Bibliografías temáticas / Spiritual biography

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Literatura académica sobre el tema "Spiritual biography"

Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 29 de julio de 2024

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Artículos de revistas sobre el tema "Spiritual biography"

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Lakreeva, Anna V., and Natalya A. Levina. "Features of applying the method of biography in the spiritual and moral education of schoolchildren." Pedagogy: history, prospects 3, no. 6 (December 29, 2020): 96–105. http://dx.doi.org/10.17748/2686-9969-2020-3-6-96-105.

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The article discusses the theoretical substantiation of method of biography in the spiritual and moral education of schoolchildren and the experience of its application in an educational institution. The theoretical part presents an analysis of the concepts of spiritual and moral education, values, ideals, biography. It highlights the national values, regulated by modern standards of education. The approaches of Russian teachers to the concept and role of biography in the upbringing of the younger generation are considered. The structural components of the lesson that uses the method of biogra
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Cottrell, Robert C. "Robert F. Kennedy: A Spiritual Biography." History: Reviews of New Books 29, no. 3 (January 2001): 102. http://dx.doi.org/10.1080/03612759.2001.10525824.

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Baker, Kelly J. "Henry Ossawa Tanner: A Spiritual Biography." Journal of American Culture 27, no. 1 (March 2004): 113–14. http://dx.doi.org/10.1111/j.1537-4726.2004.121_2.x.

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Park, Jin Kyung. "A Spiritual Biography Project : Lisa Kim’s Pilgrimage." Theology and Praxis 80 (July 31, 2022): 65–84. http://dx.doi.org/10.14387/jkspth.2022.80.65.

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Kannan, Sushumna. "Gandhi: A Spiritual Biography by Arvind Sharma." Philosophy East and West 65, no. 2 (2015): 643–46. http://dx.doi.org/10.1353/pew.2015.0032.

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Shyangtan, Sharmila. "Reading Biographies for Developing Narrative Self." Journal of Education and Research 9, no. 1 (March 15, 2019): 118–23. http://dx.doi.org/10.3126/jer.v9i1.28828.

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Biography is an important aspect of researching in education once one is planning for a narrative inquiry. Reading biography inspires me to think narratively. I am much interested in knowing and understanding the biography of the Dalai Lama not because of any religious footprints but because of his spiritual endeavours, which go beyond the humanist tradition of thinking. I have not canvassed any social research which questioned life before and after death. I do not have much interest in researching faith-based experience and the mystical experience of such a spiritual leader. I read a book fro
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Jahangir, Nurulloev. "Biography and spiritual legacy of Sabir Saiqali Hisari." Asian Journal Of Multidimensional Research 11, no. 9 (2022): 78–80. http://dx.doi.org/10.5958/2278-4853.2022.00217.8.

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Wiersma, Hans. "Martin Luther: A Spiritual Biography by Herman Selderhuis." Lutheran Quarterly 32, no. 4 (2018): 463–64. http://dx.doi.org/10.1353/lut.2018.0069.

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Hillman, Jennifer. "Writing a Spiritual Biography in Early Modern France." French Historical Studies 42, no. 1 (February 1, 2019): 1–34. http://dx.doi.org/10.1215/00161071-7205183.

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Pak, Pyong Gwan. "A Spiritual Biography of Pope Francis: The Formation of a Trinitarian Spiritual Profile." Theological Perspective 222 (September 30, 2023): 122–67. http://dx.doi.org/10.22504/tp.2023.09.222.122.

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Tesis sobre el tema "Spiritual biography"

1

Newbury, Michael. "Charles Beaumont Howard : a spiritual biography /." Title page, contents and introduction only, 1997. http://web4.library.adelaide.edu.au/theses/09AR/09arn535.pdf.

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Amberg, Anni. "A story of names : a zigzag road to finding my feet via Mexico, India, Nepal, England, Italy and Iceland : a memoir /." Connect to online version, 2009. http://ada.mtholyoke.edu/setr/websrc/pdfs/www/2009/385.pdf.

