Bibliografías temáticas / Museum reuse

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Literatura académica sobre el tema "Museum reuse"

Autor: Grafiati
Publicado: 10 de marzo de 2023
Última modificación: 31 de julio de 2025

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Artículos de revistas sobre el tema "Museum reuse"

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Artha, Kintan Gumanti, and Ari Widyati Purwantiasning. "Kajian Konsep Adaptive Reuse Pada Bangunan Museum Bersejarah di Museum Bahari, Jakarta." Journal of Architectural Design and Development 3, no. 1 (2022): 17–29. http://dx.doi.org/10.37253/jad.v3i1.6605.

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Indonesia memiliki pengalaman sejarah yang panjang sehingga meninggalkan banyak bentuk peninggalan bersejarah, salah satunya adalah bangunan. Pada saat ini masih banyak bangunan yang memilki nilai sejarah yang penting dibiarkan kosong hingga terbangkalai. Untuk mengantisipasi hal tersebut dapat dilakukan penerapan konsep adaptive reuse pada bangunan. Adaptive reuse merupakan salah satu bentuk upaya penyelamatan bangunan lama dengan menghadirkan fungsi baru. Adaptive reuse pada bangunan bersejarah dimaksudkan mengubah bangunan lama yang terbangkalai menjadi hidup kembali dengan fungsi baru yang
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Djebbour, Imane, and Ratiba Wided BIARA. "SUSTAINABILITY COMPARATIVE ASSESSMENT OF THE ADAPTIVE REUSE OF HERITAGE BUILDINGS AS MUSEUMS: CASE OF TLEMCEN." Environmental Research, Engineering and Management 75, no. 3 (2019): 7–20. http://dx.doi.org/10.5755/j01.erem.75.3.22133.

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The question of adaptive reuse offers a harmony between physical character and functional of historical buildings. It becomes an effective strategy in order to enhance its sustainability and revitalize the overall appearance of the city. The interaction between the decision of reuse and sustainability aims only to find a balance between the project and sustainable development criteria. It mainly relies on the constant evaluation of historical building’s sustainability. In the case of Tlemcen city, the event “Tlemcen capital of the Islamic culture” has been a chance for the reuse of monuments i
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Md Ali, Zuraini, Rodiah Zawawi, Nik Elyna Myeda, and Nabila Mohamad. "Adaptive reuse of historical buildings." International Journal of Building Pathology and Adaptation 37, no. 1 (2019): 54–68. http://dx.doi.org/10.1108/ijbpa-04-2018-0029.

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Purpose The purpose of this paper is to focus on the impacts that the adaptive reuse of historical building has on museum service quality by analysing the visitors’ expectations and perceptions through the HISTOQUAL model. It looks deeper into investigating the enhancement of adaptive reuse approach to historical buildings not only to the surrounding environment, but also to the building’s cultural significance. Design/methodology/approach A field survey implementing quantitative approach was conducted by using questionnaires to collect the visitors’ expectations and perceptions on their visit
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Taher, Hassan, Giuseppina Addo, Pille Pruulmann Vengerfeldt, Maria Engberg, and Åsa Harvard Maare. "Reuse and Appropriation: Remediating Digital Museum Collections and Digital Tools for a Participatory Culture in Transition." Baltic Screen Media Review 10, no. 1 (2022): 122–38. http://dx.doi.org/10.2478/bsmr-2022-0009.

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Abstract Museums have always used different media to communicate, widen perspectives and bring new knowledge, but in the era of digital media, their various offerings are increasingly part of the media ecosystem. Our research interventions explored the possibility of reusing existing digitised material in a participatory setting. The aim was to explore the object-centred audience participatory method in digital settings. We held a series of digital and in-person workshops that invited the participants to “imagine” narratives about the provenance of the museum’s objects and journeys to Sweden i
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Moyer, Ana. "Museumification and Ecclesiastical Structures." tba: Journal of Art, Media, and Visual Culture 6, no. 1 (2025): 200–213. https://doi.org/10.5206/tba.v6i1.19309.

