Bibliografías temáticas / Television viewers Psychological aspects

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Literatura académica sobre el tema "Television viewers Psychological aspects"

Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 28 de enero de 2023

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Artículos de revistas sobre el tema "Television viewers Psychological aspects"

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Ashifa, Dr K. M., and -. "Addictive Behaviour among Women Viewers of Indian Soap Opera." Webology 18, Special Issue 03 (April 29, 2021): 127–36. http://dx.doi.org/10.14704/web/v18si03/web18030.

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Media is an integral part of society and it plays vital role for inculcating information. In the course of accomplishing its duties and functions, media, especially television influence on society relatively depending on the audience it reaches. Soaps have a predominant female audience. Some soaps do include men viewers but some social researchers pointed, women are considering most peculiar viewers. They are emotionally attached and value particular soaps in their personal and domestic life. Today people are leading a fast life. People should have some kind of recreation in their get relation
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Dadouh, A., and A. Aomari. "Moroccan TV Broadcasters and Viewership Changes in the Digital Age: An Exploratory Study." European Journal of Business and Management Research 6, no. 1 (February 25, 2021): 232–37. http://dx.doi.org/10.24018/ejbmr.2021.6.1.744.

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In the first two decades of the 21st century, the relationship between viewers and television underwent major changes, with the advent of technologies that led to new viewing habits. This situation starts now to question the ability of broadcasters to build and retain loyal viewers. As a response, broadcasters are adapting their contents and distribution to fit in the new digital world. While studying the possible impacts of the efforts made by broadcasters, we complete our analysis by addressing also the factors that guide consumer choices through media use models, which focus on the psycholo
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Bovina, I. B., N. V. Dvoryanchikov, and S. V. Budykin. "Information security of children and adolescents in understanding parents and teachers." Psychology and Law 5, no. 3 (2015): 1–13. http://dx.doi.org/10.17759/psylaw.2015050301.

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The article presents the first part of the work devoted to the study of ordinary representations of parents and teachers about information security of children and adolescents. It is about addressing the problem of information security of children and adolescents, discuss the effects of observing violence in the mass media on the subsequent behaviour of viewers, refers to directing television roles on the example of transfer schemes by S. Milgram in the context of television game (experiment J. L. Beauvois with colleagues). This paper examines the impact on users has the Internet, discusses th
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Byrne, Peter. "Psychiatry and the media." Advances in Psychiatric Treatment 9, no. 2 (March 2003): 135–43. http://dx.doi.org/10.1192/apt.9.2.135.

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Aspects of print, broadcast, film and ‘new media’ are related to their interactions with psychiatry. Frequent representations of mental health issues are paralleled by the adoption of psychological theories into media studies. Key areas are covered where psychiatric items diverge from other medical specialities, such as the depiction of suicide, the dominance of ‘human interest’ stories and negative representation of people with mental illness. Although the language of mental disorders is important, the power of the image needs to be examined. Media items also have implications for public ment
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Konfederat, Olga, and Natalia Dyadyk. "Philosophical and anthropological aspects of the XXI century television series «Tales from the Loop» (2019) as an experience of philosophical reflection." Socium i vlast 3 (2021): 55–66. http://dx.doi.org/10.22394/1996-0522-2021-3-55-66.

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Introduction. Analyzing the popularity of television series in the XXI century makes it possible to conclude that this format of video production has changed significantly in comparison with the second half of the XX century: the fascinating (seductive, enchanting) function in it dominates over the narrative-entertaining one. At the same time, not only the individual performer becomes the instrument of fascination, but the entire specially created visual environment of the series. This situation makes it possible for a researcher, on the one hand, to identify the most significant emotional and
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Ilchenko, Sergei N. "Transformation of Gender Dominance in Russian TV Content in 2000s and 2010s: Based on Detective Series." Art and Science of Television 17, no. 4 (2021): 111–40. http://dx.doi.org/10.30628/1994-9529-2021-17.4-111-140.

