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Artículos de revistas sobre el tema "Music theory History 16th century"

Autor: Grafiati

Publicado: 4 de junio de 2021

Última modificación: 27 de enero de 2023

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1

Tonietti, Tito M. "The Mathematical Contributions of Francesco Maurolico to the Theory of Music of the 16th Century (The Problems of a Manuscript)." Centaurus 48, no. 3 (July 2006): 149–200. http://dx.doi.org/10.1111/j.1600-0498.2006.00047.x.

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2

Kendall, G. Yvonne. "Thea Vignau-Wilberg. Music for a While: Music and Dance in 16th-Century Prints Munich: Staatliche Graphische Sammlung, 1999. 89 pis. + 224 pp. DM 35. ISBN: 3- 927803-29-4." Renaissance Quarterly 55, no. 1 (2002): 329–30. http://dx.doi.org/10.2307/1512559.

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3

Boer (book author), Erik de, and Hugues Daussy (review author). "The Genevan School of the Prophets. The congrégation of the Company of Pastors and their Influence in 16th Century Europe." Renaissance and Reformation 36, no. 4 (March 15, 2014): 153–55. http://dx.doi.org/10.33137/rr.v36i4.20988.

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4

ATHANASSOPOULOU (Φ. ΑΘΑΝΑΣΟΠΟΥΛΟΥ), F. "The history of development of medicine through time: a repeated case." Journal of the Hellenic Veterinary Medical Society 60, no. 2 (November 20, 2017): 125. http://dx.doi.org/10.12681/jhvms.14921.

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At all times, man was interested in the therapy of diseases in any possible way. In the Hellenic world, that is generally regarded as the spiritual predecessor of recent Europe, two distinct traditions existed: the first had a true sacred origin and was practiced from a corporation or guild of healers/priests named zsAsklipiades. Asklipios, son of Apollo, was considered by them as their generic leader. The second, practiced by Vakhes, comes from indigenous populations of Eastern Aegean area approx. at 2000 B.C. During its practice patients went into a sacred mania ie., with dancing, music, or

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5

Choi, Won Sun. "Theory and Practice in 16th Century Printed Music." Yonsei Music Research 14 (December 31, 2007): 128–54. http://dx.doi.org/10.16940/ymr.2097.14.128.

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6

Ferreirа, Manuel. "Beyond nations: A thematic history." Muzikologija, no. 27 (2019): 163–86. http://dx.doi.org/10.2298/muz1927163f.

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This paper describes an on-going project, the collaborative Thematic History of Music in Portugal and Brazil; it details its context, rationale, concept, structure and the process that led to its public presentation and preliminary development at CESEM/FCSH, Universidade Nova de Lisboa. The importance of Africa in the understanding of some facets not only of modern popular music, but also of 16th- 18th century genres in Portugal and Brazil is particularly stressed; examples of both polyphonic and instrumental music are given to illustrate this early influence.

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7

Burganova, Maria A. "LETTER FROM THE EDITOR." Scientific and analytical journal Burganov House. The space of culture 17, no. 5 (December 10, 2021): 8–9. http://dx.doi.org/10.36340/2071-6818-2021-17-5-8-9.

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Dear readers, We are pleased to present to you Issue 5, 2021, of the scientific and analytical journal Burganov House. The Space of Culture. Upon the recommendation of the Expert Council of the Higher Attestation Commission, the journal is included in the List of Leading Peer-reviewed Scientific Journals and Publications in which the main scientific results of theses for the academic degrees of doctor and candidate of science must be published. The journal publishes scientific articles by leading specialists in various humanitarian fields, doctoral students, and graduate students. Research are

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8

Hammond, Susan Lewis, Stanley Boorman, and Stanley Boorman. "Studies in the Printing, Publishing and Performance of Music in the 16th Century." Sixteenth Century Journal 39, no. 3 (October 1, 2008): 759. http://dx.doi.org/10.2307/20479007.

