Bibliografías temáticas / Museum visitors

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Literatura académica sobre el tema "Museum visitors"

Autor: Grafiati

Publicado: 4 de junio de 2021

Última modificación: 25 de julio de 2025

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Artículos de revistas sobre el tema "Museum visitors"

Hanif, Asyharudin, Ihfadz Lucky Alfa Saputra Lucky Alfa Saputra, Dewi Putri Mardiana Putri Mardiana, and Rangga Primadasa. "PERBANDINGAN SERVICE QUALITY MUSEUM KRETEK DENGAN MUSEUM JENANG KUDUS." Journal of Industrial Engineering and Technology 1, no. 1 (2020): 18–24. http://dx.doi.org/10.24176/jointtech.v1i1.5619.

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In Kudus district, has two museums which Museum Kretek and Museum Jenang Kudus. In 2018 the number of visitors to the Museum Kretek reached 102,998 visitors, while the total visitors to the Musuem Jenang Kudus reached 397,625. The difference reaching 294,627 raises the question of how the service quality between the two museums. This study used the SERVQUAL Model method to determine the service quality of the two Musuem as well as a comparison of the service quality of the Museum Kretek and the Museum Jenang Kudus. The results of the study revealed that of the 100 reapondents who had visited t

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Jamaludin, Juaini, Normaziana Hassan, and Syahrini Shawalludin. "An Analysis of Visitors’ Etiquette Pattern in Muzium Negeri Kedah, Alor Setar, Malaysia." International Journal of Research and Innovation in Social Science VIII, no. X (2024): 1881–91. http://dx.doi.org/10.47772/ijriss.2024.8100162.

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Museums are vital organizations that teach individuals about culture and history. In most museums, some elements enhance visitors’ anticipation of enjoying the exhibits and collections beyond the layout and other factors. However, some visitors or museum enthusiasts may have been distracted by other challenges, such as time constraints that limit their ability to view the entire exhibition areas within the museums. Unless the museum’s layout allows sufficient viewing time for each display, visitors lack adequate time to explore all the exhibits. The museum’s organization must ensure an improve

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ZHOU, Lichuan, and Romlah RAMLI. "FACTORS INFLUENCING THE VISITOR SATISFACTION OF INTANGIBLE CULTURAL HERITAGE MUSEUMS IN CHINA: A CROSS-SECTIONAL QUANTITATIVE STUDY." GeoJournal of Tourism and Geosites 58, no. 1 (2025): 501–11. https://doi.org/10.30892/gtg.58147-1432.

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This study investigates the factors influencing visitor satisfaction in Intangible Cultural Heritage (ICH) museums. It focuses on identifying how specific elements such as service management, facilities and environment, business atmosphere, and exhibition content contribute to visitors' perceived value, experience, and overall satisfaction. A quantitative research approach was employed, utilizing a questionnaire survey administered to 329 visitors from three ICH museums in China. The survey collected data on visitors' perceptions of museum attributes and their impact on satisfaction. Statistic

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Ahmed, Ola M. Mohammed. "Interior Design of Museums Display Through Advanced Technologies in An Attractive Journey for Visitors." International Journal of Engineering & Science 13, no. 11 (2024): 55–67. http://dx.doi.org/10.9790/1813-13115567.

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This study explores thetransformative potential of integrating advanced technologies, particularly Extended Reality (XR-AR/VR), into the design of museum exhibits. The goal is to redefine user experiences and revolutionize interior museum design. Introducing these advanced technologies into the museum industry is poised to alter future designs significantly. In response to the challenge of attracting and engaging audiences, integrating augmented and virtual reality into museum designs is a promising strategy to foster connections between visitors and concepts, history, and nature. The study em

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Yasukawa, Keiko, Jacquie Widin, Vic Smith, et al. "Examining Museum Visits as Literacy Events: The role of mediators." Literacy and Numeracy Studies 21, no. 1 (2013): 85–104. http://dx.doi.org/10.5130/lns.v21i1.3331.