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As the hierarchies and systemic structures of colonialism and more broadly, cisheteropatriarchy are interrogated within museum contexts, we have seen a growing demand for museum-oriented representations of new perspectives and histories, particularly of marginalized demographics. The struggle for many institutions comes in the limitations of space, their existing collections, and their existing reputations within the art world more broadly. I propose an alternative method to platform community-centred art spaces through the museumification of existing public heritage structures, in particular,
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Aulia, Rahma, Zairin Zain, and Valentinus Pebriano. "MUSEUM SENI RUPA MODERN DI PONTIANAK." JMARS: Jurnal Mosaik Arsitektur 9, no. 1 (2021): 270. http://dx.doi.org/10.26418/jmars.v9i1.45157.

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Museums in general are used to store, maintain, secure and utilize museum collections in the form of cultural heritage objects. Fine arts museums are appreciated through visions with visible media and have a physical form or simply presented as a show. The city of Pontianak does not yet have a place to carry out the function of this fine art museum. The museum collection focuses on modern fine art with long-term loans to the museum. There are some art enthusiasts in Pontianak but there is no place to channel this interest. The design method uses three stages. The first stage, data collection b
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Çiçek, Ezgi, and Zeynep Ceylanlı. "ART MUSEUM ARCHITECTURE AS DISCOURSE: DIFFERENTIATING INSTITUTIONAL IDENTITIES IN ISTANBUL." Turkish Online Journal of Design Art and Communication 15, no. 2 (2025): 491–512. https://doi.org/10.7456/tojdac.1614995.

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This study examines how three contemporary and modern art museums in Istanbul differentiate themselves through architectural discourse to reflect their institutional identities and missions. Istanbul Museum of Painting and Sculpture, a state museum affiliated with Mimar Sinan Fine Arts University, positions itself as a guardian of Turkey’s artistic heritage by emphasising urban memory and adaptive reuse. Istanbul Modern, supported by the Eczacıbaşı Group, highlights its role as Turkey’s first modern and contemporary art museum through a transparent and site-specific architectural form that con
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Abouelmaati, Nada. "ADAPTIVE REUSE AND PEOPLE’S PERCEPTION OF CONTEMPORARY NEEDS: TOWARDS A DECISION-MAKING PROCESS TO INCLUDE PEOPLE IN REPURPOSING CAIRO’S HERITAGE." New Design Ideas 8, no. 3 (2024): 527–45. https://doi.org/10.62476/ndi83527.

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Previous studies have shown a strong correlation between people’s positive perception of functions for adaptive reuse buildings with their historical compatibility. With the growing significance of adaptive reuse in the MENA region, an investigation of three case-studies in Cairo was undertaken to uncover (1) the different typologies of function interventions, (2) people’s perception of functions in conjunction with their façades and relevance, (3) enhance the design-making process to incorporate people’s perception prior to conservation practices. An interpretive study with a purposive sample
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Hsu, Tien-Yu, and Jen-Yuan Yeh. "A Unified Knowledge-Based Content Management Framework towards Value-Added Application and Service Development and Business Marketing for Museums: The Case Study of the National Museum of Natural Science in Taiwan." International Journal of Humanities and Arts Computing 8, supplement (2014): 12–28. http://dx.doi.org/10.3366/ijhac.2014.0096.

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The practices of knowledge management (KM) are complicated and usually difficult of accomplishment. In most situations, KM is introduced on a departmental or even individual level, leading to the Content Silo Trap where content, applications, and services are created in isolation. To address the issue, this paper proposes, for museums, a Unified Knowledge-based Content Management Framework, which consists of the Unified Process of Knowledge Content Development, the Multi-layered Reusable Knowledge Content Structures, and the Unified Knowledge-based Content Management System. The first declares
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Karakul, Özlem. "Designing a Village Museum Ecologically: Reuse of Historic School Building." ATHENS JOURNAL OF ARCHITECTURE 5, no. 4 (2019): 345–66. http://dx.doi.org/10.30958/aja.5-4-2.

