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Artículos de revistas sobre el tema "Modernity"

Autor: Grafiati

Publicado: 4 de junio de 2021

Última modificación: 25 de julio de 2025

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1

Watts, Philip. "Modernism/Modernity." South Central Review 14, no. 3/4 (1997): 110. http://dx.doi.org/10.2307/3190215.

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2

Torrance, Robert M., and Donald Keene. "Modernism and Modernity." Journal of the Association of Teachers of Japanese 22, no. 2 (1988): 195. http://dx.doi.org/10.2307/488942.

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3

Schnapp, Jeffrey T. (Jeffrey Thompson), Michael Shanks, and Matthew Tiews. "Archaeology, Modernism, Modernity." Modernism/modernity 11, no. 1 (2004): 1–16. http://dx.doi.org/10.1353/mod.2004.0024.

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4

Khair, Tabish. "Modernism and modernity." Third Text 15, no. 55 (2001): 3–13. http://dx.doi.org/10.1080/09528820108576910.

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5

Antliff, Mark. "Fascism, Modernism, and Modernity." Art Bulletin 84, no. 1 (2002): 148–69. http://dx.doi.org/10.1080/00043079.2002.10787015.

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6

Antliff, Mark. "Fascism, Modernism, and Modernity." Art Bulletin 84, no. 1 (2002): 148. http://dx.doi.org/10.2307/3177257.

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7

Thacker, Andrew. "Travel, modernism and modernity." Studies in Travel Writing 22, no. 2 (2018): 232–33. http://dx.doi.org/10.1080/13645145.2018.1515708.

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8

MILBANK, JOHN. "SCHOLASTICISM, MODERNISM AND MODERNITY." Modern Theology 22, no. 4 (2006): 651–71. http://dx.doi.org/10.1111/j.1468-0025.2006.00338.x.

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9

Smith, Terry. "Modernism, Modernity and Otherness." Australian Journal of Art 13, no. 1 (1996): 144–66. http://dx.doi.org/10.1080/03146464.1996.11432846.

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10

Wolff, J. "Modernism, Modernity and English Art." Oxford Art Journal 21, no. 2 (1998): 199–202. http://dx.doi.org/10.1093/oxartj/21.2.199.

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11

Moussaoui, Abderrahmane. "Islam et modernité / Islam and Modernity." Studia Islamica 115, no. 2-3 (2020): 258–65. http://dx.doi.org/10.1163/19585705-12341427.

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12

Kolland, Daniel. "Global Performances of a Belated Concept." Cromohs - Cyber Review of Modern Historiography, no. 26 (June 4, 2024): 95–113. http://dx.doi.org/10.36253/cromohs-14516.

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This article uses a global concept history approach to critically engage with the semantically overdetermined and contested concept of modernity at the turn of the twentieth century. Eschewing grand theories, a more empirical method is applied by investigating the history of modernity as a concept used by historical actors. It thereby seeks to reveal anachronistic readings of it, as well as unearth the global scope of modernity performances. Tracing first West-European and then Ottoman-Turkish modernity translations (modernité, die Moderne, modernity, yeñilik, ʿaṣrīlik), the article shows how

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13

Meschonnic, Henri, Gabriella Bedetti, and Alice Otis. "Modernity Modernity." New Literary History 23, no. 2 (1992): 401. http://dx.doi.org/10.2307/469243.

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14

Ferrer, Albert. "From post-modernism to modernity again. From modernity to a paradigm shift." Educational Philosophy and Theory 50, no. 14 (2018): 1428–29. http://dx.doi.org/10.1080/00131857.2018.1458800.

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15

Singer, B. "Introduction: Modernism, Modernity, and the Senses." Monatshefte XCVIII, no. 2 (2006): 175–79. http://dx.doi.org/10.3368/m.xcviii.2.175.

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16

Harpin, Tina. "Modernism/Modernity, vol. 13, no 3." Itinéraires, no. 2009-3 (November 1, 2009): 192–96. http://dx.doi.org/10.4000/itineraires.572.