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Museum exhibitions are literacy rich environments. Visitors may engage with a range of texts including texts that constitute the exhibition objects themselves, those that convey information about the objects and those that instruct visitors about how the visitors are expected by the museum to navigate through the exhibition. The ways in which visitors engage with these diverse texts are important defining factors of the visitors’ museum experience.For museums, understanding how texts in their exhibitions are influencing the museum experience, and the possibility of a museum experience for the

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Hua, Lei, Wahiza Abdul Wahid, Noor Azly Mohammed Ali, and Jianhua Dong. "Culture and Technology: Visitor Experiences at the Palace Museum and China Science Museum." Environment-Behaviour Proceedings Journal 10, no. 32 (2025): 49–55. https://doi.org/10.21834/e-bpj.v10i32.6679.

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The Palace Museum emphasises historical and cultural preservation, whereas the China Science and Technology Museum focuses on interactive engagement and technological innovation. This research used text-mining techniques to analyse 8,243 visitor comments to identify key differences influencing perceptions of museum experience satisfaction. Keyword extraction, semantic network analysis, and LDA topic modelling were conducted. The Palace Museum visitors typically addressed the historical atmosphere, crowd density, and guide services. In contrast, the science museum visitors highlighted interacti

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Borges, Priscila Lopes d'Avila. "Museu Imperial: narrar entre as reticências da memória e as exclamações da História." Revista Discente Ofícios de Clio 5, no. 8 (2020): 187. http://dx.doi.org/10.15210/clio.v5i8.19023.

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O presente trabalho propõe a análise dos discursos produzidos na visita guiada do Museu Imperial (Petrópolis-RJ), bem como o estudo de elementos materiais da exposição permanente da instituição. A composição hegemônica formulada pelo museu, como retrato da sociedade oitocentista, promove silenciamentos ensurdecedores acerca de temas sensíveis da história do Brasil, restringindo a percepção dos visitantes. O artigo indica alguns desafios do uso pedagógico de museus históricos. Em seguida, apresenta dados coletados em visitas observadas em pesquisa de campo, entre os anos de 2017 e 2018, com o o

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Zhao, Xingyu, Ruohan Mao, and Jingfang Ai. "Are We on the Same Page? Chinese General Visitors’ Perception of the Role of Museums in Sustainable Development." Sustainability 16, no. 22 (2024): 9768. http://dx.doi.org/10.3390/su16229768.

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The issue of sustainability has emerged as a focal point within the museum sector. This article aims to investigate the perceptions and attitudes of Chinese general visitors towards museums and sustainability. To achieve this, we employed a visitor evaluation approach, with inhabitants of the Chinese mainland serving as the target population. We conducted a survey using an online questionnaire, yielding a total of 1260 valid samples. The study finds that most museum visitors in mainland China see a strong link between museums and sustainable development, with factors like age, gender, educatio

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Vesci, Massimiliano, Emanuela Conti, Chiara Rossato, and Paola Castellani. "The mediating role of visitor satisfaction in the relationship between museum experience and word of mouth: evidence from Italy." TQM Journal 33, no. 1 (2020): 141–62. http://dx.doi.org/10.1108/tqm-02-2020-0022.

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PurposeThis paper aims to analyse the quality of experience in the Italian art museum context and to understand the mediating role of satisfaction between museum experiences and visitors' word-of-mouth (WOM) behavioural intentions.Design/methodology/approachThis exploratory study adopted a quantitative methodology. Visitors to Italian art museums were interviewed, and the results were examined using exploratory factor analysis and regression analysis.FindingsThe analysis shows that the following museum experience dimensions were present in the Italian art museum context: aesthetics, escapism a

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Opait, Gabriela, Cosmin Ilie, and Alexandru Capatina. "Dealing with uncertainty in predicting the flows of visitors in Romanian museums." Proceedings of the International Conference on Business Excellence 15, no. 1 (2021): 170–84. http://dx.doi.org/10.2478/picbe-2021-0017.

