Einsparpotentiale bei der Aufgabenwahrnehmung zu verwirklichen“ haben. Als unmittelbare Folge aus dieser vom Verfassungsgerichtshof formulierten Anforderung an die kommunale Einnahmenpolitik kann das Land „im Gegenzug für seinen Beitrag zur Bewältigung der kommunalen Finanzkrise verlangen, dass auch die Kommunen ihre Kräfte größtmöglich anspannen“ (ebenda). Auch wenn die zurückliegend formulierten Anforderungen auf sämtliche Kommunen in Deutschland zutreffen, soll im vorliegenden Beitrag beispielhaft die aktuelle Klage eines Teils der Kommunen des Landes Rheinland-Pfalz, der zufolge die Regelungen des Landesfinanzausgleichsgesetzes für das Jahr 2014 als nicht ausreichend gelten, um die Vorgaben aus dem Urteil des Verfassungsgerichtshofs vom 14. Februar 2012 zu erfüllen, zum Anlass für eine entsprechende Überprüfung der Einnahmenpolitik der Städte und Gemeinden des Landes genommen werden. Hierbei wird sich auf eine Analyse der bestehenden Finanzierungsspielräume im Bereich der sogenannten Realsteuern (Gewerbesteuer, Grundsteuer B, Grundsteuer A) als jenen kommunalen Einnahmequellen konzentriert, die bekanntermaßen mit Abstand zu den bedeutendsten Einnahmequellen von Städten und Gemeinden zählen, die von diesen eigenverantwortlich gestaltet werden können. Ziel der nachfolgenden Untersuchung ist folglich die Fragestellung, ob die rheinland-pfälzischen Kommunen die ihnen im Rahmen der Realsteuerpolitik zur Verfügung stehenden Möglichkeiten zur Finanzierung ihrer Haushalte in angemessenem Umfang in den zurückliegenden Jahren ausgeschöpft haben. Als Betrachtungszeitraum für die empirische Analyse werden dabei die Jahre 2007 bis 2013 zugrunde gelegt, wobei immer dann, wenn Daten der amtlichen Statistik auch für 2014 bereits verfügbar sind, diese in die Betrachtung mit einbezogen werden.
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Hunter, Fraser y Martin Carruthers. Iron Age Scotland. Society for Antiquaries of Scotland, septiembre de 2012. http://dx.doi.org/10.9750/scarf.09.2012.193.

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The main recommendations of the panel report can be summarised under five key headings:  Building blocks: The ultimate aim should be to build rich, detailed and testable narratives situated within a European context, and addressing phenomena from the longue durée to the short-term over international to local scales. Chronological control is essential to this and effective dating strategies are required to enable generation-level analysis. The ‘serendipity factor’ of archaeological work must be enhanced by recognising and getting the most out of information-rich sites as they appear. o There is a pressing need to revisit the archives of excavated sites to extract more information from existing resources, notably through dating programmes targeted at regional sequences – the Western Isles Atlantic roundhouse sequence is an obvious target. o Many areas still lack anything beyond the baldest of settlement sequences, with little understanding of the relations between key site types. There is a need to get at least basic sequences from many more areas, either from sustained regional programmes or targeted sampling exercises. o Much of the methodologically innovative work and new insights have come from long-running research excavations. Such large-scale research projects are an important element in developing new approaches to the Iron Age.  Daily life and practice: There remains great potential to improve the understanding of people’s lives in the Iron Age through fresh approaches to, and integration of, existing and newly-excavated data. o House use. Rigorous analysis and innovative approaches, including experimental archaeology, should be employed to get the most out of the understanding of daily life through the strengths of the Scottish record, such as deposits within buildings, organic preservation and waterlogging. o Material culture. Artefact studies have the potential to be far more integral to understandings of Iron Age societies, both from the rich assemblages of the Atlantic area and less-rich lowland finds. Key areas of concern are basic studies of material groups (including the function of everyday items such as stone and bone tools, and the nature of craft processes – iron, copper alloy, bone/antler and shale offer particularly good evidence). Other key topics are: the role of ‘art’ and other forms of decoration and comparative approaches to assemblages to obtain synthetic views of the uses of material culture. o Field to feast. Subsistence practices are a core area of research essential to understanding past society, but different strands of evidence need to be more fully integrated, with a ‘field to feast’ approach, from production to consumption. The working of agricultural systems is poorly understood, from agricultural processes to cooking practices and cuisine: integrated work between different specialisms would assist greatly. There is a need for conceptual as well as practical perspectives – e.g. how were wild resources conceived? o Ritual practice. There has been valuable work in identifying depositional practices, such as deposition of animals or querns, which are thought to relate to house-based ritual practices, but there is great potential for further pattern-spotting, synthesis and interpretation. Iron Age Scotland: ScARF Panel Report v  Landscapes and regions:  Concepts of ‘region’ or ‘province’, and how they changed over time, need to be critically explored, because they are contentious, poorly defined and highly variable. What did Iron Age people see as their geographical horizons, and how did this change?  Attempts to understand the Iron Age landscape require improved, integrated survey methodologies, as existing approaches are inevitably partial.  Aspects of the landscape’s physical form and cover should be investigated more fully, in terms of vegetation (known only in outline over most of the country) and sea level change in key areas such as the firths of Moray and Forth.  Landscapes beyond settlement merit further work, e.g. the use of the landscape for deposition of objects or people, and what this tells us of contemporary perceptions and beliefs.  Concepts of inherited landscapes (how Iron Age communities saw and used this longlived land) and socal resilience to issues such as climate change should be explored more fully.  Reconstructing Iron Age societies. The changing structure of society over space and time in this period remains poorly understood. Researchers should interrogate the data for better and more explicitly-expressed understandings of social structures and relations between people.  The wider context: Researchers need to engage with the big questions of change on a European level (and beyond). Relationships with neighbouring areas (e.g. England, Ireland) and analogies from other areas (e.g. Scandinavia and the Low Countries) can help inform Scottish studies. Key big topics are: o The nature and effect of the introduction of iron. o The social processes lying behind evidence for movement and contact. o Parallels and differences in social processes and developments. o The changing nature of houses and households over this period, including the role of ‘substantial houses’, from crannogs to brochs, the development and role of complex architecture, and the shift away from roundhouses. o The chronology, nature and meaning of hillforts and other enclosed settlements. o Relationships with the Roman world
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Jewell's Crescent City Illustrated: New Orleans: 1874. Inter-American Development Bank, marzo de 2000. http://dx.doi.org/10.18235/0006419.

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Sixty objects and historic documents from the Historic New Orleans Collection, the Louisiana State Museum, and the New Orleans Museum of Art, including maps, photographs, lithographs, land deeds, silverware, earthenware, woodwork, msuic sheets, and even the trumpet of jazz great Dave Bartholomew. The "River and a City" section gave an overview of the history of New Orleans since discovery, and the "Unique Cultural Blend" section highlighted cultural expressions unique to the city itself. The exhibition was organized in honor of the City of New Orleans, site of the 41th Annual Meeting of the IDB Board of Governors in March, 2000.
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