Bibliografías temáticas / Portuguese literature – Translations into Chinese

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Literatura académica sobre el tema "Portuguese literature – Translations into Chinese"

Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 16 de febrero de 2022

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Artículos de revistas sobre el tema "Portuguese literature – Translations into Chinese"

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Mengyuan, Zhou. "TRANSLATION OF ‘CULTURE-SPECIFIC CONCEPTS’ IN CONTEXT OF INDIRECT TRANSLATION." Diacrítica 32, no. 2 (2019): 26. http://dx.doi.org/10.21814/diacritica.447.

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Contact between Portuguese and Chinese began as early as the 16th century. As the relations between China and the Portuguese-speaking countries developed, translations between the two languages have flourished, particularly in literature. It is important to note that, in this domain, direct translation as well as indirect translation has been active options. Translation via a third language has been a frequent method used by Portuguese-Chinese translators – not only in the early days of their burgeoning contact but also well into the twentieth-first century. This paper analyses the translation
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Nunes, Ana Margarida Belém, and Shasha Wu. "Chinese-Portuguese bilingual’s phonological awareness: annotations." Caderno de Letras, no. 35 (January 19, 2020): 59. http://dx.doi.org/10.15210/cdl.v0i35.16750.

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Economic and trade cooperation between China and Portuguese-speaking countries have increased, as consequence more universities began offering Portuguese courses and the demand of Portuguese/Chinese bilinguals increased in China. However, the principal focus is mostly on areas such as grammar, translation and literature; also in terms of research, those areas are preferred, leaving for second place important linguistic aspects of Portuguese language. This study aims to identify some of the characteristics of the development of European Portuguese’s phonological awareness of Chinese speakers. B
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Hu, Zhihua, and Maria Teresa Roberto. "Reflexão sobre a Formação em Duas Línguas Estrangeiras (Inglês e Uma Outra Língua) pelas Universidades Chinesas e Proposta da Disciplina de Tradução Inglês – Português para os Licenciandos em Português." Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies 73, no. 1 (2020): 247–72. http://dx.doi.org/10.5007/2175-8026.2020v73n1p247.

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The training of two foreign languages (usually English and another foreign language) by the Chinese universities can date back to the 1980s (Sun, 2015:91). Nevertheless, there are still some parts which need to be improved, such as the lack of adequate materials, and the insufficiency of disciplines linking knowledge of two foreign languages, for example, the disciplines on comparison, contrast and possible translation between the two foreign languages. Without such disciplines, students can only study the two languages separately, which not only increases the student's task, but also is not c
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Hu, Zhihua, and Maria Teresa Roberto. "Tradução do Hibridismo: Análise da Versão Portuguesa de “The Joy Luck Club” de Amy Tan." Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies 72, no. 2 (2019): 245–72. http://dx.doi.org/10.5007/2175-8026.2019v72n2p245.

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As a writer of American literature, while being of Chinese extraction, Amy Tan was born and raised in the United States. In her works, we sometimes notice the appearance of marks of the Chinese language, which is sometimes evident in the discourse of a bilingual person. In addition, her works are also full of cultural words strongly linked to traditional Chinese culture that, when translated, find lexical gaps in the target language, producing divergence and loss of meaning. Through the analysis of linguistic and cultural hybridity in the Portuguese translation of The Joy Luck Clubby her, we i
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Chan, Hiu Fung, Manwa L. Ng, Clark A. Rosen, and Sarah L. Schneider. "Cultural Adaptation and Validation of Speech Handicap Index: A Scoping Review." American Journal of Speech-Language Pathology 30, no. 2 (2021): 748–60. http://dx.doi.org/10.1044/2020_ajslp-20-00236.

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Objectives The Speech Handicap Index (SHI) is a self-reported speech-related quality of life assessment originally developed for measuring the psychosocial speech impact in patients with oral or pharyngeal cancer. This review article provides a scoping review of the literature on the validated SHI, with the purpose of identifying and documenting available studies and procedures for the cultural adaption and validation of SHI. Method Prime databases including PubMed, EMBASE, and Google Scholar were searched for journal publications reporting validation of the SHI. Reviews and reference cross-ch
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Lee, Leo Ou-fan. "Contemporary Chinese Literature in Translation—A Review Article." Journal of Asian Studies 44, no. 3 (1985): 561–67. http://dx.doi.org/10.2307/2056268.

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This article surveys the available English translations of contemporary Chinese literature from the People's Republic. In view of the post-Mao Party policy of relative freedom for creative writing, more works are pouring out of China than ever before. Of the most recent translations, the largest share belongs to Panda Books, a publishing subunit of the Foreign Languages Press in Beijing. Under the leadership of the Yangs (Xianyi and Gladys), a husband-and-wife team of great renown, this new Panda series has published more than a dozen titles as of 1984, and new ones continue to be received.Des
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Paganine, Carolina. "Tradução de poesia e performance: “Still I Rise”, de Maya Angelou." Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies 72, no. 2 (2019): 71–86. http://dx.doi.org/10.5007/2175-8026.2019v72n2p71.

