Literatura académica sobre el tema "Television broadcasting – Social aspects – Lesotho"
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Artículos de revistas sobre el tema "Television broadcasting – Social aspects – Lesotho"
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Yessenbekova, U. y D. Dospan. "BROADCASTING IN KAZAKHSTAN IN CONDITIONS INFORMATION SOCIETY. LEGAL ASPECTS". BULLETIN Series of Philological Sciences 72, n.º 2 (30 de junio de 2020): 652–60. http://dx.doi.org/10.51889/2020-2.1728-7804.105.
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The article discusses the development problems and legal aspects of television broadcasting in Kazakhstan in the information society. The mechanisms of monitoring and forecasting the activities of socially responsible television, its role in the democratic modernization of society are proposed. The authors comprehensively analyzes the legal aspects of broadcasting in the information society, studies the role of television in the new social conditions. In the article, the authors highlight new constructions of modern media relations and forms of content management, which leads to increased civic activism and an increase in the political consciousness of society. And this becomes an effective way to change the social segment and influence on it. The transition of passive audience groups to the position of an active participant in the communication process poses completely new challenges for the state and society. The article contains predictive models of relations between television and political institutions and the principles of the formation of mechanisms for controlling society over the activities of television in the information society.
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Yatchuk, Olha. "Live-TV and interactive broadcasting: genre features". Obraz 3, n.º 32 (2019): 126–35. http://dx.doi.org/10.21272/obraz.2019.3(32)-126-135.
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Introduction. Research on live broadcasting television and interactive projects is an important contribution not only to the history and theory of social communications, but also a promising field for further research of this type of broadcasting that can be also applied to the investigation of the Internet. Generalization and distinguishing features of this type of broadcasting are less common in the scientific community. During the research the following methods were used: historical and historical-comparative to analyze and organize data concerning ways of live broadcasting and interactive programs formation; systematization, classification, and clustering methods were used to get generalizations. A comparative method was implemented to distinguish common and diverse features of different types of broadcasting which are used in broadcast journalism. The content analysis method was applied for the organization of data concerning the development of programs, which use the interaction with the viewer as a certain communicative technology. The purpose of our study is to formulate a certain concept of genre features that are typical for interactive and live television broadcasting. We set out the following tasks: to distinguish the features of interactive and live broadcasting; outline their particularities in the different types of broadcasting and offer promising directions for using that type of broadcasting. This allowed us to distinguish the difference between live and interactive broadcasting, to focus on time and duration of interaction, to trace the use of different genres in these types of programs, to distinguish their specific features, to generalize and classify them, to identify promising directions of research. Results and conclusions. Live interactive television is characterized by a genre-themed variety. Language-communication and an improvisational script are mainly used in live broadcasting that motivates the audience to engage, provides lasting interest, trust, and positive changes in the image of the channel. News uses live broadcasting as the main way of organization of information (using «live» or stream of momentous events broadcasting), the use of interactivity in this type of broadcasting is indirect and is more oriented to further communication using individual touchpoints. Analytical programs are represented by various conversations in-studio and telemarathon. Viewer interaction is limited to the «viewer as one of the audience» type. Entertainment broadcasting is presented in such formats as Life-Show, Reality-Show (one of its varieties is Talent-Show), and Intelligence-Show, where interaction with the viewer is one of the formative factors. We see the benefits of this type of television among other forms of broadcasting in economic, dramatic, ideological, and communication aspects. Keywords: interactive television, communication, media audience, live television, television content.
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Riyanto, Mochamad. "LEGAL RECONSTRUCTION OF PUBLIC HEALTH SERVICE PROGRAMS ON TELEVISION BROADCASTING INSTITUTIONS". UNTAG Law Review 3, n.º 1 (30 de mayo de 2019): 11. http://dx.doi.org/10.36356/ulrev.v3i1.1061.
