Bibliografías temáticas / Musical intervals and scales

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Literatura académica sobre el tema "Musical intervals and scales"

Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 29 de julio de 2024

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Tesis sobre el tema "Musical intervals and scales"

1

McGeough, Carol Sigrid Westdal. "Absolute pitch and the perception of sequential musical intervals." Thesis, University of British Columbia, 1987. http://hdl.handle.net/2429/26449.

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The perception of musical intervals by musicians can be envisaged as being accomplished in one of two ways. Most musicians appear to have only one method for identifying musical intervals: they directly evaluate the musical interval between two notes. Musicians with absolute pitch (AP) appear to have two methods available for identifying intervals: they can either directly evaluate the musical interval, or they can first identify the two pitches, and then infer the musical interval between them. This study investigated the perception of sequential musical intervals by two groups of musicians,
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2

Klein, Rolf. "Die Intervallehre in der deutschen Musiktheorie des 16. Jahrhunderts." Regensburg : G. Bosse, 1989. http://books.google.com/books?id=IkxGAAAAMAAJ.

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Ng, Kwok Wai. "The modes of tōgaku from Tang-period China to modern Japan : focusing on the ōshikichō, banshikichō and hyōjō modal categories." Thesis, Department of Music, 2007. http://hdl.handle.net/2123/8716.

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Bernal, Leonardo Camacho. "Miles Davis the road to modal jazz /." connect to online resource, 2007. http://digital.library.unt.edu/permalink/meta-dc-3693.

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5

Derfler, Brandon Joel. "Single-voice transformations : a model for parsimonious voice leading /." Thesis, Connect to this title online; UW restricted, 2007. http://hdl.handle.net/1773/11418.

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Gerhardt, Kris. "The tritone paradox : an experimental and statistical analysis /." *McMaster only, 2002.

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7

Frasch, Cheryl Crawford. "Notation as a guide to modality in the Offertories of Paris, B.N., Lat. 903 /." The Ohio State University, 1985. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487265143145199.

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8

Berens, Melody Sue. "Limitations on contextual assistance for relative-temporal-duration-judgment." Diss., Online access via UMI:, 2004. http://wwwlib.umi.com/dissertations/fullcit/3150496.

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Vail, Kimberly Gail. "Musical Priming and Operant Selection." Thesis, University of North Texas, 2017. https://digital.library.unt.edu/ark:/67531/metadc1062812/.

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Language is a cultural construct, and the relationship between words is taught. Priming research has long investigated the relationship between related and unrelated words. Similar research has been seen in music relationships, but most of these investigate harmonic relations despite the melodic relationship being the one listeners are mostly likely to describe. Further, these studies typically measure existing relationships and do not attempt to teach a new relationship, nothing that most adults are experienced musical listeners. This study seeks to establish a new melodic relationship (the
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10

Hyouck, Jin Kwon. "Modio : interactive sound visualization /." Electronic version of thesis, 2006. https://ritdml.rit.edu/dspace/handle/1850/2684.

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