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Tesis sobre el tema "Museum reuse"

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Ikonomidis-Doumbas, Agis. "Adaptive reuse and the museum : installing a museum in a preexisting shell." Thesis, Massachusetts Institute of Technology, 1990. http://hdl.handle.net/1721.1/67389.

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Thesis (M.S.)--Massachusetts Institute of Technology, Dept. of Architecture, 1990.<br>Includes bibliographical references (leaves 123-132).<br>The thesis deals with the complexities involved within the conversion of an old building to an art museum. The restoration of a building is by itself a complicated problem, conjuring up questions about the relationship between the old and new parts of the structure. The reuse of the old building as a museum of art adds a new set of relationships, multiplying the interactions and enhancing the complexity. The analysis of the problems is st:rUctured in tw
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Dykxhoorn, Lee (Lee Marinus). "Reuse the muse : the museum as a transcultural negotiator of national identity." Thesis, Massachusetts Institute of Technology, 2011. http://hdl.handle.net/1721.1/63046.

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Thesis (M. Arch.)--Massachusetts Institute of Technology, Dept. of Architecture, February 2011.<br>Cataloged from PDF version of thesis.<br>Includes bibliographical references (p. [144]-145).<br>The project proposes a museum that acts as public infrastructure, situated across the boundary between east and west Oslo. The architecture of the museum is a continuous linear element that acts as a bridge through the different urban conditions from one side of the Aker River to the other, becoming the primary circulation path, reinventing the public street and positioning the cultural value of the ex
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Olugbenle, Adedotun Olumuyiwa. "Adaptive Reuse: Old Building- New Props and Costume- Architectrual Rebirth." Thesis, Virginia Tech, 2017. http://hdl.handle.net/10919/74929.

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Across cities in America and the world old buildings are retired to the fate of demolition. The once glorious piece of architecture are seen as unwanted, eyesores and just not fit for today's needs. This thesis seeks to show that with an adaptive-reuse approach, one can restore the 'lost glory' of such old buildings and even add new undiscovered value to its performance and architectural richness.<br>Master of Architecture
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Stojic, Sonja Alexandra. "Revealing and Exposing the City Behind the Symbol." Thesis, Virginia Tech, 2018. http://hdl.handle.net/10919/83883.

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Washington, D.C. is a city that is designed to serve an entire nation; yet, as a result of this, its own history and people can seem to be lost in the shadow of the federal city. With an abundance of museums throughout the city, the museum that is needed, but no longer exists, is one for the District itself. This omissionleaves a tremendous gap in historical knowledge and no representation focused on the character of the city itself. How can we fulfill this need in a way that is unique to this specific city and would provide more than an exhibit by allowing people to be surrounded by and cont
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Jacqueline, Tugman. "The Revitalization of Pump House Park: An Adaptive Reuse of an Historic Industrial Landmark." VCU Scholars Compass, 2012. http://scholarscompass.vcu.edu/etd/2793.

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This thesis is an exploration of the way design facilitates people’s understanding of a place. Hermeneutic theorist Hans Georg Gadamer wrote that we belong to history in the “splendid magic of immediately mirroring the present in the past and the past in the present”. Hermeneutics is the study of how we interpret non-verbal communication. Researching the history of the site on multiple scales guided design decisions that will intuitively shape visitor’s comprehension of Pump House Park’s past, present and future relationship with the city.
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Brown, Abigail R. "Reframing the Everyday: Negotiating the Multiple Lives of the Ordinary." Cincinnati, Ohio : University of Cincinnati, 2009. http://rave.ohiolink.edu/etdc/view.cgi?acc_num=ucin1242324187.

