Bibliografías temáticas / Sound

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  2. Tesis
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Literatura académica sobre el tema "Sound"

Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 25 de julio de 2025

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Artículos de revistas sobre el tema "Sound"

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Mini, Darshana Sreedhar. "‘Un-sound’ Sounds." Music, Sound, and the Moving Image 13, no. 1 (2019): 3–30. http://dx.doi.org/10.3828/msmi.2019.2.

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Regina, Frilia Shantika. "BUNYI SERTAAN PADA PELAFALAN PENYANYI YURA YUNITA: PEMANFAATAN KAJIAN FONETIK SEBAGAI BAHAN AJAR MATA KULIAH FONOLOGI." Semantik 9, no. 2 (2020): 77–84. http://dx.doi.org/10.22460/semantik.v9i2.p77-84.

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One type of phonetic study is the accompanying sound. The sound of inclusion indaily life is often not recognized. This is becouse the accompanying sound is produced accidentally by the speaker. Assessment of speech sound can improve the ability of students to listen and identify one type of phonetic study, teh sound of inclusion. The research method used is a qualitative research method with descriptive analysis research type. The data in this study were divided into primary data in the from of songs sung by singer Yura Yunita and secondary data in the from of books, journals, and articles. D
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Méchoulan, Eric, and David F. Bell. "Are Sounds Sound? For an Enthusiastic Study of Sound Studies." SubStance 49, no. 2 (2020): 3–29. http://dx.doi.org/10.1353/sub.2020.0007.

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Isodarus, Praptomo Baryadi. "Facilitating Sounds in Indonesian." Journal of Language and Literature 18, no. 2 (2018): 102–10. http://dx.doi.org/10.24071/joll.v18i2.1566.

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This article presents the research result of facilitating sounds in Indonesian. Facilitating sound is a sound which facilitates the pronunciation of a sound sequence in a word. Based on the data analysis, the facilitating sounds in Indonesian are [?], [y], [w], [?], [m], [n], [?], [?] and [??]. Sound [?] facilitates the consonant cluster pronunciation in a word. Sound [y] facilitates the pronunciation of the sound sequences [ia] and [aia] among syllables and morphemes. Sound [w] facilitates the pronunciation of sound sequence [ua] among syllables and morphemes and the sound sequence of [oa] an
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Yu, Boya, Jie Bai, Linjie Wen, and Yuying Chai. "Psychophysiological Impacts of Traffic Sounds in Urban Green Spaces." Forests 13, no. 6 (2022): 960. http://dx.doi.org/10.3390/f13060960.

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The goal of this study is to investigate the psychophysiological effects of traffic sounds in urban green spaces. In a laboratory experiment, psychological and physiological responses to four traffic sounds were measured, including road, conventional train, high-speed train, and tram. The findings demonstrated that traffic sounds had significant detrimental psychological and physiological effects. In terms of psychological responses, the peak sound level outperformed the equivalent sound level in determining the psychological impact of traffic sounds. The physiological effects of traffic sound
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paine, garth. "endangered sounds: a sound project." Organised Sound 10, no. 2 (2005): 149–62. http://dx.doi.org/10.1017/s1355771805000804.

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endangered sounds is a project that focuses on the exploration of sound marks (trade-marked sounds). the initial stage of this project was funded by arts victoria, and comprised legal searches that resulted in the listings of sound marks registered in australasia and the united states of america. this list was published on the internet with a call for volunteers to collect samples of the listed sounds internationally. the volunteer was sent a specimen tube with label and cap, and asked to collect the sound by placing the specimen tube close to the source (thereby capturing the air through whic
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Yu, Boya, Linjie Wen, Jie Bai, and Yuying Chai. "Effect of Road and Railway Sound on Psychological and Physiological Responses in an Office Environment." Buildings 12, no. 1 (2021): 6. http://dx.doi.org/10.3390/buildings12010006.