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Dahms, Elizabeth Anne. "THE LIFE AND WORK OF GLORIA ANZALDÚA: AN INTELLECTUAL BIOGRAPHY." UKnowledge, 2012. http://uknowledge.uky.edu/hisp_etds/6.

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The writings and life of Gloria Evangelina Anzaldúa (1942-2004) have had an immense impact in a variety of disciplines. Her oft-cited text Borderlands/La Frontera: The New Mestiza (1987) is included in many university courses’ reading lists for its contributions to discourses of hybridity, linguistics, intersectionality and women of color feminism, among others. Unfortunately, most scholars content themselves with the intricacies of Borderlands to the neglect of her corpus of work, which includes essays, books, edited volumes, children’s literature and fiction/autohistorias. This analysis pres
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Iwig-O'Byrne, Liam. "How Methodists were made : The Arminian magazine and spiritual transformation in the transatlantic world, 1778-1803 /." PDF version available through ProQuest, 2008. http://proquest.umi.com.ezproxy.drew.edu/pqdweb?index=0&did=1537004751&SrchMode=1&sid=17&Fmt=2&VInst=PROD&VType=PQD&RQT=309&VName=PQD&TS=1249061192&clientId=10355.

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Huey, Ong Leng. "A minister's personal growth." Theological Research Exchange Network (TREN), 2002. http://www.tren.com.

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Roberts, Heidi Francie. "The moment in the garden spiritual autobiography and T.S. Eliot's Four quartets /." Online full text .pdf document, available to Fuller patrons only, 2003. http://www.tren.com.

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Tapper, Jess Brian, University of Western Sydney, of Arts Education and Social Sciences College, and School of Contemporary Arts. "Watermana." THESIS_CAESS_CAR_Tapper_J.xml, 2000. http://handle.uws.edu.au:8081/1959.7/105.

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Watermana is a concept, the title of this thesis and the title of the work produced in conjunction with this thesis. The word 'mana' loosely translates as a form of spiritual power. In the form of Water Mana, it specifically means spiritual empowerment of feelings or emotions. This work is closely entwined with the video 'Watermana'. The research documented here both leads to the work and arose from its process. It reflects finding connections with Celtic shamanistic practices, and utilizing them in a modern urban context. It also explores poetry, its relationship to shamanism, and its possibl
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Refugia, Emelita C. ""Pagbabalik Loob" a journey to conversion /." Online full text .pdf document, available to Fuller patrons only, 2001. http://www.tren.com.

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Delgado, Godinez Esperanza. "Mexicanidad an oral history /." Online full text .pdf document, available to Fuller patrons only, 2003. http://www.tren.com.

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Morales, Teresa F. "The Last Stone is Just the Beginning: A Rhetorical Biography of Washington National Cathedral." Digital Archive @ GSU, 2013. http://digitalarchive.gsu.edu/communication_diss/42.

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Washington National Cathedral sits atop Mt. St. Alban’s hill in Washington, D.C. declaring itself the nation’s cathedral and spiritual home for the nation. The idea of a national church serving national purposes was first envisioned by L’Enfant in the District’s original plan. Left aside in the times of nation building, the idea of a national church slumbered until 1893 when a group of Episcopalians petitioned and received a Congressional charter to begin a church and school in Washington, D.C. The first bishop of Washington, Henry Y. Satterlee, began his bishopric with the understanding that
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Libros sobre el tema "Spiritual biography"

1

Bagchee, Moni. Sadguru Nigamananda: A spiritual biography. Halisahar, 24 Parganas (North), West Bengal, India: Assam Bangiya Saraswat Math, 1987.

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Trueblood, Elton. Abraham Lincoln: A spiritual biography. New York: Phoenix Press, 1986.

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Ehlen, Patrick. Frantz Fanon: A spiritual biography. New York: Crossroad Pub. Co., 2000.

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Feldmann, Christian. Pope John XXIII: A spiritual biography. New York: Crossroad, 2000.

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Sidorenko, Konstantin. Robert F. Kennedy: A spiritual biography. New York: Crossroad Pub., 2000.

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Traflet, Dianne Marie. Saint Edith Stein: A spiritual biography. Boston, MA: Pauline Books & Media, 2008.

