Bibliografías temáticas / Television broadcasting

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Literatura académica sobre el tema "Television broadcasting"

Autor: Grafiati

Publicado: 4 de junio de 2021

Última modificación: 29 de julio de 2024

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Artículos de revistas sobre el tema "Television broadcasting"

Kravcak, Peter. "Tv market and televiewers in Slovakia". Media, culture and public relations 10, n.º 2 (30 de septiembre de 2019): 147–55. http://dx.doi.org/10.32914/mcpr.10.2.4.

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In the early of nineties the dual broadcasting system in the young country in the middle of Europe enabled to develop television broadcasting to the scale of what viewers previously even had not dreamed of. Commercial television broadcasting prevailed in five and a half million country. Private broadcasting gained control of the more than forty-year-old state-owned service of TV broadcasting and sent it to the role of a statistical margin. Confidence of the first one - and later followed by other private televisions - has grown faster than the numbers of audience. Directors with the influence of legislators, unbeatable managers determined the transmission time programs from a week to week. This is termed as finding the optimal time based on audience preferences. The result is today's big television chaos for the viewers, who, as a consequence of unpredictable changes in the broadcasting of televisions cease to be interested. For many years the most viewed channel has dropped to the level of underrated rivals and the panic, which it suddenly started, make them produce more fatal changes. All in the name of the audience and excellent numbers of boxes called people meters. The same problem also faces other post-communist country, the second part of the former Czechoslovakia, the Czech Republic. The paper focuses on analysis and evaluation of Slovak television sphere (partly in comparison with the Czech), which seems, after twenty years of dual broadcasting, to gather a real media competition. But not everybody likes it.

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Yin, Fu Lian, Lu Lu y Ya Gao. "Decision Support Configuration Design in Broadcasting and Television Business & Operation Support System". Applied Mechanics and Materials 427-429 (septiembre de 2013): 2317–20. http://dx.doi.org/10.4028/www.scientific.net/amm.427-429.2317.

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A decision support system (DSS) for broadcasting and television is proposed in this paper. This broadcasting and television DSS fills the blank of broadcasting and television business & operation support system (BOSS). It is also bridging the industry chain of broadcasting and television system. The result of typical model for broadcasting and television DSS proves its validity.

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Elena A., Goryacheva. "History of Television Broadcasting Development in Japan (From Experimental Broadcasting to Nationwide Broadcasting in the 1960s)". Humanitarian Vector 15, n.º 6 (diciembre de 2020): 151–61. http://dx.doi.org/10.21209/1996-7853-2020-15-6-151-161.

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The article views and analyzes the early period of the nationwide television broadcasting in Japan (from the mid 1920s to the end of the 1960s). Previously, this problem has not been a subject of research in Russian oriental studies, and taking into account the operation of established television broadcasting system in modern Japan, it seems necessary to identify the features of the genesis and evolution of the nationwide television broadcasting in Japan at its earliest stage, using both historical-genetic and problem-chronological methods. Based mainly on the media history research of Japanese media historians, which are introduced into the Russian scientific community for the first time, the stages of the genesis and nationwide spread of television broadcasting in Japan are consistently identified: the pre-war period of experimental broadcasting, the reform of the media sphere during and after the occupation of Japan by the GHQ, the origins of the integrated system of Japanese public and commercial television broadcasting nigen taisei. In addition, the author concludes that television played an important role in the process of spreading Western values of democracy, as well as the renewed values of the nuclear family institution in Japan, which were declared by the GHQ, US occupation authorities. Based on the results of the study, the author comes to the conclusion that the fundamental foundations of the modern multifaceted and original culture of Japanese television, as well as the model of broadcasting companies’ interaction: competition and coexistence of public and commercial television broadcasting, were laid precisely in the key period for the history of Japanese television ‒ the 1950‒1960s. The findings of this research can serve as a basis for studying the next stages in the evolution of television broadcasting in Japan up to the present period. This paper is aimed at orientalists, students of similar specialties, as well as a wide range of people interested in the history of Japanese media. Keywords: Japan, media history, television history, television in Japan, nationwide broadcasting

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Herawati, Erni. "Keterkaitan Isi Siaran Televisi di Indonesia dan Keadilan Informasi". Humaniora 3, n.º 1 (30 de abril de 2012): 155. http://dx.doi.org/10.21512/humaniora.v3i1.3245.