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The present study aims to explore the psychophysiological impact of different traffic sounds in office spaces. In this experiment, 30 subjects were recruited and exposed to different traffic sounds in a virtual reality (VR) office scene. The road traffic sound and three railway sounds (conventional train, high-speed train, and tram) with three sound levels (45, 55, and 65 dB) were used as the acoustic stimuli. Physiological responses, electrodermal activity (EDA) and heart rate (HR) were monitored throughout the experiment. Psychological evaluations under each acoustic stimulus were also measu
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Dudschig, Carolin, Ian Grant Mackenzie, Jessica Strozyk, Barbara Kaup, and Hartmut Leuthold. "The Sounds of Sentences: Differentiating the Influence of Physical Sound, Sound Imagery, and Linguistically Implied Sounds on Physical Sound Processing." Cognitive, Affective, & Behavioral Neuroscience 16, no. 5 (2016): 940–61. http://dx.doi.org/10.3758/s13415-016-0444-1.

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SHIIKU, Shota, and Yugo TAKEUCHI. "Reducing discomfort by integrating unpleasant environmental sounds with cognitive sound control." INTER-NOISE and NOISE-CON Congress and Conference Proceedings 270, no. 9 (2024): 2463–74. http://dx.doi.org/10.3397/in_2024_3187.

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We respond to unpleasant sounds in our daily lives by blocking out sound environments that we find unpleasant. This may be because of our helplessness in interfering with these sounds. However, blocking limits the range of sound selection. To reduce discomfort from unpleasant sound, rather than blocking the sound environment, this study aimed to make unpleasant sounds less bothersome by integrating them into music. To achieve this, we expect that participants will intervene in the sound environment where there is unpleasant sound, recognize that the environment is controllable, and reduce the
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SAKODA, Keishi, and Yamada ICHIRO. "Acoustic scene analysis of spatial and temporal distribution of sound arrival direction and frequency spectra." INTER-NOISE and NOISE-CON Congress and Conference Proceedings 270, no. 1 (2024): 10075–79. http://dx.doi.org/10.3397/in_2024_4386.

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In the outdoor monitoring of aircraft noise, not only the target aircraft sounds to be monitored arrive, but also various environmental sounds also arrive at the monitoring site, and the sound situation changes from moment to moment. The authors have studied and reported on a method to classify environmental sound sources and to evaluate the influence of environmental sounds on aircraft sound monitoring by analyzing the spatial-temporal distribution of sound arrival direction and sound level of various environmental sounds at the monitoring site as a sound scene. This paper will make a report
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Tesis sobre el tema "Sound"

1

Di, Bona Elvira. "Sound and sound sources." Paris, EHESS, 2013. http://www.theses.fr/2013EHES0058.

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Dans cette thèse je vais proposer une théorie de la perception auditive selon laquelle les sons sont strictement attachés aux objets matériels qui sont leurs sources. Dans le Chapitre l, je propose une taxonomie des théories du son. Ma taxonomie range les théories du son dans quatre catégories : le groupe minimaliste, le groupe modéré, le groupe maximaliste et le groupe plus-que-maximaliste. Dans le Chapitre II, je fais deux choses: je traite des questions sur l'a-spatialité de la perception auditive, et ensuite, je caractérise la relation entre les sources sonores et les sons. Par ailleurs, m
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Liao, Wei-Hsiang. "Modelling and transformation of sound textures and environmental sounds." Thesis, Paris 6, 2015. http://www.theses.fr/2015PA066725/document.

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Le traitement et la synthèse des sons environnementaux sont devenue un sujet important. Une classe des sons, qui est très important pour la constitution d'environnements sonore, est la classe des textures sonores. Les textures sonores sont décrit par des relations stochastiques et qui contient des composantes non-sinusoïdales à caractère fortement bruité. Il a été montré récemment que la reconnaissance de textures sonores est basée sur des mesures statistiques caractérisant les enveloppes dans les bandes critiques. Il y actuellement très peu d'algorithmes qui permettent à imposer des propriété
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Liao, Wei-Hsiang. "Modelling and transformation of sound textures and environmental sounds." Electronic Thesis or Diss., Paris 6, 2015. https://accesdistant.sorbonne-universite.fr/login?url=https://theses-intra.sorbonne-universite.fr/2015PA066725.pdf.