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9

Moody, Ivan. "Mensagens: Portuguese Music in the 20th Century." Tempo, no. 198 (October 1996): 2–10. http://dx.doi.org/10.1017/s0040298200005313.

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These lines of Fernando Pessoa (1888–1935), the great poet of Portuguese modernism, may seem at first sight to invoke the principal element of fado, Portugal's national music: the element represented by that famously untranslatable word suadade, implying longing, nostalgia, homesickness … However, they hide far deeper resonances. Mensagen (Message), the poetic sequence from which they come, is a profound exploration of Portugal's history, a modern counterpart to Camoens's great 16th-century epic The Lusiads. It is connected to the nationalist Integralismo Lusitano movement, and to Sebastianism

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10

Dibbets, Geert R. W. "Dutch philology in the 16th and 17th century." Historiographia Linguistica 15, no. 1-2 (January 1, 1988): 39–61. http://dx.doi.org/10.1075/hl.15.1-2.04dib.

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Summary Within a hundred years the first Dutch vernacular orthographies and grammars were published in the Netherlands, as contributions to the cultivation of the language. In a number of these books the authors assumed the independence of the several Dutch dialects; in other publications we find the tendency towards a cultivated language, or we see that the authors started from the existence of a Refined Standard Dutch. However that may be the orthographists and grammarians aimed at the cultivation of written and spoken Dutch. Generally the grammarians did not pay much attention to two tradit

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11

REGEV, Shaul. "The Attitude towards theconversosin 15th-16th Century Thought." Revue des Études Juives 156, no. 1 (July 1, 1997): 117–34. http://dx.doi.org/10.2143/rej.156.1.519374.

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12

Metan, Saskia. "Editorische Verflechtungen." Zeitschrift für Slawistik 64, no. 4 (October 30, 2019): 507–19. http://dx.doi.org/10.1515/slaw-2019-0029.

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Summary Among the various descriptions of „Sarmatia“ which have been printed in the 16th century, the works of Maciej z Miechowa, Marcin Kromer and Alessandro Guagnini possessed the largest distribution: Published between 1517 and 1578, their works – containing information about the geography, history and population of the eastern part of the European continent – were reprinted and translated several times at several places until the middle of the 17th century. With a focus on paratexts and metatextual comments, the present article considers the entangled history of their editions in the 16th

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13

Krummel, D. W. "Studies in the Printing, Publishing, and Performance of Music in the 16th Century. Stanley Boorman." Papers of the Bibliographical Society of America 100, no. 2 (June 2006): 297. http://dx.doi.org/10.1086/pbsa.100.2.24293677.

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14

Gürkan, Emrah. "The efficacy of Ottoman counter-intelligence in the 16th century." Acta Orientalia Academiae Scientiarum Hungaricae 65, no. 1 (March 2012): 1–38. http://dx.doi.org/10.1556/aorient.65.2012.1.1.

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15

Santangelo, Paolo. "A Neo-Confucian Debate in 16Th Century Korea." T'oung Pao 76, no. 4 (1990): 234–70. http://dx.doi.org/10.1163/156853290x00083.

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16

Gouk, Penelope. "Transforming Matter, Refining the Spirit: Alchemy, Music and Experimental Philosophy around 1600." European Review 21, no. 2 (April 30, 2013): 146–57. http://dx.doi.org/10.1017/s1062798712000324.

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Although tracing its origins back to antiquity, a distinctly new kind of alchemy emerged in mid-16th-century Europe. This new tradition developed out of the teachings of Paracelsus (1493–1541), a German medical practitioner who challenged the authority of university-trained physicians. He sought to establish a reformed kind of medicine based on first-hand experience of the natural world rather than dry scholastic texts. Alchemy was at the heart of this new medicine, a body of experimental practice and theory that not only held out the promise of improving the health of individuals but could al

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17

Monteiro, Jesus Alexandre Tavares, and Danilo Ferreira Soares. "Each toada represents a missing: a brief history about the use of caipira music in the study of human and social sciences in new high school." Revista Tempos e Espaços em Educação 15, no. 34 (December 14, 2022): e17862. http://dx.doi.org/10.20952/revtee.v15i34.17862.

