Bibliografías temáticas / Local art

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  1. Artículos de revistas
  2. Tesis
  3. Libros
  4. Capítulos de libros
  5. Actas de conferencias
  6. Informes

Literatura académica sobre el tema "Local art"

Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 10 de febrero de 2022

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Artículos de revistas sobre el tema "Local art"

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Kirillov, A. N. "The method of normal local stabilization". Issues of Analysis 26, n.º 1 (febrero de 2019): 72–83. http://dx.doi.org/10.15393/j3.art.2019.4610.

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HAKARAR, TUĞÇE. "Local Sound, Local Scene: Karga Art, Kadiköy Scene Case". Journal of International Social Research 8, n.º 38 (30 de junio de 2015): 1075. http://dx.doi.org/10.17719/jisr.20153813712.

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Becker, Howard S. "High Art Down Home: An Economic Ethnography of a Local Art Market:High Art Down Home: An Economic Ethnography of a Local Art Market." Visual Anthropology Review 14, n.º 1 (marzo de 1998): 96–97. http://dx.doi.org/10.1525/var.1998.14.1.96.

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Dyke, Jan Van. "Art and Place: The Local Connection". Arts Education Policy Review 100, n.º 3 (enero de 1999): 36–40. http://dx.doi.org/10.1080/10632919909599463.

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Dubois, Nina. "Local Food, Urban Gardening, and Art". Sustainability: The Journal of Record 6, n.º 3 (junio de 2013): 131–33. http://dx.doi.org/10.1089/sus.2013.9872.

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Pastorek, Norman. "The Art of Local Anesthesia Surgery". JAMA Facial Plastic Surgery 17, n.º 3 (mayo de 2015): 226–27. http://dx.doi.org/10.1001/jamafacial.2015.0195.

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Hamilton, Juliet, Leslie Forsyth y Daniel De Iongh. "Public Art: A Local Authority Perspective". Journal of Urban Design 6, n.º 3 (octubre de 2001): 283–96. http://dx.doi.org/10.1080/13574800120105797.

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Dubin, Margaret. "High Art Down Home: An Economic Ethnography of a Local Art Market:High Art Down Home: An Economic Ethnography of a Locai Art Market." Museum Anthropology 21, n.º 3 (diciembre de 1997): 42–44. http://dx.doi.org/10.1525/mua.1997.21.3.42.

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Soleh, D. R., H. J. Waluyo, S. Y. Sudikan y N. E. Wardani. "Development of Local Art-based Drama Textbooks". KnE Social Sciences 3, n.º 9 (26 de julio de 2018): 687. http://dx.doi.org/10.18502/kss.v3i9.2732.

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Bell, Claudia. "Roadside Exhibitionism: Outsider Art as Local Landmarks". Space and Culture 4, n.º 7-9 (febrero de 2001): 50–58. http://dx.doi.org/10.1177/120633120000300501.

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Tesis sobre el tema "Local art"

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Fulton, Lori Beth. "Building Art Education Relationships with Local Art Agencies". Digital Archive @ GSU, 2009. http://digitalarchive.gsu.edu/art_design_theses/37.

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This educational study on building art education relationships between art educators and local community art agencies was conducted in early February of 2009. Data was collected by means of an art teacher survey, mailed to the homes of metro Atlanta art educators and by conducting face-to-face interviews with professionals working in the education departments of high profile metro Atlanta art agencies. The data analysis provides insight into the goals of local K-12 art educators, and they are compared to the goals of community art agencies. The findings of this study reveal that art teachers and art agencies share many common goals and face similar challenges. And together, through networking and close communication, they may better serve the needs of students K-12 as they become lifetime participants and supports of the visual arts.
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Van, Winkle Adam Everette. "Art after "Art after Art": Joyce, Global Thinking and the Postmodern". OpenSIUC, 2009. https://opensiuc.lib.siu.edu/theses/455.

