Bibliografías temáticas / Science fiction

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Literatura académica sobre el tema "Science fiction"

Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 25 de julio de 2025

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Artículos de revistas sobre el tema "Science fiction"

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Allain, Rhett. "The fictional science of science fiction." Physics World 32, no. 11 (2019): 49–51. http://dx.doi.org/10.1088/2058-7058/32/11/39.

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Rowe, Raymond C. "Private prescription: Science fiction – fictional science?" Drug Discovery Today 6, no. 11 (2001): 561–62. http://dx.doi.org/10.1016/s1359-6446(01)01814-1.

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Likhachevskaya, Alina. "Extro-Science Fiction and Science Falsity." Philosophical Literary Journal Logos 34, no. 4 (2024): 26–40. http://dx.doi.org/10.17323/0869-5377-2024-4-26-40.

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The article presents a critical response to Quentin Meillassoux’s essay Science Fiction and Extro-Science Fiction and proves the impossibility of “fiction of worlds outside- science.” A reconstruction of Meillasoux’s three types of XSF-worlds followed by a demonstration of their failure. Author suggests a shift of emphasis in the notion of “science fiction” from the first word to the second: this move draws attention to the constitutive role of fictitiousness as a characteristic of XSF-worlds rather than their scientific nature. Referring to the philosopher’s earlier works, the author performs
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Xia, Tianyi. "The Development History of Chinese Science Fiction from Liu Cixin's Science Fiction." International Journal of Languages, Literature and Linguistics 6, no. 3 (2020): 136–41. http://dx.doi.org/10.18178/ijlll.2020.6.3.265.

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Isto, Raino. "How Dumb Are Big Dumb Objects? OOO, Science Fiction, and Scale." Open Philosophy 2, no. 1 (2019): 552–65. http://dx.doi.org/10.1515/opphil-2019-0039.

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AbstractThis article considers the potential intersections of object-oriented ontology and science fiction studies by focusing on a particular type of science-fictional artifact, the category of ‘Big Dumb Objects.’ Big Dumb Objects is a terminology used—often quite playfully—to describe things or structures that are simultaneously massive in size and enigmatic in purpose: they stretch the imagination through both the technical aspects of their construction and the obscurity of their purpose. First used to designate the subjects of several science fiction novels written in the 1970s, Big Dumb O
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Dilmurodovich, Nishonov Ilxom. "The evolution of science fiction: from proto-science fiction to new wave period." International Journal Of Literature And Languages 5, no. 3 (2025): 130–34. https://doi.org/10.37547/ijll/volume05issue03-33.

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The following paper aims to explore the trajectory of science fiction literature, tracing its development from its foundational elements to the emergence and evolution of the cyberpunk as a subgenre of science fiction. Beginning with an examination of the origins and main features of science fiction in American literature, the paper delves into the thematic and stylistic elements that have characterized this genre over time. With roots in the speculative fiction of the early 19th century and the golden age of pulp magazines, science fiction has continually evolved alongside technological advan
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OʼNeil, E., and E. N. Naumova. "Influenza: Science, Fiction, or Science Fiction?" Epidemiology 18, Suppl (2007): S42. http://dx.doi.org/10.1097/01.ede.0000276550.11733.25.

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Reinsborough, Michael. "Science fiction and science futures: considering the role of fictions in public engagement and science communication work." Journal of Science Communication 16, no. 04 (2017): C07. http://dx.doi.org/10.22323/2.16040307.

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The imagination of possible scientific futures has a colourful history of interaction with scientific research agendas and public expectations. The 2017 annual UK Science in Public conference included a panel discussing this. Emphasizing fiction as a method for engaging with and mapping the influence of possible futures, this panel discussed the role of science fiction historically, the role of science fiction in public attitudes to artificial intelligence, and its potential as a method for engagement between scientific researchers and publics. Science communication for creating mutually respo
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Rabkin, Eric S., James B. Mitchell, and Carl P. Simon. "Who Really Shaped American Science Fiction?" Prospects 30 (October 2005): 45–72. http://dx.doi.org/10.1017/s0361233300001976.