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Thesis (Master of Architecture)--University of Cincinnati, 2009.<br>Advisor: Rebecca Williamson. Title from electronic thesis title page (viewed July 23, 2009). Includes abstract. Keywords: museums; curators; historic preservation; Washington, D.C.; adaptive reuse; commerce; museum display; exhibition design; material culture. Includes bibliographical references.
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Caruso, April Marie. "From Glorious Gateways to “White Elephants” to a Mall and Museum: Cleveland and Cincinnati Union Terminals, 1900 to circa. 1990." Youngstown State University / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=ysu1311717085.

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Souza, Éricka Madeira de. "A curadoria digital e o reuso dos acervos culturais digitais da Rede Web de Museus do Estado do Rio de Janeiro." Rio de Janeiro: Fundação Casa de Rui Barbosa, 2018, 2018. http://hdl.handle.net/20.500.11997/7378.

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Submitted by Carolina Sena (carolina.sena@rb.gov.br) on 2018-07-02T20:22:48Z No. of bitstreams: 1 DISSERTAÇÃO Ericka Souza FCRB.pdf: 5432159 bytes, checksum: bfdfbe9519535f127cca3fdaf9c9fcf8 (MD5)<br>Made available in DSpace on 2018-07-02T20:22:48Z (GMT). No. of bitstreams: 1 DISSERTAÇÃO Ericka Souza FCRB.pdf: 5432159 bytes, checksum: bfdfbe9519535f127cca3fdaf9c9fcf8 (MD5) Previous issue date: 2018<br>The present text discusses how museums work technically with the continuous increase of the digital cultural objects present in the museological institutions and that also become part of
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Laner, Edoardo. "Paisagem e indústria. Reorganização, requalificação e revitalização dos espaços públicos na frente litoral de Lisboa entre Cais do Sodré e o Museu do Oriente." Master's thesis, ISA/UL, 2014. http://hdl.handle.net/10400.5/7403.

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Mestrado em Arquitectura Paisagista - Instituto Superior de Agronomia<br>The work provides a slight and quick resume about the long history of growth of the main dock of the city of Lisbon, from when it was center of the vast and wide Portugues Colonial Empire, one of the powerful and expanded empires of all times, following the times of glory of commerce to periods of decline, from the industrial times on late ’80 of nineteenth century to a gradual abandonment times of the last decades of the twentieth century. Then are explained the dynamics and changes in uses and the destinations of a
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Tolotti, Filho José Luiz. "Ecletismo e reciclagem : o edifício do MARGS, do memorial do RS, e do Santander Cultural." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2010. http://hdl.handle.net/10183/26716.

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A presente dissertação analisa três edifícios ecléticos que constituem um conjunto monumental nas bordas da Praça da Alfândega de Porto Alegre, todos reciclados no ultimo quarto do século XX e passagem para o século XXI: a Delegacia Fiscal, o Correio e Telégrafos, e o Banco Nacional do Comércio, de autoria de Theo Wiedersphan, hoje abrigando respectivamente o Museu de Arte do Rio Grande do Sul, Memorial do Rio Grande do Sul, e Santander Cultural. A análise se faz em três momentos: o de funcionamento pleno, o de desuso e o de novo projeto, assinados por Ediolanda Liedke, Nico e Ceres Rocha, e R
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Libros sobre el tema "Museum reuse"

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le-omanut, Muzeʾon Tel Aviv, ред. Ḥiriyah ba-muzeʾon =: Hiriya in the museum. Muzeʾon Tel Aviv le-omanut, 1999.

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Zürich, Kunsthaus. Tatort Leinwand: Eine Reise mit den Augen. Benteli, 2003.

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Psota, Thomas. Grabschätze aus Altägypten: Gaben für die Reise ins Jenseits. Bernisches Historisches Museum, 2001.

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Massó, Jaume. Gaudi & Reus: Museu Salvador Vilaseca, exposició permanent. Museu Salvador Vilaseca, Ajuntament de Reus, 2002.

