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1

Broad, Leah. "Nordic incidental music : between modernity and modernism." Thesis, University of Oxford, 2017. http://ora.ox.ac.uk/objects/uuid:8a2b5571-4bbc-4bed-9b99-4b66dbd1e12d.

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This thesis argues for the centrality of incidental music in early twentieth-century music history, based on a study of Swedish and Finnish theatre music between 1908 and 1926. The central claims made are firstly, that incidental music is an integral part of music history in this period, supporting a narrative about modernity that does not focus exclusively on "high art" concert music. Second, the Nordic countries were part of a cross-continental discourse concerning modernity that did not revolve solely around, or stem from, central European capital cities such as Vienna or Paris. Third, dram
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2

CRUZ, ALINE DUARTE DE OLIVEIRA. "MODERNITY AND MODERNISM IN LUIZ EDMUNDO´S MEMOIRE." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2006. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=9345@1.

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COORDENAÇÃO DE APERFEIÇOAMENTO DO PESSOAL DE ENSINO SUPERIOR<br>Modernidade e modernismo nas memórias de Luiz Edmundo tem como objetivo analisar a vida de Luiz Edmundo e sua relação como jornalista e cronista com o desenvolvimento histórico da cidade do Rio de Janeiro a partir de suas memórias. Para isto, o trabalho analisa, tomando como base o material anteriormente citado, o que o autor entende como modernidade e quais foram as conseqüências sentidas pela cidade carioca e pela sua geração por conta da criação de uma mentalidade, referente aos períodos históricos nacionais entendidos pe
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3

Evans, Victoria Louise, and n/a. "Douglas Sirk, aesthetic modernism, and the culture of modernity." University of Otago. Department of Media, Film and Communication Studies, 2008. http://adt.otago.ac.nz./public/adt-NZDU20080707.122544.

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In this dissertation, I argue that Douglas Sirk was attempting to dissolve the boundaries of the cinematic medium by assimilating elements of avant-garde art, architecture and design into the colour, composition and settings of many of his most popular studio produced films. While the exaggerated artifice of this director�s formal style has often been remarked upon, it has yet to be interpreted in the light of his detailed cognisance of the major art and architectural movements of the period, which include German Expressionist painting and Machine Age Modernist design. This is a lacuna that my
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4

Hercock, Edwin Henry Frederick. "Modernist objects/objects under modernity : a philosophical reading of Discrete series." Thesis, University of Sussex, 2015. http://sro.sussex.ac.uk/id/eprint/54335/.

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This thesis is the first book-length treatment of the poems in George Oppen's Discrete Series (1934), providing a counterbalance to critical readings of Oppen's work which have to date focused on work published after his return to poetry (i.e. from 1962 onwards). It is a philosophical presentation of the work which argues that the poems are themselves philosophical presentations of objects, and by those objects and that presentation, of the historical circumstances of those objects and the poems themselves. Its method is Adornian in three senses: first, it holds that literature is not only sub
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5

Jackson, Mark Simon. "Foucault's Askesis, the ethical work of thinking modernity against modernity." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0006/MQ34311.pdf.

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6

Choi, Seoyoon. "The Ghost of Modernity: Normative Power of Modernity as Propaganda." Scholarship @ Claremont, 2019. https://scholarship.claremont.edu/cmc_theses/2139.

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This thesis explores how domestic factions and authoritarian regimes in Japan and Korea in the period from the 1850s to 1970s appropriated the concept of “modernity” to gain normative superiority over their competitors. The appropriating entity revised the concept of modernity to suit its own worldview. Across the case studies, the propaganda of modernity created a hierarchy that privileged those who are “more modern,” encouraged martial masculinity, and attached itself to existing domestic norms, such as ethno- nationalism. Under authoritarian regimes, modernity helped justify the mobilizatio
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7

Budathoki, Aakash. "Modernity & Migration." Thesis, Karlstad University, Faculty of Social and Life Sciences, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-2807.

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<p><strong>Summery</strong></p><p>The main objective of this essay is to analyze the challenges caused by today’s modern phenomenon of change in our society and to discuss it in relationship to the process of migration. In doing so I focus on questions like, “what does it really mean when a person becomes a migrant and what does it mean to be the host country?” Becoming a migrant or a host country is a complex process which involves variety of challenges both for individuals and the locality. New inventions are made in the field of science and technology. Societies and social institutions are
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8

Budathoki, Aakash. "Migration & Modernity." Thesis, Karlstad University, Faculty of Social and Life Sciences, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-2809.