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<span><div style=’text-align:</span><span>center</span><span>;’></span>The writing of this paper analyzes the legal position contained in the Law relating to public health broadcast programs. Further review of the legal aspects of public health broadcast programs that researchers do are not limited to understanding the legal construction that applies in the positivism perspective, but researchers conduct legal reconstruction of public health broadcast programs on television broadcasting institutions with a post-positivism perspective approach namely conceptualizing the law as a set of rules of enactment are influenced by economic, political and social cultural factors. Then there is a need for regulative efforts in the context of the spectrum of balancing laws relating to market regulation and state regulation. The results of the discussion found the following conclusions: First, there was no harmonization in the legal spectrum relating to public health service broadcast programs on television which were dominated in the form of promotions, commercial advertisements, and publications relating to drugs. Second, the laws and regulations governing public health service broadcast programs in broadcasting institutions have not encouraged strong public awareness about the highest degree of health. Third, the public health service broadcast program has a social impact on the interests of the community that is in the form of community self-awareness but also has an economic impact especially for the drug industry and hospitals. However in regulative, it has not provided a framework for social and economic impacts. <span></div></span>
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Carlos, Mariana y Telmo Silva. "Seniors, iTV and content about Social Services: Clarifying the relationship". Networking Knowledge: Journal of the MeCCSA Postgraduate Network 10, n.º 1 (24 de marzo de 2017): 64–75. http://dx.doi.org/10.31165/nk.2017.101.497.
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Over the years, television has been seen as a means of enriching human development. The technological evolution of this means of communication has led broadcasters to deliver more attractive and diversified contents. Hence, traditional broadcasting has evolved from the traditional passivity to the granting of a participatory role for viewers, creating a new paradigm – Interactive Television. Senior citizen viewers are great consumers of television and represent a considerable portion of people, who can take advantage of the interactivity potentialities. Most of the time, changes in social services take too long to reach senior citizens due to their technological, sensory or cognitive limitations, which tend to occur with the aging process. In this exploratory study, the research team aims to find principles for the development of content about social services, considering iTV potential and the limitations of senior citizens’ viewers. To accomplish this goal, the research team developed audiovisual content, videos regarding social services with different approaches on technological aspects. The evaluation of its effectiveness was by means of inquiry with direct questions on the material that was showcased.
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Doliwa, Urszula. "Transformacja systemu radiofonii w Polsce w kontekście zmian w Europie Wschodniej. Analiza pierwszego procesu koncesyjnego". Przegląd Wschodnioeuropejski 12, n.º 1 (30 de junio de 2021): 399–413. http://dx.doi.org/10.31648/pw.6484.
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This article analyses the first licensing process carried out after the adoption of the Broadcasting Act in Poland in 1992. Great excitement surrounded the award of the first television licenses – especially nationwide licenses. However, this article focuses on an analysis of this process in the case of radio broadcasting. It is based on documents gathered in the Archives of the National Broadcasting Council, particularly on reports of meetings with the candidates for radio broadcasting. The analysis also includes articles published in newspapers. A personal interview with the Vice-Chair of the National Broadcasting Council was also used. The study aimed to determine the shape of the Polish radio market desired by the National Broadcasting Council and the focus of this institution during the first licensing process. The author noted that the Council concentrated on the financial aspects of the submitted applications. This thesis corresponds well with the trend observed by media experts in the transformation of media systems in Eastern Europe in the early 1990s and how market logic prevailed when shaping the new media system.
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Debrett, Mary. "Representing climate change on public service television: A case study". Public Understanding of Science 26, n.º 4 (11 de agosto de 2015): 452–66. http://dx.doi.org/10.1177/0963662515597187.
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Publicly funded broadcasters with a track record in science programming would appear ideally placed to represent climate change to the lay public. Free from the constraints of vested interests and the economic imperative, public service providers are better equipped to represent the scientific, social and economic aspects of climate change than commercial media, where ownership conglomeration, corporate lobbyists and online competition have driven increasingly tabloid coverage with an emphasis on controversy. This prime-time snapshot of the Australian Broadcasting Corporation’s main television channel explores how the structural/rhetorical conventions of three established public service genres – a science programme, a documentary and a live public affairs talk show – impact on the representation of anthropogenic climate change. The study findings note implications for public trust, and discuss possibilities for innovation in the interests of better public understanding of climate change.
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Parsadanova, Tatyana. "MODERN APPROACHES TO CLASSIFICATION OF TELEVISION CONTENT". Scientific and analytical journal Burganov House. The space of culture 16, n.º 2 (10 de junio de 2020): 19–32. http://dx.doi.org/10.36340/2071-6818-2020-16-2-19-32.