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Abstract Understanding museum visitors’ behavioral patterns may help in predicting their number of visits. The aim of the research is to identify the trend models associated with the number of visitors, in 2012-2019, in 2 national museums in the top of the most visited museums in Romania: the National Museum of Natural History “Grigore Antipa” in Bucharest and the National Museum “Peles” in Sinaia and forecast the number of visitors to these objects in 2020 and 2021. Subsequently the same methods were used to analyze the total number of visitors to museums in Romania in 2012-2019 and to foreca

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Tesis sobre el tema "Museum visitors"

Gao, Yongliang, and Xuri XXX. "Profiling visitors to Dalarna Museum : What are the motivational factors that influence visitors' frequency of visits." Thesis, Högskolan Dalarna, Kulturgeografi, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:du-13303.

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Prior studies on museum visitors are extensively centred on national museums, the studies on regional museums are scarce. To fill in the academic gap, a research is proposed concerning the visitors of Dalarna Museum, a regional museum in Sweden. With an aim to profile visitors’ demographic characteristics and investigate the motivational factors that influence visitors’ frequency of visits, a face-to-face questionnaire survey was implemented at Dalarna Museum. To get visitors’ demographic characteristics, a few closed and open questions are devised to profile visitors’ gender, age, occupation,

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Matos, Maria Filipa Barreiro Alves de. "Why going to a museum? Motivations and lifestyle of museums visitors and non-visitors." Master's thesis, Instituto Superior de Economia e Gestão, 2009. http://hdl.handle.net/10400.5/722.

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Mestrado em Marketing<br>Museums face new challenges in XXI century. Their traditional role of guardians of the past is now questioned. Being forced to survive with lack of public funding, their functional role became obsolete. Museums start competing in the leisure arena, facing an aggressive competition. The educative experience is apparently no longer enough to increase audiences and retain old attendees, and museums start to understand the need to gain knowledge about their visitors' motivations, expectations, profiles, and lifestyles. This will allow the conception and implementation of m

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Ross, Max. "Decoding museum gazes : a study of visitors to local museums." Thesis, Keele University, 2003. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.409554.

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Kravchyna, Victoria. "Information Needs of Art Museum Visitors: Real and Virtual." Thesis, University of North Texas, 2004. https://digital.library.unt.edu/ark:/67531/metadc4692/.

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Museums and libraries are considered large repositories of human knowledge and human culture. They have similar missions and goals in distributing accumulated knowledge to society. Current digitization projects allow both, museums and libraries to reach a broader audience, share their resources with a variety of users. While studies of information seeking behavior, retrieval systems and metadata in library science have a long history; such research studies in museum environments are at their early experimental stage. There are few studies concerning information seeking behavior and needs of v

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Smith, Martha Kellogg. "Art information use and needs of non-specialists : evidence in art museum visitor studies /." Thesis, Connect to this title online; UW restricted, 2006. http://hdl.handle.net/1773/7182.

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Iannaggi, Corina M. "Exploring Visitors’ Lived Experiences in Memorial Museums." Kent State University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=kent1448829436.

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Butler, Melissa. "A study of visitation at living history farms and agricultural museums." Access to citation, abstract and download form provided by ProQuest Information and Learning Company; downloadable PDF file, 130 p, 2006. http://proquest.umi.com/pqdweb?did=1203585101&sid=3&Fmt=2&clientId=8331&RQT=309&VName=PQD.

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Liu, ChangChia James. "Enthusiastic Educators and Interested Visitors| Investigating the Relationships between Museum Educators' Enthusiasm and Visitors' Situational Interest." Thesis, Purdue University, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=10844568.

