Bibliografías temáticas / Light in art

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Literatura académica sobre el tema "Light in art"

Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 1 de agosto de 2024

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Artículos de revistas sobre el tema "Light in art"

1

Hutchinson, John. "Art Projects: Light Matters." Circa, no. 70 (1994): 36. http://dx.doi.org/10.2307/25562736.

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Hecht, Jeff. "How light saved art." New Scientist 224, no. 2995 (November 2014): 50. http://dx.doi.org/10.1016/s0262-4079(14)62199-0.

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Asmus, John F. "Light for Art Conservation." Interdisciplinary Science Reviews 12, no. 2 (June 1987): 171–79. http://dx.doi.org/10.1179/isr.1987.12.2.171.

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Csinos, David M. "Light Art, Street Art, and the Art of Preaching: Sound-and-Light Shows as Public Proclamation." International Journal of Homiletics 4, no. 1 (October 1, 2020): 74–87. http://dx.doi.org/10.21827/ijh.2020.39506.

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This article examines how the phenomenon of sound-and-light shows fulfills the purposes of preaching and, as such, can be perceived as a form of public proclamation. Originating in France but now offered all over the world, these shows use large-scale video projection to display images on the facades of historic buildings, many of which are religious in nature, set to sound effects and music. The author begins by addressing three purposes of preaching that arise within homiletical discourse: testimony of God’s story, empowering transformation, and engendering encounters with God. Drawing from
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LESENCIUC, Adrian. "AMERICAN ART EDUCATION IN THE LIGHT OF GLOCALIST APPROACH." Review of the Air Force Academy 16, no. 3 (December 19, 2018): 99–103. http://dx.doi.org/10.19062/1842-9238.2018.16.3.12.

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Lee, Jeehee. "Using Shadow in Light Art." CONTENTS PLUS 13, no. 4 (June 30, 2015): 23–36. http://dx.doi.org/10.14728/kcp.2015.13.04.023.

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Asmus, John E. "More light for art conservation." IEEE Circuits and Devices Magazine 2, no. 2 (March 1986): 6–15. http://dx.doi.org/10.1109/mcd.1986.6311800.

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Harris, Jack. "Art and the electric light." Interdisciplinary Science Reviews 24, no. 1 (January 1999): 1–13. http://dx.doi.org/10.1179/isr.1999.24.1.1.

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Edensor, Tim. "Light Art, Perception, and Sensation." Senses and Society 10, no. 2 (May 4, 2015): 138–57. http://dx.doi.org/10.1080/17458927.2015.1042228.

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Spiridonova, Anna M. "LIGHT IN THE WORKS OF GIACOMO BALLA IN THE PERSPECTIVE OF LIGHT ART GENESIS." Russian Studies in Culture and Society 7, no. 4 (December 30, 2023): 144–63. http://dx.doi.org/10.12731/2576-9782-2023-4-144-163.

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The article is devoted tо the specific question in Russian art history – to the problem of light in the works of J. Balla from the perspective of Light art genesis. The insufficiently researched genesis of light art .in Modernism and Italian Futurism is followed by the incomplete understanding of phenomenon. This circumstance requires an appeal to the historical roots of Light art, particularly, to the period when artists started including artificial light into the practice of fine art and started using it as a medium.
 As a result of the research in the art of J. Balla the genesis of Lig
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Tesis sobre el tema "Light in art"

1

Csinos, David M. "Light Art, Street Art, and the Art of Preaching: Sound-and-Light Shows as Public Proclamation." Universität Leipzig, 2020. https://ul.qucosa.de/id/qucosa%3A72283.

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This article examines how the phenomenon of sound-and-light shows fulfills the purposes of preaching and, as such, can be perceived as a form of public proclamation. Originating in France but now offered all over the world, these shows use large-scale video projection to display images on the facades of historic buildings, many of which are religious in nature, set to sound effects and music. The author begins by addressing three purposes of preaching that arise within homiletical discourse: testimony of God’s story, empowering transformation, and engendering encounters with God. Drawing from
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2

Dracoulis, Wendy Fay, and wdracoulis@gmail com. "Coloured light." RMIT University. Art, 2007. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20080102.093428.