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This project seeks to unpack and moderate the postmodern debate surrounding James Joyce's 1922 novel, Ulysses, by examining how the text responds to global-local dichotomies, be they geographical or conceptual, and considering its stylistics in light of these themes. In doing so, it casts the likes of Laurence Sterne, Walt Whitman, Joseph Conrad, Gertrude Stein, John Cage, Robert Rauschenberg, Bob Dylan and Kurt Vonnegut, among others, alongside Joyce, connecting similar themes and stylistic responses. Ultimately, it suggests that the avant-garde response on the part of Joyce and these others is not necessarily a manifesto bolstering the style, but a reminder to the interpreter to not take the ability of traditional narrative to subsume the surprisingly complex local moment of experience as given. Instead of being "anti-art," as these avant-garde stylistics are often accused of, these aesthetics place new value on the old aesthetic and the act of interpretation, asking the interpreter to perennially re-evaluate the old and given amid the continuously new and complex local moment of experience resulting from the convergence of contrast brought on by the dynamically mapped globe in the process of globalization.
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Fadorsen, Stephanie Alexandra. "American Art Pottery: Ohio's Influence on Transforming a Local Craft into a World Renowned Fine Art". Kent State University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=kent1342890450.

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Feilen, Kimberly Val. "Arts for my sake identities of urban youth in the local "artistic" community /". Diss., Restricted to subscribing institutions, 2009. http://proquest.umi.com/pqdweb?did=1925785001&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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Obeid, Caroline. "Arts scan : Ottowa's local identity, arts in the new city /". Philadelphia, Pa. : Drexel University, 2002. http://dspace.library.drexel.edu/handle/1860/446.

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Quinn, Peter James. "Picturing locality : art and regional identity in the North East of England, 1822-1900". Thesis, University of Sunderland, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.388836.

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Summerfield, Angela. "Interventions : twentieth-century art collection schemes and their impact on local authority art gallery and museum collections of twentieth-century British art in Britain". Thesis, City, University of London, 2007. http://openaccess.city.ac.uk/17420/.

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In the twentieth century, collecting became a core activity of local authority art galleries and museums in Britain. A key feature of these art collections was the representation of Twentieth Century British Art. The aim of this study is to examine, for the first time, this development as abroad cultural phenomenon, through the distinctive roles played by central government-funded, and independent national and provincial art collection schemes. The central government-funded art collection schemes are the V. & A Purchase Grant Fund, War Artists' Advisory Committee and the National Heritage Memorial Fund; and the national loan and exhibition schemes offered by the Tate Gallery and the Arts Council. Independent schemes are more numerous and varied. These were administered by the National Art Collections Fund (now the Art Fund), Contemporary Art Society, Scottish Modem Arts Association, Contemporary Art Society for Wales, Henry Moore Foundation and Gulbenkian Foundation. In addition, there were the independent national loan and exhibition schemes offered by the Museums Association, Peter Stuyvesant Foundation and Alistair McAlpine and provincial schemes based in Manchester (Charles Rutherston Loan Scheme), Cardiff (National Museum of Wales Loan Scheme), Liverpool ('John Moores' competition-exhibitions) and Bradford ('International Print Biennale' competition-exhibitions). Given the geographical coverage, historical scope and focus of this study, a substantial body of published and unpublished literature was consulted. The wide-range of sources examined included institutional histories, biographies and studies of Twentieth-Century British Art; permanent collection and exhibition catalogues; newspaper, journal and magazine articles, curatorial records and correspondence; institutional records and correspondence; archival material and reports; and . correspondence and interviews. This entailed the discovery of much new material and the collation of substantial random data held by the Contemporary Art Society and the Gulbenkian Foundation This research seeks to show that local authority collecting of Twentieth-Century British Art was part of a nation-wide cultural pattern determined by certain ideas, theories and policies. Within this context, Section 1 identifies and discusses the nature and purpose of public art galleries, muscums and their art collections from 1845-1945. This momentous period in the museum movement in Britain, it is argued, sustained and generated ideas, theories and policies which encompassed national institutional hierarchies and their models of collecting, high art aesthetic standards and scholarship linked connoisseurship; the organic structure of museums; and multifaceted education. It concludes that during this formative period, an enduring cultural framework was established, from which emerged key collecting impetuses which are art history, patronage and heritage. Sections 2 and 3 examine the roles played by central government-funded and independent schemes, as a response to these issues, which also engendered and reinforced the collecting of specific types of Twentieth Century British Art. Section'4 surveys the local authority collections, which participated in the schemes, and concludes that 1957-79 was a crucial period in post-war collecting, which was both facilitated by the emergence of a considerable and dynamic network of commercial art galleries, and enhanced by national and provincial measures to decentralize the arts. A principal conclusion is that the future of modem (twentieth-century) and contemporary (twenty-first- century) British art collecting, by local authority art galleries and museums, lies in its perception as part of a collective cultural enterprise, in which the intervention of collection schemes will, as in the past, play a fundamental role. Finally, there is also a strong argument for provincial institutions to feed into a national debate as to what is selected to represent both modem and contemporary British art practice in public collections in general.
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Lidström, Anders. "Discretion : an art of the possible : education committees in the Swedish system of government". Doctoral thesis, Umeå universitet, Statsvetenskapliga institutionen, 1991. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-62936.