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<p> Informal education environments like museums have become some of the most important educational resources. Although much attention has been paid to museum settings and programs, little is known about how museum educators support visitors’ learning and intrinsic motivation. In particular, there is a need to investigate museum educators’ enthusiasm, considering that enthusiasm is a powerful way of creating an engaging learning experience across various subjects and environments. In this study, I investigate museum educators’ enthusiasm as perceived by adult visitors through

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Schultz, Elaine Ruth. "A partnership of peoples : understanding collaboration at the Museum of Anthropology." Thesis, University of British Columbia, 2008. http://hdl.handle.net/2429/1432.

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The goals of museum collaboration are several, as are its intended beneficiaries. Assuming the success of the practice, local communities can gain the opportunity for self-representation and self-determination, museums can contribute to the creation and dissemination of new kinds of knowledge, and visitors can take home better understandings of cultural difference. While these are the ideals of collaboration, they frequently go unrealized, in large part because, as research indicates, the visiting public fails to recognize the active involvement of communities at museums. This raises the q

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Kellogg, Smith Martha. "Viewer tagging in art museums: Comparisons to concepts and vocabularies of art museum visitors." dLIST, 2006. http://hdl.handle.net/10150/105154.

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As one important experiment in the social or user-generated classification of online cultural heritage resources collections, art museums are leading the effort to elicit keyword descriptions of artwork images from online museum visitors. The motivations for having online viewers - presumably largely non-art-specialists - describe art images are (a) to generate keywords for image and object records in museum information retrieval systems in a cost-effective way and (b) to engage online visitors with the artworks and with each other by inviting visitors to express themselves and share their de

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Libros sobre el tema "Museum visitors"

Solima, Ludovico. Il pubblico dei musei: Indagine sulla comunicazione nei musei statali italiani. Gangemi, 2000.

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Mottaz, Baran Arlette, ed. Les musées vaudois et leurs publics: Profil, attentes et pratiques : rapport destiné aux visiteurs qui ont participé à cette recherche. Université de Lausanne, Institut d'anthropologie et de sociologie, 1994.

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Museums, American Association of, ed. Paying attention: Visitors and museum exhibitions. American Association of Museums, 1998.

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Schuster, J. Mark Davidson. The audience for American art museums. Seven Locks Press, 1991.

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Hughes, Catherine. Museum theatre: Communicating with visitors through drama. Heinemann, 1998.

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Cultura, Spain Ministerio de. Conociendo a nuestros visitantes: Estudio de público de museos del Ministerio de Cultura. Ministerio de Cultura, 2011.

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Weindl, Roman. Die "Aura" des Originals im Museum: Über den Zusammenhang von Authentizität und Besucherinteresse. Transcript, 2019.

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Conferenza regionale dei musei del Veneto (4th 2000 Treviso, Italy). Il museo dalla parte del visitatore: Atti della IVa Conferenza regionale dei musei del Veneto, Treviso, 21-22 settembre 2000. Canova, 2001.

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Terry, McCormick. International visitors to UK museums and galleries: An analysis of the museum perspective. Edited by Hopkins Henrietta, Trevelyan Vanessa, and Great Britain. Museums and Galleries Commission. Museums & Galleries Commission, 1999.

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Bitgood, Stephen. Understanding your visitors: Ten factors that influence visitor behaviour. Psychology Institute, Jacksonville State Univrsity, 1986.

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Capítulos de libros sobre el tema "Museum visitors"

Ambrose, Timothy, and Crispin Paine. "Facilities for visitors." In Museum Basics, 5th ed. Routledge, 2025. https://doi.org/10.4324/9781003466598-4_4.

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Pshenichny-Mamo, Anna, and Dina Tsybulsky. "Museum Guides’ Views on the Integration of the Nature of Science While Addressing Visitors’ Experiences: The Context of Ecological and Evolutionary Issues." In Shaping the Future of Biological Education Research. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-44792-1_6.