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Treating science fiction, critics have taught us to understand that the field shrugged itself out of the swamp of its pulp origins in two great evolutionary metamorphoses, each associated with a uniquely visionary magazine editor: Hugo Gernsback and John W. Campbell Jr. Paul Carter, to cite one critic among many, makes a case that Hugo Gernsback's magazines were the first to suggest thatscience fiction was not only legitimate extrapolation… [but] might even become a positive incentive to discovery, inspiring some engineer or inventor to develop in the laboratory an idea he had first read about
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Bonetto, Éric, Cynthia Lopez-Bagousse, Dimitri Naczaj, Nathalie Bonnardel, and Thomas Arciszewski. "Le design-fiction entre science-fiction et sciences comportementales." Marché et organisations Pub. anticipées (December 31, 2024): I131—XXX. https://doi.org/10.3917/maorg.pr1.0131.

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Cet article propose d’intégrer la méthode du design-fiction, basée sur les imaginaires et les prototypes science-fictionnels, dans l’approche des sciences comportementales. Cette intégration a deux objectifs : (1) rendre compte des mécanismes cognitivo-comportementaux qui fondent cette méthode de plus en plus prisée par les organisations, et (2) en saisir précisément les objectifs afin de pouvoir en évaluer les effets, en questionnant non seulement sa fonction épistémique (i.e., les types de connaissances que le design-fiction vise à créer), mais également sa fonction conative (i.e., les types
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Tesis sobre el tema "Science fiction"

1

Long, Bruce Raymond. "Informationist Science Fiction Theory and Informationist Science Fiction." Thesis, The University of Sydney, 2009. http://hdl.handle.net/2123/5838.

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Informationist Science Fiction theory provides a way of analysing science fiction texts and narratives in order to demonstrate on an informational basis the uniqueness of science fiction proper as a mode of fiction writing. The theoretical framework presented can be applied to all types of written texts, including non-fictional texts. In "Informationist Science Fiction Theory and Informationist Science Fiction" the author applies the theoretical framework and its specific methods and principles to various contemporary science fiction works, including works by William Gibson, Neal Stephenson an
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Long, Bruce Raymond. "Informationist Science Fiction Theory and Informationist Science Fiction." University of Sydney, 2009. http://hdl.handle.net/2123/5838.

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Master of Philosophy (MPhil)<br>Informationist Science Fiction theory provides a way of analysing science fiction texts and narratives in order to demonstrate on an informational basis the uniqueness of science fiction proper as a mode of fiction writing. The theoretical framework presented can be applied to all types of written texts, including non-fictional texts. In "Informationist Science Fiction Theory and Informationist Science Fiction" the author applies the theoretical framework and its specific methods and principles to various contemporary science fiction works, including works by Wi
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Perna, Sandro Maria <1981&gt. "Science (in) fiction. Un CLIL de science à travers... la science (fiction)." Master's Degree Thesis, Università Ca' Foscari Venezia, 2019. http://hdl.handle.net/10579/15543.

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L'elaborato descrive e riflette su un'esperienza CLIL svolta in due classi terze di un Liceo scientifico siciliano, esperienza che si è svolta attraverso la visione di alcuni video in lingua inglese o senza audio come fase di globalità, attraverso alcuni esercizi in fase di analisi, attraverso dei giochi in quella di sintesi: il tutto, sempre facendo parlare gli studenti in lingua. Il fatto di svolgere il tutto in due classi ha permesso di studiare due gruppi disomogenei, accomunate dall'insegnante di scienze ma con docenti di lingua differenti per approccio e metodologia.
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Sjörs, Simon. "Fysikundervisningens science fiction." Thesis, Uppsala universitet, Fysikundervisningens didaktik, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-331199.

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Science fiction och populärmedia är en stor del av vardagen i dagens samhälle. Elever konsumerar den typen av media på egen tid och söker sig till den för underhållning utanför skolans väggar, möjligen utan att reflektera över vad det är som konsumeras. Den här studien fokuserar på science fiction och hur de välproducerade medierna tas emot och reflekteras kring av konsumenterna, som i det här fallet är elever. Finns det möjlighet för lärare inom fysik eller någon annan naturvetenskap att utnyttja det intresse och den pseudovetenskap, som dessa medier kan förmedla, i skol
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Fondanèche, Daniel. "Emergence d'une nouvelle science-fiction en 1960, influence des sciences-fictions americaines et anglaises des annees 60 sur la science-fiction francaise de 1974 a 1980." Limoges, 1989. http://www.theses.fr/1989LIMO0506.