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This article aims to present a brief history of country music, through qualitative bibliographic research and exhibitions of musical excerpts to offer teachers and other interested parties a path of educational intervention. Music associated with education promotes dynamism in the learning and teaching process. Specifically, country music contextualizes the social relationships of students in rural regions and also in large urban centers. From the Brazilian colonial period, in the mid-16th century to the present day, this musical style adapts and characterizes the historical and chronological

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18

Winkel, Laurens. "Francisco de Vitoria on just war on both sides and on the legal position of Burgundy." Tijdschrift voor Rechtsgeschiedenis / Revue d'Histoire du Droit / The Legal History Review 75, no. 3 (2007): 355–62. http://dx.doi.org/10.1163/157181907783054950.

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AbstractTwo texts of Francisco de Vitoria, a 16th century theologian, on the emerging concept of just war on both sides give interesting information on a less known aspect of the contemporary controversy between the Emperor Charles V and the French King François I: the position of the Duchy of Burgundy. These texts also link elegantly the theory of international law and political reality.

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19

Antipov, Ilya V. "The So-Called Faceted Palace (1433) and the Architecture of Novgorod from the Middle of the 15th to the First Quarter of the 16th Century." Vestnik of Saint Petersburg University. Arts 11, no. 2 (2021): 310–26. http://dx.doi.org/10.21638/spbu15.2021.208.

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The article is devoted to the history of Novgorodian architecture in the middle of the 15th to the first quarter of the 16th century. In 1433, one of the key events in the history of Novgorodian architecture took place — the German and local builders constructed the Faceted Palace commissioned by the archbishop Eufimiy II on the Vladychny Dvor. The article focuses on two interconnected problems: 1) did the German master builders continue to work on the Archbishop’s Court after 1433; 2) did the Faceted Palace influence the architecture of Novgorod in the middle of the 15th to the first quarter

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20

Agustono, Budi, and Muh Takari. "CONTINUITIES AND CHANGES MUSICAL CULTURE OF MELAYU DELI." Grenek Music Journal 8, no. 2 (July 15, 2019): 78. http://dx.doi.org/10.24114/grenek.v8i2.14022.

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This paper analyze about continuities and changes Malay North Sumatra musical culture, with historical and ethnomusicological approach. We use the evolution theory, and qualitative methods in this research. Malay music North Sumatran begun in the early of Malay culture, in 1300 B.C. By this time to the first century, Malay musical culture basic on animism and dynamism, which use to ceremony activities. In firs to thirteen century Hinduism and Buddhism come to Malay culture. In this era musical culture from Hinduism and Buddhism absorbed by Malay North Sumatran, in the form as follows: raga and

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21

Gessele, Cynthia M. "Base d'harmonie: A Scene from Eighteenth-Century French Music Theory." Journal of the Royal Musical Association 119, no. 1 (1994): 60–90. http://dx.doi.org/10.1093/jrma/119.1.60.

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History can often be read as story or drama, with the events of the narrative partitioned into scenes. As a play, the history of music theory in eighteenth-century France has Jean-Philippe Rameau as its main character. The scenes in which Rameau and his opponents debated his theory are filled with contentious dialogue. Even if the historian excludes Rameau and devotes scenes to his predecessors, contemporaries and interpreters, the plot still revolves around the story's protagonist who stands in the wings.

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22

George Mariscal. "Theory and History of Ideological Production: The First Bourgeois Literatures (the 16th Century) (review)." Arizona Journal of Hispanic Cultural Studies 7, no. 1 (2003): 285–86. http://dx.doi.org/10.1353/hcs.2011.0222.

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23

Dehqan, Mustafa, and Vural Genç. "Kurds as spies: Information-gathering on the 16th-century Ottoman–Safavid frontier." Acta Orientalia Academiae Scientiarum Hungaricae 71, no. 2 (June 2018): 197–230. http://dx.doi.org/10.1556/062.2018.71.2.5.