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17

Elizabeth Wolde Giorgis. "Charting Out Ethiopian Modernity and Modernism." Callaloo 33, no. 1 (2010): 82–99. http://dx.doi.org/10.1353/cal.0.0627.

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18

Verburgt, Lukas M. "Mehrtens, modernism, and modernity: An introduction." Science in Context 35, no. 4 (2022): 316–25. https://doi.org/10.1017/s0269889724000139.

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19

Berry, Francesca. "Modernity, Modernism and Sexual Difference, Again." Oxford Art Journal 30, no. 2 (2007): 327–34. http://dx.doi.org/10.1093/oxartj/kcm001.

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20

Hong, Jeesoon. "Modernism and Modernity in Republican China." Journal of Modern Chinese Literature 88 (January 31, 2019): 149–73. http://dx.doi.org/10.46487/jmcl.2019.01.88.149.

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21

Araeen, Rasheed. "Modernity, Modernism and Africa’s Authentic Voice." Third Text 24, no. 2 (2010): 277–86. http://dx.doi.org/10.1080/09528821003722272.

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22

Fehskens, Matthew Thomas. "The Contact Zones of Modernista Travel Literature: Modernism, Modernity, and the Hispanic Atlantic." Hispanófila 171, no. 1 (2014): 303–19. http://dx.doi.org/10.1353/hsf.2014.0043.

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23

Vido, Roman. "Náboženství a modernita v současné sociologii náboženství." Sociální studia / Social Studies 5, no. 3-4 (2008): 27–51. http://dx.doi.org/10.5817/soc2008-3-4-27.

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Článek se zabývá otázkou vztahu mezi modernitou a náboženstvím. Klasické sekularizační teorie předpokládaly, že s příchodem modernity ztrácí (tradiční) náboženství svůj společenský vliv a význam stejně jako dopad na životy moderních jedinců. Toto tvrzení se stalo známým jako "sekularizační teze". Nicméně empirická realita nepotvrdila takové proroctví: náboženství nadále představuje důležitý prvek v sociálním světě. Sociologové náboženství byli nuceni přehodnotit své teoretické představy a koncepty a přiznat, že dopad modernity na náboženství může být složitější a víceznačnější, než tvrdili jej

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24

Lee, Raymond L. M. "MODERNITY, ANTI-MODERNITY AND POST-MODERNITY IN MALAYSIA." International Sociology 7, no. 2 (1992): 153–71. http://dx.doi.org/10.1177/026858092007002003.

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25

Cavcic, Antonija. "Modernism and Modernity in British Women’s Magazines." European Journal of Communication 36, no. 1 (2021): 92–94. http://dx.doi.org/10.1177/0267323120987120.

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26

Chen, Huafei. "Rethinking Modernism and Modernity: A Dance Approach." Dance Chronicle 44, no. 2 (2021): 182–86. http://dx.doi.org/10.1080/01472526.2021.1927433.

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27

Kaščáková, Janka. "Modernism vs. modernity: Katherine Mansfield as critic." Brno studies in English, no. 2 (2016): [5]—19. http://dx.doi.org/10.5817/bse2016-2-1.

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28

Solomon, William. "Slapstick Modernism: Charley Bowers and Industrial Modernity." Modernist Cultures 2, no. 2 (2006): 170–88. http://dx.doi.org/10.3366/e2041102209000264.

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William Solomon (SUNY-Buffalo) asks us how vernacular and avant-garde comic practice might function as twinned responses to standardised mass-production and the rationalisation of the workplace. Returning us to the recently rediscovered comic films of Charley Bowers - a pioneer of animated silent film and a proto-surrealist bricoleur lionised by André Breton, Solomon demonstrates how Bowers' absurd machinic assemblages “generate laughter at the expense of the ethos of productive rationalism, in the process of opening up an alternative understanding of machinery as the locus of exuberantly unse

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29

Alfred J. López. "Geomodernisms: Race, Modernism, Modernity (review)." MFS Modern Fiction Studies 54, no. 2 (2008): 454–57. http://dx.doi.org/10.1353/mfs.0.0015.