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Program classification is an important tool for records and marketing. Accessible, reliable, and internationally comparable data is needed in all aspects of work. And this is not only a matter of program organisation but also a fundamental part of the research of the audience in terms of studying the relationship between the public and the programs. A typology can be created according to the motives and habits, underlying the behavior of the viewer as a buyer with regard to their television preferences. It can be first considered whether the viewer is watching TV carefully or in parallel with other things, constantly changing channels, or watching a selected channel continuously. The demographic approach is formed by derived indicators and estimates, which allows to comprehensively characterize the structure and movement of the population, social, and demographic processes. In the case of studying television audiences, it is more common to deal with indicators of the number of people, gender, age, state of marriage, level of education, profession, social status, income. A TV set, a computer, a tablet, a smartphone - all this is now television. Arranged on the air according to the broadcasting grid, we watch television programs at home; it is called linear viewing. However, we can also request the content we are interested in on any screen at any time, anywhere - this is non-linear viewing. Recently, in connection with the Covid-19 pandemic, even journalists have been broadcasting from home. It used to be just television but nowadays the definition of "big television" has come into use. Television is primarily what it shows - television content that has certain characteristics. The usual division is based on the basic functions of television - informative, entertaining, and educational. However, a lot depends on the idea, thematic focus, genre structure, origin, format, and content. The division is necessary for a greater understanding of what exactly we intend to produce according to the formula: there is an idea, what the manufacturer wants to convey to the audience, after, it is necessary to understand how it can be made and with what content filled directly. This article deals with approaches to the classification of television programs.
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NAPOLITANO, Carlo José, Flávia Piva Almeida LEITE y Felipe De Oliveira MATEUS. "DA RADIODIFUSÃO PARA O AUDIOVISUAL: CONTRIBUIÇÕES PARA A DEFINIÇÃO DE UM CONCEITO ABRANGENTE EM TEMPOS DE CONVERGÊNCIA MIDIÁTICA". Revista Juridica 2, n.º 59 (12 de abril de 2020): 234. http://dx.doi.org/10.21902/revistajur.2316-753x.v2i59.4089.
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RESUMO Objetivo: Indicar contribuições teóricas de documentos jurídicos e do campo comunicacional, nacionais e estrangeiros, para a superação do conceito de radiodifusão e sua ampliação para o conceito de audiovisual em um ambiente de convergência midiática. Metodologia: O presente trabalho lastreado em pesquisa bibliográfica e documental utiliza-se de método analítico-sistemático dedutivo objetivando demonstrar as questões e apontar as contribuições teóricas, jurídicas e do campo comunicacional, e de documentos nacionais e estrangeiros acerca da temática. Resultados: A teoria e a legislação portuguesa, acrescidas das diretivas europeias sobre o audiovisual, podem contribuir para a definição de um conceito mais amplo de radiodifusão na legislação brasileira, ampliando-se o conceito para além do espectro eletromagnético, abarcando todo e qualquer serviço de comunicação social audiovisual, independente do suporte tecnológico. Contribuições: Uma definição e clarificação conceitual, necessária em tempos de convergência midiática e internacionalização dos mercados; fatos que impactam a regulação local, alterando a configuração do direito interno, em regra e historicamente pautado pelos aspectos arquitetônicos e estruturais de limitação do espectro eletromagnético, que caminha para uma regulação voltada ao conteúdo. Palavras-chave: Constituição; televisão; radiodifusão; convergência midiática; comunicação social. ABSTRACT Objective: To indicate theoretical contributions of legal documents and of the communication field, national and foreign, to overcome the concept of broadcasting and its expansion to the concept of audiovisual in an environment of media convergence. Methodology: The present paper backed by bibliographic and documentary research uses a deductive analytical-systematic method in order to demonstrate the issues and point out the theoretical, legal and communicational contributions, and of national and foreign documents on the subject.Results: The theory and Portuguese legislation, in addition to the European directives on audiovisual, can contribute to the definition of a broader concept of broadcasting in Brazilian legislation, expanding the concept beyond the electromagnetic spectrum, encompassing any and all broadcasting services, audiovisual media, regardless of technological support. Contributions: A definition and a conceptual clarification, necessary in times of media convergence and internationalization of markets; facts that impact local regulation, changing the configuration of domestic law, as a rule and historically guided by architectural and structural aspects of limitation of the electromagnetic spectrum, which moves towards regulation geared to content. Keywords: Constitution; television; broadcasting; media convergence; social communication.
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Smułczyński, Michał. "Live-Ticker: Zu Der Neuen Multimodal-Hypertextuellen Form Der Live-Berichterstattung". Folia Scandinavica Posnaniensia 27, n.º 1 (1 de diciembre de 2019): 14–34. http://dx.doi.org/10.2478/fsp-2019-0005.