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24

Matyjaszczyk, Joanna. "Struggles with Dramatic Form in 16th-Century English Biblical Plays." Anglica. An International Journal of English Studies, no. 31/1 (October 2022): 5–27. http://dx.doi.org/10.7311/0860-5734.31.1.01.

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The aim of the article is to pinpoint how 16th-century biblical drama tried to appropriate its genre and medium to carry the reformist message and in what sense the project turned out to be a self-defeating one. The analysis of selected plays from reformed biblical cycles (The Chester Mystery Cycle, play iv; and “The Norwich Grocers’ Play”) and newly composed drama (John Bale’s plays, Lewis Wager’s Life and Repentaunce of Marie Magdalene, the anonymous “History of Jacob and Esau”), supported with an over- view of the criticism on the matter, reveals some common tensions in the dramatic texts w

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25

Wright, O. "Çargâh in Turkish classical music: history versus theory." Bulletin of the School of Oriental and African Studies 53, no. 2 (June 1990): 224–44. http://dx.doi.org/10.1017/s0041977x00026057.

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If there has been one dominant, quasi-official theory for Turkish classicalmusic in the second half of the twentieth century, it is that particularlyassociated with Ezgi and Arel. Their notational conventions have becomestandard, supplanting earlier norms, and the framework they developed is theone still employed in recent general accounts of the modal system, whether thesimplified introductory survey of Yilmaz (1983), for example, or the moredetailed and comprehensive coverage of Ozkan (1984). Both of these follow theanalytical models provided by their predecessors, and begin with an expositi

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26

Kuzmina, Marina D. "“Alphabet Scribe” in the History of Russian Literature." Philology 19, no. 9 (2020): 87–101. http://dx.doi.org/10.25205/1818-7919-2020-19-9-87-101.

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The article is dedicated to the study of the most significant and popular Old Russian scribe – “Alphabetical”, written in the late 16th – early 17th century according to researchers. The assumption is made that it was replenished and adjusted over several decades, quickly responding to the demands of the times and reflecting the main processes that took place in Russian literature of the 16th and especially the 17th century. The scribe reflected the central feature of this period: the interaction of the traditional and the new, with an emphasis on the new. It demonstrates such new aspects of R

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27

Ismail, Noorilham, Mohd Kasturi Nor Abd Aziz, and Zarifah Arsani. "Idea Pembentukan Pemerintahan Ibn Khaldun dan Asas Pembinaan Kesultanan Melaka dari Kurun Ke-15 hingga 16." Journal of Al-Tamaddun 16, no. 2 (December 13, 2021): 31–47. http://dx.doi.org/10.22452/jat.vol16no2.3.

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This study focuses on the idea of Ibn Khaldun’s governance by focusing on the Sultanate of Melaka in the 16th century. The primary goal of this research is to demonstrate the development of the Melaka Sultanate through the lens of cycle theory, the spirit of asabiyyah, and the concept of ‘umran as defined by Ibn Khaldun. The timeline discusses the early establishment of the Sultanate of Melaka until its fall at the start of Portuguese colonisation in 1511. The study used Muqaddimah and Sulalat us-Salatin (Sejarah Melayu) as the main source for discussion of various ideas to explain Ibn Khaldun

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28

Young, James O. "Assessing the Ethos Theory of Music." Disputatio 13, no. 62 (December 1, 2021): 283–97. http://dx.doi.org/10.2478/disp-2021-0015.

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Abstract The view that music can have a positive or negative effect on a person’s character has been defended throughout the history of philosophy. This paper traces some of the history of the ethos theory and identifies a version of the theory that could be true. This version of the theory can be traced to Plato and Aristotle and was given a clear statement by Herbert Spencer in the nineteenth century. The paper then examines some of the empirical literature on how music can affect dispositions to behave and moral judgement. None of this evidence provides much support for the ethos theory. Th

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29

Svyrydenko, N. "Music in museum (second half of 20th century, Ukraine)." Musical art in the educological discourse, no. 3 (2018): 61–65. http://dx.doi.org/10.28925/2518-766x.2018.3.6165.