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Le traitement et la synthèse des sons environnementaux sont devenue un sujet important. Une classe des sons, qui est très important pour la constitution d'environnements sonore, est la classe des textures sonores. Les textures sonores sont décrit par des relations stochastiques et qui contient des composantes non-sinusoïdales à caractère fortement bruité. Il a été montré récemment que la reconnaissance de textures sonores est basée sur des mesures statistiques caractérisant les enveloppes dans les bandes critiques. Il y actuellement très peu d'algorithmes qui permettent à imposer des propriété
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4

Davies, Shaun, of Western Sydney Nepean University, and Faculty of Visual and Performing Arts. "Sound art and the annihilation of sound." THESIS_FVPA_XXX_Davies_S.xml, 1995. http://handle.uws.edu.au:8081/1959.7/402.

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This thesis describes the way in which sound is taken up and subsequently suppressed within the visual arts. The idealisation and development of sound as a plastic material is able to be traced within the modernist trajectory, which, reflecting a set of cultural practices and having developed its own specific terminologies, comes to regard any material, or anything conceived of as material, as appropriate and adequate to the expression of its distinctive and guiding concepts and metaphors. These concepts and metaphors are discussed as already having at their bases strongly visualist biases, th
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Davies, Shaun. "Sound art and the annihilation of sound." Thesis, View thesis, 1995. http://handle.uws.edu.au:8081/1959.7/402.

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This thesis describes the way in which sound is taken up and subsequently suppressed within the visual arts. The idealisation and development of sound as a plastic material is able to be traced within the modernist trajectory, which, reflecting a set of cultural practices and having developed its own specific terminologies, comes to regard any material, or anything conceived of as material, as appropriate and adequate to the expression of its distinctive and guiding concepts and metaphors. These concepts and metaphors are discussed as already having at their bases strongly visualist biases, th
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Davies, Shaun. "Sound art and the annihilation of sound /." View thesis, 1995. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20030902.141711/index.html.

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Chapman, David P. "Playing with sounds : a spatial solution for computer sound synthesis." Thesis, University of Bath, 1996. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.307047.

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Browne, Vicky Kay. "Images of sound and the sound of images." Thesis, The University of Sydney, 2010. https://hdl.handle.net/2123/24589.

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'The line between art and life should be kept as fluid, and perhaps indistinct, as possible' Allan Kaprow1 Shortly before beginning this paper I moved into a new house, under the house was my office a humble room to write in. For over ten years I had been stock piling articles and papers these were placed in boxes on the floor ready to be unpacked and incorporated into my paper. Away we went on holiday so I could return, refreshed to start writing. While we were away everything flooded. I returned to a floating soup of Derrida and Deleuze, a sodden mash of Virilio and Baudrillard. Float
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Wennebjörk, Turdell Johan. "Sound Fence." Thesis, Umeå universitet, Designhögskolan vid Umeå universitet, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-92054.

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To fence in pastures for sheep today is a major cost, especially because of the time required when using current methods. What takes most time is starting to fence off a new area, but to maintain a fence is also a continuous effort. The main function is to keep the sheep at the field.! ! By interviewing and observing sheep farmers on how they work with fence today and what their problems was, I got a better understanding of the problem. Also looking at a number of other things like the context, statistics on sheep farming, laws and competition mapping gave a wider image. But the most important
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Stone, Anne. "De'ath sound." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/MQ29515.pdf.

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Libros sobre el tema "Sound"

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Sadler, Wendy. Sound. Raintree, 2006.

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1945-, Altman Rick, ed. Sound theory, sound practice. Routledge, 1992.

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Sadler, Wendy. Sound: Listen up! Raintree, 2006.

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J, Jennings Terry. Sound. Franklin Watts, 2008.

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J, Jennings Terry. Sound. A+/Smart Apple Media, 2009.

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Parker, Steve. Sound. Gareth Stevens Pub., 1997.

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Riley, Peter D. Sound. Franklin Watts, 2008.