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Indonesian Television Broadcasting has been progressing rapidly both in number of television stations and programs. In fact, almost all of national private televisions broadcasting programs were always about Jakarta. Article aimed to analyze on how the function of media which was not only provided information but it also supported the values of community and its sustainability. It related to the media content. The media content was not only determined by internal media factors but also the external ones. Finally, the owners of the media became the one who determined how media content was produced and formed. Therefore, to avoid information which was not monopolized by one party, the community should have various informations to choose. Finally, it is concluded that rules in broadcasting television has to consider the equality of information for people

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Queiroz, Regina Farias de y Rafael Ferreira da Silva. "O estereótipo do amante siciliano adaptado para a televisão italiana na série Il giovane Montalbano". Revista Italiano UERJ 13, n.º 1 (17 de octubre de 2022): 23. http://dx.doi.org/10.12957/italianouerj.2022.70743.

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RESUMO: Este artigo tem como objetivo geral compreender a relação estabelecida entre sociedade e televisão, a partir da análise de trechos da série Il giovane Montalbano (2012). Para tanto, como objetivo específico, pretendemos analisar os processos de construção de identidade do protagonista atrelado ao estereótipo de amante siciliano, baseando-nos em discussões de pesquisadores dos Estudos Culturais e televisivos. Por exemplo, destacamos Menduni (2002), por enxergar a sociedade italiana por meio de sua produção televisiva, e também Casetti e Di Chio (2006), por apresentarem a possibilidade de analisar o texto televisivo pela perspectiva cultural. Os resultados da análise revelaram que a televisão é capaz de reforçar e reafirmar a representação cultural e os estereótipos culturais locais, como a figura do amante siciliano, além de ser responsável também por difundi-los, tanto nacional quanto internacionalmente.Palavras-chave: Il giovane Montalbano. Televisão italiana. Identidade. ABSTRACT: Questo articolo si propone di comprendere il rapporto che si instaura tra società e televisione, dall'analisi di brani tratti dalla serie Il giovane Montalbano (2012). Pertanto, come obiettivo specifico, si intende analizzare i processi di costruzione identitaria del protagonista legati allo stereotipo dell'amante siciliano, sulla base delle discussioni di ricercatori in Studi Culturali e televisivi. Si segnalano ad esempio Menduni (2002), per analizzare la società italiana attraverso la sua produzione televisiva, e anche Casetti e Di Chio (2006), per presentare la possibilità di analizzare il testo televisivo da una prospettiva culturale. Dai risultati dell'analisi è emerso che la televisione è in grado di rafforzare e riaffermare la rappresentazione culturale e gli stereotipi culturali locali, come la figura dell'amante siciliano, oltre ad essere responsabile della loro diffusione, sia a livello nazionale che internazionale.Parole chiave: Il giovane Montalbano. Televisione italiana. Identità. ABSTRACT: This article aims to understand the relationship established between society and television, using, as a starting point, the analysis of certain excerpts from the TV series Il giovane Montalbano (2012). As a specific objective, the hereby article has intended to analyze both the protagonist’s processes of identity construction and his stereotype as a Sicilian lover, on the basis of the discussions made by Cultural and TV Studies researchers. In order to compose the theoretical framework, the highlighted author has been Menduni ([1998] 2002) who sees Italian society through his television production. With regard to the research methodology, the procedures of analysis of the TV text as proposed by Casetti and Di Chio (2006) have been adopted, since they present, among the various possibilities of analysis, the possibility of analyzing the television text from the cultural perspective. The results of the analysis revealed how television is capable of reinforcing and reaffirming a cultural representation along with local cultural stereotypes, such as the character of the Sicilian lover, in addition to being responsible for broadcasting them, both nationally and internationally.Key-words: Il giovane Montalbano. Italian television. Identity.

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Zubaidi, Ali Akbar. "PERENCANAAN INDUSTRI MEDIA TELEVISI ISLAM". KOMUNIKE 12, n.º 2 (24 de diciembre de 2020): 235–53. http://dx.doi.org/10.20414/jurkom.v12i2.2748.

