Bibliografías temáticas / Spring festivals in art

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Literatura académica sobre el tema "Spring festivals in art"

Autor: Grafiati
Publicado: 27 de julio de 2024
Última modificación: 31 de julio de 2025

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Artículos de revistas sobre el tema "Spring festivals in art"

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Sheremet, Sergey Vladimirovich. "Student Spring Festival in Russia: an educational potential." Uchenyy Sovet (Academic Council), no. 3 (February 28, 2025): 174–80. https://doi.org/10.33920/nik-02-2503-06.

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The lives of people in creative professions sometimes take unexpected turns. There are biographies of many famous artists who did not intend to devote themselves to artistic creativity. But it happened. Often this occurred because in their student years they engaged in creativity in the student theater of miniatures, played in Club of the Merry and Inventive teams, performed in amateur concert parties... As a result, they were forced to reconsider their attitude to the profession they chose in their youth. The article shows that many of today's famous artists came to art through student festiv
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Yang, Ruobing. "Festival Marketing: Film Promotion Shaped by Traditional Chinese Culture Taking the Spring Festival Comedy Film as an Example." Advances in Economics, Management and Political Sciences 53, no. 1 (2023): 177–82. http://dx.doi.org/10.54254/2754-1169/53/20230826.

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In recent years, with the continuous growth of the Chinese film market and the improvement of the cultural level and consumption willingness of Chinese residents, the holiday film market has gradually developed in China. The Chinese holiday film market has sprouted since the Spring Festival, and then developed into Spring Festival movies, National Day movies, summer movies, etc. Under different schedules, it is the background of holiday culture that highlights this film market phenomenon. How to combine the cultural background of film festivals with the film industry is an important challenge
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Knowles, Ric. "The Edinburgh Festival and Fringe: Lessons for Canada?" Canadian Theatre Review 102 (March 2000): 88–96. http://dx.doi.org/10.3138/ctr.102.016.

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A visit to the last ten days of the formidable Edinburgh International Festival and its famous Fringe – the ur-festivals for English language international festivals and fringes in Canada as elsewhere – provides the opportunity for some comparative musings on the cultural role played by such events in both Scotland and Canada. In a consciously provocative opinion piece in the Spring 1992 issue of Theatre Forum, Ritsaert ten Cate asked, “Festivals: Who Needs ‘Em?” In attempting to answer the question – “travel agents, who can offer package deals” is the closest he seems to get, quoting a “deadl
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Zhang, Kai, and Rosjana Chandhasa. "Discovering Shandong Art and Culture China in the Dimension of Wisdom, Beliefs, Traditional Ways of Life and Festivals." Journal of Ecohumanism 3, no. 3 (2024): 1657–66. http://dx.doi.org/10.62754/joe.v3i3.3406.

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With the country's continued emphasis on industry, culture and creativity industry, the cultural and creative industries on the university campus have demonstrated a strong drive of development. Shandong is a famous cultural city with a rich history with a rich material cultural heritage that is constantly inspiring for the cultural and creative industries on the university campus. This study starts from the cultural dimension of wisdom, faith, traditional way of life, and festivals and uses qualitative research methods. With a descriptive and analytical method, to explore the cultural and art
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Rudakoff, Judith. "Cuba “AsiSomos” and the Fine Art of Survival." Canadian Theatre Review 78 (March 1994): 59–60. http://dx.doi.org/10.3138/ctr.78.010.

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From September 12-19, 1993, I co-ordinated a Theatre and Fine Arts Delegation which travelled in Cuba. The primary goal of this delegation was to begin to explore the Fine Arts in several regions of the country with particular emphasis on learning how the social, economic, political and religious conditions affect the contemporary creative work in terms of themes, imagery, form and structure and even, at times, venue. This was my second of five trips planned this year, facilitated by the Cuban Ministry of Culture and their Canadian representatives, Canada-Cuba Sports and Culture Festivals. The
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Bhasin, Aparajita. "Negotiating the tangible and the intangible:." Street Art & Urban Creativity 3, no. 1 (2017): 20–25. https://doi.org/10.25765/sauc.v3i1.59.