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This paper presents an evaluation of five translations into Brazilian Portuguese of the poem “Still I Rise” by African-American author Maya Angelou (1928-2014). Also, I present and discuss my own translation of the same poem, in which I aimed at creating a text to be performed, i.e. that would work orally in Portuguese. The reasons behind this choice are: 1) this is one of Angelou’s most famous poems and one which she performed on many occasions; 2) Angelou’s poetry stands out for following the African-American tradition of oral literature and so the poem acquires a new aesthetical dimension w
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Bär, Gerald. "‘Ossian fürs Frauenzimmer’? Lengefeld, Günderrode, and the Portuguese Translations of ‘Alcipe’ and Adelaide Prata." Translation and Literature 22, no. 3 (2013): 343–60. http://dx.doi.org/10.3366/tal.2013.0127.

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This article examines German and Portuguese Ossian translations by female writers, particularly translations of Dar-thula, one of Macpherson's most popular pieces. Charlotte von Lengefeld's and Karoline von Günderrode's German translations raise the question of whether Ossian was considered a suitable subject for women, offering further insights into the reasons for the astonishing popularity of Macpherson's publications in German-speaking countries. The Portuguese versions of the Marquesa de Alorna and Adelaide Prata and their favourable reviews shed light on their acceptance in nineteenth-ce
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CHEN, Ying. "CHINESE LITERATURE IN BULGARIA AND BULGARIAN LITERATURE IN CHINA – TRANSLATIONS AND PUBLISHING." Ezikov Svyat volume 18 issue 3, ezs.swu.v18i3 (2020): 110–13. http://dx.doi.org/10.37708/ezs.swu.bg.v18i3.11.

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In the history of mankind, translation has played an important role in popularizing the individual achievements of different civilizations among other nations. This rings true about the Chinese translated literature in Bulgaria and the Bulgarian translated literature in China. The article focuses on individual books as it is extremely challenging to include in this collection the translations published in magazines and newspapers. The translation of Chinese and Bulgarian literature had prolific periods marked by significant accomplishments. It is worth looking back at those works on the occasi
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Humblé, Philippe. "Tradução automática e poesia: o caso do inglês e do português." Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies 72, no. 2 (2019): 41–52. http://dx.doi.org/10.5007/2175-8026.2019v72n2p41.

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This article sets out to analyse the translations into Portuguese of three poems written I English, “A Letter is a Joy of Earth” by Emily Dickinson, “To a Stranger” by Walt Whitman and “Sandra” by Charles Bukowski. Three translations by three human translators, Geir Campos, Pedro Gonzaga and Jorge de Sena, are compared to the translations made by Google Translate in order to evaluate machine translation quality. This research shows that machine translations are less “ludicrous” than some would think and are in fact quite acceptable. In the cases investigated, machine translations are sometimes
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Tesis sobre el tema "Portuguese literature – Translations into Chinese"

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Yu, Ao Carolina. "Aplicacao da teoria da reescrita na traducao de O Conto da Ilha Desconhecida, de Jose Saramago." Thesis, University of Macau, 2018. http://umaclib3.umac.mo/record=b3959132.

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Romano, Fernanda Maria. "António Feijó e Camilo Pessanha: interlocuções poéticas em traduções." Universidade de São Paulo, 2013. http://www.teses.usp.br/teses/disponiveis/8/8150/tde-18062013-093614/.

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A proposta desta tese é fazer uma leitura do Cancioneiro Chinês, obra que contém poemas chineses traduzidos por António Feijó da versão francesa de Judith Gautier, e das Elegias Chinesas traduzidas por Camilo Pessanha a partir dos originais. Nosso objetivo é identificar, nos procedimentos desses autores presentes em suas reimaginações, os diferentes deslocamentos culturais, linguísticos e poéticos que se estabelecem no trânsito entre a poesia Oriental e a poesia Ocidental. Para tanto, buscamos, em teóricos da tradução, sinólogos e tradutores de poesia chinesa, reflexões e conceitos que alicerc
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Peters, Li Li. "Translation, popular imagination and the novelistic reconfiguration of literary discourse, China, 1890s-1920s." Diss., Restricted to subscribing institutions, 2007. http://proquest.umi.com/pqdweb?did=1383468131&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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利幗勤 and Kwok-kan Gloria Lee. "Chinese translations of Wilde's plays and fairy tales: a reappraisal." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1999. http://hub.hku.hk/bib/B31222961.