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This project involves the examination of abstract, geometric paintings, kinetic sculptures, electronic art and installations that use opticality, perspectival space and colour relationships that destabilise compositional cohesion. Works made between 1964 and 1980, particularly those by Victor Vasarely and Bridget Riley are referenced in the determination of how geometric forms, colour transitions, interactions and juxtapositions have been used to suggest movement. This enquiry includes a review of the usage of planar space and the creation of optical effects. Artworks such as Bridget Riley's C
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Kotze, Willem Riaan. "Art Workshop : contextual architecture in light." Diss., Pretoria : [S.n.], 2008. http://upetd.up.ac.za/thesis/available/etd-11272008-000720.

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Dutro, Anna R. "An Art-Light Mosaic Light Distraction for the Pediatric Healthcare Environment." Diss., Virginia Tech, 2016. http://hdl.handle.net/10919/73543.

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In his classic book, Experiencing Architecture, Rasmussen (1959) noted that architects inspired by addressing problems in built environments created buildings with a special spirit: a distinctive stamp. Recent problems in healthcare facilities, specifically those related to reducing stress and anxiety, have inspired designers to create positive, uplifting distractions to redirect a patient's attention from a sterile environment and/or noxious event. In doing so, healthcare facilities have become special environments with a caring spirit. This study examined a specific aspect of creating a
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Edmonds, Anne, University of Western Sydney, of Arts Education and Social Sciences College, and School of Contemporary Arts. "Light as surface and intensity." THESIS_CAESS_CAR_Edmonds_A.xml, 2003. http://handle.uws.edu.au:8081/1959.7/561.

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Light Intensity and Surface is the title of this PhD art exhibition where I explore through paintings, the world of my own encounter with the radiant light of the Linear Accelerator used in treatment of women with breast cancer. This engagement with the world of light technology encompasses oncologists, physicists and women who extended their personal experience to inform my artwork and contribute to the theoretical connections made in this thesis. The contribution of this thesis lies in how the lecture The Origin of the Work of Art by philosopher Martin Heidegger can be applied to a reading o
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Lindholm, Kevin R. "Looking For Light." The Ohio State University, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=osu1276670352.

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Nikolic, Bojana. "Light art in Contemporary Architectural Lighting Design." Thesis, KTH, Ljusdesign, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-208660.

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This research focuses on understanding the relationship betweenlight art and architectural lighting design and determining towhat extent can aspects of light art be used when designingfunctional lighting for architecture.The first part of this paper looks into the historical applicationof light as a material. Light has been an important element inart even prior to the introduction of artificial light sources, butthe exploration of light as an independent material throughinstallation art only developed in the last century. Similarly inarchitecture, the impact of light on creating and shaping sp
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Villalobos, Hitos Yéssica Montsserrat. "Shedding Light on Droughts: Light in Art Installations as an Awareness Tool." Thesis, KTH, Ljusdesign, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-280084.

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The master thesis studies the value of light art installations as a tool to raise awareness, communicate messages,inspire people and create social engagement to take action and deal with important issues. Additionally, it researchesthe lighting characteristics that have to be considered in order to create a high emotional response. Three case studieson light art installations tackling environmental issues were selected to understand the tools that makes themsuccessful. The final result of the thesis is the design proposal for a site specific light art installation to raise awarenesson droughts
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Manninen, Mateus. "The Roles of Light: Artificial Light as a Resource in Public Art." Thesis, KTH, Ljusdesign, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-289198.

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In this paper, I will explore the role of artificial light in public art through a case study project. With the word role, I mean the visual and conceptual hierarchy of materials and resources in artwork. Light is a significant resource in public art. The artwork needs highlighting, especially in Northern countries where the winter’s darkness is inevitable. Light is not only a highlighter, it also tells a story of its own. 
First, I’m going to open up the concepts of public space, public art, light in public art and light art, to place the study in context. The literature review in the first p
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Merritt, Zachary. "Oscillations of the Unadorned Light Bulb." Bowling Green State University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1400072401.

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Libros sobre el tema "Light in art"

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Barzel, Amnon. Light art: Targetti Light Art Collection. Milano: Skira, 2006.

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Schober, Helmut. Helmut Schober: Light = licht. Milan: Electa, 1998.

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Perkowitz, S. Empire of light: A history of discovery in science and art. New York: Henry Holt, 1996.

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Gross, Hinrich. Hinrich Gross: Ereignis Licht = Incident light. Bielefeld: Kerber Verlag, 2015.