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Street art in the past decade or so has witnessed development in the form of the street art festivals that have sprung up across the globe. These festivals bring artists, street art enthusiasts, art historians, and the public together in the celebration and creation of street art. Practicing art in this format can arguably be seen as replacing the art institutions that often attempt to represent and commercially engage with this art, thus proving to be antithetical to its systems. Street art is characterised by an inherent contradiction that lies within it – while on one hand it is tangible du
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Bronner, Shaw. "Here’s To Our Community." Medical Problems of Performing Artists 35, no. 4 (2020): 233–34. http://dx.doi.org/10.21091/mppa.2020.4034.

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Memorialized in former Secretary of State Hillary Clinton’s children’s book entitled It Takes a Village, “it takes a village to raise a child” is an African proverb that means an entire community of people must interact with children for those children to experience and grow in a safe and healthy environment. The need of the artist to create is undeniable and their villages continue to support them. During these dark days of the COVID-10 pandemic, performing and fine artists have been denied their traditional communication with their public as theaters and museums closed down throughout the wo
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N.V., Zaimenko, Shumik M.I., Smilyanets N.M., Gaponenko M.B., and Rakhmetov D.B. ""Landscape spring-2017" festival in M.M. Gryshko National Botanical Garden of the NAS of Ukraine." Plant Introduction 76 (December 1, 2017): 73–78. https://doi.org/10.5281/zenodo.2331724.

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“Landscape Spring-2017” festival took place from April 28 to May 2, 2017 in M.M. Gryshko National Botanical Garden. The festival events included the gardening contest “Japanese motifs in the Botanical Garden”, “Dialogue with nature” and “Mini garden” contests, as well as the children contest “Fairy-tale” and the children drawing contest. 12 projects of Japanese gardens, 16 projects of mini-gardens and 12 projects of art objects from natural materials were implemented.
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Wallace, Robert. "Festival Follies." Canadian Theatre Review 49 (December 1986): 111–16. http://dx.doi.org/10.3138/ctr.49.013.

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In the midst of the trials and triumphs of the winter theatre season, the reminder that theatre in Canada has become a year-round activity can be both irksome and welcome. While some artistic directors are just beginning to see the light at the end of this season’s tunnel, others are quickly organizing their summer schedules, hedging bets on late-season hold-overs, and brushing up their spring brochure copy. For organizers of theatre festivals such as Le Festival de théâtre des Amériques that opens in Montreal next 26 May, this time is even more fraught; travel and accommodation arrangements f
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Samuel, Flora. "Le Corbusier and the Art of Architecture." Architectural Research Quarterly 13, no. 1 (2009): 16–19. http://dx.doi.org/10.1017/s1359135509990066.

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Le Corbusier – The Art of Architecture is the vague and loaded title given to a marvellous but somewhat random collection of Le Corbusier material that has been touring Europe, until recently housed in Lutyens' crypt in Liverpool Cathedral before landing in London this spring at the Barbican, where it feels at home in Brutalist surroundings. The exhibition has provided the inspiration for a festival of Le Corbusier events and talks, competitions and workshops across the country. The question, however, is why?
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Tesis sobre el tema "Spring festivals in art"

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Yardimci, Sibel. "Meeting in Istanbul : cultural globalisation and art festivals." Thesis, Lancaster University, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.421830.

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Demirer, Yucel. "Tradition and politics new year festivals in Turkey /." Connect to this title online, 2004. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1101747928.

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Thesis (Ph. D.)--Ohio State University, 2004.<br>Document formatted into pages; contains vii, 285 p. Includes bibliographical references. Abstract available online via OhioLINK's ETD Center; full text release delayed at author's request until 2009 Nov. 30.
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Kitshoff, Herman van Zijl. "Die opkoms, dinamika en betekenis van die Klein Karoo Nasionale Kunstefees: 1995-2005 /." Link to the online version, 2006. http://hdl.handle.net/10019.1/1109.

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Bernardi, Donatella. "Arts festival as a global cultural product." Thesis, Queen Mary, University of London, 2017. http://qmro.qmul.ac.uk/xmlui/handle/123456789/41785.