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Lee, Kwok-kan Gloria. "Chinese translations of Wilde's plays and fairy tales : a reappraisal /." Hong Kong : University of Hong Kong, 1999. http://sunzi.lib.hku.hk/hkuto/record.jsp?B21510246.

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沈樂軒 and Lok-hin Kevin Shen. "A comparative study of two Japanese-English and two Japanese-Chinese translations of the Tale of Genji." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2003. http://hub.hku.hk/bib/B30104518.

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Yung, Hiu-yu, and 翁曉羽. "Theorizing the translation of body language: a study of nonverbal behaviors in literature." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2010. http://hub.hku.hk/bib/B44051785.

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Lyu, Chen Ge Karen. "A translation project :The Boy Who Went under the Border or Hell and Back Again." Thesis, University of Macau, 2018. http://umaclib3.umac.mo/record=b3954306.

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Yang, Lu, and 楊露. "On revolutionary road : translated modernity, underground reading movement and the reconstruction of subjectivity, 1970s." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2013. http://hdl.handle.net/10722/196020.

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Translating and reading western modernist literature played a vital role in forging contemporary Chinese literature and China’s mode of subjectivity, but little has been written about them, and even less about the interconnections between them. My PhD thesis aims to offer a comprehensive interpretation of the phenomenon of translating and reading modernist literature in Mao’s China, focusing particularly on translators’ and readers’ agency, and their collective construction of a multifaceted discourse of subjectivity. The central questions I try to answer in my thesis are: For what “practical”
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馮陳善奇 and Sydney S. K. Fung. "The poetry of Han-shan in English: a culturalapproach." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2001. http://hub.hku.hk/bib/B31224386.

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Libros sobre el tema "Portuguese literature – Translations into Chinese"

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Fan, Wei-hsin. Cem provérbios chineses. 2nd ed. Instituto Cultural de Macau, 1997.

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Fan, Wei-hsin. Cem provérbios chineses. Instituto Cultural de Macau, Fundacão Oriente, 1994.

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Li, Bai. Poemas chineses. Nova Fronteira, 1996.

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Tou, Lee, and Lei António, eds. Olhando as colinas. Instituto cultural do governo da região administrativa especial, 2000.

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Hans Christian Andersen. Anderŭsen tonghwa. Tosŏ Chʻulpʻan Marubŏl, 1996.

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Hans Christian Andersen. La sireneta e altre fiabe. Fabbri, 2000.

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Hans Christian Andersen. Tales from Hans Andersen: Fourteen classic tales. Scholastic Publications[1994?], 1994.

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Andersen, Hans Christian. Hans Christian Andersen's fairy tales. North-South Books, 2001.

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Hans Christian Andersen. Stories and fairy tales. Heinemann, 1993.

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Hans Christian Andersen. Hans Andersen: his classic fairy tales. Gollancz, 1997.

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Capítulos de libros sobre el tema "Portuguese literature – Translations into Chinese"

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Li, Dechao. "The dramatization of characterization in the literary translations of the 1910s in China." In Translating Chinese Art and Modern Literature. Routledge, 2019. http://dx.doi.org/10.4324/9781351001243-4.

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Pięta Cândido, Hanna Marta. "Patterns in the external history of Portuguese collections with translations of Polish literature (1855–2009)." In Translation in Anthologies and Collections (19th and 20th Centuries). John Benjamins Publishing Company, 2013. http://dx.doi.org/10.1075/btl.107.13pie.

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"Reinventing Chinese Writing: Zhang Guixing’s Sinographic Translations." In Global Chinese Literature. BRILL, 2010. http://dx.doi.org/10.1163/9789004186910_011.

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ZIMMER, Thomas. "Early Translations of Chinese Literature into German:." In Sinologists as Translators in the Seventeenth to Nineteenth Centuries. The Chinese University Press, 2016. http://dx.doi.org/10.2307/j.ctt1p9wrhm.15.

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Daw, Sarah. "The Influence of Chinese and Japanese Literature on J. D. Salinger’s Philosophy of Nature." In Writing Nature in Cold War American Literature. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474430029.003.0004.

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Chapter Three begins with analysis of the function of the American West in J. D. Salinger’s The Catcher in the Rye (1951). The chapter goes on to reveal that Salinger’s literary depictions of Nature are significantly informed by the Americanised translations of Chinese and Japanese philosophical texts that he was studying from as early as 1946. The chapter uncovers the sources of translated Taoism to which Salinger was exposed, revealing that the translators Salinger mentions by name in his literary fiction all markedly foreground the role of Nature in their ‘American versions’ of classical Chinese and Japanese texts. Chapter Three then applies this research in close readings of two of Salinger’s later long stories, ‘Raise High the Roof Beam, Carpenters’ (1955) and ‘Seymour: An Introduction’ (1959), and offers a new reading of The Catcher in the Rye. These ecocritical readings expose the substantial influence of the ‘American versions’ of Taoist texts that Salinger studied on his literary depictions of an infinite and ecological Nature.
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Daw, Sarah. "The Beat Ecologies of Allen Ginsberg and Jack Kerouac." In Writing Nature in Cold War American Literature. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474430029.003.0005.

