Bibliografías temáticas / Musicals – england – history and criticism

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Literatura académica sobre el tema "Musicals – england – history and criticism"

Autor: Grafiati
Publicado: 27 de julio de 2024
Última modificación: 31 de julio de 2025

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Artículos de revistas sobre el tema "Musicals – england – history and criticism"

1

Langford, Paul. "Property and ‘Virtual Representation’ in Eighteenth-Century England." Historical Journal 31, no. 1 (1988): 83–115. http://dx.doi.org/10.1017/s0018246x00012000.

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The representative credentials of the unreformed parliament are a subject of enduring historical interest. It is not surprising that much of that interest has focused on the electoral basis of the house of commons. From the beginnings of an organized movement for parliamentary reform and the first systematic investigations of the subject, criticism fastened on the anomalies and inequities of a manifestly outdated franchise. Modern scholarship, emancipated from the bias of whig history, has been less harsh in its judgement, but equally preoccupied with elections and the electorate. Successive s
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Giraudet, Luke. "Helen Barker, Rape in Early Modern England: Law, History and Criticism." Crime, Histoire & Sociétés 28, no. 1 (2024): 130–32. http://dx.doi.org/10.4000/12a7l.

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Kahyana, Danson Sylvester. "The People’s Republic of China as Imagined in Taddeo Bwambale Nyondo’s Around China in 300 Days: A Journey Through 30 Cities and Towns (2017)." African and Asian Studies 19, no. 1-2 (2020): 60–80. http://dx.doi.org/10.1163/15692108-12341446.

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Abstract My article contributes to the current debates on travel, with special emphasis on Africans’ travels to China. I theorize travel writing from a South-South perspective, thereby bypassing the European colonial era, which is usually considered the watershed of travel writing. Besides, I interrogate the uncritical praise of China by the Ugandan traveller, Taddeo Bwambale Nyondo, as well as the absence of criticism of the country even when there are moments when this criticism could have come in handy. I argue that Nyondo is a subaltern writer, who visits a highly-industrialized country fr
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ZIANI, Rabia, and Abbes BAHOUS. "The Commodification of History: Debunking Processes of Authenticity and Simulacra in Julian Barnes’ England, England 1999." ALTRALANG Journal 5, no. 01 (2023): 302–9. http://dx.doi.org/10.52919/altralang.v5i01.283.

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Englishness has become a focal point of research and exploration, placing itself at the heart of debates within contemporary literary criticism. In this article, I will be taking Julian Barnes‘ England, England 1999 as a case study to highlight the workings of the aspects of authenticity and simulacra by attempting to break down the mechanisms that contribute to the rebranding of national identity as well as presenting an account of postmodern reflections of the novel. I also try to highlight the obvious influence of the author by French elements in terms of form and technique. My research tou
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Wrigley, E. Anthony. "A Reply to Kumar’s “Omission of Data in Wrigley’s ‘Reconsidering the Industrial Revolution’”." Journal of Interdisciplinary History 51, no. 2 (2020): 301–2. http://dx.doi.org/10.1162/jinh_c_01559.

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Kumar’s criticism is justified but only because the article in question failed to specify that England had achieved self-sufficiency in temperate foodstuffs rather than all foodstuffs. The ability of English agriculture between the sixteenth and nineteenth centuries to meet the country’s temperate foodstuff needs was notable, especially as the number of men employed on farms changed only marginally.
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Milner, Andrew. "The 'English ' Ideology: Literary Criticism in England and Australia." Thesis Eleven 12, no. 1 (1985): 110–29. http://dx.doi.org/10.1177/072551368501200108.

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Breen, Dan. "Literary Criticism and the Experience of Religious Belief in Sixteenth-Century England." Sixteenth Century Journal 40, no. 1 (2009): 236–38. http://dx.doi.org/10.1086/scj40541162.

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Bukvic, Rajko. "Criticism of traditional chronology: How long will Scaliger survive?" Zbornik Matice srpske za drustvene nauke, no. 118-119 (2005): 257–312. http://dx.doi.org/10.2298/zmsdn0519257b.

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The paper considers the problems of current state and survival of traditional chronology and history based upon the Scaliger and Petavius books from XVI and XVII centuries. Among many approaches that insist on the need of examination of that chronology, developed at first in Russia, but also in Germany, England, USA and other countries, author focuses to the investigation of Fomenko and his collaborators, but also the Khronotron group. Both these groups, like many others critics of current chronology, as their inspirators and predecessors mark Newton and Morozov, two great scientists who durin
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van den BERG, JAN. "English Deism and Germany: The Thomas Morgan controversy." Journal of Ecclesiastical History 59, no. 1 (2008): 48–61. http://dx.doi.org/10.1017/s0022046907002278.