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<p>The main objective of this essay is to analyze the challenges caused by today's modern phenomenon of change in our society and to discuss it in relationship to the process of migration. In doing so I focus on questions like, "what does it really mean when a person becomes a migrant and what does it mean to be the host country?" Becoming a migrant or a host country is a complex process which involves variety of challenges both for individuals and the locality. New inventions are made in the field of science and technology. Societies and social institutions are subjected to change and we unde
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9

Stafford, Johnathan. "A martime modernity?" Thesis, Kingston University, 2015. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.658598.

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10

Leonard, John. "Lyric and modernity /." Online version, 1994. http://bibpurl.oclc.org/web/22516.

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11

Reid, Margaret. "Melodrama : metropolis : modernity." Thesis, Goldsmiths College (University of London), 2011. http://research.gold.ac.uk/6541/.

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The principal aim of this thesis is to extend current understandings of the dynamics of stage melodrama, as it was practised on the stages of the minor theatres in London during the second quarter of the nineteenth century, specifically by exploring the ways in which the genre represented, mediated, inflected, processed and systematised the experience of life in the new metropolis. A critical methodology has been employed in this study that is best described as hybrid, combining elements of cultural materialist analysis with a more performance-oriented mode of textual analysis. Where appropria
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12

Peter, Bruce. "Form follows fun : modernism and modernity in British pleasure architecture, 1925-1940." Thesis, Glasgow School of Art, 2005. http://radar.gsa.ac.uk/4064/.

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This thesis aims to establish how and why the architecture of pleasure matched the stylistic and ideological concerns of Modernism and to document the professional, entrepreneurial and institutional infrastructures affecting its development and appearance. It will argue that, in responding to flux of modernity, Modernism in the architecture of pleasure was appropriately ephemeral. Paradoxically, this fashionability undermined existing conceptions ofwhat constituted 'good' architecture and design. 'Theorising the architecture of pleasure' examines Modernism in relation to perceptions of high an
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13

Baird, Timothy L. "Modernity in Context: Looking at Visual Representations of Modernity in Hangzhou." Ohio University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1414748203.

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14

Handa, Atsuko. "Bridging Sōseki and Murakami : the modernity of Japan through modernist and postmodern prose." Monash University, School of Languages, Cultures and Linguistics, 2004. http://arrow.monash.edu.au/hdl/1959.1/5230.

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15

Ferreboeuf, Rebecca Lucie. "The figure of the Detraquee: femininity and modernity in inter-war modernist writings." Thesis, University of Leeds, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.589035.

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The aim of this thesis is to explore and compare representations of femininity in modernist writings of inter-war France: Andre Breton's Nadja, Cendrars' Dan Yack, Paul Morand's Tendres Stocks and Ouvert la nuit, Colette Peignot's Ecrits de Laure, EIsa Triolet's Camouflage and Bonsoir Therese. This comparison seeks to undermine gender categorisation which, in the study of modernism and Modernity, either marginalises women's writings or accuses male modernism of misogyny. Questioning this gender categorisation is crucial to an analysis of female modernist writers which takes into account the in
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16

van, Drunen Martha Elke. "Dwelling Among the Waves: Modernist Architecture, Walter Benjamin, and the Mythology of Modernity." Thesis, University of Canterbury. Social and Political Sciences, 2011. http://hdl.handle.net/10092/6595.

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For Walter Benjamin, architecture is the clearest expression of the ‘latent mythology’ that underlies any historical epoch; by engaging with works of modernist architecture in continental Europe during the first half of the twentieth century, my project hopes to reveal the underlying tensions, mythologies, and contradictions that reveal modernity to be a construction both more open and unstable than might first be imagined. Using Benjamin’s work as a background also allows for Surrealist practice to become the dialectical foil to an architecture that is still widely understood as clinical, fun
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17

Carriere, Rejean. "Habermas' pessimism and modernity." Thesis, University of Ottawa (Canada), 2007. http://hdl.handle.net/10393/27451.

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18

Carvounas, David John. "The future of modernity." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/NQ49979.pdf.

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19

Craven, Greg. "Foucault, modernity, and postmodernity." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape11/PQDD_0007/MQ40641.pdf.

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20

Kennedy, Earl. "Homeschooling as Reflexive Modernity." NCSU, 2008. http://www.lib.ncsu.edu/theses/available/etd-10082008-160408/.

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Although still a substantial minority, there now exists a sizable and growing population of parents in the United States making the decision to educate their children themselves, in their own homes. Curiosity, skepticism and often misperceptions abound about this group of people. Scholarly inquiries into the world of homeschooling have tended to focus on parental motivations to homeschool, characteristics of homeschoolers, homeschooling methods and homeschooling outcomes, usually measured by standardized test scores. Perhaps the largest body of research has sought to sort and classify homescho
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21

Moran, Anthony F. "Modernity, racism and subjectivity /." Connect to thesis, 1995. http://eprints.unimelb.edu.au/archive/00001238.