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Le but de cette these est de montrer qu'a partir de 1960, une nouvelle science-fiction a emerge aux usa, en grande-bretagne, et que ce mouvement s'est prolonge en france dans les annees 70. Les romans retenus ont ete publies a partir de 1960 et jusqu'en 1973 pour les pays angloamericains; puis entre 1973 et 1980 pour la france. Cette s. F. Emergente est caracterisee par un renouvellement de la thematique traditionnelle et l'apparition d'une thematique nouvelle. Ces nouvelles s. F. Ont eu une volonte commune : se referer au present pour se rapprocher de la litterature generale. Elles ont subi d
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von, Knorring Ulrika. "”Läser science fiction utan att skämmas” : Om kvinnors läsning av science fiction." Thesis, Högskolan i Borås, Institutionen Biblioteks- och informationsvetenskap / Bibliotekshögskolan, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-19875.

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The purpose of this Master’s thesis is to investigate the female reader of science fiction literature, a genre by tradition dominated by men. Through qualitative interviews with seven female science fiction readers, the relation between the reading and the readers’ lives, as well as their concepts of the science fiction genre and the community of science fiction readers, was examined. The main theoretical framework used for the analysis was Yvonne Hirdman’s gender theory, Judith Butler’s concept of identity and Louise M. Rosenblatt’s transaction theory. Science fiction literature offers the fe
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White, Craig (Craig E. ). 1971. "Science fiction to science fact : the link between early science fiction and the space programs." Thesis, Massachusetts Institute of Technology, 1998. http://hdl.handle.net/1721.1/9572.

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Juhlin, Hampus, and Pontus Novén. "Science fiction i spelutveckling." Thesis, Blekinge Tekniska Högskola, Sektionen för planering och mediedesign, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:bth-3890.

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Detta kandidatarbete undersöker science fiction, en av de större och vanligast använda genrerna inom medier såsom spel, film och litteratur, genom att studera dess undergrupper, de så kallade subgenrerna. Dessa är specialiserade versioner av genren i fråga och använder den inom vissa förutsatta ramar, exempelvis hur samhället ser ut eller vilken typ av teknologi det huvudsakliga fokuset kretsar runt. Genom att studera hur subgenrer är beskrivna i The Encyclopedia of Science Fiction kan man avgöra att de består av sex punkter: plats, tidsperiod, karaktärer, teknologi, narrativ och visuell estet
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Langer, Jessica. "Science fiction and postcolonialism." Thesis, Royal Holloway, University of London, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.538778.

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Grimm, Gunter E. "Kometenforschung zwischen Aberglauben und Science-fiction - Comet research between superstition and science fiction." Gerhard-Mercator-Universitaet Duisburg, 2002. http://www.ub.uni-duisburg.de/ETD-db/theses/available/duett-08162002-150835/.

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Libros sobre el tema "Science fiction"

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Feige, Marcel. Science Fiction. Europäische Verlagsanstalt/Rotbuch, 2001.

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Schulz, Hans-Joachim. Science Fiction. J.B. Metzler, 1986. http://dx.doi.org/10.1007/978-3-476-03930-9.

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Baker, Brian. Science Fiction. Edited by Nicolas Tredell. Macmillan Education UK, 2014. http://dx.doi.org/10.1007/978-1-137-47445-2.

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Joron, Andrew. Science fiction. Pantograph Press, 1992.

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Bodden, Valerie. Science fiction. Creative Education, 2012.

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G, Cunningham Jesse, ed. Science fiction. Greenhaven Press, 2002.

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Clerc, Serge. Science-fiction. Dupuis, 2016.

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Nicola, Griffith, and Pagel Stephen, eds. Science fiction. Overlook Press, 1998.

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Schulz, Hans-Joachim. Science fiction. Metzler, 1986.

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Juhani, Hinkkanen, and Ekholm Kai, eds. Science fiction. Kirjastopalvelu, 1990.

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Capítulos de libros sobre el tema "Science fiction"

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Nahin, Paul J. "Religious Science Fiction Before Science Fiction." In Holy Sci-Fi! Springer New York, 2014. http://dx.doi.org/10.1007/978-1-4939-0618-5_2.

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Gunn, James. "Reading Science Fiction as Science Fiction." In Reading Science Fiction. Macmillan Education UK, 2008. http://dx.doi.org/10.1057/978-1-137-07898-8_14.

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Orthia, Lindy A. "Science Fiction." In Encyclopedia of Science Education. Springer Netherlands, 2012. http://dx.doi.org/10.1007/978-94-007-6165-0_329-2.