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Abstract The live broadcast of different, socially important events is nowadays no longer reserved only for radio and television. The live-ticker, a result of various media convergence processes, is a multimodal and interactive set of institutional reports, journalists’ and politicians’ opinions, pictures, short films and social media posts, that 24/7 provides the most up-to-date information on a specific topic. The article is an investigation into the media genre live-ticker with a focus on its multimodal structure, the language-image relations, as well as aspects of hypertextuality. Finally, I want to show what the live ticker differs from similar forms of online broadcasting. The corpus are three Danish live-tickers that provided the most detailed report on the trial of the Danish entrepreneur and designer Peter Madsen: bt.dk, ekstrabladet.dk and jyllands-posten.dk. Madsen murdered in 2017 a Swedish journalist Kim Wall, for which he was sentenced in April 2018 to life imprisonment.
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KELLY, FIONA. "Bodywork in dementia care: recognising the commonalities of selfhood to facilitate respectful care in institutional settings". Ageing and Society 34, n.º 6 (2 de abril de 2013): 1073–90. http://dx.doi.org/10.1017/s0144686x13000093.
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ABSTRACTThis paper draws on two data sources (Kelly's ethnographic study and a British Broadcasting Corporation television programme) to explore the practice of bodywork in the care of frail people with dementia in institutional settings. It explores the complexity of engaging in bodywork, particularly work that is distasteful to the care-worker, and shows how non-recognition of the selfhood of the person with dementia can result in practices that are demeaning and potentially abusive to those in receipt of such work. In contrast to a person-centred approach that urges practitioners to acknowledge people with dementia as unique individuals, with unique needs, wishes, abilities and desires, this paper argues for the use of Sabat's Selfs 1–3 construct to look for commonalities of selfhood, enabling care workers to recognise aspects of themselves in their patients as they carry out care, thereby facilitating care that empathically respects their patients' dignity and potential for vulnerability. Thus, it aims to advance theory and improve practice by arguing for the necessity of putting selfhood at the forefront of bodywork in order to facilitate respectful care that dignifies rather than objectifies the person.
Tesis sobre el tema "Television broadcasting – Social aspects – Lesotho"
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Attallah, Paul Michael 1954. "TV before TV : the emergence of American network broadcast television and its implications for audiences, content, and study". Thesis, McGill University, 1985. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=73970.
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Rapp-Jaletzke, Sybille M. "The Canadian experience : broadcasting in Canada and its influence on the Canadian identity". Thesis, McGill University, 1991. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=61110.
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This thesis examines the role of broadcasting in Canada with regard to developing and maintaining a national identity in the face of United States influence via the media. The subject is examined within the theoretical framework provided by the science of cybernetics and the Laws of Thermodynamics. A historical overview of Canadian broadcasting policy and institutions is provided. The work of the various royal commissions and other investigatory bodies is analyzed. The most important contemporary institutions, the CRTC, the CBC and the federal Department of Communications, are situated within the context. The effects of the most recent technologies, cable television, satellites, Pay-TV and VCRs are examined. Canadian broadcasting is also viewed in the context of the 1989 Canada-United States Free Trade Agreement and the New World Information and Communication Order. Our conclusion suggests that the future of Canada's identity depends primarily on the quality of domestic broadcasting. Finally, we suggest that Canadians and Europeans, who are facing some comparable problems in a united Europe, can learn from each others's experiences.
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Woodward, Robert. "Teaching television literacy in South African secondary schools". Master's thesis, University of Cape Town, 1992. http://hdl.handle.net/11427/18321.
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Bibliography: pages 190-196.This dissertation develops a syllabus for the study of television literacy in South African secondary schools. There are two natural divisions in the development of the thesis; the section which explores epistemological issues and the section which describes the strategic issues. The first section examines the nature of print literacy. This consists of four elements: mastering the basic language of the medium; being able to decode this language; using the medium for personal creative ends; and having the capacity for critical reflection. It is possible to talk in terms of a language of television and so this definition of literacy can be extended to television as well. There are three main areas for the study of television literacy. These are: the production techniques and effects of television; the conventional forms of the medium; and the nature of television as a mass medium. Once this has been established the dissertation explores the strategic issues of a methodology and areas of knowledge for teaching television literacy. Although there are many methodologies for the study of the mass media, the British Cultural Studies approach, together with Hall's three moments of encoding and decoding, seems to offer the methodology most suitable for teaching critical literacy. Within this theoretical framework it is possible to describe a syllabus for teaching television literacy. This syllabus involves studying the encoding and decoding of television messages within the context of the technical infrastructure of television; the internal and external relations of production, and the frameworks of knowledge which determine the form and content of television.