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Today, media digitalization has become the foundation of media industry owners in presenting a variety of information and entertainment, including media television. With the establishment of various commercial television broadcasting institutions as well as the competition for the media competition which is quite tight. Seeing the development of television broadcasting media itself with heavy competition, Islamic television institutions, in particular, seem not ready to compete with other television institutions. Institutions that affect the unpreparedness of existing Islamic television broadcasting institutions are planning and strategy within Islamic television broadcasting organizations and institutions, both before they come to the process of running and maintaining broadcasting institutions for a long period of time. The research method used is library research with in-depth analysis to explore problems related to the theme. The results of this study indicate that there are several things that must be planned before deciding to determine an Islamic television broadcasting institution; a) planning human resources, b) planning institutions, c) planning a product or program. When an Islamic broadcasting institution plans well, the sustainability of the Islamic broadcasting institution can be managed and run for a long time. That way, the existence of Islamic television media is indirectly able to provide another option for the public in enjoying the broadcasts that are served.

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Ismail, Ervan, Siti Dewi Sri Ratna Sari y Yuni Tresnawati. "Regulasi Penyiaran Digital: Dinamika Peran Negara, Peran Swasta, dan Manfaat bagi Rakyat". Jurnal Komunikasi Pembangunan 17, n.º 2 (19 de julio de 2019): 124–45. http://dx.doi.org/10.46937/17201926842.

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Digitalization must begin a strong law that is Acts. Based on the records, digital broadcasting regulations using Republic of Indonesia Minister of Communication and Informatics’s regulations could be canceled through lawsuits at Supreme Court and State Administration Court. Broadcast digitalization was begun in 2011 through a digitalization Road Map and till date, the process at House of Representatives has not been completed. 85% of countries in the world have migrated to digital broadcasts. The study aims to describe how changes and various roles in broadcasting digitalization if the revision of the Broadcasting Acts is implemented. The study also aims to find out the impact and benefits of broadcasting digitalization for the public and broadcasting stakeholders compared to present Broadcasting Acts. This study uses participant observation methods and text analysis to categorize the articles of digitalization in the revision draft of the Broadcasting Acts from the House of Representatives Commission I in 2017, accompanied by media coverage analysis. Discourse analysis is used to relate to the problems arised due to broadcast digitalization. The results show that digitalization can provide more channels in the same space than analog broadcasting. Political parties and state institutions will be allowed to have broadcasting institutions. The State through Television Radio of the Republic of Indonesia (RTRI) will become the important player in terrestrial digital broadcasting with a single multiplexer (mux) system, which is considered undemocratic for private television associations. All "television stations" will change and compete to become "content providers" similar to new digital televisions. The government will formulate the mechanisms, socialization, models, roles in digitalizing television broadcasting in a blue print. Digital dividend will be used for the development of internet and telecommunications. The dynamics that occur due to interests’ differences of the state, the private sector and society take part at each stage of broadcasting digitalization regulation. The conclusion of the study illustrates that the use of digital technology in broadcasting through the Acts’ revision could be a solution for both frequency limitation and the efficient use for more diverse broadcasters (diversity of ownership).

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Warapsari, Dhyayi, Lintang Ratri Rahmiaji y Ade Armando. "KOMODIFIKASI SIARAN OLAHRAGA DI TELEVISI PUBLIK: STUDI KASUS LIGA PRIMER INGGRIS DI LPP TVRI". Interaksi: Jurnal Ilmu Komunikasi 10, n.º 2 (7 de diciembre de 2021): 93–103. http://dx.doi.org/10.14710/interaksi.10.2.93-103.

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Sport and media have a long history of mutually beneficial relationship. Sport has become a commodity. Private televisions use sport programs to gain more profits through various methods, such as advertising and paid subscription. The potential benefits that media can gain from sport have driven the competition between broadcasters to get the broadcasting rights and thus drive the broadcasting rights fees higher every season. In 2019, TVRI with limited annual budget can acquire English Premier League broadcasting rights through partnership with Mola TV. TVRI as a public service broadcaster is not allowed to be profit-oriented like private televisions. This article investigates commodification of sport in Indonesian public television, TVRI, with study case of English Premier League. Data are collected from literature study and observation, then it is analyzed from a political economy perspective. It is found that TVRI use English Premier League to gain more audiences and profits through various sport programs - similar to private televisions, but with some limitations that public television has.

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Ramli N, Lalu, Sulhaini Sulhaini y Lalu M. Furkan. "Niche Market Analysis on Local Television Through Media Ecology Approach". International Journal of Multicultural and Multireligious Understanding 8, n.º 3 (2 de marzo de 2021): 45. http://dx.doi.org/10.18415/ijmmu.v8i3.2376.

