Bibliografías temáticas / Olympia. Temple of Jupiter

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Literatura académica sobre el tema "Olympia. Temple of Jupiter"

Autor: Grafiati
Publicado: 27 de julio de 2024
Última modificación: 31 de julio de 2025

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Artículos de revistas sobre el tema "Olympia. Temple of Jupiter"

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López Sánchez, Fernando. "Hercules Romanus, Hercules Gaditanus, Iovis Olympius, Sandan y Iupiter Victor: cultos locales y selecciones imperiales en la moneda de Adriano = Hercules Romanus, Hercules Gaditanus, Iovis Olympius, Sandan and Iupiter Victor: Local Cults and Imperial Selections on Hadrian’s Coinage." ARYS. Antigüedad: Religiones y Sociedades, no. 16 (September 12, 2019): 63. http://dx.doi.org/10.20318/arys.2018.4422.

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Resumen: La viajera biografía del emperador Adria­no se suele agrupar en dos grandes giras. La primera se realizó entre los años 121 y 126 y concernió principalmente a Occidente. La segunda se hizo principalmente por Oriente y afectó fundamentalmente a algunas de las principales ciudades de Asia Menor, Capa­docia, Siria, Judea y Egipto. En medio de su primera gran gira, Adriano, en el año 124, se inició en Eleusis, en las cercanías de Atenas, y en asociación con Hércules. Al principio de la segunda gira, en el año 128 y tras visitar África, el emperador participó en otros ritos mistéricos en E
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Stissi, Vladimir. "Het onzichtbare Olympia." Lampas 54, no. 2 (2021): 213–29. http://dx.doi.org/10.5117/lam2021.2.003.stis.

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Abstract Although ancient Olympia is usually viewed as a Classical Greek site, most buildings that are visible nowadays were not there yet when Pindar celebrated famous victors or Peisistratos and Alcibiades won their races. More generally, even though new research has substantially improved our knowledge, the early history of the site is often still neglected in introductory presentations of the site. In this article some important main issues are discussed. First, new excavations have revealed that Bronze Age occupation of the area cannot be connected to the later cult, as some scholars have
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Healy, Patrick. "Design, Demos, Dialectics: Max Raphael's theory of Doric architecture." Cubic Journal, no. 1 (April 2018): 108–23. http://dx.doi.org/10.31182/cubic.2018.1.006.

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The main focus of this paper is to examine the analysis offered of the Temple of Zeus at Olympia by Max Raphael in his study dedicated to the remains of the temple. The temple of Zeus at Olympia is often cited as the canonical example of Doric temple architecture and Raphael examines how a particular design can have such far ranging influence, to which end he elucidates the relationship of design to the activity of a participatory and democratic process specific to the Greek polis. By bringing to bear a highly dialectical analysis of the various forces at play in both construction and the elab
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Arafat, K. W. "Pausanias and the temple of Hera at Olympia." Annual of the British School at Athens 90 (November 1995): 461–73. http://dx.doi.org/10.1017/s0068245400016300.

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This article considers the contents of the temple of Hera at Olympia in the light of Pausanias' account and of excavation reports. Of all the temples Pausanias describes, the Heraion is the most crowded, and it is argued that by his day it was acting as a storeroom, primarily for objects from nearby buildings. The implications are assessed for the history of the attribution of the Heraion, and for the use of temples in Pausanias' day.
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Barringer, Judith M. "The Temple of Zeus at Olympia, Heroes, and Athletes." Hesperia 74, no. 2 (2005): 211–41. http://dx.doi.org/10.2972/hesp.74.2.211.

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Barringer, Judith M. "The Temple of Zeus at Olympia, Heroes, and Athletes." Hesperia 74, no. 2 (2005): 211–41. http://dx.doi.org/10.1353/hes.2005.0005.

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Bourke, Graeme. "The Eleian Mantic Gene." Antichthon 48 (2014): 14–36. http://dx.doi.org/10.1017/s006647740000472x.

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AbstractThe Eleian manteis who practised at the altar of Zeus in Olympia appear to have belonged to two separate gene, the Iamids and the Klytiads. This paper first considers the identity and number of the Eleian mantic gene and then questions the long-held assumption that the Iamid genos was the first to become established at Olympia. It is argued that the foundation myths that appear in Pindar and Pausanias are probably the result of the embellishment of pre-existing tradition in the Classical and Hellenistic periods. While neither archaeology nor further textual evidence entitles us to assu
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GOLDEN, MARK. "War and Peace in the Ancient and Modern Olympics." Greece and Rome 58, no. 1 (2011): 1–13. http://dx.doi.org/10.1017/s0017383510000495.