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Kirsch, Arthur C. Auden and Christianity: A spiritual biography. New Haven: Yale University Press, 2005.

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Sidorenko, Konstantin. Robert F. Kennedy: A spiritual biography. New York: Crossroad Pub., 2000.

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Sidorenko, Konstantin. Robert F. Kennedy: A spiritual biography. New York: Crossroad Pub., 2000.

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Bruce, Marcus. Henry Ossawa Tanner: A spiritual biography. New York: Crossroad Pub. Co., 2002.

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Capítulos de libros sobre el tema "Spiritual biography"

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Heaney, Maeve Louise. "11. Spiritual Subjects." In Music and Spirituality, 233–54. Cambridge, UK: Open Book Publishers, 2024. http://dx.doi.org/10.11647/obp.0403.11.

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This chapter focusses on and explores the connection between the two core themes at the heart of the book’s research agenda: spirituality and music. Building on broad and intellectually informed definitions of musicking and spirituality, the chapter names three theological categories from the world of Christian theology – Grace, Trinity, and the Ascended Body of Christ – that help ground some commonly-perceived connections between the two, as well as various disciplinary fields from world of music study – musical semiotics, hermeneutics, and history – necessary to explore these connections further. From these preliminary considerations, the chapter makes a case for grounding research into music and spirituality on the source and subject of that work: the very person of the researcher. A reflexive and self-appropriated researcher is the foundation of all useful knowledge and the condition of possibility for its clarity and future development. Drawing on the categories of narrative, biography (Metz), the researcher “in conversion” (Lonergan), and a small test-group of reflective responses from scholars at work in this field, I suggest that more awareness of whence our interest in this field will help bridge gaps and advance our quest to understand music, spirituality and the spaces in-between.
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Zangari, Mattia. "Caterina Colombini, o della cugina sedotta. Una ‘ricostruzione’ della figura di Caterina attraverso i testi." In Le vestigia dei gesuati, 57–71. Florence: Firenze University Press, 2020. http://dx.doi.org/10.36253/978-88-5518-228-7.07.

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In this essay the author demonstrates that it is possible to “reconstruct” the figure of Caterina Colombini (1340?-1387) – Giovanni Colombini’s cousin – through a group of texts: the hagiography of Caterina, the letters sent to her by Giovanni Colombini and, finally, Giovanni’s biography written by Feo Belcari. The author divides his text into four parts: the first part analyzes the content of Caterina’s hagiography; the second examines the linguistic form of the hagiographic text; in the third, the author analyzes the latent meaning of the window, a symbolic place where Giovanni and Caterina converse on divine topics; in the last part, to conclude, the teachings that Giovanni gives to Catherine and her spiritual daughters – the Gesuate – are analyzed.
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Coleman III, Thomas J., Christopher F. Silver, and Ralph W. Hood. "“…if the Universe Is Beautiful, We’re Part of that Beauty.”—A “Neither Religious nor Spiritual” Biography as Horizontal Transcendence." In Semantics and Psychology of Spirituality, 355–72. Cham: Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-21245-6_22.

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Sawicki, Bernard Łukasz. "10. The Concept of ‘Atmosphere’ as a Bridge between Music and Spirituality." In Music and Spirituality, 209–32. Cambridge, UK: Open Book Publishers, 2024. http://dx.doi.org/10.11647/obp.0403.10.

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The notion of atmosphere adds a new dimension to metaphors and symbols attempting to describe both musical and spiritual experience. Speaking of atmosphere, the discourse on music or spirituality itself moves from the purely descriptive sphere into the realm of experience, shedding new light on its specificity and effects. Consequently, one can speak of a reinterpretation of such key concepts for spirituality and theology as the body, incarnation, transformation (conversion). Music can help to understand and express them better. In this chapter, the above theses will be presented according to the following scheme: 1) A general outline of the philosophical and aesthetic significance of the concept of 'atmosphere'; 2) A presentation of the potential 'dimensions of atmosphere' in music (tonality, the event of performance, the context of listening to the music, the role of the title and the biography of the composer or performer); 3) A presentation of the potential 'dimensions' of spirituality (prayer and its context, celebration, the eloquence and expression of texts, encounter); 4) A demonstration of the common 'atmospheric' elements of music and spirituality: the experience of perception, moving, touching, the presence of the Other, encounter. One cannot deny that the concept of atmosphere functions best in the spirituality of religions based on personal contact with God. If so, it is not merely descriptive but can have a practical dimension, stimulating both the musical or spiritual experience as well as facilitating its interpretation by opening it up, through synesthesia, to the sensations and language of other arts.
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Evans, Dorinda. "7. The Death and Legacy of a Maverick Artist." In William Rimmer, 197–208. Cambridge, UK: Open Book Publishers, 2022. http://dx.doi.org/10.11647/obp.0304.07.