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Neary, Micheal. "Science Fiction." In Youth, Training and the Training State. Palgrave Macmillan UK, 1997. http://dx.doi.org/10.1007/978-1-349-13955-2_5.

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Schmeink, Lars, and Simon Spiegel. "Science-Fiction." In Handbuch Filmgenre. Springer Fachmedien Wiesbaden, 2020. http://dx.doi.org/10.1007/978-3-658-09017-3_26.

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Hoel, Camilla Ulleland. "Science Fiction." In The Palgrave Encyclopedia of Victorian Women's Writing. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-02721-6_180-1.

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Späth, Sibylle. "Science-Fiction." In Rolf Dieter Brinkmann. J.B. Metzler, 1989. http://dx.doi.org/10.1007/978-3-476-03956-9_6.

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Watkins, Susan. "Science Fiction." In The History of British Women’s Writing, 1945–1975. Palgrave Macmillan UK, 2017. http://dx.doi.org/10.1007/978-1-137-47736-1_17.

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Orthia, Lindy A. "Science Fiction." In Encyclopedia of Science Education. Springer Netherlands, 2015. http://dx.doi.org/10.1007/978-94-007-2150-0_329.

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Bould, Mark. "Science Fiction." In Critical Terms in Futures Studies. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-28987-4_40.

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Actas de conferencias sobre el tema "Science fiction"

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Wattanapornprom, Warin, Chatchaya Innarong, Isara Kerdpra, Chisanupong Treesutrummas, Supatcha Lertampaiporn, and Wittawin Susutti. "Fiction Gene : A Thai Genre Based Fiction Visualization Testimonial System." In 2024 28th International Computer Science and Engineering Conference (ICSEC). IEEE, 2024. https://doi.org/10.1109/icsec62781.2024.10770711.

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Jin, Chen, Zhang Keren, Zhu Ziqin, Lin Jiawei, and Zhang Yilun. "From Fiction to Forecast: Leveraging LLM-Enhanced Models and Science Fiction for Innovative Technology Predictions." In 2024 Portland International Conference on Management of Engineering and Technology (PICMET). IEEE, 2024. http://dx.doi.org/10.23919/picmet64035.2024.10653333.

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Londoño-Proaño, Cristián, and Verónica Pérez. "Why should science fiction be learned in engineering education?" In 2024 IEEE Eighth Ecuador Technical Chapters Meeting (ETCM). IEEE, 2024. http://dx.doi.org/10.1109/etcm63562.2024.10746159.

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Boixaderas, Isaac, Jorge Amaya, Sergi Moré, et al. "DRAM Errors and Cosmic Rays: Space Invaders or Science Fiction?" In 2024 IEEE 36th International Symposium on Computer Architecture and High Performance Computing (SBAC-PAD). IEEE, 2024. http://dx.doi.org/10.1109/sbac-pad63648.2024.00025.

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Yamamoto, Hirotsugu. "Realizing science fiction: the evolution and applications of aerial displays." In Three-Dimensional Imaging, Visualization, and Display 2025, edited by Xin Shen, Bahram Javidi, and Arun Anand. SPIE, 2025. https://doi.org/10.1117/12.3044237.

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Gyger, Patrick J. "Science Fiction vs. Science Fact." In 54th International Astronautical Congress of the International Astronautical Federation, the International Academy of Astronautics, and the International Institute of Space Law. American Institute of Aeronautics and Astronautics, 2003. http://dx.doi.org/10.2514/6.iac-03-iaa.8.2.01.

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Landis, Geoffrey. "Spaceflight and Science Fiction." In 50th AIAA Aerospace Sciences Meeting including the New Horizons Forum and Aerospace Exposition. American Institute of Aeronautics and Astronautics, 2012. http://dx.doi.org/10.2514/6.2012-202.

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Bates, Rebecca, Judy Goldsmith, Rosalyn Berne, Valerie Summet, and Nanette Veilleux. "Science fiction in computer science education." In the 43rd ACM technical symposium. ACM Press, 2012. http://dx.doi.org/10.1145/2157136.2157184.

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Satwiko, Prasasto, and Brigitta Michelle. "From Science Fiction to Science Facts." In International Webinar on Digital Architecture 2021 (IWEDA 2021). Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220703.050.