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The past sleeps lightly at Olympia. Recall the opening sequence of Leni Riefenstahl's 1938 film, Olympia. In a misty landscape of ruined buildings, broken columns, and weeds run wild, a Greek temple stands amid the wreckage. Statues appear and then waken to life; a naked athlete throws a discus, another a javelin – this heads towards a bowl of fire. Another naked youth lights the Olympic torch and holds it high. It is carried from hand to hand in a relay and then reaches the stadium in Berlin, home of the 1936 Olympic Games, which the film is meant to celebrate. Adolf Hitler salutes the specta
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Konstantinos, Kalogeropoulos. "Παρθενώνας και Ναός του Διός: Τυπολογικές διαφοροποιήσεις και ομοιότητες". Archive 12 (7 грудня 2016): 51–58. https://doi.org/10.5281/zenodo.4495550.

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This essay provides a brief overview and description of the rhythm and sculptural decoration of the Parthenon and the temple of Zeus at Olympia. The two temples are considered typologically Doric. The typology is relativized, however, if differences observed are taken into account, due to the introduction of Ionic and Cycladic elements in the construction of the Parthenon, and the creative pressure exerted by the Temple of Zeus on the Parthenon and vice versa -at least in the sculptural program of Phidias concerning the two monumental statues of Athena and Zeus. The aim is to identify possible
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Magli, Giulio. "Archaeoastronomy of the Temples of the Bekaa Valley." Heritage 4, no. 3 (2021): 1526–37. http://dx.doi.org/10.3390/heritage4030084.

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The Bekaa Valley, Lebanon, is famous worldwide due to the magnificent temple of Heliopolitan Jupiter at Baalbek. In recent years, new research revived the interest in the unsolved problems posed by the Baalbek monuments, including original dating and construction phases, relationships with the landscape, and nature of the cult practiced. In a preliminary paper, we used archaeoastronomy to propose that the project of the Temple of Jupiter was a unified one conceived under Herod the Great, and that the cult was strongly connected to the renewal of the seasonal cycles. Here, we extend and confirm
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Tesis sobre el tema "Olympia. Temple of Jupiter"

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Withycombe-Taperell, Elizabeth Lucy Anne. "Building Jupiter : deconstructing the reconstruction." Thesis, The University of Sydney, 2008. https://hdl.handle.net/2123/28970.

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This thesis focusses on the Temple of Jupiter Optimus Maximus on the Capitoline Hill in Rome. It deconstructs what is proposed as the ‘myth’ of the Archaic temple in order to argue that the sixth century structure as we understand it should be understood as an Augustan literary construct. The Augustan ideological reconstruction of the temple is closely examined to demonstrate that there was a deliberate program designed to lessen the significance of the temple within the city of Rome in the late first century BC. This myth of the Archaic temple has pervaded modern scholarship particula
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Ott, Amanda Beth Crecelius. "A human narrative in the metopes from the Temple of Zeus at Olympia." 2004. http://etd.louisville.edu/data/UofL0026t2004.pdf.

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Hopkins, John North. "The topographical transformation of archaic Rome : a new interpretation of architecture and geography in the early city." Thesis, 2010. http://hdl.handle.net/2152/30920.

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Most studies of Roman architecture cover the third century BCE to the fourth century CE, a period of luxurious building projects like the Colosseum and Pantheon that remain relatively well documented in the archaeological and literary record. Yet Rome did not spring fully formed from the ground in the third century, its architecture relying entirely on precursors and precedents in buildings from far away times and places. In this study I fit remains of architecture from early Rome (ca. 650 to 450 BCE) into the cultural framework of the contemporaneous Mediterranean and try to assess how the c
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Libros sobre el tema "Olympia. Temple of Jupiter"

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Court, Washington (State) Supreme. The Supreme Court, State of Washington, Temple of Justice, Olympia. The Court, 1995.

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Court, Washington (State) Supreme. The Supreme Court, State of Washington, Temple of Justice, Olympia. The Court, 2003.

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Court, Washington (State) Supreme. The Supreme Court, State of Washington, Temple of Justice, Olympia. The Court, 1996.

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Dörig, José. The Olympia Master and his collaborators. E.J. Brill, 1987.

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Hungary) Olympia-Seminar (1st 2014 Budapest. New approaches to the Temple of Zeus at Olympia: Proceedings of the First Olympia-Seminar 8th-10th May 2014. Cambridge Scholars Publishing, 2015.

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Paterakēs, Kleanthēs. To anatoliko enaetio tou naou tou Dia stēn Olympia. Panepistēmio Krētēs, Tmēma Historias kai Archaiologias, Tomeas Archaiologias kai Historias tēs Technēs, 2005.

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Gounarē, Emmanouela G. Ta ekmageia apo ta aetōmatika glypta tou Naou tou Dios stēn Olympia. University Studio Press, 2004.

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Becatti, Giovanni. Il maestro d'Olimpia. Sansoni, 1990.

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Coraggio, Flavia. Il Tempio della Masseria del Gigante a Cuma. Naus, 2013.

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Schure, Edouard. Orpheus And The Temple Of Jupiter. Kessinger Publishing, LLC, 2006.