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Discretion is commonly analyzed as the scope for choice set by formal superiors. This study aims at developing an alternative theory of discretion which also takes into account the assumptions of the actors in implementing positions. The theory is constructed with the purpose of being an empirical tool for analyzing discretion on a nation-wide basis and in a central-local government context. It concerns two main questions: to what extent does discretion vary and how can this variation be explained? The theory section concludes with a number of empirically testable hypotheses. The concept of discretion is defined as the scope for choice available to actors, in formally subordinate positions, vis-à-vis their superiors. It is seen as a special case of autonomy, as it is attributed to subordinates and primarily concerns one dimension of autonomy, namely freedom of action. In the second half of the study, the theory is applied empirically to the discretion available to Swedish local government Education Committees. A questionnaire study of all Education Committee Chairpersons and Chief Education Officers and in-depth interviews of a selected sample of these have been undertaken. The empirical study clearly indicates that there is variation in discretion. In spite of the uniformity of the system of governing local education, it is found that the limits for discretion are set differently by different Education Committee representatives. The variation follows a pattern which has been, at least partly, reconstructed. Variables which appear as important in explaining variation include: the extent to which the control system is regarded as efficient; the size and population density of the local authority; and individual traits such as length of experience and gender. However, our analysis also shows that these explanations are more valid in certain contexts than in others, which points the way for further research.
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Matsinhe, Sebastiao Filipe. "The production of local art for a global cultural market in contemporary Mozambique". Thesis, University of the Western Cape, 2012. http://etd.uwc.ac.za/index.php?module=etd&action=viewtitle&id=gen8Srv25Nme4_4062_1363774738.

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This thesis examines the production of commercial art in contemporary Mozambique. It explores the power relationship between local artists &ndash
painters and sculptors &ndash
and their patrons and brokers in the art market. This means, on one hand, that it looks at the artworks that have been produced during the late colonial period (1962 &ndash
1974) and the post-colonial periods (June 1975 - 2010) and relates this to the changing political landscape in Mozambique. On the other hand, the aim is to explore the artists&rsquo
life histories, 
especially how their talent was first recognized, their art training (formal or otherwise), previous work experience, and the reasons for their current success (or lack thereof). This is done in order to see how and to what extent their artistic works have been influenced by external forces or actors. The power relationship existing between the art producers and their customers in the art markets in Mozambique is then related to the issue of globalisation. In this process, the study critically analyses who the actual art patrons of Mozambique art are and the extent to which Mozambican art is influenced by global forces. The focus is on a number of artists and the thesis examines their life histories specific to their art production in order to highlight the themes and trends of their art works. It was found that local art produced in Mozambique is not simply responding to local influences but also to global forces, of which the latter dominates. However, the study further reveals that while the art producers are influenced externally by their buyers, they (the art 
producers) have their own ways of manipulating their buyers in order to be able to sell their products. In other words, the artists have the power of mediating between local, 
personal influence and that of the patrons.

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Banerji, Debashish. "Locating Abanindranath Tagore local, national and transnational concerns in a turn-of-the-century Indian artist /". Diss., Restricted to subscribing institutions, 2005. http://proquest.umi.com/pqdweb?did=1144180611&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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Libros sobre el tema "Local art"

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1999), Biennale Niedersachsen (1st. Lokalzeit, local time, 1999. Hannover: Kunstverein, 1999.

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Preaching as local theology and folk art. Minneapolis: Fortress Press, 1997.

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Priester, Mary. Interstate MAX public art guide. Portland, Or: Tri-County Metropolitan Transportation District of Oregon, 2004.

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Priester, Mary. Interstate MAX public art guide. Portland, Or: TriMet, 2004.

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Plattner, Stuart. High art down home: An economic ethnography of a local art market. Chicago: University of Chicago Press, 1996.

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Shaw, Phyllida. The public art report: Local authority commissions of art for public places. London: Public Art Development Trust, 1990.

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Grams, Diane. Producing local color: Art networks in ethnic Chicago. Chicago: University of Chicago Press, 2010.

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Producing local color: Art networks in ethnic Chicago. Chicago: University of Chicago Press, 2010.