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In this thesis, I address ephemeras - namely temporary displays in the form of festivals and exhibitions belonging to the field of contemporary art. The most appropriate criterion with which to select and discuss the ephemera, i.e., the data in which I analyse in this thesis, is the notion of the 'event'. 'Event' is a philosophical concept, and therefore does not belong to artistic or aesthetic categories. However, two main characteristics are particularly relevant in considering it, and these are also pertinent to the field of art. Firstly, the tandem contingency and necessity. Secondly, the
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Spinelli, Céline. "Circuits d'un art itinérant : festivals de cirque et échanges artistiques entre la France et le Brésil." Paris, EHESS, 2015. http://www.theses.fr/2015EHES0687.

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L'univers du cirque est passé par un renouveau important dans divers pays à partir de la fin des années 1960. En France, ce processus a été particulièrement significatif et a posé les bases du genre artistique aujourd'hui nommé "cirque contemporain". Il a impliqué le développement de nouvelles esthétiques, l'avénement d'une conceptualisation et d'un vocabuliare particuliers, la fabrication d'un "monde de l'art" complexe, qui singularise l'artiste et transforme son statut social. Il s'avère que différents modes de renouveau artistique se sont produits, influencés par les contextes nationaux, co
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Rogers, Mark Christopher. "Art and public festival in Renaissance Florence studies in relationships /." Full text available online (restricted access), 1996. http://images.lib.monash.edu.au/ts/theses/Rogers.pdf.

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Rowley, Ben. "Festival or carnival? : the 2002 Adelaide Festival of the Arts and cultural activism /." Title page/ table of contents only, 2001. http://web4.library.adelaide.edu.au/theses/09AR/09arr8838.pdf.

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Pulh, Mathilde. "La valorisation de l'expérience de consommation d'activités culturelles : le cas des festivals d'arts de la rue." Dijon, 2002. http://www.theses.fr/2002DIJOE005.

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Dunin-Wąsowicz, Roch. "Culture for Europe : struggles for contemporary meanings and social understandings of Europe through cultural institutions, festivals, and art projects." Thesis, London School of Economics and Political Science (University of London), 2015. http://etheses.lse.ac.uk/3223/.

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This thesis investigates struggles for meanings and social understandings of Europe taking place through cultural institutions, festival sites, and art projects. I claim that culture is a social field where meanings of Europe are made. I argue that meanings of Europe that emerge in these cultural sites are not prior or given, but are a result of struggles between the actors involved. They These meanings are to different degrees particular and autonomous, depending on the proximity of a given cultural site to the political structures of the state and the EU. This research identifies that actors
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Van, Heerden Esther. "Liminality, transformation and communitas : Afrikaans identities as viewed through the lens of South African Arts Festivals: 1995 – 2006." Thesis, Stellenbosch : University of Stellenbosch, 2009. http://hdl.handle.net/10019.1/1487.

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Thesis (DPhil (History))—University of Stellenbosch, 2009.<br>The study analyzes the reconfiguration of Afrikaans identities in post-apartheid South Africa as mediated by two prominent Afrikaans-orientated arts festivals, namely the Klein Karoo National Arts Festival and Aardklop. Fieldwork was conducted in the two host towns – Oudtshoorn and Potchefstroom. A variety of research methods such as archival research, participant observation, semi-structured interviews and informal conversations were employed. The arts festivals emerged during a time of perceived crisis for particularly Afrikaans
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Libros sobre el tema "Spring festivals in art"

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Le'an, Xu, Cui Zhi та Li Mu, ред. 仇英仿張擇端清明上河圖. Wen wu chu ban she, 2007.

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Lynne, Broadbent, and Christian Education Movement, eds. Spring festivals. Christian Education Movement, 1987.

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Court, Carole. Spring and summer festivals. Scholastic, 1997.

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Joyner Waddington's Auctioneers & Appraisers. Canadian art: Spring 2004. Joyner Waddington's, 2004.

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Pacey, Philip. Family art. Polity Press, 1989.

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Anne-Cécile, Worms, ed. Arts numériques: Tendances, artistes, lieux & festivals. M21 Éditions, 2008.