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Hills, D. A. Sound. 2nd ed. Southern Industrial Development Division, Department of Scientific and Industrial Research, 1985.

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Hewitt, Sally. Sound. Wayland, 2006.

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Hewitt, Sally. Sound. Chrysalis Children's Books, 2005.

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Capítulos de libros sobre el tema "Sound"

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Solomos, Makis. "Sound and Sound Milieus *." In Arts, Ecologies, Transitions. Routledge, 2024. http://dx.doi.org/10.4324/9781003455523-43.

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Kalpidou, Maria. "Sound Body, Sound Mind." In The Development of Children’s Happiness and Success. Routledge, 2023. http://dx.doi.org/10.4324/9780429356414-7.

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Böhringer, Joachim, Peter Bühler, Patrick Schlaich, and Hanns-Jürgen Ziegler. "Sound." In X.media.press. Springer Berlin Heidelberg, 2001. http://dx.doi.org/10.1007/978-3-642-59522-6_4.

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Keighley, H. J. P., F. R. McKim, A. Clark, and M. J. Harrison. "Sound." In Mastering Physics. Macmillan Education UK, 1986. http://dx.doi.org/10.1007/978-1-349-86062-3_19.

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Keighley, H. J. P., F. R. McKim, A. Clark, and M. J. Harrison. "Sound." In Mastering Physics. Macmillan Education UK, 1986. http://dx.doi.org/10.1007/978-1-349-08849-2_19.

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Watkiss, Stewart. "Sound." In Beginning Game Programming with Pygame Zero. Apress, 2020. http://dx.doi.org/10.1007/978-1-4842-5650-3_8.

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kydd, Elspeth. "Sound." In The Critical Practice of Film. Macmillan Education UK, 2011. http://dx.doi.org/10.1007/978-0-230-34527-0_8.

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de Rosen, Laurence. "Sound." In Encyclopedia of Psychology and Religion. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-24348-7_656.

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Skantze, P. A. "Sound." In Shakespeare and the Making of Theatre. Macmillan Education UK, 2012. http://dx.doi.org/10.1007/978-1-137-28493-8_11.

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Vistnes, Arnt Inge. "Sound." In Physics of Oscillations and Waves. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-72314-3_7.

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Actas de conferencias sobre el tema "Sound"

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Rocha, Rosimária. "Backyard Sounds, An Immersive Sound Experience." In ARTECH 2019: 9th International Conference on Digital and Interactive Arts. ACM, 2019. http://dx.doi.org/10.1145/3359852.3359943.

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GUY, RW, and A. DE MEY. "SOUND INTENSITY MEASUREMENT OF SOUND TRANSMISSION LOSS." In Reproduced Sound 1985. Institute of Acoustics, 2024. http://dx.doi.org/10.25144/22525.

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WHITTAKER, R. "MULTIDIMENSIONAL SOUND IN SOUND REINFORCEMENT FOR THEATRE." In Reproduced Sound 2000. Institute of Acoustics, 2024. http://dx.doi.org/10.25144/18678.

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WRIGHT, JR. "SEEING SOUND." In Reproduced Sound 1998. Institute of Acoustics, 2024. http://dx.doi.org/10.25144/18931.

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MAPP, P., and S. KATZ. "LAYERED SOUND - A NEW APPROACH TO SOUND REPRODUCTION." In Reproduced Sound 2003. Institute of Acoustics, 2023. http://dx.doi.org/10.25144/18174.

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FELLGETT, PB. "AMBISONIC SURROUND SOUND." In Reproduced Sound 1985. Institute of Acoustics, 2024. http://dx.doi.org/10.25144/22520.

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NEWELL, PR, and SM KATZ. "DISCRETE LAYERED SOUND." In Reproduced Sound 2006. Institute of Acoustics, 2023. http://dx.doi.org/10.25144/17860.

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Liston, K., and I. M. Wiggins. "SOUND PRESSURE LEVELS IN CLOSE PROXIMITY TO SOUND REINFORCEMENT LOUDSPEAKERS." In Reproduced Sound 2021. Institute of Acoustics, 2021. http://dx.doi.org/10.25144/13800.