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22

Parpoulova, Petia R. "Amalgamated spaces of modernity /." Thesis, Connect to this title online; UW restricted, 2008. http://hdl.handle.net/1773/6638.

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23

Grossman, Martin. "Museum imaging : modelling modernity." Thesis, University of Liverpool, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.332517.

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24

Bouchlaka, Rafik Abdessalem. "Islam, secularity & modernity." Thesis, University of Westminster, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.434360.

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25

Lehmann, Ulrich. "Tigersprung : fashion and modernity." Thesis, University of Essex, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.361042.

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26

Perrett, Clive. "Magic, science and modernity." Thesis, University of East London, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.532459.

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This thesis is a cross-disciplinary and wide ranging project which attempts to answer a simple but difficult question: how did it come about that by the mid C20 the human race was (unintentionally) on the edge of the possibility of self-destruction as a result of its own ingenuity - as a result either of civilisation-induced ecological breakdown, or of wars using weapons of mass destruction, or of both? The question is explored by considering "conundrums" of modernity, which include various C20 problematisations of modem science, and by analysing what I call three "myths" of modernity : Marlow
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27

Franken, Lizelle. "Evil, morality and modernity." Thesis, Stellenbosch : Stellenbosch University, 2012. http://hdl.handle.net/10019.1/20262.

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Thesis (MA)--Stellenbosch University, 2012.<br>ENGLISH ABSTRACT: This thesis takes Zygmunt Bauman’s book Modernity and the Holocaust as a point of departure in an attempt to show that genocides of the twentieth century are by-products of modernity, and not aberrations, as previously thought. Bauman’s work focuses on the distinctly modern nature of the Holocaust. Using the theory he develops in Modernity and the Holocaust, this thesis attempts to show, first and foremost, that the Holocaust is not the only example of modern genocide. By comparing and contrasting the Holocaust to another, more r
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28

Jaggard, Dylan William Yeandle. "Nietzsche, morality and modernity." Thesis, Birkbeck (University of London), 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.419710.

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In recent years, Nietzsche's moral philosophy has been receiving more and more attention in the English speaking moral philosophical community. This study is a contribution to the ongoing debate in this area. Its central aim is to understand Nietzsche's critique of Christian morality in relation to his own particular understanding of modernity. For Nietzsche modernity is a condition in which the individual is committed to the antithetical moral value schemes of master and slave moralities, whilst failing to recognise that this is so. These value schemes are antithetical in regard to the stance
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29

Steffen, Giana Targanski. "Legends in liquid modernity." reponame:Repositório Institucional da UFSC, 2013. https://repositorio.ufsc.br/xmlui/handle/123456789/123019.

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Tese (doutorado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Inglês, Florianópolis, 2013.<br>Made available in DSpace on 2014-08-06T17:41:15Z (GMT). No. of bitstreams: 1 325098.pdf: 2523039 bytes, checksum: 8777f69659b8615296b5be26f8c1c0f8 (MD5) Previous issue date: 2013<br>Abstract : Since the 1980's, Urban Legends (ULs) have been extensively studied by folklore studies (Brunvand, 1981, 1993, 1998, 2001, 2002), focusing on the role of these texts in society. Following the early focus on orally transmitted legends, more recent res
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30

Hebborn, William. "Three waves in modern Catholic education : from isolationism via modernity to post-modernity." Thesis, London South Bank University, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.265282.

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This study argues that there have been three waves of modern Catholic education, with two major ships in the last thirty years. The first wave, which I call the Tildentinel institutional', was the product of the Council of Trent, and rcflcctcd the narrow defensive priorities of a Church which felt itself besiegedb y encn-deso n all sides, and was inherently hostile to the intellectual force of modernity. The fir-st ship look place in the mid-I 960s, and masks the arrival of the second wave, which I have called the 'experiential Vexpaimentall. It emerges as an immediate response to the reforms
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31

Repphun, Eric, and n/a. "Haunted, religious modernity and reenchantment." University of Otago. Department of Theology and Religious Studies, 2009. http://adt.otago.ac.nz./public/adt-NZDU20090218.141700.

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The academic study of religion has for too long laboured under a flawed understanding of the relationship between modernity and religion. Any narrative of the displacement of religion by a universal and secularising modernity fails to recognise the complexity of the historical and cultural realities. While modernity has demonstrably contributed to the erosion of certain forms of religion, there is a growing body of evidence, and new interpretations of existing evidence, which suggest that the interconnections between modernity and religion are far more complex than any simple opposition could
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32

Schwandt, Mark Wayne. "Transmodern initiatives or reengineering modernity." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/MQ61945.pdf.