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Grams, Diane. Producing local color: Art networks in ethnic Chicago. Chicago: University of Chicago Press, 2010.

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Ferris, William R. Local color: A sense of place in folk art. New York: Anchor Books, 1992.

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Capítulos de libros sobre el tema "Local art"

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Huang, Heidi Yu. "Local intersections". En Translating Chinese Art and Modern Literature, 133–50. Abingdon, Oxon; New York, NY: Routledge, 2019. |: Routledge, 2019. http://dx.doi.org/10.4324/9781351001243-8.

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Ranald, Lawrence. "‘Local centres of civilisation’". En The Victorian Art School, 153–82. Abingdon, Oxon; New York, NY: Routledge, 2021.: Routledge, 2020. http://dx.doi.org/10.4324/9781003020288-6.

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Fantone, Laura. "Asian American Art for the People". En Local Invisibility, Postcolonial Feminisms, 25–61. New York: Palgrave Macmillan US, 2018. http://dx.doi.org/10.1057/978-1-137-50670-2_2.

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Drewal, Henry John. "Local Transformations, Global Inspirations". En A Companion to Modern African Art, 21–49. Oxford: John Wiley & Sons, 2013. http://dx.doi.org/10.1002/9781118515105.ch2.

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Atkinson, Dennis. "Ethics and Local Curations of Learning". En Art, Equality and Learning, 151–67. Rotterdam: SensePublishers, 2011. http://dx.doi.org/10.1007/978-94-6091-454-6_9.

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Baram, Amatzia. "Art With Local and Mesopotamian Components". En Culture, History and Ideology in the Formation of Ba‘thist Iraq, 1968–89, 69–82. London: Palgrave Macmillan UK, 1991. http://dx.doi.org/10.1007/978-1-349-21243-9_7.

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Li, Danzhu y Gerrit C. van der Veer. "The Evolution of Visual Art: From Painting to Interaction Design". En Global Thoughts, Local Designs, 33–44. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-92081-8_4.

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Burns, Leland S. y John Friedmann. "Fiscal Policy at the State and Local Levels". En The Art of Planning, 241–55. Boston, MA: Springer US, 1985. http://dx.doi.org/10.1007/978-1-4613-2505-5_16.

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Campanelli, Giampiero, Piero Giovanni Bruni, Francesca Lombardo y Marta Cavalli. "Local Anesthesia in Inguinal Hernia: Indications and Techniques". En The Art of Hernia Surgery, 217–23. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-72626-7_22.

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Bandyapadhyay, Sayan y Aniket Basu Roy. "Effectiveness of Local Search for Art Gallery Problems". En Lecture Notes in Computer Science, 49–60. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-62127-2_5.

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Actas de conferencias sobre el tema "Local art"

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Tallapessy, Albert. "Local Art Communities as Cultural Sphere for Preventing Radicalism". En 4th International Conference on Arts Language and Culture (ICALC 2019). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200323.027.

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Nam, Sanghun y Yangmi Lim. "Social Networking Service Optimized for Local News". En Art, Culture, Game, Graphics, Broadcasting and Digital Contents 2016. Science & Engineering Research Support soCiety, 2016. http://dx.doi.org/10.14257/astl.2016.125.08.

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Nimas Ayu, Pamadhi, Nimas Ayu Pramesti, Hajar Pamadhi y Anom Garbo. "Local Wisdom Values in Kawung Batik and Its Relevance to Moral Education". En Proceedings of the International Conference on Art and Arts Education (ICAAE 2018). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/icaae-18.2019.34.

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"Research on the Application of Xihaigu's Folk Art in Local Art Teaching in Colleges and Universities". En 2017 2nd International Conference on Education & Education Research. Francis Academic Press, 2018. http://dx.doi.org/10.25236/eduer.2017.045.

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Serly, Kuswarsantyo, Serly Safitri y Kuswarsantyo Kuswarsantyo. "The Relevance of Kebagh Dance Moral Values in Improving Besemah Society Local Wisdom". En Proceedings of the International Conference on Art and Arts Education (ICAAE 2018). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/icaae-18.2019.39.

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Albertazzi, Jr., Armando y Frank Hrebabetzky. "Three-line rangefinder for shape, slope, and local curvature measurement from a robot arm". En Lasers in Metrology and Art Conservation, editado por Wolfgang Osten, Werner P. O. Jueptner y Malgorzata Kujawinska. SPIE, 2001. http://dx.doi.org/10.1117/12.445543.