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The article covers the gender issues of modern Russian television content on the example of a serial segment of Russian broadcast over the past 20 years. This aspect predetermines the relevance of the proposed research. The work focuses on the series that tend toward the most mass and popular forms of solving aesthetic problems—melodrama, comedy, and detective. The examples of the series, involved in the analysis, suggest that the gender dominance, characteristic of the previous stage of TV broadcasting development in Russia, has transformed significantly. This trend is indicated by the increa
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WYNN, NEIL A. "Counselling the Mafia: The Sopranos Regina Barreca, ed., A Sitdown with the Sopranos: Watching Italian American Culture on TV's Most Talked-About Series (New York: Palgrave Macmillan, 2002). 0 312 29528 6 David Bishop, Bright Lights, Baked Ziti: The Unofficial, Unauthorised Guide to The Sopranos (London: Virgin Books, 2001). 0 7535 0584 3 David Chase, The Sopranos Scriptbook (London: Channel 4 Books, 2001). 0 7522 6157 6 Glen O. Gabbard, The Psychology of the Sopranos: Love, Death, and Betrayal in America's Favorite Gangster Family (New York: Basic Books, 2002). 0 465 02735 0 The New York Times, The New York Times on the Sopranos, introduction by Stephen Holden (New York: ibooks, 2000). 0 7434 4467 1 Allen Rucker, The Sopranos: A Family History (London: Channel 4 Books, 2000). 0 752 26177 0 Allen Rucker (Recipes by Michele Scicolone), The Sopranos Family Cook Book As Compiled by Artie Bucco (London: Hodder and Stoughton, 2002). 0 340 82724 6 David R. Simon, Tony Soprano's America: The Criminal Side of the American Dream (Boulder, CO, and Oxford: Westview, 2002). 0 8133 4036 5 David Lavery, ed., This Thing of Ours: Investigating the Sopranos (New York: Columbia University Press, 2002). 0 231 12781 2." Journal of American Studies 38, no. 1 (April 2004): 127–32. http://dx.doi.org/10.1017/s0021875804007947.

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The HBO television series The Sopranos, produced by David Chase, achieved unprecedented critical acclaim and quickly established itself on both sides of the Atlantic as cult viewing. The fourth series, shown in the UK on Channel 4 in spring 2003, had already attracted record audiences in America and received 13 Emmy Award nominations. Not surprisingly, The Sopranos has generated several web sites and a considerable amount of literature, ranging from the usual spin-offs of television series, cds, scripts, collected reviews, and a number of more academic studies ranging from cultural studies thr
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Hamilton, Joli. "House of Cards." Journal of Jungian Scholarly Studies 13 (June 12, 2018): 34–48. http://dx.doi.org/10.29173/jjs12s.

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This essay turns a depth-psychological lens upon the drug abuse, sexual manipulation, and murder scenes in the American television rendition of House of Cards. The Underwoods, who are obsessed with power, yet strangely enticing, invite the viewer to upend their moralistic perspective challenging notions of innocence and evil. By applying post-Freudian Lacan’s Phallus theory, the unconscious and persistent desire for power in some individuals is explored. Then, in a move toward understanding why audiences flock to such grotesque imagery, post-Jungian Moore’s notion of dark eros is extended to a
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9

Plantinga, Carl. "Screen Stories: Responses to the Critics." Projections 13, no. 3 (December 1, 2019): 112–20. http://dx.doi.org/10.3167/proj.2019.130309.

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This article is a discussion of and rejoinder to the comments of three respondents on my book, Screen Stories: Emotion and the Ethics of Engagement. Jane Stadler argues that the book would profit from more attention to the “temporal prolongation” made possible by multi-episode television, especially as it relates to the nature of character engagement. While I have reservations about the notion of medium specificity in relation to television and film (and thus prefer the term “screen stories”), I agree that temporal prolongation in relation to an ethics of screen stories is a vital topic. Malco
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Okoye, Chukwudi M. C., and Chibuike M. Abunike. "Cultural transposition and challenges of policy making: a review of select Nigerian television series." UJAH: Unizik Journal of Arts and Humanities 20, no. 3 (October 30, 2020): 119–32. http://dx.doi.org/10.4314/ujah.v20i3.7.

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Cinematic entertainment, it is safe to say, cannot be wished away. Indeed, as a child of necessity, the film and by extension the Televised Drama-series industry have come a long way. However, African countries like Nigeria today continue to grapple with issues of Genre, Form, Cultural imperialism and so on. This hasconsequently raised questions on issues of policy making and realistic interpretation as expressed by film scholars and critics and as observed through the eyes of the regular viewer. Furthermore, the issues of cinematic language or style, raises another concern as this is capable
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Tesis sobre el tema "Television viewers Psychological aspects"

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Haq, Amrat. "News violence and desensitization of news viewers in Pakistan." HKBU Institutional Repository, 2017. http://repository.hkbu.edu.hk/etd_oa/397.