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The broadcasting law number 32, 2002 provides space for developing local broadcasting institutions in the regions, including the Local Public Broadcasting Institute (LPPL) Selaparang TV. On the other hand, the proliferation of local TV also raises many doubts because its competition is also increasing. As a business entity, local televisions face many challenges. Local televisions and other industries need the income that supports its survival as part of the media industry. With a limited source of media income, local television existence inevitably is threatened. Moreover, there are not many large industries or companies in Nusa Tenggara Barat province that can support local broadcasting institutions' sustainability. This phenomenon is interesting to study how local TV can survive in a competitive broadcasting industry with limited advertising sources. The object of this research took one of the local TV stations in East Lombok, Nusa Tenggara Barat province, namely the Local Public Broadcasting Institute (LPPL) Selaparang TV. The data analyzed relied on a media ecology approach. The method used to analyze the data from fieldwork is a descriptive qualitative approach

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Tulasi, Dominikus. "Implementasi Pedoman Perilaku Penyiaran Menurut Perspektif Komisi Penyiaran Indonesia (KPI)". Humaniora 5, n.º 1 (30 de abril de 2014): 414. http://dx.doi.org/10.21512/humaniora.v5i1.3040.

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This multidiscipline research combines models and theoretical guidance of Indonesia Broadcasting Commission in implementing ethical behavioral guidance toward television broadcasting programs as mass media, a case study at Trans7. This qualitative research examined on how both Television management and Indonesia Broadcasting Commission highlight and perceive behavioral acting of host relating to entertainment programs. In one hand, program producer is able to construct, construe, and reconstruct societal opinions and mindset to its program. On the other hand, Indonesia Broadcasting Commission (KPI) construes the television program overacting and unethical. KPI judges the behavior of the program host does not deserve to present to the society referring to the broadcasting regulations, especially broadcasting behavioral guidance and broadcasting program standard (P3-SPS). Analyzing the implications television broadcasting program is a matter of negative image towards national culture and social norms through significant participant observation. This phenomenon is alarming, considering the host of TV programs which in the long run will be able to influence social value system and national culture. As it is able to gain an extensive understanding towards the identity makeup and sense of television broadcasting programs that exist within Indonesian society.

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Tesis sobre el tema "Television broadcasting"

Wheatley, Helen. "Gothic television". Thesis, University of Warwick, 2002. http://wrap.warwick.ac.uk/2837/.

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This thesis examines forms of Gothic fiction on television, and defines the ways in which television produces Gothic drama which is medium-specific (e.g. formally distinct from versions of the genre in other media). This work employs a textual analysis to explore Gothic television, and combines this with archival research and an examination of the changing climate of television production in a range of national and historical contexts. The thesis is organised into four case studies, each dealing with different national industries during different periods: British anthology drama of the 1960s and 70s (e.g. Mystery and Imagination (ABC/Thames, 1966-70), Ghost Story for Christmas (BBC1, 1971-78)); Danish art television in the mid-nineties (Riget (Danmarks Radio/Zentropa, 1994)); British adaptations of female Gothic literature, (e.g. Rebecca (BBC2, 1979), The Wyvern Mystery (BBC1/The Television Production Company, 2000); and big-budget, effects-laden series from North America in the 1990s (e.g. American Gothic, CBS/Renaissance, 1995-96), Millennium (20th Century Fox/10:13, 1996-1999). I argue that Gothic television plays on the genre's inherent fascination with the domestic/familial, to produce television drama with an overt consciousness of the contexts in which the programmes are being viewed, a consciousness which is locatable within the text itself; as such, the thesis defines the Gothic as a genre which is well suited to presentation on television. Furthermore, an examination is offered of the 'model' viewer as presented within the television text, enabling an understanding of the ways in which conceptions of television viewership are inscribed into television drama at the moment of production. I also interrogate the notion that television is an 'uncanny' medium by locating the precise sources of uncanniness with Gothic television, and delineate the ways in which innovations in television production have been showcased through the representation of the supernatural and the uncanny with Gothic Television.

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White, James D. "Balancing the flow in a world of information three case studies of information flows in Japan, China and Hong Kong /". Thesis, University of Hawaii at Manoa, 2003. http://catalog.hathitrust.org/api/volumes/oclc/58596783.html.