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AbstractA major goal of natural history museums (NHMs) is to shape visitors’ worldviews about science allowing them to learn about the research process, its characteristics, and the people behind it. In this context, developing visitors’ understanding of the nature of science (NOS) is an underlying educational objective. To date, little is known about how, if at all, museum guides integrate NOS during guided tours while addressing visitor expriences. The current research attempted to fill this lacuna by studying the views of NHM guides with a focus on tours about ecological and evolutionary to

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Al-Ali, Mona. "Motivations of museum visitors." In Museums of the Arabian Peninsula. Routledge, 2020. http://dx.doi.org/10.4324/9780429053597-15.

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Brunelli, R., O. Lanz, A. Santuari, and F. Tobia. "Tracking Visitors in a Museum." In PEACH - Intelligent Interfaces for Museum Visits. Springer Berlin Heidelberg, 2007. http://dx.doi.org/10.1007/3-540-68755-6_10.

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Rosso, Aluminé A. "What Do Museum Visitors Leave Behind? The New Experience and the New Visitor in the Twenty-First Century." In Frontiers in Sociology and Social Research. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-11756-5_6.

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AbstractVisits to museums in the twenty-first century do not merely involve coming in contact with art but also living an interactive and relational experience that has changed the organization of museums, not only the exhibition rooms but also other museum spaces: boutiques, cafés, restaurants, and public areas. This new type of visit implies the role of an original agent: the frontalier visitor who, by inhabiting spaces adjacent to exhibition rooms, expands and reinforces the museum’s boundaries and the museum experience itself. This work is focused on visitors’ footprints as material and vi

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High-Steskal, Nicole, and Rainer Simon. "Evaluating the Blackbox." In Edition Museum. transcript Verlag, 2023. http://dx.doi.org/10.14361/9783839467107-020.

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The pilot project LiviaAI examines the use of artificial intelligence to identify connections between objects from three Viennese museums (Wien Museum, Museum für Angewandte Kunst, Belvedere Museum Wien). In the first project phase, collection metadata and their creation were examined in order to derive specifications for an AI model for similarity determination. In the current phase of the project, a model that uses the metadata of a selected collection as input to learn cross-collection visual representations of similarity is being developed. The goal is to evaluate the model in terms of its

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Pietrobruno, Sheenagh. "Tales of the Viking Helmet: Narrative Shifts from Museum Exhibitions to Personalised Search Requests." In Museum Digitisations and Emerging Curatorial Agencies Online. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-80646-0_3.

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AbstractThe stories of museum objects on YouTube can counter and support those advanced by museums. How the narratives of the Viking helmet on YouTube reflect or differ from those put forward by the Swedish History Museum’s Viking exhibitions is approached through a previous methodological study that investigated the issue of location in the personalisation of historical narratives of museum objects on YouTube search engine result pages (SERPs) (Pietrobruno 2021). This revised method combining language with location brings together two media forms—actual museum exhibitions and personalised You

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Bradburne, James M. "Postface: From Visitors to Users—COVID-19 Accelerating Change." In Visiting the Art Museum. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-12089-3_10.

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Scheersoi, Annette. "Connecting Museum Visitors to Nature Through Dioramas." In Contributions from Science Education Research. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-74266-9_4.

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Gustke, Oliver, Stefan Schaffer, and Aaron Ruß. "CHIM—Chatbot in the Museum." In Edition Museum. transcript Verlag, 2023. http://dx.doi.org/10.14361/9783839467107-024.

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Oliver Gustke, Stefan Schaffer, Aaron Ruß, CHIM-Chatbot in the Museum: Exploring and Explaining Museum Objects with Speech- Based AI CHIM-Chatbot in the Museum was a research project during which we developed a chatbot prototype that is able to provide answers to users' questions about museum objects. CHIM was developed by Linon Medien KG and the Deutsches Forschungs- zentrum für Künstliche Intelligenz (DFKI). The interactive conversation system was implemented as an Android- based demonstration app and tested at the Städel Mu- seum, Frankfurt am Main, in the spring of 2022. The results showed

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Actas de conferencias sobre el tema "Museum visitors"

Chi, Yingrui, and Jiaran Zhang. "Classification and prediction-based data mining algorithms to predict visitors to the museum." In 2025 4th Asia Conference on Algorithms, Computing and Machine Learning (CACML). IEEE, 2025. https://doi.org/10.1109/cacml64929.2025.11010941.