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The concluding chapter weighs Rimmer's recognition or historical status at the time of his death and now. His first biography, written by someone who did not know him –Truman H. Bartlett – has had a disproportionate impact on how he is seen, even today. That is, his sheer originality – attested to by students as well as contemporaries – has been largely overlooked or misunderstood. The fact that he critiqued neoclassicism has been lost. So has his strong spiritual orientation and his emphasis, in teaching and in his own work, on imagination and self-expression. Despite his attachment to subject matter as a Romantic, he can be seen as a forerunner of modernism – in purely formal terms – in his fragmented statues. These precede, by a decade, similar work by Auguste Rodin. His personal symbolism is also prescient in being evocative of the production of the later Symbolists. Fortunately, Rimmer had loyal students and friends who tried to keep his memory alive after his death. Their efforts resulted in three of his plaster-cast sculptures being cast in bronze, and a selection of his drawings exhibited at the famous 1913 International Exhibition of Modern Art (the Armory Show) in New York. He also had two paintings in the 1915 Panama-Pacific International Exposition.But the fact that Rimmer did not explain his seemingly aberrant creations, and Bartlett did not understand him, has had a detrimental impact on his reputation. His importance for the period and today lies in his insistence on working solely from imagination which was a radical idea at the time. According to his thinking, the artist’s contribution in creating a work of art should be self-expression.
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Campbell, Ted A. "Spiritual Biography and Autobiography." In The Cambridge Companion to American Methodism, 243–60. Cambridge University Press, 2013. http://dx.doi.org/10.1017/cco9780511919961.015.

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"Valentinus: biography and sources." In The Spiritual Seed — The Church of the 'Valentinians', 415–29. BRILL, 2006. http://dx.doi.org/10.1163/9789047417163_032.

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"19. Gandhi’s Spiritual Biography and Contemporary History." In Gandhi, 189–206. Yale University Press, 2013. http://dx.doi.org/10.12987/9780300187380-020.

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Bicket, Linden. "A Biography of Faith." In George Mackay Brown and the Scottish Catholic Imagination. Edinburgh University Press, 2017. http://dx.doi.org/10.3366/edinburgh/9781474411653.003.0002.

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This chapter concentrates on three major biographical strands in order to obtain a clear idea of Brown’s literary Catholicism. It explores the trajectory of Brown’s religious life through his unpublished early manuscripts, autobiographical fiction, and letters to various correspondents. It examines his autobiography, For the Islands I Sing, in relation to the traditions of spiritual self-writing by other literary converts. The chapter also investigates the intertextual connections between George Mackay Brown’s work and the autobiographical writing of John Henry Newman, Edwin Muir, and Muriel Spark, among others.
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Heffernan, Thomas J. "Sanctity in the Cloister: Walter Daniel’s Vita Sandi Aelredi and Rhetoric." In Sacred Biography, 72–122. Oxford University PressNew York, NY, 1992. http://dx.doi.org/10.1093/oso/9780195079074.003.0003.