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Achim, Lipp, Zec Peter, and Hamburger Kunsthalle, eds. Mehr Licht: Künstlerhologramme und Lichtobjekte = More light. Hamburg: Fielmann, 1985.

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Peter, Weibel, Jansen Gregor 1965-, and Museum für Neue Kunst (Karlsruhe, Germany), eds. Light art from artificial light: Light as a medium in 20th and 21st century art = Licht Kunst aus Kunst Licht : Licht als Medium der Kunst im 20. und 21. Jahrhundert. Ostfildern: Hatje Cantz, 2006.

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Figes, Eva. Light. London: Pallas Athene, 2007.

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Elder, David. Art of William Light. Adelaide, S. Aust: Corp. of the City of Adelaide in association with Wakefield Press, 1987.

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Joerg, Miedza, and Rossbach G. (Gerhard), eds. Painting With Light: Light Art Performance Photography. Santa Barbara, CA: Rocky Nook, 2011.

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Monem, Nadine Käthe. Light show. London ; Köln: first published by Hayward Publishing in association with Koenig Books, 2013.

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Capítulos de libros sobre el tema "Light in art"

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Rossing, Thomas D., and Christopher J. Chiaverina. "Symmetry in Art and Nature." In Light Science, 281–302. New York, NY: Springer New York, 1999. http://dx.doi.org/10.1007/978-0-387-21698-0_13.

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Lozano, Jorge Sebastián. "Infused with Light." In Religion and Contemporary Art, 207–26. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003326809-17.

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Milliner, Matthew J. "Cities of Light." In Religion and Contemporary Art, 281–91. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003326809-23.

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Pirrie, Anne. "Travelling light." In Virtue and the Quiet Art of Scholarship, 64–81. Abingdon, Oxon ; New York, NY : Routledge, 2018. | Series: Routledge research in higher education: Routledge, 2018. http://dx.doi.org/10.4324/9781351044356-5.

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Ranald, Lawrence. "‘Drawn from the light’." In The Victorian Art School, 84–119. Abingdon, Oxon; New York, NY: Routledge, 2021.: Routledge, 2020. http://dx.doi.org/10.4324/9781003020288-4.

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Murry, Natalie. "Light on the Face." In Digital Forensic Art Techniques, 125–30. Boca Raton, FL : CRC Press, [2018]: CRC Press, 2018. http://dx.doi.org/10.4324/9781351047166-8.

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Ratledge, David. "Overcoming Light Pollution." In The Art and Science of CCD Astronomy, 111–21. London: Springer London, 1997. http://dx.doi.org/10.1007/978-1-4471-0633-3_10.

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Clover, Darlene E., and Emily Stone. "Casting Light and Shadow." In Adult Education, Museums and Art Galleries, 191–201. Rotterdam: SensePublishers, 2016. http://dx.doi.org/10.1007/978-94-6300-687-3_16.

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Johnson, Linda. "Conclusion: Darkness to Light." In Art, Ethics and the Human-Animal Relationship, 287–98. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-78833-9_8.

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Pelss, A., J. Morscheiser, S. Radwitz, J. Kremer, and A. Gilles. "Benchmark and Practical Application of State of the Art Hydrogen Monitoring." In Light Metals 2020, 944–50. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-36408-3_127.

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Actas de conferencias sobre el tema "Light in art"

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Wu, Jiangmei (Mei). "Zushiki light art." In SIGGRAPH '16: Special Interest Group on Computer Graphics and Interactive Techniques Conference. New York, NY, USA: ACM, 2016. http://dx.doi.org/10.1145/2929464.2956557.

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Temkin, Daniel. "Light pattern." In ACM SIGGRAPH Art Papers. New York, New York, USA: ACM Press, 2015. http://dx.doi.org/10.1145/2810177.2810184.

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Jinsil, Seo, and Corness Greg. "Light strings." In SIGGRAPH Asia 2012 Art Gallery. New York, New York, USA: ACM Press, 2012. http://dx.doi.org/10.1145/2413076.2413091.

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Sauter, Daniel. "Light Attack." In ACM SIGGRAPH 2006 Art gallery. New York, New York, USA: ACM Press, 2006. http://dx.doi.org/10.1145/1178977.1179087.