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Chapter Four develops the previous chapter’s investigation into the substantial influence of translated Chinese and Japanese philosophical writing on presentations of an ecological Nature in Cold War American literature. However, it differs in its countercultural focus, exploring the influence of Americanised translations of Chinese and Japanese literature and philosophy on the work of the Beat Generation writers Allen Ginsberg and Jack Kerouac. Ginsberg and Kerouac’s extensive correspondence reveals the two writers’ developing interest in Taoist and Zen Buddhist thought, and their co-development of their own Americanised and highly inauthentic ‘Beat Zen’, which was heavily influenced by Dwight Goddard’s A Buddhist Bible (1932). Taking these letters as its starting point, the chapter reveals that translated Taoism and Zen Buddhism informed each writer’s ecological depictions of the human relationship to Nature in some of their most famous contributions to Beat literature, including Kerouac’s The Dharma Bums (1958) and Ginsberg’s “Howl” (1956).
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Quan, Zhang. "Searching for Memories of Colonial Literature in Modern History." In Manchukuo Perspectives, translated by Norman Smith. Hong Kong University Press, 2020. http://dx.doi.org/10.5790/hongkong/9789888528134.003.0013.

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Mei Niang (1916-2013) enjoyed the longest career amongst those in Manchukuo’s “Manchurian writer group.” The century spanning Mei Niang's life witnessed dramatic, transformative change for both China and the world, and her experiences evoke a richly colourful, complex, and confusing history marked by political tensions. This chapter analyses important elements of the woman writer's professional career – from her use of local Northeastern words, Chinese translations of Japanese literature, and her award-winning novel Crabs. It argue that her fictional production during imperial Japan's occupation was not colonial per se but, rather, should be considered within the context of an extraordinary young woman’s experience of surviving colonialism and her perceptions of it.
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Gaenssbauer, Monika. "Interdependencies Between Literature, Language and Translation in Late Nineteenth and Early Twentieth-Century China." In Translating Wor(l)ds. Edizioni Ca' Foscari, 2018. http://dx.doi.org/10.30687/978-88-6969-311-3/003.

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This paper focuses on specific concepts and modes of translation practised during late nineteenth-century and early twentieth-century China. Its Author does not argue for the uniqueness of a ‘Chinese Translation Studies system’ but asks critically why European scholars of Translation Studies sometimes show a lack of ‘empathetic imagination’ in accepting the contributions of Chinese protagonists to the field of Translations Studies. The paper suggests that one reason for this kind of negative attitude might be the belated arrival of the ‘iconic turn’ in the West. The last part of the paper examines the relations between translators and the socio-political developments in China as well as their identity as world-citizens.
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Hoefle, Arnhilt Johanna. "The Antibourgeois Bourgeois Writer." In China's Stefan Zweig. University of Hawai'i Press, 2017. http://dx.doi.org/10.21313/hawaii/9780824872083.003.0004.

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Despite the author’s bourgeois class background and the subject matter of his writings, Stefan Zweig’s novellas were among the very few foreign-language works that were still published under Mao Zedong’s strict communist rule. Analyzing the rhetoric of the academic articles and commentaries published with the translations, this chapter traces the trajectories of Chinese perspectives on Stefan Zweig’s works after the founding of the People’s Republic in 1949 and until the 2000s. Declaring Zweig’s novellas to be socio-critical literature, Chinese critics had developed a strategy during the Hundred Flowers Campaign of 1956 to make the writer acceptable to his communist censors. According to their interpretation, Zweig’s works fiercely attack the moral decay, emptiness, hypocrisy and brutality of bourgeois society in which women, in particular, suffer. Even after the Mao era came to an end, this way of reading Zweig’s novellas has persisted. Comparing European and North American narratives on Zweig that construct him as an “apolitical” and “nostalgic” writer, the Chinese reception in fact reveals an important socio-critical impetus, especially of the “women novellas,” that has been ignored in Western academia so far.
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Actas de conferencias sobre el tema "Portuguese literature – Translations into Chinese"

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VELINKAR, Joseph. "TRANSLATIONS OF PORTUGUESE TEXTS INTO KONKANI AND KONKANI COMPOSITIONS INTO PORTUGUESE WITH EDUCATIONAL INFLUENCE ON LITERATURE AND ART AND THE TRANSFER OF TECHNOLOGY." In Scientific Practices and the Portuguese Expansion in Asia (1498–1759). WORLD SCIENTIFIC, 2004. http://dx.doi.org/10.1142/9789812702302_0012.

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