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Ko, Jooyoung, Eunmi Jung, Andrew G. Kim y Hyenki Kim. "Design of Location-based User Customized Local Information System". En Art, Culture, Game, Graphics, Broadcasting and Digital Contents 2015. Science & Engineering Research Support soCiety, 2015. http://dx.doi.org/10.14257/astl.2015.113.07.

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Yunia, Sunarya, Yunia Fitrianto y I. Ketut Sunarya. "Local Wisdom Values of Batik Semen Gede Sawat Gruda and its Relevance to Character Education". En Proceedings of the International Conference on Art and Arts Education (ICAAE 2018). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/icaae-18.2019.28.

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Takeuchi, Yuji, Daisuke Takafuji, Yasuaki Ito y Koji Nakano. "ASCII Art Generation Using the Local Exhaustive Search on the GPU". En 2013 First International Symposium on Computing and Networking (CANDAR). IEEE, 2013. http://dx.doi.org/10.1109/candar.2013.35.

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Zhou, Zhu y Yujuan Wang. "Build Local Animation Professional Brand Competitiveness in Industrial Segmentation". En International Conference on Education, Language, Art and Intercultural Communication (ICELAIC-14). Paris, France: Atlantis Press, 2014. http://dx.doi.org/10.2991/icelaic-14.2014.37.

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Informes sobre el tema "Local art"

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Hong, Gihoon y John McLaren. Are Immigrants a Shot in the Arm for the Local Economy? Cambridge, MA: National Bureau of Economic Research, abril de 2015. http://dx.doi.org/10.3386/w21123.

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Brost, Todd. All Wars are Local: Lessons from the Philippine Insurrection. Fort Belvoir, VA: Defense Technical Information Center, marzo de 2011. http://dx.doi.org/10.21236/ada560371.

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Nicolas Locatelli, Nicolas Locatelli. Are certain genotypes of Hawaiian corals associated with local oceanographic patterns? Experiment, noviembre de 2018. http://dx.doi.org/10.18258/12358.

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Houde, Sébastien y Erica Myers. Are Consumers Attentive to Local Energy Costs? Evidence from the Appliance Market. Cambridge, MA: National Bureau of Economic Research, febrero de 2019. http://dx.doi.org/10.3386/w25591.

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Teranishi, Keita, Keita Teranishi y Robert L. Clay. FY18 ASC CSSE L2 Milestone 6362: Local Failure Local Recovery (LFLR) Resiliency for Asynchronous Many Task (AMT) Programming and Execution Models: Executive Summary. Office of Scientific and Technical Information (OSTI), septiembre de 2018. http://dx.doi.org/10.2172/1493835.

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Obua, Steven. A New Semantics for Local Lexing. Recursive Mind, mayo de 2021. http://dx.doi.org/10.47757/obua.ll.1.

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A revised semantics for Local Lexing is presented that entirely avoids priority conflicts between non-empty tokens. Pyramid Grammars are introduced, and their semantics is given in terms of Local Lexing. It is demonstrated that they are more expressive than context-free grammars, and at least as expressive as Parsing Expression Grammars.
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Albouy, David. What Are Cities Worth? Land Rents, Local Productivity, and the Capitalization of Amenity Values. Cambridge, MA: National Bureau of Economic Research, mayo de 2009. http://dx.doi.org/10.3386/w14981.

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Teranishi, Keita, Keita Teranishi y Robert L. Clay. FY18 ASC P&EM L2 Milestone 6362: Local Failure Local Recovery (LFLR) Resiliency for Asynchronous Many Task (AMT) Programming and Execution Models: Executive Summary. Office of Scientific and Technical Information (OSTI), septiembre de 2018. http://dx.doi.org/10.2172/1475107.

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Teranishi, Keita, Keita Teranishi y Robert L. Clay. FY18 ASC P&EM L2 Milestone 6362: Local Failure Local Recovery (LFLR) Resiliency for Asynchronous Many Task (AMT) Programming and Execution Models: Executive Summary. Office of Scientific and Technical Information (OSTI), septiembre de 2018. http://dx.doi.org/10.2172/1475108.

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Perez, Victoria, Justin Ross y Kosali Simon. Do Local Governments Represent Voter Preferences? Evidence from Hospital Financing under the Affordable Care Act. Cambridge, MA: National Bureau of Economic Research, julio de 2019. http://dx.doi.org/10.3386/w26094.

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