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30

Whitney, Tyler. "Literary Recordings: Modernism, Media, and Acoustic Modernity." Modernism/modernity 27, no. 4 (2020): 847–51. http://dx.doi.org/10.1353/mod.2020.0055.

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31

Fekadu-Uthoff, Sarah. "Travel, Modernism and Modernity. Farnham: Ashgate, 2015." Zeitschrift für Anglistik und Amerikanistik 66, no. 4 (2018): 482–86. http://dx.doi.org/10.1515/zaa-2018-0040.

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32

SLOBIN, GRETA N. "MODERNISM/MODERNITY IN THE POST-REVOLUTIONARY DIASPORA." Canadian-American Slavic Studies 37, no. 1-2 (2003): 57–70. http://dx.doi.org/10.1163/221023903x00477.

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33

Ware, Ben. "Wittgenstein, modernity and the critique of modernism." Textual Practice 27, no. 2 (2013): 187–205. http://dx.doi.org/10.1080/0950236x.2012.721384.

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34

Harrington, Thomas S. "Modernism and modernity in the Mediterranean world." Mediterranean Historical Review 24, no. 1 (2009): 55–57. http://dx.doi.org/10.1080/09518960903036672.

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35

Van Alphen, Ernst. "Attention for Distraction: Modernity, Modernism and Perception." Text Matters, no. 7 (October 16, 2017): 87–97. http://dx.doi.org/10.1515/texmat-2017-0005.

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Particularly in the latter half of the nineteenth century sensorial experiences changed at breakneck speed. Social and technological developments of modernity like the industrial revolution, rapid urban expansion, the advance of capitalism and the invention of new technologies transformed the field of the senses. Instead of attentiveness, distraction became prevalent. It is not only Baudelaire who addressed these transformations in his poems, but they can also be recognized in the works of novelist Gustave Flaubert and painter Edward Munch. By means of the work of William James, Walter Benjami

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36

Bell, Daniel. "Resolving the contradictions of modernity and modernism." Society 27, no. 3 (1990): 43–50. http://dx.doi.org/10.1007/bf02695538.

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37

Griffin, Roger. "Modernity, modernism, and fascism. A "mazeway resynthesis"." Modernism/modernity 15, no. 1 (2008): 9–24. http://dx.doi.org/10.1353/mod.2008.0011.

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38

Andrea L. Volpe. "Modernity, Modernism, and the Aesthetics of Illumination." Reviews in American History 37, no. 4 (2009): 597–604. http://dx.doi.org/10.1353/rah.0.0138.

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39

Young, Paul. "Peripheralizing Modernity: Global Modernism and Uneven Development." Literature Compass 9, no. 9 (2012): 611–16. http://dx.doi.org/10.1111/lic3.12005.

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40

Matthews, J. T. "Globalizing the U.S. South: Modernity and Modernism." American Literature 78, no. 4 (2006): 719–22. http://dx.doi.org/10.1215/00029831-78-4-719.

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41

Wee, C. J. W. L. "Tropical Modernism(s), Miscegenated Art and Modernity." Southeast of Now: Directions in Contemporary and Modern Art in Asia 8, no. 1 (2024): 127–39. http://dx.doi.org/10.56159/sen.2024.a924619.

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Abstract: Tropical: Stories from Southeast Asia and Latin America opened on 18 November 2023 and ran at the National Gallery Singapore (NGS) until 24 March 2024. NGS’s website states that the exhibition is “the first large-scale museum exhibition to take a comparative approach across two regions united by their shared struggles against colonialism”, comprising over 200 paintings, sculptures, prints and installations. The exhibition proceeds not always via direct formal or informal engagements between artists but by “an alchemy of shared narratives” (Teo Hui Min). Tropical endeavours to complic

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42

Riecken, Nils. "Modernity, Ḥadāthā, and Modernité in the Works of Abdallah Laroui". Contributions to the History of Concepts 14, № 2 (2019): 67–90. http://dx.doi.org/10.3167/choc.2019.140204.