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The work of the English Deist Thomas Morgan (d. 1743), a Marcion in his time, received much negative criticism in England and abroad, especially in Germany. His views aroused comments in books, dissertations and journals. Only in the first half of the twentieth century was he to be praised by theologians such as Adolf von Harnack and Emanuel Hirsch, who likewise disparaged the Old Testament.
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Smuts, R. Malcolm, and Kevin Sharpe. "Criticism and Compliment: The Politics of Literature in the England of Charles I." American Historical Review 94, no. 5 (1989): 1370. http://dx.doi.org/10.2307/1906404.

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Tesis sobre el tema "Musicals – england – history and criticism"

1

Borschel, Audrey Leonard. "Development of English song within the musical establishment of Vauxhall Gardens, 1745-1784." Thesis, University of British Columbia, 1985. http://hdl.handle.net/2429/26033.

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This document provides a brief history of Vauxhall Gardens and an overview of its musical achievements under the proprietorship of Jonathan Tyers and his sons during the 1745-1784 period when Thomas Arne (1710-1778) and James Hook (1746-1827) served as music directors. Vauxhall Gardens provided an extraordinary environment for the development and nurturing of solo songs in the eighteenth century. Here the native British composers' talents were encouraged and displayed to capacity audiences of patrons who often came from privileged ranks of society. The largely anonymous poems of the songs were
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Dumitrescu, Theodor. "The early Tudor court and international musical relations /." Aldershot [u.a.] : Ashgate, 2007. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=016142806&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA.

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Revised Thesis (doctoral)--University of Oxford, 2004.<br>Foreign cultural models at the English royal court -- International events and musical exchanges -- Building a foreign musical establishment at the early Tudor court -- Anglo-continental relations in music manuscripts -- English music theory and the international traditions. Includes bibliographical references (p. [297]-315) and index.
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Jackson, Simon John. "The literary and musical activities of the Herbert family." Thesis, University of Cambridge, 2012. https://www.repository.cam.ac.uk/handle/1810/283892.

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Hawkins, Cynthia Susan. "Aspects of the musical education of choristers in Church of England choir schools." Thesis, McGill University, 1985. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=63228.

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Ball, William Scott. "Reclaiming a music for England : Nationalist concept and controversy in English musical thought and criticism, 1880-1920. /." Connect to resource, 1993. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1220045089.

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Henderson, Felicity 1973. "Erudite satire in seventeenth-century England." Monash University, School of Literary, Visual and Performance Studies, 2002. http://arrow.monash.edu.au/hdl/1959.1/7999.

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GRAY, FRED ALLEN. "CHILDREN'S MUSICALS, 1973-1985: ANNOTATIONS WITH SOURCEBOOK FOR PRODUCTION (DRAMA, ELEMENTARY, HISTORY, VOICE, CHORAL)." Diss., The University of Arizona, 1985. http://hdl.handle.net/10150/188089.

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The purpose of this study was to collect and annotate the musical dramas for children of elementary school age published since 1972. Musical dramas selected were limited to those having a story line rather than just a narrator and chorus, having dialogue interaction between the characters, containing mostly original music, and written for grades kindergarten through six. This document is intended as a resource for elementary school teachers and church workers who are searching for appropriate material for performance or study. Annotations of 210 musicals for children, sacred and secular, are t
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Ko, Trudy Hoi Yun. "The involution of print and prose fiction in early modern England." Thesis, University of Cambridge, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.609098.

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Strahle, Graham. "Fantasy and music in sixteenth- and seventeenth-century England /." Title page, contents and abstract only, 1987. http://web4.library.adelaide.edu.au/theses/09PH/09phs896.pdf.

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Percival, Gary William. "Developments towards a theatre of the absurd in England, 1956-1964." Thesis, University of St Andrews, 1995. http://hdl.handle.net/10023/14879.

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In 1961 Martin Esslin created the term 'Theatre of the Absurd' as a working hypothesis, a device with which to make fundamental traits present in the plays of a number of France-based dramatists accessible to discussion by tracing the features they had in common. Despite the popularity of Esslin's study, there has been no comparable discussion of England-based absurdism. An explanation for this lack of critical attention may be found in the dogged insistence amongst scholars that there are only two absurd playwrights in the English theatre before 1967. My first aim in this thesis is to redress
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Libros sobre el tema "Musicals – england – history and criticism"

1

Gillett, Paula. Musical women in England, 1870-1914: "encroaching on all man's privileges". Macmillan, 2000.