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Hofmann, Murad Wilfried. Reise nach Mekka: Ein Deutscher lebt den Islam. Diederichs, 1996.

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Brenner-Felsach, Joachim. Eine Reise nach Nias.: Unveröffentlichte Manuskripte aus dem Museum für Völkerkunde in Wien. Edited by Reinhold Mittersakschmöller. [s.n.], 1998.

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Nolde, Emil. Emil Nolde: Reise in die Südsee, 1913-1914 : Sprengel-Museum Hannover, 14.10.1992-3.1.1993. Sprengel-Museum, 1992.

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1838-1874, Fortuny Mariano, Carbonell Pallarès Jordi A, Figueras Anna, and Museu Comarcal Salvador Vilaseca (Reus, Spain), eds. Marià Fortuny: Dibuixos i gravats : al Museu Salvador Vilaseca. Lunwerg, 1997.

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Historisches Museum der Stadt Wien. Blickfänge einer Reise nach Wien: Fotografien 1860-1910 aus den Sammlungen des Historischen Museums. 3rd ed. Museen der Stadt Wien, 2006.

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Corbusier, Le. Le Corbusier: Peintre avant le purisme : Musée des beaux-arts, La Chaux-de-Fonds, 13 juin-4 octobre 1987. Le Musée, 1987.

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Capítulos de libros sobre el tema "Museum reuse"

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Plevoets, Bie, and Koenraad Van Cleempoel. "Neues Museum." In Adaptive Reuse of the Built Heritage. Routledge, 2019. http://dx.doi.org/10.4324/9781315161440-16.

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Plevoets, Bie, and Koenraad Van Cleempoel. "Castelvecchio Museum." In Adaptive Reuse of the Built Heritage. Routledge, 2019. http://dx.doi.org/10.4324/9781315161440-9.

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Plevoets, Bie, and Koenraad Van Cleempoel. "Kolumba Art Museum." In Adaptive Reuse of the Built Heritage. Routledge, 2019. http://dx.doi.org/10.4324/9781315161440-15.

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Plevoets, Bie, and Koenraad Van Cleempoel. "Sir John Soane’s Museum." In Adaptive Reuse of the Built Heritage. Routledge, 2019. http://dx.doi.org/10.4324/9781315161440-20.

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Tiwari, Vivek, Sarika Suman, and H. K. Pandey. "Design of A Rain Water Harvesting Structure at Allahabad Museum, Allahabad City, U.P., India." In Wastewater Reuse and Watershed Management. Apple Academic Press, 2019. http://dx.doi.org/10.1201/9780429433986-36.

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Saunders, David. "Sustainability in Museum Lighting." In Springer Proceedings in Archaeology and Heritage. Springer Nature Switzerland, 2025. https://doi.org/10.1007/978-3-031-85655-6_7.

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Abstract The environmental sustainability of museum lighting is placed within the context of wider strategies to reduce the use of non-renewable energy. Various measures to reduce energy and resource consumption are presented, including switching to, or generating, renewable electricity, the installation of more energy efficient and longer lasting LED lamps, increased use of daylight and changes to museum lighting practice that reduce energy consumption. The sustainability of lamps and lighting systems is explored in the respect to the precepts of reduction, reuse and recycling of materials. A
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Page, Joanna. "6. Taxidermy and Natural History Dioramas." In Decolonial Ecologies. Open Book Publishers, 2023. http://dx.doi.org/10.11647/obp.0339.06.

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This chapter explores works that engage with the art and science of taxidermy and the construction of dioramas for museums of the late nineteenth and twentieth centuries. While many artists have rejected taxidermy, given its association with cruelty toward animals, some have reclaimed the practice with the purpose of drawing attention to histories of animal objectification or rethinking human/animal relations. Recent recourses to taxidermy among Latin American artists have provided an opportunity to question of the exhibition practices of natural history museums, while exploring alternative wa
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Haynes, Ronald. "Evolving Standards in Digital Cultural Heritage – Developing a IIIF 3D Technical Specification." In 3D Research Challenges in Cultural Heritage III. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-35593-6_3.