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Television has become the primary 'story teller' in our society today (Gerbner, et.al., 1986, 1994). It is an all pervasive technology that most of us aren't even aware of in our surroundings. From airports, bus terminals, restaurants, bars to our own lounges, television is constantly passing on its message to its audience. Its role might vary from just a background noise to active information source, its presence remains constant. However television itself is not static, it is a dynamic medium with a constantly growing presence in our lives. Therefore, there remains a constant need to underst
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2

Roark, Beth A. "The relationship of Saturday morning television commercials viewed and the food consumption of third graders." Virtual Press, 1989. http://liblink.bsu.edu/uhtbin/catkey/722788.

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The relationship of Saturday morning television food commercials viewed and the food consumption of third graders in the Franklin County Community School Corporation in Franklin County, Indiana, was investigated. Such information should help parents, dietitians, and teachers educate children, ultimately producing a healthier population. The results of this study could possibly assist the federal agencies revise guidelines to help protect the children.The independent variable measured was food commercials viewed on Saturday morning; the dependent variable was food consumed. The instrument was d
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McFarlin, Gavin L. "Sports television viewing and value acceptance." Scholarly Commons, 2005. https://scholarlycommons.pacific.edu/uop_etds/611.

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The study examined the ability to learn values while watching sports programming on television. Sports are seen as a huge influence in our lives and helping to spread that influence and bring the games right to our living rooms is television. A total of 360 surveys were collected from three universities, one in the West, one in the Midwest, and one in the South. What was found was there is a direct connection between the exposures to the values seen in sports to the evaluation of those values in our society, which led to individual acceptance of the values personally. It was found that almost
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Moodley, Prevan. "An exploration of the psychological significance of soap opera viewing." Thesis, Rhodes University, 1998. http://hdl.handle.net/10962/d1002532.

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In traditional research approaches, soap opera viewing has been studied quantitatively. Such studies ignore the subjectivities, the sociocultural contexts, and life contexts of individual viewers. To account for such shortcomings and to offer a qualitative research approach, an investigation was conducted into the engagement that viewers have with a particular soap opera, The bold and the beautiful. The collective case study research method was used. Three subjects were interviewed using in-depth phenomenological interviewing and the data obtained was subjected to.a hermeneutic method of inves
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Punnett, Trent Harold. "Measuring emotional response to television advertising." Thesis, University of British Columbia, 1988. http://hdl.handle.net/2429/27702.

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The objective of this thesis is to initiate development of a valid and reliable measurement process to assess a viewer's emotional response to television advertising. The development of this measure is based on current psychological theories about the emotional process, and takes advantage of current methods available to measure emotional response. The goals for the measurement process are to provide information on emotional response to television advertising from two diverse sources, automatic real-time response, and cognitive after-the-fact responses. The selection of instruments to meet th
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Augaitis, Sheila R. "Living room culture : an anthropological study of television usage behavior in America." Virtual Press, 1997. http://liblink.bsu.edu/uhtbin/catkey/1045626.

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The television viewing habits of ten Indianapolis-based households were researched and analyzed as to the effects of television on the middleclass American family. This study illustrates how television reinforces Americans' abilities to make choices and exhibit control over technology. With television use as its main focus, this study examines choice in American culture, remote control use, gender-based comparisons, and television's role in the American home-individualism and community.<br>Department of Anthropology
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Livingstone, Sonia M. "Social knowledge and programme structure in representations of television characters." Thesis, University of Oxford, 1987. http://ora.ox.ac.uk/objects/uuid:2adf1878-f117-4c32-870c-9d0ec539bb11.

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It was argued that the social psychology of person perception, mass communications and cultural studies can be related to viewers' representations of television characters. Mass communications needs to incorporate viewers' interpretations and programme structure. Social cognition could satisfy the former need and cultural studies the latter. A literature review showed little research on viewers' interpretations of television programmes. There is a considerable body of research on person perception, gender stereotypes, the effects of viewing and programme structure. A study of viewers' accounts
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Khumalo, Senziwani. "An investigation into how Zimbabwe's Bulawayo viewers negotiate the gay storyline in Generations." Thesis, Rhodes University, 2015. http://hdl.handle.net/10962/d1017784.

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This study seeks to evaluate how aspects of religion, culture, political context, education and class, amongst others, impact on the manner with which Zimbabwe’s Bulawayo residents make sense of media messages which explore issues of homosexuality, as encountered in the soap opera Generations. This is against the backdrop of Zimbabwean legislation, such as the Sexual Deviancy Act, which criminalises homosexuality and the state victimisation of gays and lesbians in this country. The inclusion of homosexual liberties was rejected by all political parties and both public and private media in the
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Attallah, Paul Michael 1954. "TV before TV : the emergence of American network broadcast television and its implications for audiences, content, and study." Thesis, McGill University, 1985. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=73970.