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Wang, Fangzhou, Hidehisa Nagano, Kunio Kashino, and Takeo Igarashi. "Visualizing video sounds with sound word animation." In 2015 IEEE International Conference on Multimedia and Expo (ICME). IEEE, 2015. http://dx.doi.org/10.1109/icme.2015.7177422.

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Johnson, David Linton, T. J. Plona, and H. Kojima. "Probing porous media with 1st sound, 2nd sound, 4th sound, and 3rd sound." In AIP Conference Proceedings Vol. 154. AIP, 1987. http://dx.doi.org/10.1063/1.36398.

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Informes sobre el tema "Sound"

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Carpenter, Grace. Shenandoah National Park: Acoustic monitoring report, 2016?2017. National Park Service, 2023. http://dx.doi.org/10.36967/2300465.

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This report presents acoustical data gathered by the Natural Sounds and Night Skies Division (NSNSD) at Shenandoah National Park (SHEN) in August?September of 2016 and January?March of 2017. Data were collected at four sites (Figure 1) to provide park managers with information about the acoustical environment, sources of noise , and the existing ambient sound levels within the park. In these deployments, sound pressure level (SPL) was measured continuously every second by a calibrated sound level meter. Other equipment included an anemometer to collect wind speed and a digital audio recorder c
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Dickerson, Kelly, Jeremy R. Gaston, and Savannah McCarty-Gibson. Parameterizing Sound: Design Considerations for an Environmental Sound Database. Defense Technical Information Center, 2015. http://dx.doi.org/10.21236/ada616644.

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ABERDEEN TEST CENTER MD SOLDIER SYSTEMS DIV. Sound Level Measurements. Defense Technical Information Center, 2011. http://dx.doi.org/10.21236/ada550455.

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Rutledge, Annamarie, and Leslie (Leslie Alyson) Brandt. Puget Sound Region. USDA Northern Forests Climate, 2023. http://dx.doi.org/10.32747/2023.8054016.ch.

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As the climate changes over the 21st century, the Puget Sound region's urban forest will be impacted by changing temperatures and precipitation regimes, leading to implications for the people who depend on its ecosystem services. This report summarizes climate change projections for the Puget Sound region and provides an assessment of tree species vulnerability in the region. We used projected shifts in plant hardiness and heat zones to understand how tree species of interest are projected to tolerate future conditions. We also assessed the adaptability of planted trees to stressors such as dr
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Krause, Timothy. Sound Effects: Age, Gender, and Sound Symbolism in American English. Portland State University Library, 2000. http://dx.doi.org/10.15760/etd.2301.

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Meyer, Erik. Cabrillo National Monument: Acoustic monitoring report, 2021. National Park Service, 2024. http://dx.doi.org/10.36967/2303446.

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This study arose from the Cabrillo National Monument (CABR) Resource Stewardship Strategy (RSS), which identified the need for baseline acoustic surveys in the park. One of the RSS stewardship goals was to minimize anthropogenic sounds outside and inside park boundaries to enhance the visitor experience. A Technical Assistance Request (TAR) for natural sounds inventory was submitted to the Natural Sounds and Night Skies Division. Therefore, in May 2021, the NSNSD gathered acoustic data at two sites in CABR to provide park managers with information about the acoustic environment, sources of noi
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Chillara, Vamshi. Powering Implants Using Sound. Office of Scientific and Technical Information (OSTI), 2017. http://dx.doi.org/10.2172/1369168.

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Harrison, Richard W., Walter M. Madigosky, and Basil Vassos. Sound Absorbing Acoustic Horns. Defense Technical Information Center, 1986. http://dx.doi.org/10.21236/ada212831.

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Watkins, William A. Marine Mammal Sound Archive. Defense Technical Information Center, 2003. http://dx.doi.org/10.21236/ada417094.

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Gaughen, C. D. Quantifying Sound Coating Adhesion. Defense Technical Information Center, 2000. http://dx.doi.org/10.21236/ada380878.

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