Bibliografías temáticas / Metal music

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Literatura académica sobre el tema "Metal music"

Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 20 de febrero de 2023

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Tesis sobre el tema "Metal music"

1

Mynett, Mark. "Contemporary metal music production." Thesis, University of Huddersfield, 2013. http://eprints.hud.ac.uk/id/eprint/19314/.

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Distinct challenges are posed when conveying Contemporary Metal Music’s(CMM) sounds and performance perspectives within a recorded and mixed form. CMM often features down tuned, heavily distorted timbres, alongside high tempi, fast and frequently complex subdivisions, and highly synchronised instrumentation. The combination of these elements results in a significant concentration of dense musical sound usually referred to as ‘heaviness’. The publications for this thesis present approaches, processes and techniques for capturing, presenting and accentuating heaviness, as well as intelligibility
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2

Marjenin, Peter A. "The Metal Folk: The Impact of Music and Culture on Folk Metal and the Music of Korpiklaani." Kent State University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=kent1412632625.

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3

Strother, Eric S. "Unlocking the Paradox of Christian Metal Music." UKnowledge, 2013. http://uknowledge.uky.edu/music_etds/9.

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In 1984, Stryper released its first album The Yellow and Black Attack and introduced audiences to a different kind of heavy metal. Instead of lyrics about sex, alcohol, and Satan, Stryper sang about Jesus, salvation, and God. While there were a number of fans ready for this change more were not. Members of the Church as well as members of the metal subculture were in agreement that Christianity and heavy metal were incompatible. Despite these objections, however, more bands emerged, and Christian metal became a significant genre within the Christian music industry. These bands presented Christ
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4

Kennedy, Lewis F. "Functions of genre in metal and hardcore music." Thesis, University of Hull, 2017. http://hydra.hull.ac.uk/resources/hull:16545.

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This thesis addresses various functions of genre in metal/hardcore music as a lens through which to study popular music in the twenty-first century. The thesis proposes that issues of genre are fundamental to understandings of popular music for all participants. Predominant in metal/hardcore discourse, genre serves as an organising principle in historiographies that exert significant influence upon contemporary perceptions of metal and hardcore. I propose generic symbiosis as a new way to conceptualise the relationship between metal and hardcore, addressing issues of consequentiality arising f
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5

Lindgren, Mats. "Känsla för metal : Att gestalta känslor med hjälp av symphonic metal." Thesis, Linnéuniversitetet, Institutionen för musik och bild (MB), 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-43447.

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Syftet med det här arbetet var att gestalta fem olika känslor inom genren symphonic metal. Därigenom ville jag avgöra vilka verktyg jag kunde ha nytta av i framtiden för att gestalta känslor musikaliskt och vilka skillnader som finns mellan att gestalta olika känslor. För att göra detta använde jag mig av referenslyssning av tio låtar plus några orkestrala stycken per känsla. Resultatet av lyssningen, tillsammans med olika låtskrivningstekniker, litteratur, Kirnbergers intervallkaraktäristik och Matthesons tonartskaraktäristik, användes till att skriva och arrangera mina fem låtar.   Resultate
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6

Trum, David W. "wood, metal, and vibrating air." University of Cincinnati / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1337287625.

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7

Allett, Nicola Faye. "'Love's labours' : extreme metal music and its feeling community." Thesis, University of Warwick, 2010. http://wrap.warwick.ac.uk/3110/.

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"'Love's Labours': Extreme Metal Music, and its Feeling Community" proposes an understanding of the nature of subcultural investments in music. It explores the distinct character of Extreme Metal music and the subcultural world that surrounds its fandom. In particular, it is concerned with the nature of attachments to and investments in subculture, investigating how fans feel part of a community, how identities are positioned and postured as 'Extreme Metal', and what processes and activities construct such identifications. Through qualitative research of a group of Extreme Metal fans, and draw
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8

Harris, Keith Daniel. "Transgression and mundanity : the global extreme metal music scene." Thesis, Goldsmiths College (University of London), 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.397110.

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9

Lucas, Olivia. "Loudness, Rhythm and Environment: Analytical Issues in Extreme Metal Music." Thesis, Harvard University, 2016. http://nrs.harvard.edu/urn-3:HUL.InstRepos:33493271.

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Extreme metal music, with its consummate loudness and distortion, and intransigent culture of transgressiveness, resists analysis. This dissertation embraces extreme metal’s liveliness and channels it toward a broad cultural and musical analysis, exploring avenues of loudness, rhythm and ecocriticism. The study of extreme metal opens a window on liminal auralities, allowing the listener to encounter the thresholds of listening and the sheer physicality of sound. These aspects of the extreme metal listening experience open up a broader range of issues: the effects of loudness on the body and mi
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10

Barone, Stefano. "Fragile Scenes: Metal, Rap, and Electro in Post-Revolutionary Tunisia." Thesis, Griffith University, 2016. http://hdl.handle.net/10072/366023.

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The thesis analyses three youth cultures in contemporary Tunisia: metal, rap, and electro. Tunisia is a North-African country which has often been represented as a bridge between Europe and the Arab/Muslim world. It is a crossroad of cultural influences, and its complex situation of economic disadvantage and social inequality imposes peculiar conditions to the existence of local youth cultures and popular music scenes. Moreover, its history of dictatorship, and its 2011 revolution (which inaugurated the so-called Arab Springs), render it a locus of political and cultural struggle. For these re
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