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Spadoni, Elena, Marina Carulli, and Monica Bordegoni. "Virtual Reality to Improve the User Experience of Traditional Museums." In ASME 2020 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. American Society of Mechanical Engineers, 2020. http://dx.doi.org/10.1115/detc2020-22413.

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Abstract Museums have been subjected to important changes in the approach they use to involve visitors. Among the other trends, storytelling and interactive exhibitions are two of the most used approaches used to make exhibitions more interesting for users. Virtual Reality and Augmented Reality methods can be effectively used in the context of a museum exhibition to support both storytelling and interaction. The primary objective of the use of these technologies is to make the visit of museums much more engaging, and suitable for different types of visitors. Among the several museums that are

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Mucci, Alessandro. "Systemic Design Path to Innovate Italian Archaeological Museums into Hybrid Museums." In 8th International Visual Methods Conference. AIJR Publisher, 2024. http://dx.doi.org/10.21467/proceedings.168.21.

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The paper traces a methodological path to innovate the communication and visitor’s experience of Italian cultural heritage museums, converting them into hybrid museums by adopting a systemic design approach. Starting with an overall social and technological context observation, this design path defines both the scenario in which analyze users' interaction with the museum system and the principles for innovation strategies that could allow museums to remain relevant in a contemporary context. Insight and intervention hints have been acquired by a qualitative analysis comparing Museo Archeologic

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Leopardi, Alma, Silvia Ceccacci, and Maura Mengoni. "A New Paradigm for the Enjoyment and Exploitation of Cultural Heritage Based on Spatial Augmented Reality: The Case of the Ducal Palace of Urbino." In ASME 2021 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. American Society of Mechanical Engineers, 2021. http://dx.doi.org/10.1115/detc2021-68896.

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Abstract In the last years, museums have begun to apply new technological solutions to manage their exhibits in a more open, inclusive, and creative way, to improve the visitors’ experience to respond to the need to expand the audience. The main goal is to face the increasing competition in an economy referred to as the “Experience Economy”. To this end, Augmented Reality technology seems to represent a good solution for museum guide systems, to improve visitors’ learning and enjoyment. In this context, the present paper proposes a museum guide system based on Spatial Augmented Reality powered

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Ronco, Francesca. "Smart technologies in the museum environment. AR experiments on physical models at the Museum of Oriental Art in Turin." In HEDIT 2024 - International Congress for Heritage Digital Technologies and Tourism Management. Universitat Politècnica de València, 2024. http://dx.doi.org/10.4995/hedit2024.2024.17472.

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The concept of Smart Tourism has developed rapidly within the Smart Cities paradigm, which emerged at the beginning of the new millennium in various scientific fields. Museums, traditionally centres of cultural and technological dissemination and display, are becoming places to experiment with smart technologies (digital survey, AR, VR, digital fabrication, and AI) for analytical purposes and to enhance the visitor experience. This technological revolution affects the way museum visitors interact with cultural heritage. This process is part of the Fourth Industrial Revolution and is based on m

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Imaykin, I. D. "The role of architectural mapping as a means of creating a museum space." In Scientific achievements of the third millennium. НИЦ "LJournal", 2023. http://dx.doi.org/10.18411/satm-11-2023-09.