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AbstractIIIF (International Image Interoperability Framework) is a collection of open web standards, broadly used for presenting and annotating high resolution images and audiovisual content, adopted by hundreds of GLAM (galleries, libraries, archives, museums) organisations worldwide, and permit the reuse and recombination of digital assets across traditional digital institutional boundaries. While these standards have been successful for 2D images and AV (Audio/Video) data, there is a growing interest in how they might be applied to 3D content. An example of this would be to combine shards o
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Cutler, Anthony. "Reuse or Use? Theoretical and Practical Attitudes Toward Objects in the Early Middle Ages." In Image Making in Byzantium, Sasanian Persia and the Early Muslim World. Routledge, 2023. http://dx.doi.org/10.4324/9781003417552-13.

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Bertrand, Stéphanie, George Papagiannakis, George Margetis, et al. "Re-mediating Interaction with Online Art Collections: How Creative Curating Can Enhance Discovery Through Recommendations Towards a New Model of Cultural Participation." In Springer Series on Cultural Computing. Springer Nature Switzerland, 2025. https://doi.org/10.1007/978-3-031-61018-9_20.

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Abstract For over 25 years, art museums have digitized their collections and made them available online for broad public access and reuse, tapping citizens to become curators and content creators. Yet, public engagement remains scarce, owing in large part to the lack of necessary social and technical skills among non-expert users to take part in existing digital cultural participation models. While facilitating reuse continues to be seen as an effective engagement strategy, the chapter instead argues that fostering broad public participation towards collective cultural production depends on de
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Actas de conferencias sobre el tema "Museum reuse"

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Domenech Rodríguez, Marta, David López López, and Còssima Cornadó Bardón. "The role of cultural heritage in urban reuse." In HERITAGE2022 International Conference on Vernacular Heritage: Culture, People and Sustainability. Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/heritage2022.2022.14392.

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Cities face the challenge of transforming existing buildings to be reused, particularly those that are underused or not used at all. Tackling this issue, the European Commission approved in 2014 a package of measures to promote a circular economy. According to this agreement, our cities can be more sustainable and resilient by transforming these underused existing buildings with proposals for their adaptive temporary reuse, favoring the citizens’ well-being and quality of life and promoting social inclusion and economic growth with respect for the environment. This paper studies the role of he
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Lin, James Quo-Ping, Alan Chi-Gwong Cheung, and Shao-Chun Wu. "Approaching a new episode of digital content creative reuse at the National Palace Museum." In 2017 Pacific Neighborhood Consortium Annual Conference and Joint Meetings (PNC). IEEE, 2017. http://dx.doi.org/10.23919/pnc.2017.8203527.

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Avcıl, Esma, and Necdet Torunbalcı. "Structural system interventions in adaptive reuse of industrial buildings: The case of Ayvalik Rahmi Koc Museum." In 4th International Civil Engineering & Architecture Conference. Golden Light Publishing, 2025. https://doi.org/10.31462/icearc2025_a_aen_558.

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Herrmann, Hans, and Cory Gallo. "Just a Little Nudge: How Ideas, Elbow Grease, and an Old Gas Station Canopy Turned an Eyesore into an Amenity." In AIA/ACSA Intersections Conference. ACSA Press, 2019. http://dx.doi.org/10.35483/acsa.aia.inter.19.5.

