Bibliografías temáticas / Tim Burton

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Literatura académica sobre el tema "Tim Burton"

Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 22 de junio de 2024

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Artículos de revistas sobre el tema "Tim Burton"

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Jukes, Eric. "The Tim Burton Encyclopedia". Reference Reviews 30, n.º 6 (15 de agosto de 2016): 30–32. http://dx.doi.org/10.1108/rr-03-2016-0079.

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Sáez-González, Jesús Miguel. "Sweeney Todd (Tim Burton)". Vivat Academia, n.º 93 (15 de marzo de 2008): 11. http://dx.doi.org/10.15178/va.2008.93.11-12.

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Jefferson, Jasmine L. "Book Review: The Tim Burton Encyclopedia". Reference & User Services Quarterly 55, n.º 4 (1 de julio de 2016): 327. http://dx.doi.org/10.5860/rusq.55n4.327b.

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The scope of this one-volume work covers most of the creative works produced by or related to Tim Burton. It also lists the names of actors, producers, artist, directors, among others who have worked with Tim Burton in one capacity or another.
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Neves, Felipe Ferreira. "Diferentes Visões Brasileiras sobre Tim Burton". Galáxia (São Paulo), n.º 35 (agosto de 2017): 145–49. http://dx.doi.org/10.1590/1982-25540132687.

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Resumo O livro organizado por Laura Loguercio Cánepa traz análises da obra de Tim Burton. Em seus 23 capítulos, em ordem cronológica, cada autor escreve acerca de um trabalho específico ou, algumas vezes, sobre um pequeno conjunto deles. É uma reunião de ensaios que possuem uma diversidade de visões estéticas/políticas, com abordagens mais acadêmicas ou mais críticas sobre a obra deste diretor.
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Qin, Ziyu. "A Study of Film Aesthetics of Tim Burton --Taking Alice in Wonderland as an Example". Communications in Humanities Research 21, n.º 1 (7 de diciembre de 2023): 163–68. http://dx.doi.org/10.54254/2753-7064/21/20231456.

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Tim Burtons films have left an indelible mark on the world of cinema, renowned for their distinctive and influential qualities. This paper takes a closer look at Tim Burtons Gothic aesthetic and its revitalization in his work, with a specific focus on Alice in Wonderland. By dissecting the films use of color, narrative techniques, and innovative technology, this analysis aims to delve into the depths of Tim Burtons cinematic style. It becomes evident that Tim Burton draws deep inspiration from the Gothic style but applies a creative twist, particularly through the strategic use of red and blue to intensify visual impact. Moreover, Burton weaves a feminist perspective into the narrative fabric. The incorporation of 3D technology elevates the immersive experience, firmly cementing Tim Burtons distinct cinematic legacy. Alice in Wonderland stands as a testament to his ability to infuse classic elements with his unique style.
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Silva Neto, Alceu y Priscila Almeida Cunha Arantes. "Design cenográfico em museus: o caso Tim Burton". DAT Journal 5, n.º 3 (20 de octubre de 2020): 126–43. http://dx.doi.org/10.29147/dat.v5i3.262.

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O cinema engloba, desde seus primórdios, a cenografia, ou design cenográfico, como dispositivo auxiliar na construção da narrativa fílmica. Já os museus desenvolveram aproximações diversas com a cenografia, de acordo com a sua tipologia. No caso do Museu da Imagem e do Som de São Paulo, MIS-SP, que abriga um acervo eminentemente audiovisual, tal ferramenta é utilizada, muitas vezes, como forma de atrair o público, transformando suas exposições em espetáculos. Partindo deste pressuposto este artigo é formado por três partes. A primeira, compreende apontamentos das relações entre o cinema e a cenografia. A segunda, elenca as afinidades do design cenográfico em museus. A parte final, formata o estudo de caso da mostra sobre o cineasta Tim Burton, compreendendo a utilização da cenografia no ambiente museal. As referências serão emprestadadas de Urssi (2006), Cohen (2015), Gonçalves (2004) e outros.
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Rojas-Rodríguez, Omar. "Desde el corazón de Tim Burton: espacios expresionistas". Ventana Indiscreta, n.º 014 (26 de febrero de 2015): 28. http://dx.doi.org/10.26439/vent.indiscreta2015.n014.553.

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Eguren Hernández, Carlos Javier y Yasmina Romero Morales. "Literatura, ilustración y cine: Los microrrelatos de La melancólica muerte del Chico Ostra de Tim Burton." Microtextualidades. Revista Internacional de microrrelato y minificción, n.º 5 (2 de mayo de 2019): 1–31. http://dx.doi.org/10.31921/microtextualidades.n5a1.