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Chun, Jayson Makoto. "A nation of a hundred million idiots : a social history of Japanese television, 1953-1973 /". view abstract or download file of text, 2004. http://wwwlib.umi.com/cr/uoregon/fullcit?p3120616.

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Thesis (Ph. D.)--University of Oregon, 2004.
Typescript. Includes vita and abstract. Includes bibliographical references (leaves 405-428 (v. 2)). Also available for download via the World Wide Web; free to University of Oregon users.

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Johnson, Renata. "The role of TV Globo Internacional for Brazilian immigrants in south Florida and Toronto". Diss., Columbia, Mo. : University of Missouri-Columbia, 2006. http://hdl.handle.net/10355/4556.

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Thesis (M.A.)--University of Missouri-Columbia, 2006.
The entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file. Title from title screen of research.pdf file viewed on (February 8, 2007) Includes bibliographical references.

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Cheung, Wing-lim Gloria. "An analysis of the broadcasting regulatory system and programme quality in Hong Kong". Hong Kong : University of Hong Kong, 1999. http://sunzi.lib.hku.hk/hkuto/record.jsp?B21036743.

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Guo, Miao Albarran Alan B. "The impact of ownership, regulation issues and technology adoption on the introduction of digital terrestrial television a comparison of the United States and Mainland China /". [Denton, Tex.] : University of North Texas, 2007. http://digital.library.unt.edu/permalink/meta-dc-3968.

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Kariofilli, Helen. "Television broadcasting and cultural sovereignty in Greece". Thesis, McGill University, 1993. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=26206.

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This thesis makes a proposal for a Greek policy in the area of television broadcasting aimed at ensuring the country's ability to maintain a distinctive position in the European broadcasting market while protecting and promoting Greece's culture and language. The first part of the thesis presents the evolution of Greek legislation on television broadcasting and the status of programming content and quality from 1966, when the first television programme schedule was transmitted, until the present day. The European Community's legal framework and, in particular, the "Television Without Frontiers" Directive is analyzed since any Greek broadcasting policy has to abide by Community law. Reference is also made to the Council of Europe's Convention on Transfrontier Television. Finally, it is suggested that a Greek television broadcasting policy should focus on the formulation of different mandates for the public and private broadcasters, on the reorganization and strengthening of the public broadcaster, on the increase and funding of national cultural broadcasts and Greek language audiovisual works (as defined in the thesis), as well as on high-quality and diversified programming.

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Markou, Eleni. "Television broadcasting in the Single European Market". Thesis, University of Reading, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.283235.

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Wiggins, David Joel. "The moral voice of television /". Digital version accessible at:, 1999. http://wwwlib.umi.com/cr/utexas/main.

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Kroener, Oliver. "Engaging television characters : a cognitive approach to contemporary television". Thesis, University of Glasgow, 2018. http://theses.gla.ac.uk/30875/.

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To what degree is the viewer’s engagement with a television character triggered by the distinct narrative context of a programme? As with other types of storytelling (e.g. film, literature), engaging with a television character is an integral part of the overall experience of watching television. More specifically, television characters provide an emotional focal point for the audience. They invite us to imagine ourselves in their situation, challenge our sense of morality, and encourage us to consider how we would react if we were to encounter them in our everyday life. Whereas in the past relating to television characters has been somewhat of a private phenomenon, our relationship with television characters has become increasingly public within the last decade. The ever-growing recap culture around all types of television programmes on websites such as The AV Club, Uproxx, and IndieWire, and the lively discourse around television characters on social media (e.g. Twitter, Instagram, Facebook) underline this increased public interest in television characters. Given the current popular interest in viewer engagement with television characters, it is surprising that only a limited number of scholarly works have previously explored this subject. Furthermore, most existing studies on the viewer/character relationship in contemporary television exhibit little variation in their focus on genre and character type. More specifically, as a result of the impact of The Sopranos (1999 - 2007) and Breaking Bad (2008 – 13) on popular culture, scholarly discourse around television characters has been dominated by studies on the morally corrupt antihero protagonists of contemporary television drama. Aside from a few notable exceptions (e.g. Gorton, 2009; Blanchet and Vaage, 2012; Mittell, 2015), most existing studies on viewer engagement with television characters ignore the way in which narrative characteristics inherent to the television medium influence the viewer/character relationship. The main aim of this thesis is to establish a medium- and programme-specific, text-based theoretical model for the study of viewer engagement with television characters. Various television formats are examined, including wrestling, contemporary drama, animated series, and late-night chat programmes. Also examined are the specific modes of engagement (e.g. antipathy, parasocial engagement, long-term viewer engagement) that shape the viewer-text relationship. The methodological approach is primarily based in cognitive media theory and television studies, however, studies on viewer engagement from a wide range of disciplines (e.g. literary studies, psychology, sociology) are also considered. By examining viewer engagement in this way, this thesis challenges and builds upon existing theoretical approaches, and seeks to provide the reader with a deeper understanding of a relationship that, despite its growing importance in the everyday lives of many television viewers, has thus far only received limited scholarly attention.