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Goldman, Marni Lisa. ""Oh say can you see, eh?" : the Canadian identity debate and its relation to television". Thesis, McGill University, 1993. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=26118.
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There exists an embedded assumption that broadcasting must be employed to strengthen the Canadian national identity. Despite efforts to Canadianize our broadcasting system, however, Canadians are watching more and more American television and have more choice of American programming. This has led to a fear of American television as a threat to Canada's continuance as a separate and independent country. By studying the contemporary Canadian context with respect to Canadian drama, the following questions will be addressed: Are Canadian interests dependent on communication policy? Is Canadian dramatic programming essential to the maintenance and enhancement of national identity and cultural sovereignty? Can the illusive quality "Canadian" be defined? Do television dramas made in Canada have distinctively Canadian characteristics and if so, how are these characteristics perceived by audiences? What are the options and alternatives that Canadian policy makers and programmers must face in the midst of the massive internationalization of culture and the onset of the 500 channel universe? In answering these questions, this study sets out to demonstrate how Canadian dramatic programming can be distinctive and unique in a way which still maintains an audience loyalty and a relevance to the Canadian way of life.
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Lee, Amy y 李凱華. "Translocal readings: Hong Kong television serials in US Chinatowns". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2006. http://hub.hku.hk/bib/B37339436.
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Lee, Kwai-hang Teresa y 李桂姮. "Constructing hegemony by the making of news: case studies on television and the press in Hong Kong". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2001. http://hub.hku.hk/bib/B31224647.
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Shelton, Stephen Arthur. "Bias in the network nightly news coverage of the 2004 presidential election". CSUSB ScholarWorks, 2006. https://scholarworks.lib.csusb.edu/etd-project/3037.
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Examines the issue of media bias in favor of the Democratic Party during the 2004 Presidential Election. To examine the most far reaching form of media in the United States, this study consisted of the three major television networks (ABC, CBS, NBC) and their weekday nightly newscasts during the entire month of October 2004. Emerging themes and strategies were compared to a study conducted at Sonoma State University of the year's most underreported yet newsworthy events. Results of the study indicate that no evidence exists to support the notion of media bias in favor of the Democratic Party in the media coverage leading up to the 2004 Presidential Election.
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Leroy, Pascale. "Evolution de l'offre, de la disponibilité et de la réception de programmes télévisuels, en Belgique francophone, de 1980 à 1992". Doctoral thesis, Universite Libre de Bruxelles, 1995. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/212495.
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Bentley, Jon Alexander. "A Question of Queerness: Case Studies of Contemporary American Television". Thesis, University of North Texas, 2005. https://digital.library.unt.edu/ark:/67531/metadc4900/.
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This project utilizes a case study approach to explore the various ways in which the portrayals of gay people have changed on American television. Three contemporary programs - Will & Grace, Queer Eye for the Straight Guy and The L Word - are examined as examples of how far American television has progressed in terms of treating gay people with respect. Whether those shows move beyond merely presenting gay characters and into a level of actively challenging mainstream views on gay people is also examined. Findings suggest different factors affect the ability of the individual programs to test said views - including the genres to which each belongs, and their presence on network television (Will & Grace), basic cable (Queer Eye for the Straight Guy) or premium cable (The L Word). While all three programs show some tendencies toward queerness, they also take steps toward negotiating with mainstream culture, indicating that complete queerness may be an unattainable goal on American television.
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Moyo, Rachel. "Exploratory study of the University of Fort Hare students' perception of the role of global television in cultural homogenisation". Thesis, University of Fort Hare, 2013. http://hdl.handle.net/10353/d1005988.