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Due to the process of early music revival, started in the USSR from the 60s of the 20th century, there are searches of the appropriate premises, in which early music could be perceived naturally, where one can feel a single style in combination of rooms, music, instrumentation and performance style that would increase the perception of each of the components of the creative process. Such most suitable premises are found out to be the halls of museums — former mansions, or palaces, which serve as museums in our time. The practice of conducting concerts in museums was introduced in Western Europ

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30

Milin, Melita. "Ancient Greek mythology mediated by Latin culture: On Vlastimir Trajkovic’s arion and Zephyrus returns." Muzikologija, no. 12 (2012): 165–82. http://dx.doi.org/10.2298/muz120130008m.

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Vlastimir Trajkovic (b. 1947) is a prominent Serbian composer with a strong inclination towards subjects from ancient Greek mythology. Among his most important achievements may be counted Arion - le nuove musiche per chitarra ed archi (1979) and Zephyrus returns for flute, viola and piano (2003). Two important aspects of those works are discussed in the present article: 1. the line that connects them to ancient Greek culture via French Modernism (Debussy, Ravel, Messiaen) and Renaissance poetry and music (Petrarch, Caccini, Monteverdi); 2. modality, which has proved its vitality through long p

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31

Chondros, Thomas. "The development of mechanics and engineering design and machine theory since the rennaissance." FME Transactions 49, no. 2 (2021): 291–307. http://dx.doi.org/10.5937/fme2102291c.

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The history of science and mechanics is confronted by two interconnected problems: a critical accumulation and systematization of historical information about the subject of study, and the relationship between events and the laws of their development.The influence of natural philosophy in classical times that led to the development of mechanics and engineering as a science from the 5th century B.C. to the Middle-Ages was investigated in a previous article by the author. The rapid development of mechanics as a science started in the 16th and the 17th century. Machine design as an applied scienc

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32

Buza, János. "The exchange rates of the Hungarian and Turkish ducats in the mid-16th century." Acta Orientalia Academiae Scientiarum Hungaricae 60, no. 1 (March 2007): 33–54. http://dx.doi.org/10.1556/aorient.60.2007.1.3.

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33

Gürkan, Emrah Safa. "Hile ü hud’a: Deception, Dissimulation and Manipulation of Information in 16th-century Ottoman Empire." Acta Orientalia Academiae Scientiarum Hungaricae 72, no. 4 (December 2019): 437–54. http://dx.doi.org/10.1556/062.2019.72.4.4.

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34

Guinle, Francis. "Review: Book: Poetry and Music in Seventeenth-Century England." Cahiers Élisabéthains: A Journal of English Renaissance Studies 54, no. 1 (October 1998): 156–57. http://dx.doi.org/10.1177/018476789805400130.

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35

Alsop, James. "‘More like a tavern than a school house’: Family strife, religious change, and the founding of Oundle Grammar School, 1556–1578." Cahiers Élisabéthains: A Journal of English Renaissance Studies 107, no. 1 (January 5, 2022): 24–38. http://dx.doi.org/10.1177/01847678211069466.

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The convoluted and contested foundation of the Grammar School at Oundle, Northamptonshire, in 1573 illustrated the complexities involved in giving concrete shape to pious wishes in 16th-century post-mortem bequests. Although the founder was Sir William Laxton (d. 1556), the key figure was his widow, the assertive matriarch Dame Joan Kirkeby-Luddington-Laxton, the richest woman of early Elizabethan London. This paper analyses the politics, religious context, and family strife of this dispute, and in so doing illuminates the contours of early Elizabethan London.

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36

Yeon, Sang-Chun. "A Study of Music History of the 18th Century on the Basis of Dahlhaus's Music Historical Theory." Yonsei Music Research 19 (November 30, 2012): 73–97. http://dx.doi.org/10.16940/ymr.2012.19.73.