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Morrill, Ann. Easter, Passover, and other spring festivals. Chelsea House, 2009.

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World, Book Inc. Spring celebrations. World Book, Inc., 2009.

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Vanuatu Mini National Arts Festival (1995 Port Vila, Vanuatu). 1995 Mini Nasonal Arts Festivol Blong Vanuatu 13-18 Novemba 1995 Port Vila =: 1995 Vanuatu Mini National Arts Festival 13-18 November 1995 Port Vila = 1995 Mini-Festival d'art du Vanuatu du 13 au 18 novembre 1995 à Port Vila. [Imprimerie de Port Vila?], 1995.

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Heon, Laura Steward. Unnatural science: An exhibition, Spring 2000 - Spring 2001, MASS MoCA. MASS MoCA Publications, 2000.

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Capítulos de libros sobre el tema "Spring festivals in art"

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Frey, Bruno S. "Festivals." In Economics of Art and Culture. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-15748-7_8.

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Baram, Amatzia. "Mosul’s Spring Festivals: Mesopotamian Rites." In Culture, History and Ideology in the Formation of Ba‘thist Iraq, 1968–89. Palgrave Macmillan UK, 1991. http://dx.doi.org/10.1007/978-1-349-21243-9_5.

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Jesty, Justin. "Japan’s Rural Art Festivals." In The Routledge Companion to Art in the Public Realm. Routledge, 2020. http://dx.doi.org/10.4324/9780429450471-3.

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Brown, Katherine T. "Spring." In Arboreal Symbolism in European Art, 1300–1800. Routledge, 2024. http://dx.doi.org/10.4324/9781003291435-6.

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Letort, Gaëlle. "Actin Spring." In The Art of Theoretical Biology. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-33471-0_70.

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Sillars, Stuart. "Midwinter Spring." In British Romantic Art and the Second World War. Palgrave Macmillan UK, 1991. http://dx.doi.org/10.1007/978-1-349-09918-4_7.

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Benfield, Richard W. "Events and festivals." In New directions in garden tourism. CABI, 2021. http://dx.doi.org/10.1079/9781789241761.0098.

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Abstract This chapter is dedicated to the study of garden-related events and festivals. Most gardens have festivals and events to drive attendance, with the secondary reason to bring in new visitors and perhaps cater to, or attract new, membership. The chapter highlights a selection of these events and special attractions from around the garden world. Examples are chosen from art events, rock concerts, urban events, and the bizarre and different.
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Benfield, Richard W. "Events and festivals." In New directions in garden tourism. CABI, 2021. http://dx.doi.org/10.1079/9781789241761.0007.

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Abstract This chapter is dedicated to the study of garden-related events and festivals. Most gardens have festivals and events to drive attendance, with the secondary reason to bring in new visitors and perhaps cater to, or attract new, membership. The chapter highlights a selection of these events and special attractions from around the garden world. Examples are chosen from art events, rock concerts, urban events, and the bizarre and different.
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Qu, Meng, and Joseph M. Cheer. "Community art festivals and sustainable rural revitalisation." In Events and Sustainability. Routledge, 2022. http://dx.doi.org/10.4324/9781003314295-2.

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De, Debasree. "Indigeneity and Culture—Religion, Festivals, Art and Craft." In People, Cultures and Societies: Exploring and Documenting Diversities. Springer Nature Singapore, 2025. https://doi.org/10.1007/978-981-96-3632-7_5.

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Actas de conferencias sobre el tema "Spring festivals in art"

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Lupu, Mirabela Ioana, Alina Maier, Cristina Maria Canja, Vasile Padureanu, and Geronimo Raducu Branescu. "ROMANIAN GASTRONOMIC HERITAGE: REDISCOVERING TRADITIONAL PRODUCTS." In 11th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2024. SGEM WORLD SCIENCE, 2024. https://doi.org/10.35603/sws.iscah.2024/s05.16.