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The implications of globalisation in African societies raise an interesting debate and also pose a challenge to 21st century scholars of media/cultural tradition. While the media/cultural imperialism theory views global media as perpetuating cultural imperialism, revisionist theories of the media such as the audience reception theory argue against this, saying that media texts can be negotiated with. Both sides have always provided facts to argue their cases and the argument between them remains fluid. This study, which is a quantitative survey of some University of Fort Hare students’ perception of the role of global television in cultural homogenisation, has adopted the second phase of revisionism which is a counter to the audience reception theory, arguing that in the process of interaction with media texts, there may be transference of cultural values. This study used the media imperialism theory and the cultivation theory in exploring respondents’ perceptions of whether global television is perpetuating cultural imperialism and consequently cultural homogenisation among receiving cultures. The study adopted the quantitative methodology and a self-administered questionnaire structured according to the Likert Scale of measurement was used to gather data. Four cultural products of language, music, dress and religion were used as the measurable indicators to determine perceptions of global television consumption’s influence in cultural imperialism. The study used the case of University of Fort Hare students since they are a heterogeneous group and because there is not much research done concerning the influence of technological advancement, especially on the youth in remote areas such as Alice town where Fort Hare is situated. Although there were problems in the sampling process, most respondents did seem to perceive the notion that global television consumption does perpetuate cultural imperialism and that this is consequently leading to cultural homogenisation to a certain extent. According to the sampled group, the measure of the extent of homogenisation caused by global television consumption was 67.69%, falling behind by 27.31% from the anticipated standard of 95%. The difference between the anticipated standard and the realised standard was attributed to the dialectical debates emanating from the study findings which were also reiterated in the literature review. Importantly, the respondents indicated their preference for local media productions while at the same time agreeing that they were often unavailable, which leaves them without much choice but to watch those Western programmes that are readily available on both local media stations and on global television. To this end, most students denied that their own cultural values have deteriorated.
Libros sobre el tema "Television broadcasting – Social aspects – Lesotho"
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C, Ehrenberg A. S., ed. Television and its audience. London: Sage Publications, 1988.
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Barrie, Gunter, ed. Television and social control. New York: St. Martin's Press, 1988.
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Wober, J. M. Television and social control. Aldershot, Hants, England: Brookfield, [Vt.] USA, 1988.
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Raffa, Jean Benedict. Introduction to television literacy. Dayton, OH (P.O. Box 335, Dayton 45459-0335): P.P.I. Pub., 1989.
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Thinking through television. Cambridge, UK: Cambridge University Press, 2000.
Buscar texto completoCapítulos de libros sobre el tema "Television broadcasting – Social aspects – Lesotho"
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Sari, Gülşah. "Social Media and TV Watching Metrics". En Advances in Human and Social Aspects of Technology, 96–103. IGI Global, 2019. http://dx.doi.org/10.4018/978-1-5225-4047-2.ch006.
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In this chapter, in order to measure the relation between social media and television, the inside sequence published in Turkish television series during the broadcasting period of 2016-2017 was examined. The reason for the selection of this directory is that 39 episodes are broadcast throughout the episode, and the high interest in social media is a high percentage of TV ratings. The study looked at the follow-up measures in social media that were used to help measure social media in-line monitoring. The Kimola firm is one of the companies that conducts research on this subject. In the study, Kimola presented its published series of 39 episodes published in the series. As a result of this study, it shows that social media have an increasing role in the effect of watching television.
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Solo, Ashu M. G. y Jonathan Bishop. "Conceptualizing Network Politics following the Arab Spring". En Advances in Human and Social Aspects of Technology, 231–39. IGI Global, 2014. http://dx.doi.org/10.4018/978-1-4666-6066-3.ch014.
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This chapter defines a new field called network politics. Network politics refers to politics and networks. These networks include the Internet, private networks, cellular networks, telephone networks, radio networks, television networks, etc. Network politics includes the applications of networks to enable one or more individuals or organizations to engage in political communication. Furthermore, network politics includes government regulation of networks. Finally, network politics includes the accompanying issues that arise when networks are used for political communication or when there is government regulation of networks. The domain of network politics includes, but is not limited to, e-politics (social networking for driving revolutions and organizing protests, online petitions, political blogs and vlogs, whistleblower Websites, online campaigning, e-participation, virtual town halls, e-voting, Internet freedom, access to information, net neutrality, etc.) and applications of other networks in politics (robocalling, text messaging, TV broadcasting, etc.). The definition of this field should significantly increase the pace of research and development in this important field.
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Silva Pinto, Manuel Joaquim. "Investigating Information in the Multi-screen Society". En Digital Literacy, 207–16. IGI Global, 2008. http://dx.doi.org/10.4018/978-1-59904-798-0.ch011.
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This chapter presents some new aspects to think about public service broadcasting, emphasizing the role of emotion and entertainment to the understanding of the television experience. Television is discussed in the context of the multiscreen society and technological devices, from an ecological point of view. This means to consider it in the context of the transformations produced by new media and their social distribution. These changes deeply impact on the consumption activity forcing it to assume new characters and modalities. According to this point, it becomes possible to discuss some aspects dealing with digital literacy.