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Libros sobre el tema "Television broadcasting"

Dambacher, Paul. Digital Terrestrial Television Broadcasting. Berlin, Heidelberg: Springer Berlin Heidelberg, 1998. http://dx.doi.org/10.1007/978-3-642-58779-5.

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Song, Jian, Zhixing Yang y Jun Wang, eds. Digital Terrestrial Television Broadcasting. Hoboken, New Jersey: John Wiley & Sons, Inc., 2015. http://dx.doi.org/10.1002/9781119084365.

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Parliament, Great Britain. Digital Television Broadcasting Bill. London: Stationery Office, 1999.

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Hood, Stuart Clink. On television. 4^a ed. London: Pluto Press, 1997.

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Noam, Eli M. Television in Europe. New York: Oxford University Press, 1991.

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DeCoster, Miles. Television. [S.l.]: M. DeCoster, 1985.

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Ovaskainen, Kai. Monimerkityksinen televisio: Television vastaanotossa esiintyvän monitulkintaisuuden syyt. [Tampere]: Tampereen yliopisto, Tiedotusopin laitos, 1990.

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1938-, Price Monroe Edwin y Verhulst Stefaan, eds. Parental control of television broadcasting. Mahwah, N.J: Lawrence Erlbaum Associates, 2002.

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1966-, Banet-Weiser Sarah, Chris Cynthia 1961- y Freitas Anthony, eds. Cable visions: Television beyond broadcasting. New York: New York University Press, 2007.

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Mohanty, J. Educational broadcasting: Radio and television. USA: Sterling, 1991.

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Capítulos de libros sobre el tema "Television broadcasting"

Irwin, Stacey O. "Television and Broadcasting". En Survey of Media, 49–65. New York: Routledge, 2024. http://dx.doi.org/10.4324/9781003397588-5.

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Rudin, Richard. "International Television". En Broadcasting in the 21st Century, 156–70. London: Macmillan Education UK, 2011. http://dx.doi.org/10.1007/978-0-230-34384-9_11.

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Rudin, Richard. "Reality Television". En Broadcasting in the 21st Century, 76–92. London: Macmillan Education UK, 2011. http://dx.doi.org/10.1007/978-0-230-34384-9_6.

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Scriven, Michael. "Sartre and Television Broadcasting". En Sartre and the Media, 94–115. London: Palgrave Macmillan UK, 1993. http://dx.doi.org/10.1007/978-1-349-23081-5_6.

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Wierzbicki, Andrzej Piotr. "Telecommunication, Radio Broadcasting, Television". En Intelligent Systems Reference Library, 119–35. Cham: Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-09033-7_7.

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Crisell, Andrew. "Broadcasting: Television and Radio". En The Media in Britain, 61–73. London: Macmillan Education UK, 1999. http://dx.doi.org/10.1007/978-1-349-27556-4_4.

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Bray, John. "Pioneers of Television Broadcasting". En The Communications Miracle, 113–33. Boston, MA: Springer US, 1995. http://dx.doi.org/10.1007/978-1-4899-6038-2_9.

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Marshall, Peter. "Satellites and Television Broadcasting". En Satellites International, 95–98. London: Macmillan Education UK, 1987. http://dx.doi.org/10.1007/978-1-349-08103-5_17.

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Wynne, M. W., B. A. Chaplin, P. M. Lewis y H. P. Bethell. "Radio and Television Broadcasting". En Handbook for History Teachers, 146–56. London: Routledge, 2021. http://dx.doi.org/10.4324/9781032163840-13.

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Smith, F. Leslie, John W. Wright y David H. Ostroff. "Television Broadcasting: From 1884". En Perspectives on Radio and Television, 73–121. 4^a ed. New York: Routledge, 2023. http://dx.doi.org/10.4324/9781003417897-4.