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Romania is a country that boasts a rich and diverse gastronomic culture, making it a must-visit destination for food lovers and culinary enthusiasts. From traditional dishes passed down through generations to modern interpretations of classic recipes [1], Romanian cuisine offers a unique and flavorful experience that is sure to tantalize the taste buds of even the most discerning travelers. One of the best ways to experience Romanian gastronomic culture is through culinary tourism, a growing trend that allows visitors to immerse themselves in the local food scene and learn about the history an
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Urbans, Mihails, Jelena Malahova, and Vladimirs Jemeļjanovs. "Compliance of fire safety measures for accommodation of people in Riga schools." In 21st International Scientific Conference "Economic Science for Rural Development 2020". Latvia University of Life Sciences and Technologies. Faculty of Economics and Social Development, 2020. http://dx.doi.org/10.22616/esrd.2020.53.027.

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This article describes the situation with fire safety at Riga schools regarding their compliance with the fire safety requirements set in Latvia for accommodation of people in schools. The objective of the current paper was to research and evaluate the compliance with the requirements of regulatory enactments regarding the accommodation in Riga schools and analyse the actual fire safety situation during accommodation of participants of the Dance and Song Festivals in Riga schools. The research was conducted in spring of 2018, prior to the Dance and Song Festival, assessing the compliance of 60
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Fedorenko, S., L. Butko, and A. Lushakova. "MURAL ART IN UKRAINE: THE ROLE OF ART FESTIVALS AND PROJECTS." In VIІ Міжнародна науково-практична конференція «Психолого-педагогічні, правові та соціально-культурні проблеми сучасного суспільства». Кременчуцький національний університет імені Михайла Остроградського, 2023. http://dx.doi.org/10.32782/fphisn.2023.1.48-49.

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Kachurynets, L. V. "TRANSFORMATION OF ART FESTIVALS-COMPETITIONS IN CYBER SPACE." In DEVELOPMENT OF CULTURE AND ART IN THE WAR AND POST-WAR PERIODS. Izdevnieciba “Baltija Publishing”, 2023. http://dx.doi.org/10.30525/978-9934-26-341-5-16.

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Ricci, Nicolas, and Marine Agogué. "Drivers for Resilience in Cultural Organizations: lessons from the Montreal festivals in the face of the COVID-19 pandemic." In 28th International Symposium on Electronic Art. Ecole des arts decoratifs - PSL, 2024. http://dx.doi.org/10.69564/isea2023-24-short-ricci-et-al-drivers-for-resilience.

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SHORT PAPER. Crises such as the COVID-19 pandemic represent appropriate moments to innovate. Many organizations in the cultural sector have thus proposed numerous changes in their activities trying to develop new forms of symbiosis, bringing back the notion of resilience. Beyond its buzz word aspect, resilience has essentially been associated with a set of organizational capacities to adapt and innovate in the face of a disruption in the cultural environment, leaving little consideration to question the main drivers of resilience in cultural organizations. We propose then to study the adaptati
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Zhao, Lina. "The Similarities and Differences between the Spring Festival in China and Christmas in America." In 2018 3rd International Conference on Education, Sports, Arts and Management Engineering (ICESAME 2018). Atlantis Press, 2018. http://dx.doi.org/10.2991/icesame-18.2018.24.

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Maurice, Jones, Meaghan Wester, and Marek Blottiere. "Curation as Research-Creation: Speculating on the Future of Art and Technology Festivals." In 28th International Symposium on Electronic Art. Ecole des arts decoratifs - PSL, 2024. http://dx.doi.org/10.69564/isea2023-67-full-jones-et-al-curation-as-research-creation.

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This paper explores a renewed approach to curation as research-creation (CRC) through its practical application in the annual art and technology festival. CRC envisions a shift in curation from a care for objects to a care for the emerging social relations of the curatorial project in a shared quest of meaning making. We set out with outlining the features of CRC as interdisciplinary, concerned with programmatic boundary objects, and centered around the unfolding event trajectory – the forms and methods that facilitate affective encounters. Following we outline how this approach to curation un
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Manqian, Wang, and Jader Zelaya. "Toward Sustainable Design: A Study on Consumer Preferences for Design Characteristics of Chinese Spring Festival Clothing." In The IAFOR International Conference on Arts & Humanities – Hawaii 2023. The International Academic Forum(IAFOR), 2023. http://dx.doi.org/10.22492/issn.2432-4604.2023.13.