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Curry, Tracy. "The application of the uses and gratifications theory comparing television and newspaper coverage during product tampering cases." Virtual Press, 1998. http://liblink.bsu.edu/uhtbin/catkey/1100448.

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Periods of crisis communication are uncertain, at best, for any organization dealing with a product tampering. This study examined how the public would use the media to gain information about the product tampering, if there would be a difference between newspaper and television usage, and what gratifications the public would seek from the media.The hypothesis stated that there would be no significant difference in media use during product tampering cases between newspapers and television. Three hundred eighty-eight households, the number needed for statistical reliability, were surveyed by tel
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Libros sobre el tema "Television viewers Psychological aspects"

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Narayanan, Andal. The impact of television on viewers: A case study of Bombay TV viewers. Bombay: Somaiya Publications, 1987.

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Jib, Fowles, ed. Why viewers watch: A reappraisal of television's effects. Newbury Park, Calif: Sage, 1992.

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Morgan, Michael, 1953 Apr. 15-, ed. Television and its viewers: Cultivation theory and research. Cambridge, UK: Cambridge University Press, 1999.

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Lewis, Justin. The ideological octopus: An exploration of television and its audience. New York: Routledge, 1991.

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The ideological octopus: An exploration of television and its audience. New York: Routledge, 1991.

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Sturm, Hertha. Fernsehdiktate: Die Veränderung von Gedanken und Gefühlen : Ergebnisse und Folgerungen für eine rezipientenorientierte Mediendramaturgie. Gütersloh: Bertelsmann Stiftung, 1991.

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Fabian, Thomas. Fernsehen und Einsamkeit im Alter: Eine empirische Untersuchung zu parasozialer Interaktion. Münster: Lit, 1993.

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Sturm, Hertha. Der gestresste Zuschauer: Folgerungen für eine rezipientenorientierte Dramaturgie. Stuttgart: Klett-Cotta, 2000.

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Vitouch, Peter. Fernsehen und Angstbewältigung: Zur Typologie des Zuschauerverhaltens. Opladen: Westdeutscher Verlag, 1993.

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Lodi, Mario. A TV spenta: Diario del ritorno. Torino: Einaudi, 2002.

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Capítulos de libros sobre el tema "Television viewers Psychological aspects"

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Nardelli, Matilde. "Performing the Mind: Interiority, Television and Artificial Brains." In Antonioni and the Aesthetics of Impurity, 52–92. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474444040.003.0003.

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This chapter addresses the perceived turn to ‘interiority’ in Antonioni’s cinema during the course of the 1960s, often described as an ‘interior neorealism’ or a quintessentially psychological cinema. Such turn, often associated with a breakdown of narrativity and a changed temporal economy, is generally enlisted as another factor fostering increased cinematic purity. Yet I consider how it can be better understood by examining its entanglement with the diffusion of television. In the wake of its mass diffusion in the 1950s, this new medium, transmitting an externally generated ‘flow’ of images inside the home, gave rise to new temporal and viewing economies, as well as preoccupations about its effects on viewers’ interiority: their minds. Starting with a discussion of L’avventura and La notte, this chapter considers how the new temporal aesthetics of Antonioni’s cinema may be both a consequence of and a reaction to the televisual. The discussion then concludes with Il deserto rosso to address how television’s dynamics of interiority and exteriority are in turn connected with the then-emerging fields of cybernetics and early computers, with which Antonioni, like other ‘moderns’, was fascinated.
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Howell, Charlotte E. "Christianity’s Broad Appeal in the 1990s." In Divine Programming, 33–56. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190054373.003.0002.

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The formation of assumptions about Christianity’s associations with middlebrow taste on television is exemplified in discourses around Touched by an Angel (CBS, 1994–2003) and 7th Heaven (the WB/CW, 1996–2007). These shows employed overt moralizing, a religiously slanted lesson learned by both characters and viewers at the end of an episode, a lesson that in turn would resolve ongoing conflict or dramatic tension. Moreover, the shows’ creative and marketing discourses did not shy from the Christian aspects, assuming the mass audience was majority Christian and thus welcoming of or at least indifferent to Christian representation. These two shows exemplify the type of Christian representation that much of twenty-first-century dramas that followed used various containment strategies to distance themselves from in order to appeal to upscale viewers.
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Sayad, Cecilia. "Seeking ghosts." In The Ghost in the Image, 19–40. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190065768.003.0002.