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Capítulos de libros sobre el tema "Olympia. Temple of Jupiter"

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Magli, Giulio. "The Archaeoastronomy and Chronology of the Temple of Jupiter at Baalbek." In Historical & Cultural Astronomy. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-319-97007-3_9.

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Cahut, Bertrand. "Restaurer ou reconstruire le Capitole ?" In Reconstruire Rome : la restauration comme politique urbaine, de l'Antiquité à nos jours. Publications de l’École française de Rome, 2024. http://dx.doi.org/10.4000/12791.

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Les reconstructions du temple de Jupiter Optimus Maximus sous Vespasien et Domitien montrent le souhait de respecter l’histoire du bâtiment, malgré des transformations qui peuvent elles aussi être inscrites dans une tradition. Elles témoignent du souhait des empereurs d’entretenir la mémoire du lieu, même pendant la période des travaux. Sous Domitien, les nouveaux bâtiments se référaient à une histoire augustéenne, paternelle et personnelle du Capitole, sans oublier son histoire royale et républicaine, mais réorganisée autour de l’empereur, omniprésent. La volonté d’associer la dynastie flavie
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Van Haeperen, Françoise. "Ostia. Temple de Jupiter." In Fana, templa, delubra. Corpus dei luoghi di culto dell'Italia antica (FTD) - 6. Collège de France, 2019. http://dx.doi.org/10.4000/books.cdf.6646.

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"Temple of Jupiter (Figure 26)." In Pompeii. I.B. Tauris, 2017. http://dx.doi.org/10.5040/9781350987555.0014.

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"Temple of Jupiter Meilichios (Figure 43)." In Pompeii. I.B. Tauris, 2017. http://dx.doi.org/10.5040/9781350987555.0032.

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Peralta, Dan-el Padilla. "Temple Construction." In Divine Institutions. Princeton University Press, 2020. http://dx.doi.org/10.23943/princeton/9780691168678.003.0002.

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This chapter presents a quantitative reconstruction of temple building during the fourth and third centuries, evaluating the scale of the monumental intervention into Rome's topography and the labor demands that it triggered. The temple constructions of the middle Republic exemplify a social commitment to smallness — repetitive smallness. When it comes to size, no temple that was erected during the middle Republic compares to the Capitoline Temple of Jupiter Optimus Maximus. Yet what the middle Republic lacks in the size of its temple foundations it makes up for in their sheer number, and in t
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Higgins, Michael Denis. "The Statue of Zeus at Olympia." In The Seven Wonders of the Ancient World. Oxford University PressNew York, 2023. http://dx.doi.org/10.1093/oso/9780197648148.003.0004.

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Abstract In 430 bce the Athenian sculptor Pheidias completed a monumental statue of Zeus so large that the seated figure almost filled a relatively modest temple. The statue was the focus of the sanctuary at Olympia, where Heracles (Hercules) was said to have initiated four yearly games in honour of the god. Zeus’s skin was represented by ivory, traded down from Central Africa, and the gold used for his hair and clothes was obtained from deposits around the Aegean. In his hand, he held a victory figure made of glass. The sanctuary lay beside the Alpheios River, on a stream terrace formed by th
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Siwicki, Christopher. "The Restorations of the Temple of Jupiter Capitolinus." In Architectural Restoration and Heritage in Imperial Rome. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198848578.003.0003.

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This chapter focuses on the three reconstructions of the temple of Jupiter Capitolinus. Examining the archaeological, textual, and visual evidence for the appearance of the Catulan, Vespasianic, and Domitianic versions of the temple, it charts how the Capitolium became physically larger and materially grander with each phase. In this way, it is possible to see how the temple retained its nominal identity and accumulated historical associations, while the architecture of the original building was not preserved. Particular attention is also given to the consistent retention of the original footp
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Paturel, Simone Eid. "Hellenistic and Roman Baalbek and the Bekaa." In The Oxford Handbook of the Hellenistic and Roman Near East. Oxford University Press, 2025. https://doi.org/10.1093/oxfordhb/9780190858155.013.89.

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Abstract The Temple of Jupiter Heliopolitanus in Baalbek-Heliopolis is one of the largest temple complexes anywhere in the Roman world. Heliopolis lies in the northern Bekaa Valley, known for its agriculture both today and under Rome. The archaeological record from the Bekaa in the Hellenistic period is sketchy, but historical sources describe Seleucid and Ptolemaic competition for the region before the rise of the Ituraeans. Much previous scholarship has presupposed great antiquity for the cult of Jupiter Heliopolitanus and links to ancient Semitic deities. However, recent surveys and excavat
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Hurwit, Jeffrey M. "12. The Parthenon and the Temple of Zeus at Olympia." In Periklean Athens and Its Legacy. University of Texas Press, 2005. http://dx.doi.org/10.7560/706224-016.

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