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Actas de conferencias sobre el tema "Television broadcasting"

Ruskova, E. O., A. A. Maksimova y M. S. Shushnov. "The main indicators of digital television broadcasting. Signal propagation in television broadcasting networks". En Modern Problems of Telecommunications - 2024. Siberian State University of Telecommunications and Information Systems, 2024. http://dx.doi.org/10.55648/spt-2024-1-204.

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Digital television broadcasting is a modern technology for transmitting images and sound using digital signals. The main indicators of digital television broadcasting include image and sound quality, data transfer rate, as well as the volume of frequencies used. Signal distribution in television broadcasting networks is carried out through satellite, cable and on-air broadcasts, providing wide audience access to content

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Ono, Yozo. "HDTV and Today's Broadcasting World". En SMPTE Television Conference. IEEE, 1989. http://dx.doi.org/10.5594/m00758.

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Harrison, David y Nicholas Lodge. "Broadcasting presence: immersive television". En Electronic Imaging, editado por Bernice E. Rogowitz y Thrasyvoulos N. Pappas. SPIE, 2000. http://dx.doi.org/10.1117/12.387208.

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Matzel, E. "Widescreen television at ZDF". En International Broadcasting Convention (IBC). IEE, 1996. http://dx.doi.org/10.1049/cp:19960833.

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Aitken, M. A. "Digital television implementation solutions". En International Broadcasting Conference (IBC). IEE, 1997. http://dx.doi.org/10.1049/cp:19971263.

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Popkin, D. "Virtual studios in television production". En International Broadcasting Convention (IBC). IEE, 1996. http://dx.doi.org/10.1049/cp:19960796.

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Vlek, T. "Advances in widescreen television receivers". En International Broadcasting Convention (IBC). IEE, 1996. http://dx.doi.org/10.1049/cp:19960836.

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Ohkawa, Masahiko. "Technical Research and Development for the Growth of Tomorrow's Broadcasting Business". En SMPTE Television Conference. IEEE, 1987. http://dx.doi.org/10.5594/m00884.

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Ruskova, E. O., D. S. Sorokin, A. A. Maksimova y M. S. Shushnov. "Signal quality parameters and its functions in television broadcasting". En Modern Problems of Telecommunications - 2024. Siberian State University of Telecommunications and Information Systems, 2024. http://dx.doi.org/10.55648/spt-2024-1-207.

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Television broadcasting is one of the main ways to spread information and entertainment to millions of people around the world. The quality of the television broadcast signal plays an important role in meeting the needs of viewers and the successful broadcast of programs.

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Fibush, D. K. "Video testing in modern television systems". En International Broadcasting Convention (IBC). IEE, 1996. http://dx.doi.org/10.1049/cp:19960827.

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Informes sobre el tema "Television broadcasting"

Kapelyushnyi, Anatolyi. TRANSFORMATION OF FORMS OF DEGREES OF COMPARISON OF ADJECTIVES IN LIVE TELEVISION BROADCASTING. Ivan Franko National University of Lviv, marzo de 2021. http://dx.doi.org/10.30970/vjo.2021.50.11105.

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The article analyzes transformation of forms of degrees of comparison of adjectives in live television broadcasting. Particular attention is paid to the specific properties of different forms of degrees of comparison of adjectives. To analyze the peculiarities of their use for errors in speech of television journalists, associated with non-compliance with linguistic norms on ways to avoid these errors, to make appropriate recommendations to television journalists. The main method we use is to observe the speech of live TV journalist, we used during the study methods of comparative analysis of comparison of theoretical positions from the work of individual linguists and journalism sat down as well as texts that sounded in the speech of journalists. Our objective is to trace these transformations and develop a certain attitude towards them in our researches of the language of the media and practicing journalists to support positive trends in the development of the broadcasting on TV and give recommendations for overcoming certain negative trends. Improving the live broadcasting of television journalists, in particular the work on deepening the language skills will contribute to the modernization of some trends in the reasonable expediency of the transformation of certain phenomena, modernization of some tendencies concerning the reasonable expedient transformation of separate grammatical phenomena and categories and at braking and in general stopping of processes of transformation of negative unreasonable not expedient. This fully applies primarily to attempts to transform the forms of degrees of comparison of adjectives and this explains importance of the results achieved in these study.