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Abstract Aelred, the saintly abbot of Rievaulx, died at approximately ten-thirty P.M. on the twelfth of January 1167, the day before the ides of January on the feast of St. Hilarius (d. 368), bishop of Poitiers, and within the solemnity of the feast of the Epiphany. His biographer, Walter Daniel, tells us that his death was not unexpected; that year’s exceptionally bitter Northumbrian winter had sapped much of the elderly man’s remaining vitality.1 Aelred’s fellow Cistercians knew that his death signaled a great passing. They believed the moment of his death was of major historical significance. Aelred was, after all, the acknowledged leader of the first generation of English Cistercians. He had met St. Bernard during his journey to the Roman Curia in 1142. Moreover, it was the great abbot of Clairvaux himself who had insisted that, although only the novice master at Rievaulx, Aelred must write what was to become his famous analysis of the Cistercian religious life, the Speculum Caritatis.2 Lastly, Aelred’s monastic brethren knew that his reputation for sanctity was well deserved. Not only did they weep, then, for the passing of a beloved monastic companion, but they wept for the loss of a great spiritual teacher, and, perhaps most importantly, they wept because they believed that they were present at the passing
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Actas de conferencias sobre el tema "Spiritual biography"

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Taya, D. "THE STUDY ON A LETTER RELATED TO GESER BIOGRAPHY IN GERMANY." In The Epic of Geser — the spiritual heritage of the peoples of Central Asia. BSC SB RAS, 2020. http://dx.doi.org/10.31554/978-5-7925-0594-0-2020-41-49.

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Filip, Iulian. "Sergiu Moraru între călăuze și muzee." In Conferința științifică națională "Sergiu Moraru: 75 de ani de la naștere". “Bogdan Petriceicua-Hasdeu” Institute of Romanian Philology, Republic of Moldova, 2021. http://dx.doi.org/10.52505/sm.75.2021.03.

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Spiritual patron of the gymnasium from Obreja Veche, the folklorist Sergiu Moraru honors his mission ‒ in relation to the young generation ‒ through the model of his becoming and through the opera. The vocation folklorist needs vocation pedagogues, who can adjust the potential of the biography and the work in attractive projects for the pupils of the gymnasium that bears his name, but also for those from the Gymnasium no. 1 from Olacu commune, Giurgiu district (Romania). To motivating them to know more about the museums and libraries in the locality ‒ the patrimonial dimension of their existen
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Pac'orka, E. I. "SPIRITUAL BIOGRAPHY OF F. M. DOSTOYEVSKY IN THE CONTEXT OF AXIOLOGICAL APPROACH (ON THE MATERIAL OF EGO-DOCUMENTS AND «A WRITER’S DIARY»)." In ACTUAL PROBLEMS OF LINGUISTICS AND LITERARY STUDIES. Publishing House of Tomsk State University, 2020. http://dx.doi.org/10.17223/978-5-94621-901-3-2020-74.

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Olarescu, Dumitru. "The historical-biographical film: destinies and personalities." In Patrimoniul cultural: cercetare, valorificare, promovare. Institute of Cultural Heritage, Republic of Moldova, 2021. http://dx.doi.org/10.52603/9789975351379.10.

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The history of national cinema shows that the evolution of non-fiction biographical film began with subjects dedicated to prominent personalities. These were included in the film magazine “Soviet Moldova” and in the almanac “Life in pictures”. In 1961, the first historical-biographical film “The Legendary Brigade Commander”- a eulogy to Grigore Kotovski (director A. Litvin) appeared at the “Moldova-film” studio, followed by other films dedicated to the heroes of the times: Pavel Tkacenko, Elena Sârbu, Tamara Cruciok, which were dominated by a pronounced propagandistic character. A new level of
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Informes sobre el tema "Spiritual biography"

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Halych, Valentyna. SERHII YEFREMOV’S COOPERATION WITH THE WESTERN UKRAINIAN PRESS: MEMORIAL RECEPTION. Ivan Franko National University of Lviv, February 2021. http://dx.doi.org/10.30970/vjo.2021.49.11055.

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The subject of the study is the cooperation of S. Efremov with Western Ukrainian periodicals as a page in the history of Ukrainian journalism which covers the relationship of journalists and scientists of Eastern and Western Ukraine at the turn of the XIX-XX centuries. Research methods (biographical, historical, comparative, axiological, statistical, discursive) develop the comprehensive disclosure of the article. As a result of scientific research, the origins of Ukrainocentrism in the personality of S. Efremov were clarified; his person as a public figure, journalist, publisher, literary cri
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