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This article explores the role of architectural mapping in the creation of museum spaces. Architectural mapping is a powerful tool that allows you to combine architectural elements with projection technologies to create unique and interactive visual effects on the facade of a building. The article examines various aspects of the role of architectural mapping in museums, including its impact on attracting visitors, creating an atmosphere and transmitting information. This article examines how architectural mapping can be used to transform an ordinary building into an impressive and memorable mu

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Benente, Michela, Valeria Minucciani, and Annamaria Berti. "Neurosciences and museum - Museum visit as inclusive, embodied and transformative experience." In 14th International Conference on Applied Human Factors and Ergonomics (AHFE 2023). AHFE International, 2023. http://dx.doi.org/10.54941/ahfe1003333.

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Following their previous writings and research works, Authors describe very recent experimentations at Museo Nazionale Etrusco di Villa Giulia (Rome) devoted to study the visitors’ behavour and to verify the effectiveness of inclusive and multisensorial communication.Starting from the assumption that access and accessibility to Cultural Heritage are not simply intended as physical approach, and they happen when individuals “appropriate” and “transform” cultural contents, this paper shortly discusses the “Emotion Museology” principles, according to which what moved visitors will be particularly

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Almeshari, Moneerah, John Dowell, and Julianne Nyhan. "Using Personas to Model Museum Visitors." In UMAP '19: 27th Conference on User Modeling, Adaptation and Personalization. ACM, 2019. http://dx.doi.org/10.1145/3314183.3323867.

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Salo, Kari, Merja Bauters, and Tommi Mikkonen. "User generated soundscapes activating museum visitors." In SAC 2017: Symposium on Applied Computing. ACM, 2017. http://dx.doi.org/10.1145/3019612.3019691.

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Tsiropoulou, Eirini Eleni, Athina Thanou, and Symeon Papavassiliou. "Modelling museum visitors' Quality of Experience." In 2016 11th International Workshop on Semantic and Social Media Adaptation and Personalization (SMAP). IEEE, 2016. http://dx.doi.org/10.1109/smap.2016.7753388.

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Informes sobre el tema "Museum visitors"

Butyrina, Maria, and Valentina Ryvlina. MEDIATIZATION OF ART: VIRTUAL MUSEUM AS MASS MEDIA. Ivan Franko National University of Lviv, 2021. http://dx.doi.org/10.30970/vjo.2021.49.11075.

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The research is devoted to the study of the phenomenon of mediatization of art on the example of virtual museums. Main objective of the study is to give communication characteristics of the mediatized socio-cultural institutions. The subject of the research is forms, directions and communication features of virtual museums. Methodology. In the process of study, the method of communication analysis, which allowed to identify and characterize the main factors of the museum’s functioning as a communication system, was used. Among them, special emphasis is put on receptive and metalinguistic funct

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Harlow, Bob, and Cindy Cox Roman. Converting Family into Fans: How the Contemporary Jewish Museum Expanded its Reach. Bob Harlow Research and Consulting, LLC, 2016. http://dx.doi.org/10.59656/a-ad3958.001.

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Macedo, Sofia Costa, Santos Jorge, Neves José Soares, and Lima Maria João. Os Monumentos Nacionais de Portugal e a abertura ao público (2023): principais indicadores. Observatório Português das Atividades Culturais, CIES-Iscte, 2025. https://doi.org/10.15847/ciesopacbr012025.

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The Survey of National Monuments in Portugal (IMNP) is an annual initiative by the OPAC - Portuguese Observatory of Cultural Activities, launched in 2019. This project aims to compile statistical data on the usage, public access, visitor numbers, and human resources of visitable National Monuments in Portugal, with most indicators referencing data from 2018 and visitor data from 2017. The absence of official statistics on cultural heritage in Portugal, particularly regarding visitor data (excluding museums), prompted OPAC to undertake the study ‘From Safeguarding to Valuing: Portugal's Nationa

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Rich, Megan, Charles Beightol, Christy Visaggi, Justin Tweet, and Vincent Santucci. Vicksburg National Military Park: Paleontological resource inventory (sensitive version). National Park Service, 2023. http://dx.doi.org/10.36967/2297321.