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Kapelyushnyi, Anatolyi. TRANSFORMATION OF WORD-FORMS DURING THEIR SPONTANEOUS CREATION IN LIVE TELEVISION BROADCASTIN: ADJECTIVES ADVERBS. Ivan Franko National University of Lviv, febrero de 2022. http://dx.doi.org/10.30970/vjo.2022.51.11409.

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The article analyzes transformation of word-forms during spontaneous creation in live television broadcasting. Particular attention is paid to adjectives adverbs. The specific properties of adverbs makes it easier to trace general trends in their transformations, because adverbs are not burdened with many different forms and their variations, that occur in the process of word change of some other class of words at the same time adverbiatives allow to analyze in more detail the semantical and grammatical structure of speech. The main method we use is to observe the speech of live TV journalist, we used during the study methods of comparative analysis of comparison of theoretical positions from the work of individual linguists and journalists. Our objective is to trace these transformations and develop a certain attitude towards them in our researches of the language of the media and practicing journalists to support positive trends in the development of the broadcasting on TV and give recommendations for overcoming certain negative trends. All studies of the problems of transformation of grammatical forms in different ways relate to translation studies, mostly investigate the grammatical transformations, that the translator resorted to, when reproducing the original by means of another language. At first glance, it would be logical, if the live speech of television journalists was dominated by transformations? Associated with the translation from internal to foreign broadcasting in cases where natural for this TV journalists is Russian-speaking internal broadcasting and he reproducing the text from internal Russian-speaking. The transformation of grammatical forms however this cannot be seen in the live use of adverbiatives. An interesting trend can also be seen in the transformation of different types of grammatical forms. In particular, negative interference is mostly characteristic of the forms of corporate adverbs. Forms of the same word with the same grammatical meaning is such overlapping of two forms of the same grammatical meaning is practically impossible outside of adjectives adverbial and adjectives themselves. Only a small number of transformations are associated with the forms of superlatives.

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Alcolea-Díaz, G. y JV García-Santamaría. Football broadcasting rights in Spain in the digital age: between pay television and streaming services. Revista Latina de Comunicación Social, febrero de 2019. http://dx.doi.org/10.4185/rlcs-2019-1338en.

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Kapelyushnyi, Anatolyi. Феноменологічний інструментарій ефективності девіатологічного контролювання впливу телевізійного тексту на формування емоційного тонусу суспільства. Ivan Franko National University of Lviv, marzo de 2023. http://dx.doi.org/10.30970/vjo.2023.52-53.11740.

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Main objectives of the study are the phenomenological tools of the effectiveness of deviatological control of the influence of television text on the formation of emotional tone of society. Particular attention is paid to the additional emotional meanings that arise when speaking live due to lack of time to understand them. Because of this, emotional nuances, and often the emotional background in general, arise involuntarily, against the wishes of the author. Emphasis is placed on making appropriate recommendations to TV journalists. During the Russian aggression in the Ukrainian media, the responsibility for maintaining the proper emotional tone of society is growing. Television plays an important role in Ukraine in this regard. Deviatological control of society is weakened, so more attention should be paid to professional organizations. Since we are talking about the effectiveness of deviatological control of the influence of television text on the formation of emotional tone of society, we must first keep in mind the phenomenological tools of this influence. Recently, phenomenological tools have been used more and more often during the analysis of journalistic texts in terms of the effectiveness of their impact on the mass audience. The methods of phenomenology prove to be the most effective when it comes to various aspects of spontaneous speech, which is represented in the mass media by live television broadcasting. Additional emotional meanings arise when speaking live because of the lack of time to understand them. Because of this, emotional nuances, and often in general the emotional background, which consists, at first glance, it is unknown what, arises involuntarily, against the wishes of the author. Most often, so involuntarily and contrary to out of nowhere negative color and negative emotional background. Thus, it is not a question of creating a positive emotional background in society. Even more, it is not even about an emotionally neutral perception of reality with elements of objectivity. Everything is extremely bad in our house and in the world. Results/findings and conclusions of my research: in order to improve live broadcasting, such application of phenomenological methods in the evaluation of the text from a deviatological point of view should take place at an early stage, and may precede it (the text) utterance. Key words: television, live broadcast, TV journalist, broadcast of television journalists, phenomenological tools, deviatological control, emotional tone of society.

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Competition Issues in Television and Broadcasting. Organisation for Economic Co-Operation and Development (OECD), octubre de 2013. http://dx.doi.org/10.1787/407e6bc3-en.

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