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Burton, Emanuelle, Judy Goldsmith, Nicholas Mattei, Cory Siler, and Sara-Jo Swiatek. "Teaching Computer Science Ethics Using Science Fiction." In SIGCSE 2023: The 54th ACM Technical Symposium on Computer Science Education. ACM, 2022. http://dx.doi.org/10.1145/3545947.3569618.

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Informes sobre el tema "Science fiction"

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Dribben, Douglas A. DNA Statistical Evidence and the Ceiling Principle: Science or Science Fiction". Defense Technical Information Center, 1994. http://dx.doi.org/10.21236/ada456707.

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Webster, James K. Science Fiction as a Prism for Understanding Geopolitics. Defense Technical Information Center, 2015. http://dx.doi.org/10.21236/ad1003712.

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van Boekel, M. A. J. S. Food, facts and fiction : A story about science and perception. Wageningen University & Research, 2019. http://dx.doi.org/10.18174/503823.

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Ruth, Mark, Daniella Frank, Emily Mercer, and Elizabeth Doris. Visioning Energy: Science Fiction Author-Energy Researcher Collaboration Workshop Recap. Office of Scientific and Technical Information (OSTI), 2024. http://dx.doi.org/10.2172/2478826.

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Balwit, Xander. A Night of Food Futurism. Asimov Press, 2025. https://doi.org/10.62211/23re-57wg.

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Smith, Dina Cherise. Exploring the Recognizability and Nature of Media References in Female Science Fiction and Fantasy Fandom Dress. Iowa State University, Digital Repository, 2017. http://dx.doi.org/10.31274/itaa_proceedings-180814-1814.

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Blaxter, Tamsin, and Tara Garnett. Primed for power: a short cultural history of protein. TABLE, 2022. http://dx.doi.org/10.56661/ba271ef5.

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Protein has a singularly prominent place in discussions about food. It symbolises fitness, strength and masculinity, motherhood and care. It is the preferred macronutrient of affluence and education, the mark of a conscientious diet in wealthy countries and of wealth and success elsewhere. Through its association with livestock it stands for pastoral beauty and tradition. It is the high-tech food of science fiction, and in discussions of changing agricultural systems it is the pivotal nutrient around which good and bad futures revolve. There is no denying that we need protein and that engaging
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Poussart, Denis. Le métavers : autopsie d’un fantasme Réflexion sur les limites techniques d’une réalité synthétisée, virtualisée et socialisée. Observatoire international sur les impacts sociétaux de l’intelligence artificielle et du numérique, 2024. http://dx.doi.org/10.61737/sgkp7833.

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Lorsque Neal Stephenson a introduit le terme « métavers » dans son roman de science-fiction Snow Crash, en 1992, il était loin de se douter que le mot allait susciter autant de discussions. La notion d’une réalité d’un type nouveau, qui serait synthétisée, puis virtualisée et librement socialisée, est fascinante par ce qu’elle exigerait aux plans scientifique et technique. Fascinante surtout par ses retombées éventuelles aux niveaux culturel et social, y compris de nature éthique (qui ne sont pas abordées ici). Ce texte rappelle brièvement l’origine du concept avant de se consacrer à ses requi
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Murray, Chris, Keith Williams, Norrie Millar, Monty Nero, Amy O'Brien, and Damon Herd. A New Palingenesis. University of Dundee, 2022. http://dx.doi.org/10.20933/100001273.

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Robert Duncan Milne (1844-99), from Cupar, Fife, was a pioneering author of science fiction stories, most of which appeared in San Francisco’s Argonaut magazine in the 1880s and ’90s. SF historian Sam Moskowitz credits Milne with being the first full-time SF writer, and his contribution to the genre is arguably greater than anyone else including Stevenson and Conan Doyle, yet it has all but disappeared into oblivion. Milne was fascinated by science. He drew on the work of Scottish physicists and inventors such as James Clark Maxwell and Alexander Graham Bell into the possibilities of electroma
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Tare, Medha, Susanne Nobles, and Wendy Xiao. Partnerships that Work: Tapping Research to Address Learner Variability in Young Readers. Digital Promise, 2018. http://dx.doi.org/10.51388/20.500.12265/67.

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Over the past several decades, the student population in the United States has grown more diverse by factors including race, socioeconomic status, primary language spoken at home, and learning differences. At the same time, learning sciences research has advanced our understanding of learner variability and the importance of grounding educational practice and policy in the individual, rather than the fiction of an average student. To address this gap, LVP distills existing research on cognitive, social and emotional, content area, and background Learner Factors that affect learning in various
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