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33

Patel, E. S. "Ismaili religious education and modernity." Thesis, University of Oxford, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.395302.

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34

Marden, Jonathan. "Danish Modernity : Society and Politics." Thesis, University of Sussex, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.505910.

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35

Sumich, James Michael. "Elites and modernity in Mozambique." Thesis, London School of Economics and Political Science (University of London), 2005. http://etheses.lse.ac.uk/831/.

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This thesis examines the connections between ideologies of modernity and social power for three interrelated sets of elites in Mozambique. My research is based on 20 months of ethnographic fieldwork primarily, but not solely, among the now adult children of high-ranking members of Frelimo (Mozambican Liberation Front, the ruling party since independence) and those closely associated with the party in the capital city of Maputo. It examines how elites’ transforming relationship to the project of modernity has allowed them to survive periods of dramatic social change while maintaining power, alt
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36

Bhambra, Gurminder K. "Contesting modernity : a postcolonial analysis." Thesis, University of Sussex, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.406613.

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37

Dutta, Ashim. "Mystic modernity : Tagore and Yeats." Thesis, University of York, 2018. http://etheses.whiterose.ac.uk/21997/.

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This thesis looks at the interpenetration of mysticism and modernity in the writings of Rabindranath Tagore and William Butler Yeats. The relationship of these poets from Ireland and India, and their analogous ambivalence about the nationalist politics of their respective countries have received some critical attention. My thesis, by contrast, explores their involvement in mystical spirituality of both orthodox and heterodox kinds, arguing that in both of these poets’ works mysticism is not put to the service of their modern(ist) poetic projects, but deeply forms and informs those as well as t
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38

Tepe, John Bright. "Literary urbanism, visuality and modernity." Thesis, University of Birmingham, 2010. http://etheses.bham.ac.uk//id/eprint/859/.

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Literary Urbanism and the Symbolist Aesthetic argues that the modern city influences urban writers to develop particular literary-visual practices that translate urban experience into poetry and prose. Chapter one considers how urban planning in Paris during the Second Empire inspired Charles Baudelaire‘s theories of modernity and aesthetic history. Chapter two discusses how A.C. Swinburne translates Baudelairean modernity into an English literary perspective through Sapphic poetry, and the importance Swinburne‘s association with painters has in this process. Swinburne‘s friendship with James
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39

Alberts, Thomas Karl. "Shaminism : history, discourse and modernity." Thesis, SOAS, University of London, 2013. http://eprints.soas.ac.uk/16642/.

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This research considers the emergence in history of a discourse about shamans. Beginning with the prevalent claim that shamans have existed in all human societies throughout history, the initial question is: how did a kind of ritual specialist first reported in Siberia in the seventeenth century become the eponymous category of a universalisable religiosity? My project is anchored by the argument that the simultaneity of epistemological practice that tends to produce universal structures with an ontological practice that tends to deconstruct universals into embodied contingencies, together ill
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40

Akhmatov, Vladyslav, and L. V. Roienko. "History and modernity of cryptocurrencies." Thesis, Університет Григорія Сковороди в Переяславі, 2020. https://er.knutd.edu.ua/handle/123456789/16226.

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У статті досліджуються особливості та передумови виникнення криптовалют у світовій економіці. Досліджується історія виникнення криптовалют, їх типи. З’ясовуються особливості функціонування біткоїна та інших криптовалют та сфери їх вжитку.
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41

Tang, Siu-Fu. "Modernity and Xunzi's moral philosophy." Thesis, University of Oxford, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.442907.

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42

Gova, Alnoor S. "The Nizari-Ismailis in modernity /." Burnaby B.C. : Simon Fraser University, 2005. http://ir.lib.sfu.ca/handle/1892/2345.

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43

Carr, Jamie Marie. "Queer times : Christopher Isherwood's modernity /." View online ; access limited to URI, 2004. http://0-wwwlib.umi.com.helin.uri.edu/dissertations/dlnow/3145424.

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44

Lavery, Andrew. "Unmasking Modernity through Urban Ruin." Thesis, The University of Sydney, 2021. https://hdl.handle.net/2123/27497.