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Wainwright, Jonathan. Musical patronage in seventeenth-century England: Christopher, first Baron Hatton (1605-1670). Scolar Press, 1997.

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Griffiths, David. "A musical place of the first quality": A history of institutional music-making in York, c.1550-1990. York Settlement Trust, 1994.

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Weber, William. The rise of musical classics in eighteenth-century England: A study in canon, ritual, and ideology. Clarendon Press, 1996.

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Rainbow, Bernarr. The land without music: Musical education in England, 1800-1960, and its continental antecedents. Boethius Press, 1991.

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Stump, Paul. Unknown pleasures: A cultural biography of Roxy Music. Quartet Books, 1998.

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Stump, Paul. Unknown pleasures: A cultural biography of Roxy Music. Thunder's Mouth Press, 1998.

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BASHFORD, CHRISTINA. PURSUIT OF HIGH CULTURE: JOHN ELLA AND CHAMBER MUSIC IN VICTORIAN LONDON. BOYDELL PRESS, 2007.

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Hansen, Jutta Raab. NS-verfolgte Musiker in England: Spuren deutscher und österreichischer Flüchtlinge in der britischen Musikkultur. von Bockel, 1996.

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Palmer, Fiona M. Domenico Dragonetti in England (1794-1846): The career of a double bass virtuoso. Clarendon Press, 1997.

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Capítulos de libros sobre el tema "Musicals – england – history and criticism"

1

Cannan, Paul D. "Introduction: On Writing the History of Early English Criticism." In The Emergence of Dramatic Criticism in England. Palgrave Macmillan US, 2006. http://dx.doi.org/10.1007/978-1-137-03717-6_1.

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Freebody, Jane. "Introduction." In Mental Health in Historical Perspective. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-13105-9_1.

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AbstractThis comparative study of patient work and occupation throws new light on a topic that has only recently attracted scholarly attention. Patient work emerged in the context of moral treatment in the early nineteenth century in both France and England and was used similarly in both asylum systems until World War I. After the war, the approach to patient work and occupation diverged, as Freebody demonstrates using three institutional case studies from each country. An overview of the historiography, not only of patient work and occupational therapy but also of the history of work and work
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DeSimone, Alison C. "Variety in Criticism and Aesthetics in Eighteenth-Century England." In The Power of Pastiche. Liverpool University Press, 2021. http://dx.doi.org/10.3828/liverpool/9781942954774.003.0006.

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Chapter 5 considers how “variety” and “miscellany” became valued in Enlightenment philosophy, eighteenth-century music history, and more specifically, early music criticism between 1700 and 1720, showing that the response to musical miscellany in performance transformed into a lasting cultural appreciation of miscellany in music and the other arts. This final chapter illustrates how the appreciation for variety as an aesthetic facilitated a re-evaluation of cosmopolitanism as Britain transformed under social, economic, and political pressures.
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"Anthropology; Travel; History; Criticism." In A Literary History of England Vol. 4. Routledge, 2004. http://dx.doi.org/10.4324/9780203393055-49.

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Prickett, Stephen. "England: Romantic legacies." In The Cambridge History of Literary Criticism. Cambridge University Press, 2013. http://dx.doi.org/10.1017/cho9781139018456.010.

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Najarian, James. "England: literature and culture." In The Cambridge History of Literary Criticism. Cambridge University Press, 2013. http://dx.doi.org/10.1017/cho9781139018456.011.

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Burrow, Colin. "Combative criticism: Jonson, Milton, and classical literary criticism in England." In The Cambridge History of Literary Criticism. Cambridge University Press, 1999. http://dx.doi.org/10.1017/chol9780521300087.053.

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Salzman, Paul. "Theories of prose fiction in England: 1558–1700." In The Cambridge History of Literary Criticism. Cambridge University Press, 1999. http://dx.doi.org/10.1017/chol9780521300087.031.

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Johnston, Andrew James. "The ‘Matter of England’." In The Oxford History of Poetry in English. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780198827429.003.0023.

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Abstract This chapter is concerned with the so-called ‘Matter of England’-romances. As opposed to much previous criticism that tended to rate these romances’ literary quality low and focused primarily on political and thematic issues, this contribution seeks also to provide an outline of the specific aesthetic choices that shape the texts. Using Horn, Havelok, and Guy of Warwick as principal examples, the chapter examines the romances’ central structural and rhetorical characteristics, touches briefly on their perspective on history, and highlights aspects such as their feigned orality, their
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"‘Charity’, Social Control and the History of English Literary Criticism." In Print and Power in France and England, 1500-1800. Routledge, 2016. http://dx.doi.org/10.4324/9781315246055-12.

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