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Khalil-Butucioc, Dorina. "Stimulating dramaturgy in the Republic of Moldova: from art education to theater festivals." In Conferința științifică internațională "Învăţământul artistic – dimensiuni culturale". Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2022. http://dx.doi.org/10.55383/iadc2022.22.

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Starting with the 90s, realizing the need to support and promote the new national drama, at the Writers’ Union was set up a Drama Section, AMTAP introduced the Dramaturgy and Screenwriting specialty, the Ministry of Cultures and UNITEM initiated a National Drama Competition. In this context, Dramaturgy Workshops were created at the „Luceafărul” and „M. Eminescu” Theaters, at the Center for Contemporary Dramaturgy (CDC) (2012—2013), at the School of Contemporary Dramaturgy of the Center for Cultural Projects „Arta Azi” (2017, 2018, 2020); Dramaturgy camps were organized at the „Codru” Sanatoriu
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DARIE, Andreea. "Festival d’Avignon – The Challenges of a Doctoral Documentation." In The International Conference of Doctoral Schools “George Enescu” National University of Arts Iaşi, Romania. Artes Publishing House UNAGE Iasi, 2023. http://dx.doi.org/10.35218/icds-2023-0017.

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In my doctoral research, even though I chose the scientific route and not the professional one, I sought to expand the theoretical discourse in various applicative areas. In order to understand the springs of clowning and the psychosomatic structure of the clown actor, I conducted a non-verbal monologue study about the trickster, I participated in physical and online workshops with clowning teachers from the UK and Spain and, last but not least, I conducted together with an interdisciplinary team a niche theatrical laboratory with the theme: the clown condition of some dramatic characters. Aft
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Informes sobre el tema "Spring festivals in art"

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Kurtz, J., S. Sprik, G. Saur, M. Peters, M. Post, and C. Ainscough. State-of-the-Art Fuel Cell Voltage Durability Status: Spring 2013 Composite Data Products. Office of Scientific and Technical Information (OSTI), 2013. http://dx.doi.org/10.2172/1080110.

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Kerrigan, Susan, Phillip McIntyre, and Marion McCutcheon. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Ballarat. Queensland University of Technology, 2020. http://dx.doi.org/10.5204/rep.eprints.206963.

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Description Ballarat sits on Wathaurong land and is located at the crossroads of four main Victorian highways. A number of State agencies are located here to support and build entrepreneurial activity in the region. The Ballarat Technology Park, located some way out of the heart of the city at the Mount Helen campus of Federation University, is an attempt to expand and diversify the technology and innovation sector in the region. This university also has a high profile presence in the city occupying part of a historically endowed precinct in the city centre. Because of the wise preservation an
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McIntyre, Phillip, Susan Kerrigan, and Marion McCutcheon. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Coffs Harbour. Queensland University of Technology, 2021. http://dx.doi.org/10.5204/rep.eprints.208028.

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Coffs Harbour on the north coast of NSW is a highway city sandwiched between the Great Dividing Range and the Pacific Ocean. For thousands of years it was the traditional land of the numerous Gumbaynggirr peoples. Tourism now appears to be the major industry, supplanting agriculture and timber getting, while a large service sector has grown up around a sizable retirement community. It is major holiday destination. Located further away from the coast in the midst of a dairy farming community, Bellingen has become a centre of alternative culture which relies heavily on a variety of festivals act
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McIntyre, Phillip, Susan Kerrigan, and Marion McCutcheon. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Albury-Wodonga. Queensland University of Technology, 2020. http://dx.doi.org/10.5204/rep.eprints.206966.

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Albury-Wodonga, situated in Wiradjuri country, sits astride the Murray River and has benefitted in many ways from its almost equidistance from Sydney and Melbourne. It has found strength in the earlier push for decentralisation begun in early 1970s. A number of State and Federal agencies have ensured middle class professionals now call this region home. Light industry is a feature of Wodonga while Albury maintains the traditions and culture of its former life as part of the agricultural squattocracy. Both Local Councils are keen to work cooperatively to ensure the region is an attractive place
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