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This thesis is a visual artist’s investigation into the role of urban ruin as the site of revelation and redemption from the impacts of capitalist modernity on urban communities. The urban ruin of Sydney’s gentrifying suburbs is the focus of the visual exploration of this research. The research connects approaches to urban ruin in contemporary art with a succession of traditions, starting with those of ruin in art in antiquity. It seeks to reveal how decay and decrepitude have shaped narratives and critiques concerned with human history and societal development. The thesis posits new ways o
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45

Tolonen, Juha. "Waste*lands : landscape photography modernity." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2007. https://ro.ecu.edu.au/theses/268.

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This is a thesis with two distinct but connected halves. Text and image are applied to the subject of wastelands; the former works to raise the status of wastelands while the latter gathers visual fragments of wastelands to harness a picture of contemporary modernity. The two combine to create a practical and poetic, a social and flaneurial picture of wastelands. I identify wastelands as the material manifestation of industrial modernity. Although wasteland is an overarching term used to describe general decline in many social, cultural and natural spheres. I adopt it specifically to describe
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46

Carrasco, André de Oliveira Torres. "Os limites da arquitetura, do urbanismo e do planejamento urbano em um contexto de modernização retardatária: as particularidades desse impasse no caso brasileiro." Universidade de São Paulo, 2011. http://www.teses.usp.br/teses/disponiveis/16/16136/tde-02022012-101349/.

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Esta tese de doutorado tem como objeto de pesquisa o cenário de crise que envolve o desenvolvimento da arquitetura, do urbanismo e do planejamento urbano no Brasil no período compreendido entre a segunda metade do século XX e os primeiros anos do século XXI. Essa constatação se originou na análise das contradições entre os objetivos vislumbrados pela Arquitetura Moderna Brasileira, escola que definiria os rumos dessa produção e seus resultados. Um dos principais pontos de seu programa central foi a defesa da emancipação do homem, através da transformação de seu espaço. No entanto, sua produção
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47

Hidas, Eniko. "Modernity and the Backward Glance: Photography and the Uncanny in Hungary 1890-1939." Thesis, University of Sydney, 2020. https://hdl.handle.net/2123/23757.

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This thesis investigates the concept and character of an industrial and urban uncanny in Hungarian photography between the late 1890s and 1939. It seeks to demonstrate the suitability of the photographic medium to convey the spirit and images of a changing pre- and post Habsburg Hungary. It examines the photography of urban and rural industrial sites as emblems of modernity in late nineteenth and early twentieth-century Hungary within a socio-historical and art-historical framework, drawing from the theoretical work of Walter Benjamin, Louis Althusser, and contemporary theoretical writing on t
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48

Daisley, Simon Francis Stirling. "Exorcising Luther: Confronting the demon of modernity in Tibetan Buddhism." Thesis, University of Canterbury. Social and Political Sciences, 2012. http://hdl.handle.net/10092/7329.

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This study explores the idea that the Western adaptation of Tibetan Buddhism is in fact a continuum of the Protestant Reformation. With its inhospitable terrain and volatile environment, the geography of Tibet has played an important role in its assimilation of Buddhism. Demons, ghosts and gods are a natural part of the Tibetan world. Yet why is it that Tibetan Buddhism often downplays these elements in its self portrayal to the West? Why are Westerners drawn to an idealistic view of Buddhism as being rational and free from belief in the supernatural when the reality is quite different? This t
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49

Ironside, Joseph. "Renewed Shall Be Blade That Was Broken: Tolkien, Modernity and Fascist Utopia." Thesis, Stockholms universitet, Engelska institutionen, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-159897.

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This thesis consists of a close reading and meta-analysis of themes and patterns in the works that comprise the fictional world of “Middle-Earth” created by J. R. R. Tolkien, in specific relation to the culturally prevalent views of the decadence of modernity and the ideological dynamics of fascism. This thesis explores the ideological dynamics of the fictional world constructed by Tolkien’s texts, and argues that his work contains demonstrable similarities to the ideological dynamics of fascism in its response to the existential challenges of modernity. To clarify, this thesis does not argue
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Valicourt, Emmanuel de. "La Société parfaite - catégorie de la modernité, catégorie théologique." Thesis, Université Paris-Saclay (ComUE), 2016. http://www.theses.fr/2016SACLS524.

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A la suite de l'Incarnation du Fils de Dieu, l'Église, analogie du Corps mystique du Christ, est enracinée dans une géographie historique transitoire. C'est la foi professée par l'Eglise catholique romaine. Sa mission ne peut donc se restreindre aux réalités spirituelles entendues comme immatérielles. Si l'État a vocation première à assumer les réalités temporelles selon le plan divin, cela ne signifie pas que l'Église doive renoncer à sa part de responsabilité éthique et politique. Au service de la vocation ultime de l'être humain, c'est "l'homme considéré dans son unité et sa totalité" (Gaud
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