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37

Žiemelis, Darius. "The problem of the application of the term second serfdom in the history of Central Eastern Europe: the case of Lithuanian economy in the 16th-19th (until 1861)." Romanian Journal for Baltic and Nordic Studies 7, no. 1 (August 15, 2015): 123–49. http://dx.doi.org/10.53604/rjbns.v7i1_6.

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In the 16th-19th centuries (until 1861) the term second serfdom is not applied in the investigations of the economic organization of Lithuania. However, the theory of the neo-Marxist capitalist world system (CWS) of the most famous and influential American comparative historical sociology representative I. Wallerstein offers to look at the phenomenon of the second serfdom from a global perspective emphasizing external causes and to consider it a manifestation of peripheral capitalism in Central Eastern Europe. In his fundamental work The Modern World System, the Polish and Lithuanian social ec

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38

Friedberg, Josh. "“This Music Begins on the Auction Block”." James Baldwin Review 8, no. 1 (September 27, 2022): 147–63. http://dx.doi.org/10.7227/jbr.8.8.

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One theme in James Baldwin’s work that has gained increasing attention in the last quarter-century is music. What has been missing from this discussion, however, has been a thematic survey of Baldwin’s writing on music and its implications for the twenty-first century. This article focuses on select music-centered texts to examine what Baldwin’s ideas about music reveal about history in our own times. Multiple themes in his writing show how racial slavery creates—in the present tense—differences in experiences and musical expression between people constructed as Black and as white. Baldwin’s w

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39

Clarke, David. "Editorial: Twentieth-Century Music – Plural." Twentieth-Century Music 1, no. 2 (September 2004): 155–59. http://dx.doi.org/10.1017/s1478572205000010.

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Difference is among the twentieth century’s most volatile legacies to the twenty-first. Over this period it has increasingly lodged itself in our cultural consciousness, as both theoretical concept and lived experience. Its workings are refracted through culture (through phenomena such as music) and the way we contemplate and study it (through a journal such as this). A Brief History of Difference, at least the chapter relevant to the present story, might start in the early part of the last century with Ferdinand de Saussure’s courses on linguistics. Not only language, but potentially all sign

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40

Novak, Maria O., and Yana A. Penkova. "Cyril of Jerusalem catechetical lectures: To linguistic and textual history of the 13th century Tolstovskii manuscript." Vestnik of Saint Petersburg University. Language and Literature 19, no. 2 (2022): 334–52. http://dx.doi.org/10.21638/spbu09.2022.208.

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The article presents a study of catechetical lectures by Cyril of Jerusalem in the Tolstovskii sbornik (collection) from the 13th century (RNB, F.p.I.39) in comparison with four manuscripts from the 11th–17th centuries. Considering lexical, derivational, and grammatical variations, the authors conclude that the Tolstovskii manuscript has much more archaic features in common with three representatives of the MSS from the “family Sin” (they are three MSS from 11th–16th centuries). At the same time, it looks closer to the manuscript from the 16th–17th centuries (RSL, f. 256, N.P.Rumiantsev collec

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41

Eamon, William. "Cannibalism and Contagion: Framing Syphilis in Counter-Reformation Italy*." Early Science and Medicine 3, no. 1 (1998): 1–31. http://dx.doi.org/10.1163/157338298x00013.

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AbstractThe outbreak of syphilis in Europe elicited a variety of responses concerning the disease's origins and cure. In this essay, I examine the theory of the origins of syphilis advanced by the 16th-century Italian surgeon Leonardo Fioravanti. According to Fioravanti, syphilis was not new but had always existed, although it was unknown to the ancients. The syphilis epidemic, he argued, was caused by cannibalism among the French and Italian armies during the siege of Naples in 1494. Fioravanti's strange and novel theory is connected with his view of disease as corruption of the body caused b

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42

Burmistrov, Konstantin Yu. "Moshe Cordovero’s Kabbalah and its reception in Europe at the end of the 17th century." Philosophy Journal 15, no. 1 (2022): 21–36. http://dx.doi.org/10.21146/2072-0726-2022-15-1-21-36.