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The puzzle this article examines is how one can study the concept of modernity within the history of its universalization as a process of translation. For this purpose, I look at how the contemporary Moroccan historian and intellectual Abdallah Laroui has critically engaged with the history, politics, and epistemology of translating modernity (Arabic ḥadāthā, French modernité) into his intellectual and political setting of Morocco, North Africa, and the Middle East during and after the colonial period. I read him as making a critical intervention into existing modes of timing and spacing the c

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43

Calcagno, Antonio. "Interface: Modernity and Post-Modernity." Philosophy Today 39, no. 4 (1995): 358–70. http://dx.doi.org/10.5840/philtoday19953943.

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44

ElFalih, Tarik, and Layachi ELHabbouch. "Western Modernity versus Alternative Modernity." Social Science and Humanities Journal 8, no. 10 (2024): 5724–34. http://dx.doi.org/10.18535/sshj.v8i10.1432.

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Rather than simply reflecting on the origins of modernity, it is necessary to critically examine its main story by disseminating its underlying ideas throughout the world. Reevaluating the world through a different lens facilitates the deconstruction of the binary between the Global North and the Global South. This paper’s analysis scrutinizes the ideas introduced by the Moroccan philosopher Taha Abdurrahman in his work entitled "The Spirit of Modernity: A Prolegomenon to Laying the Foundations of Islamic Modernity." This paper illustrates the ability of Global South to offer a novel viewpoint

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45

Winkel, Eric. "Between Modernity and Post-Modernity." American Journal of Islam and Society 11, no. 3 (1994): 430–35. http://dx.doi.org/10.35632/ajis.v11i3.2420.

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Kazuo Shimogaki 's working paper, number fourteen in the IMESseries, is a critical essay of The Islamic Left, a so-far one-time-onlyprivately produced journal. Three of its five articles are written by HasanHanafi, a professor at Cairo University, and a summary/translation ofHanafi's first and most important article. The essay itself abounds ingrammatical and typographical errors, while the swnmary/translation isdone very well. There is enough evidence that Shimogaki has a sharpmind, and I anticipate eagerly future works.Unfortunately, Shimogaki 's subject matter is not very enlightening,even

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46

Rotenstreich, Nathan. "Religion, modernity and post-modernity." International Journal for Philosophy of Religion 18, no. 1-2 (1985): 33–49. http://dx.doi.org/10.1007/bf00142278.

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47

Sharma, Dr Jatinder Kumar. "Lyotard and Habermas on Modernity, Post Modernism and The Present Cultural Crisis." Paripex - Indian Journal Of Research 3, no. 8 (2012): 155–56. http://dx.doi.org/10.15373/22501991/august2014/45.

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48

Granholm, Kennet. "Post-secular esotericism? Some reflections on the transformation of esotericism." Scripta Instituti Donneriani Aboensis 20 (January 1, 2008): 50–67. http://dx.doi.org/10.30674/scripta.67326.

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In the last fifteen years the study of Western esotericism has become an academic discipline in its own right. The vast majority of research conducted within the field is focused on older, historical developments, with recent expressions of esotericism receiving far less attention. This has a bearing on the conceptual and methodological tools used in the field as well. The dominant definition of Western esotericism developed by Antoine Faivre might not be entirely suitable when looking at its contemporary expressions. In the late twentieth and early twenty-first centuries Western societies hav

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49

Guillen, Mauro F. "Modernism without Modernity: The Rise of Modernist Architecture in Mexico, Brazil, and Argentina, 1890-1940." Latin American Research Review 39, no. 2 (2004): 6–34. http://dx.doi.org/10.1353/lar.2004.0032.

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50

Löwy, Michael. "Modernité et critique de la modernité dans la théologie de la libération / Modernity and the Critique of Modernity in the Liberation Theology." Archives de sciences sociales des religions 71, no. 1 (1990): 7–23. http://dx.doi.org/10.3406/assr.1990.1340.

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