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This chapter examines the use of audiovisual and other indexical technology to capture evidence of supernatural phenomena in ghost-hunting reality television shows like Most Haunted, Ghost Hunters, and Paranormal State, among many others. It explores these programs’ connections with early practices such as spirit photography and phantasmagoria. The chapter also examines the ways in which the shows invite interaction with viewers through web forum discussions and live broadcasts. At the basis of this investigation is the question of how photography and film are seen to reveal hidden aspects of the material world and our expectations about the evidential power of images.
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Hinton, Corrine E. "From ‘Fixer’ to ‘Freak’: Disabling the Ambitious (Mad)Woman in Wentworth." In Screening the Gothic in Australia and New Zealand. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2022. http://dx.doi.org/10.5117/9789463721141_ch12.

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In 2013, Foxtel (SoHo) debuted Wentworth, the women-in-prison television drama and remake of Prisoner: Cell Block H (1979–1986). Season Two resurrects Joan ‘The Freak’ Ferguson, the prison’s new Governor. While the disturbing and the disturbed are tropes common in both gothic texts and prison dramas, something more sinister lurks within Wentworth as viewers witness Ferguson’s personal, psychological, and professional disintegration. Positioned within a feminist disability studies framework, this analysis reveals how Wentworth deliberately frames Ferguson as a revenge-seeking madwoman, conflating symptoms of psychiatric disorders that ultimately dehumanize her. By adopting the banal archetype of the madwoman as villain and leveraging disability as spectacle, Wentworth perpetuates patriarchal and ableist misconceptions about women in power and people with psychiatric disabilities.
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Surender Dhanunjay, Gondi, Pranjal Singh, Sayyad Samee, K. Vengatesan, Abhishek Kumar, and Achintya Singhal. "Brain Inspired Visual Effects and Animation Psychological Computing Impact in Indian Television Advertisement Pre and Post 2000s." In Recent Trends in Intensive Computing. IOS Press, 2021. http://dx.doi.org/10.3233/apc210256.

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Technology in its immense boom in the last decade has made us aware of a lot of ways to increase consumer potential and engagement with different products in various spheres and aspects of production. Taking this idea forward, the main idea of this study is to identify the major visual effects facets being used and how they contributed towards consumer engagement. In this regard, a pilot study was done and then questionnaire has been prepared which was completed by 369 participants between the age group 18–60 years. Hence the main aim of this work is to use statistical data to understand how the last decade has proved beneficial for the Advertising industry through the use of visual effects Statistical analysis is used to interpret the data.
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Martin-Jones, David. "Performing: Falk Acts/ Columbo Pays Attention." In Columbo, 87–120. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474479790.003.0004.

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This chapter argues that the how of Falk’s performance as Columbo (uncovered by considering the different influences on his acting style) determines the why of his performance. Columbo personifies the need to pay attention 24/7. He performs the thinking process which typifies the attentive labour demanded by late capitalism. Falk/Columbo’s performance thus physically embodies attentive labour. This is evident in Falk’s unique performance, mixing aspects of the method, live television, US indie, and early silent Hollywood comedy acting styles. This how of his acting is key to grasping the why of it. Columbo’s investigative style proceeds through this performance, which enables a gently invasive unofficial intrusion into a suspect’s life, a police surveillance of the everyday. This is why Columbo acts as he does. This performance casts doubt over whether the law assumes innocence or guilt, a confusion indicative of the always-on-trial (in public, in private) nature of life since the end of the Twentieth Century. This confusion emphasises the ambiguity which surrounds character (real? performed?) in a life perpetually surveilled by cameras. Thus, whilst Columbo’s viewers are engaged in playing its memory game, they also come to understand the supplementary matter of how the attentive labourer should “act”.
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Informes sobre el tema "Television viewers Psychological aspects"

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Syvash, Kateryna. AUDIENCE FEEDBACK AS AN ELEMENT OF PARASOCIAL COMMUNICATION WITH SCREEN MEDIA-PERSONS. Ivan Franko National University of Lviv, February 2021. http://dx.doi.org/10.30970/vjo.2021.49.11062.

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Parasocial communication is defined as an illusory and one-sided interaction between the viewer and the media person, which is analogous to interpersonal communication. Among the classic media, television has the greatest potential for such interaction through a combination of audio and visual series and a wide range of television content – from newscasts to talent shows. Viewers’ reaction to this product can be seen as a defining element of parasociality and directly affect the popularity of a media person and the ratings of the TV channel. In this article we will consider feedback as part of
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