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Moshe ben Ya’akov Cordovero (1522–1570) was one of the most influential Kabbalists of the 16th century living in Safed in Northern Galilee (Ottoman Empire). The systematic explanation of the basic concepts of Kabbalah that he proposed had a significant impact on the subsequent development of Kabbalah. A characteristic feature of the views of Cordovero and his followers was the desire to “demythologize” Kabbalah, to create a synthesis of earlier views and to develop a unified speculative theory on their basis. At the same time, since the end of the 16th century, the Kabbalah school of Yitzhak

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43

Gjerdingen, R. O. "The Art of Partimento: History, Theory, and Practice/The Italian Traditions and Puccini: Compositional Theory and Practice in Nineteenth-Century Opera." Journal of Music Theory 57, no. 1 (March 1, 2013): 119–29. http://dx.doi.org/10.1215/00222909-2017124.

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Roberts, H. "Narrative Worlds: Essays on the 'Nouvelle' in 15th and 16th Century France." French Studies 61, no. 4 (October 1, 2007): 498. http://dx.doi.org/10.1093/fs/knm181.

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McKinney, Timothy R. ":Music in the Mirror: Reflections on the History of Music Theory and Literature for the Twenty-First Century." Music Theory Spectrum 31, no. 1 (April 2009): 199–209. http://dx.doi.org/10.1525/mts.2009.31.1.199.

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Zhumagazin, Zhanbolat. "Evolution of opera at early stages of development as a musical theater." Pedagogy and Psychology 42, no. 1 (March 30, 2020): 230–36. http://dx.doi.org/10.51889/2020-1.2077-6861.29.

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The opera originated in Italy. Researchers, right up to the exact date, say the time, when the first piece of music, called the opera today, was written. Nevertheless, the opera form has its own history, despite the fact that it was still a new art form at that time. The roots of this musical style go back to the musical everyday life of ancient Italian village entertainments, so-called «May» games, accompanied by songs and dramatic performances. Around the middle of the 13th century, in Umbria on the squares, people began to hold lauds, religious chants on the plots of gospel themes, which be

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Scherer, Savitri. "Globalisation in Java in the 16th Century. A Review of Pramoedya's Arus Balik." Archipel 55, no. 1 (1998): 43–60. http://dx.doi.org/10.3406/arch.1998.3441.

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Karolewski, Janina. "What is Heterodox About Alevism? The Development of Anti-Alevi Discrimination and Resentment." Die Welt des Islams 48, no. 3 (2008): 434–56. http://dx.doi.org/10.1163/157006008x364767.

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AbstractThis article examines how the widespread denomination of the Alevi tradition as “heterodox Islam” was introduced in the academic field in the late 19th century. This denomination reflects the differentiation between Alevis and Sunnis, which originally did not base on religious differences but on the socio-political power struggle between the Ottoman Empire and the Safavids/Kızılbaş. First, the historical development of this conflict and the spread of anti-Safavid/Kızılbaş propaganda in the 16th century will be highlighted. Second, it will be illustrated how the Kızılbaş were 'rediscove

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Golenishcheva, Ekaterina E., and Olga I. Kulapina. "From the History of 19th Century Russian Folk Music Studies: from Empirical Study to Theory." Music Scholarship / Problemy Muzykal'noj Nauki, no. 1 (March 2016): 90–96. http://dx.doi.org/10.17674/1997-0854.2016.1.090-096.

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Girón-Negrón, Luis M. "“Your Dove-Eyes Among Your Hairlocks:” Language and Authority in Fray Luis De León's Respuesta Que Desde Su Prisón da a sus Émulos*." Renaissance Quarterly 54, no. 4-Part1 (2001): 1197–250. http://dx.doi.org/10.2307/1261971.

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This essay examines a 16th-century classic of Spanish humanist apologetics: the extant portion of fray Luis de Ledn 's defense of his Spanish translation of the Song of Songs against the Inquisition. The analysis highlights a Christian hebraist's contribution to contemporary debates on the applicability of humanist philology to biblical scholarship. An English translation of fray Luis’ famous respuesta accompanies the article.

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