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Vázquez Navarrete, Edith G., Karen P. Volke Sepúlveda, and Gerardo García Luna Martínez. "Design of immersive scenarios and pieces of light art." In Light in Nature IX, edited by Joseph A. Shaw, Katherine Creath, and Vasudevan Lakshminarayanan. SPIE, 2022. http://dx.doi.org/10.1117/12.2631893.

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Hardie, Peter. "Light on Water." In ACM SIGGRAPH 2004 Art gallery. New York, New York, USA: ACM Press, 2004. http://dx.doi.org/10.1145/1185884.1186001.

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Jha, Pranav Kumar, Neha Mishra, and D. Sriram Kumar. "Challenges and potentials for visible light communications: State of the art." In LET THERE BE LIGHT: Reflections of a Congress on Light. Author(s), 2017. http://dx.doi.org/10.1063/1.4984154.

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Gedzelman, Stanley David. "The Sky in Science and Art." In Light and Color in the Open Air. Washington, D.C.: Optica Publishing Group, 1990. http://dx.doi.org/10.1364/lcoa.1990.the1.

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The present sharp division lines drawn between the arts and sciences represent an historical anomaly. For centuries, artists were among the premier observers of nature and, as in the case of Leonardo da Vinci, were sometimes also scientists or engineers themselves. The range of artists' observations is impressive and includes the overall climatic environment, the colors of the sky, many of the atmospheric optical phenomena, cloud forms, and even indications of changing weather situations (Gedzelman, 1989). There are numerous cases in which artists depicted atmospheric phenomena long before the
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Pratt, Louis, and Nico Pietroni. "Bending the Light: Next generation anamorphic sculptures." In SA Art Gallery '23: ACM SIGGRAPH Asia 2023 Art Gallery. New York, NY, USA: ACM, 2023. http://dx.doi.org/10.1145/3610537.3622956.

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Spiridonova, Anna. "LIGHT EXPERIMENTS IN RUSSIAN AVANGARD ART." In 2nd International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2015. Stef92 Technology, 2015. http://dx.doi.org/10.5593/sgemsocial2015/b41/s12.001.

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Informes sobre el tema "Light in art"

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Manuel, A. M. ARC Stray Light Mitigation. Office of Scientific and Technical Information (OSTI), January 2015. http://dx.doi.org/10.2172/1183552.

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Barnes, G. A. Light duty utility arm startup plan. Office of Scientific and Technical Information (OSTI), September 1998. http://dx.doi.org/10.2172/341309.

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Barnes, G. A. Light duty utility arm startup plan. Office of Scientific and Technical Information (OSTI), March 1998. http://dx.doi.org/10.2172/362546.

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Smalley, J. L. Light duty utility arm walkdown report. Office of Scientific and Technical Information (OSTI), September 1998. http://dx.doi.org/10.2172/362549.

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Siewert, Thomas A. Control of gas-metal-arc welding using arc-light sensing. Gaithersburg, MD: National Institute of Standards and Technology, 1995. http://dx.doi.org/10.6028/nist.ir.5037.

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Howden, G. F., R. B. Conrad, and G. R. Kiebel. Light Duty Utility Arm System hot test. Office of Scientific and Technical Information (OSTI), February 1996. http://dx.doi.org/10.2172/483363.

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Kiebel, G. R. Light duty utility arm baseline system description. Office of Scientific and Technical Information (OSTI), February 1996. http://dx.doi.org/10.2172/493348.

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Kiebel, G. R. Light duty utility arm software requirements specification. Office of Scientific and Technical Information (OSTI), December 1995. http://dx.doi.org/10.2172/434914.

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Kiebel, G. R. Light Duty Utility Arm Software Test Plan. Office of Scientific and Technical Information (OSTI), December 1995. http://dx.doi.org/10.2172/434916.

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Clement, Timothy, and Brett Vaughan. Evaluation of a mobile learning platform for clinical supervision. University of Melbourne, 2021. http://dx.doi.org/10.46580/124369.

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Context: This report details a formative evaluation of the Clinical Supervision Online (CSO) course, a fee-paying, fully online ‘light touch’ program of study for clinical supervisors offered by the Melbourne Medical School, which was developed in conjunction with the University’s Mobile Learning Unit. The course requires between six to ten hours of self-directed study and is designed for any clinicians who teach. Methods: Evaluation of the course was guided by Rossi, Lipsey and Freeman’s (2004) approach to program evaluation, addressing the need for the course, its design, implementation, imp
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