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Vicksburg National Military Park (VICK) was established for its historical significance as a one of the principle military sieges resulting in a turning point during the American Civil War. The steep terrain around the city of Vicksburg was integral in the military siege, providing high vantage points and a substrate that was easy to entrench for the armies, but unknown to many is the fossil content, particularly a diversity of fossil mollusks. These fossils at VICK are important paleontological resources which have yet to receive focused attention from park staff, visitors, and researchers. T

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Reeves-DeArmond, Genna. Infusing popular culture into the museum experience via historic dress: Visitor perceptions of Titanic’s Rose as a living history interpreter/character. Iowa State University, Digital Repository, 2013. http://dx.doi.org/10.31274/itaa_proceedings-180814-779.

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Rauh, Nicholas. 2023 Addendum to the Rough Cilicia Kiln Site Ceramics (Syedra, Delice, Biçkici, and Antiochia ad Cragum): An Update to the Kiln Sites. Purdue University, 2023. http://dx.doi.org/10.5703/1288284317638.

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This addendum summarizes the ceramic remains recovered by the Rough Cilicia Archaeological Survey Project at four posited amphora kiln sites in the survey area: the Syedra Kiln Site, the Biçkici Kiln site, the Antiochia ad Cragum Kiln Site, and the Delice Kiln Site. All four sites were identified early on during the survey (1995-1997). The survey team conducted grab collections and triaged dozens of sherds recovered by 1997, before returning the bulk of these fragments to the field. A representative sample of the amphora fragments together with context ceramics for each site was conserved at t

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Kerrigan, Susan, Phillip McIntyre, and Marion McCutcheon. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Bendigo. Queensland University of Technology, 2020. http://dx.doi.org/10.5204/rep.eprints.206968.

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Bendigo, where the traditional owners are the Dja Dja Wurrung people, has capitalised on its European historical roots. Its striking architecture owes much to its Gold Rush past which has also given it a diverse cultural heritage. The creative industries, while not well recognised as such, contribute well to the local economy. The many festivals, museums and library exhibitions attract visitors from the metropolitan centre of Victoria especially. The Bendigo Creative Industries Hub was a local council initiative while the Ulumbarra Theatre is located within the City’s 1860’s Sandhurst Gaol. Ma

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Tweet, Justin, Vincent Santucci, Vincent Santucci, and Justin Tweet. Effigy Mounds National Monument: Paleontological resource inventory (public version). National Park Service, 2025. https://doi.org/10.36967/2307451.

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Effigy Mounds National Monument (EFMO) in northeastern Iowa was proclaimed on October 25, 1949, to protect a significant concentration of Native American burial mounds, many of which were built in the shapes of animals such as bears. Many of these effigy mounds are found atop commanding bluffs flanking the Yellow River at its junction with the Mississippi River. The geology of the monument has not been a central interest in its history, but the rocks contain evidence of millions of years of shallow marine life from the early Paleozoic. Paleozoic fossils were first documented at what is now EFM

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Tweet, Justin, Vincent Santucci, Vincent Santucci, and Justin Tweet. Effigy Mounds National Monument: Paleontological resource inventory (sensitive version). National Park Service, 2024. http://dx.doi.org/10.36967/2306478.

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Effigy Mounds National Monument (EFMO) in northeastern Iowa was proclaimed on October 25, 1949 to protect a significant concentration of Native American burial mounds, many of which were built in the shapes of animals such as bears. Many of these effigy mounds are found atop commanding bluffs flanking the Yellow River at its junction with the Mississippi River. The geology of the monument has not been a central interest in its history, but the rocks contain evidence of millions of years of shallow marine life from the early Paleozoic. Paleozoic fossils were first documented at what is now EFMO

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Service to People: How Museums Can Become More Visitor-Centered. The Wallace Foundation, 2001. http://dx.doi.org/10.59656/a-ad5741.001.

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