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"This paper looks at the development of a community based amenity through the application of adaptive design thinking, cleverness in material reuse, and the tactical deployment of heterodoxic assembly methods as significant facets of a well-comprised architectural education. Strategies for how one may engage and enable a community to participate in the design and construction process, through means other than unskilled voluntary labor or simply making a donation, were uncovered and refined through this undertaking. The SuperUse Pavilion at the Oktibbeha County Heritage Museum, located in north
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Varvaro, Stefania. "Protection and reuse of a forgotten heritage: the Parmesan cheese buildings. Notes for a widespread museum in the lower Reggio Emilia plain." In HERITAGE2022 International Conference on Vernacular Heritage: Culture, People and Sustainability. Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/heritage2022.2022.15285.

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The content of this proposal is a reflection on the landscape of the low Reggio Emilia plain and on the material traces still present in the area linked to the artisanal production of Parmigiano Reggiano (Parmesan) cheese dating back to the 1700s and 1800s. We refer in particular to the agricultural system related to the production of forage and high quality grass to obtain the so-called “white gold”, milk - the raw material for making cheese - and to the architectural buildings used for artisanal dairy production. These structures, called caselli, are much more numerous in the province of Reg
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Verdiani, Giorgio, and Alexia Charalambous. "The Castle in Paphos, a fascinating, iconic, neglected, abused remain of a layered fortification." In FORTMED2024 - Defensive Architecture of the Mediterranean. Universitat Politàcnica de València, 2024. http://dx.doi.org/10.4995/fortmed2024.2024.18098.

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The Castle of Cyprus is quite symbolic in between the destinies of restoration, reuse or decay that happen to almost any past fortification: it was built in defence of the city's harbour in the XIIIth century by the Lusignan to replace the Byzantines fortress in 1222. The Venetians destroyed the castle in 1570 and the Ottomans rebuilt it. In time it was used as a fortress, as a prison and later as a salt warehouse. Architecturally, the main part of the castle consists of a large square tower with an enclosed courtyard. Its layout consists of a central hall surrounded by smaller rooms. Out of t
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Rinciog, Octavian, and Vlad Posea. "LODRO: USING CULTURAL ROMANIAN OPEN DATA TO BUILD NEW LEARNING APPLICATIONS." In eLSE 2016. Carol I National Defence University Publishing House, 2016. http://dx.doi.org/10.12753/2066-026x-16-038.

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Nowadays we are witnessing an exponential increase in open data which are published in order to be reused by third parties. The major problem about these data is that they have very different formats and structures as they are issued in totally different institutions. Modern elearning methods can be improved using these open data, but their different structures inhibit the development of such elearning applications. This paper describes LODRo, a platform containing standardized public data on existing museums and archaeological research centers in Romania. These data are published by the Roman
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Cmeciu, Doina, and Camelia Cmeciu. "VIRTUAL MUSEUMS - NON-FORMAL MEANS OF TEACHING E-CIVILIZATION/CULTURE." In eLSE 2013. Carol I National Defence University Publishing House, 2013. http://dx.doi.org/10.12753/2066-026x-13-108.

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Considered repositories of objects(Cuno 2009), museums have been analysed through the object-oriented policies they mainly focus on. Three main purposes are often mentioned: preservation, dissemination of knowledge and access to tradition. Beyond these informative and cultural-laden functions, museums have also been labeled as theatres of power, the emphasis lying on nation-oriented policies. According to Michael F. Brown (2009: 148), the outcome of this moral standing of the nation-state is a mobilizing public sentiment in favour of the state power. We consider that the constant flow of natio
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Günçe, K., and D. Misirlisoy. "Adaptive reuse of military establishments as museums: conservation vs. museography." In DEFENCE HERITAGE 2014. WIT Press, 2014. http://dx.doi.org/10.2495/dshf140111.

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Ya'u, Badamasi Imam, Azlin Nordin, and Norsaremah Salleh. "Software Requirements Patterns and Meta Model: A Strategy for Enhancing Requirements Reuse (RR)." In 2016 6th International Conference on Information and Communication Technology for The Muslim World (ICT4M). IEEE, 2016. http://dx.doi.org/10.1109/ict4m.2016.047.

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