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La melancólica muerte de Chico Ostra es una colección de veintitrés microrrelatos acompañados de una serie de ilustraciones de su autor: Tim Burton, director de cine conocido por películas como Eduardo Manostijeras (Edward Scissorhands, 1990), Big Fish (2003) o La novia cadáver (Corpse Bride, 2005). Puede que más desconocida resulte su faceta como escritor de microrrelatos y poemas como el que inspiró su primer cortometraje, Vincent (Tim Burton, 1982), Pesadilla antes de Navidad de Tim Burton (Nightmare before Christmas, Henry Selick, 1994) o la obra que nos ocupa La melancólica muerte de Chico Ostra. Como en la mayoría de la obra del artista estadounidense, lo visual ocupa un lugar muy importante en su trabajo, también en el literario, donde, a menudo, sus piezas escritas se ven complementadas con dibujos simplistas, pero con un estilo propio de trazo irregular que evoca las figuras tétricas del cine de Burton. En este trabajo analizamos la conexión entre los microrrelatos poéticos de Burton y sus ilustraciones.
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Abreu, Tami de Castro y Ana Lúcia M. Andrade. "O Uso da Cor no Cinema de Animação de Tim Burton". Anagrama 10, n.º 1 (4 de enero de 2016): 1–15. http://dx.doi.org/10.11606/issn.1982-1689.anagrama.2016.108967.

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Se várias gerações passadas foram influenciadas pelas criações de Ray Harryhausen (1920-2013), as novas gerações que se interessam por animação sofrem a influência direta de Tim Burton (1958-). Não apenas pelo fascínio da técnica, como também pelos traços, cores e formas contidas na filmografia do cineasta. Uma das principais estratégias narrativas utilizadas por Burton para construir seus universos particulares e excêntricos concentra-se na concepção visual, destacando-se o recurso da cor. Interessa aqui compreender de que forma Burton concebe a utilização da cor em seus dois projetos pessoais realizados na técnica de stop-motion, a saber: O Estranho Mundo de Jack (The Nightmare Before Christmas – EUA – 1993), de Henry Selick, e A Noiva Cadáver (Corpse Bride – EUA/Reino Unido – 2005), direção de Burton e Mike Johnson
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Bassil-Morozow, Helena Victor. "Tim Burton at 50: the hero's mid-life crisis". International Journal of Jungian Studies 6, n.º 2 (4 de mayo de 2014): 143–50. http://dx.doi.org/10.1080/19409052.2014.911198.

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It is difficult to predict the development of Tim Burton's career now that his original protagonist, the eccentric creative mourning the loss of his father, is dead – or rather, now that the child element of the protagonist is gone. To find a way out of his ideological crisis, Burton has been trying different directions, including a female protagonist and reviving an old character that belongs to the times when Burton's heroes were still ‘children’ as well as ‘monsters’.
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Tesis sobre el tema "Tim Burton"

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Weum, Sofia. "Tim Burton och fantasifabriken". Thesis, Växjö University, School of Humanities, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:vxu:diva-2175.

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Masalitin, М. "Timothy Walter "Tim" Burton". Thesis, Sumy State University, 2015. http://essuir.sumdu.edu.ua/handle/123456789/40409.

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Graf, Natascha. "Düstere Bilder, skurrile Gestalten und märchenhafte Welten drei Filme Tim Burtons im Vergleich". Marburg Tectum-Verl, 2009. http://d-nb.info/997056363/04.

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Solaz, Frasquet Lucía. "Tim Burton y la construcción del universo fantástico". Doctoral thesis, Universitat de València, 2003. http://hdl.handle.net/10803/10310.

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La presente tesis estudia las características de la obra de Tim Burton, considerado uno de los cineastas más originales y estimulantes del Hollywood actual. Se pone en relación su obra cinematográfica con su biografía, algo especialmente relevante en un artista que recurre tan menudo a su experiencia vital y a los elementos que conformaron su educación sentimental. Se examina su situación dentro del contexto de la industria hollywoodiense y se estudian las constantes estéticas y temáticas que conforman su poética visual. Se aborda la problemática del género, la noción de fantástico y la tradición gótico-expresionista con el fin de comprender la obra de un autor que reinterpreta la tradición cultural desde la óptica de la postmodernidad. Se tratan los problemas y contradicciones que plantean tanto la concepción tradicional de los géneros fílmicos como la teoría del cine de autor. Se comprueba que no solamente resultan enfoques compatibles, sino que pueden además convertirse en planteamientos complementarios que contribuyen a la profundidad y riqueza del debate fílmico. Se habla sobre la particular reflexión genérica que realiza el cineasta en sus películas, conectándola con las características de la cultura postmoderna en la que se encuentra inmerso. En el capítulo dedicado al fantástico se pone de manifiesto que se trata de un concepto que se resiste a cualquier intento de definición y categorización exacta. Dado además su amplio alcance, resulta más apropiado considerarlo, más que un género, un modo artístico del que emergen distintas formas relacionadas. Se contemplan las diversas teorías que existen sobre el fantástico, su potencial subversivo y sus implicaciones psicoanalíticas. Se pone un interés especial en sus temas y mitos, ya que todos ellos son evocados en las películas de Burton. El fantástico actual destaca precisamente por su referencialidad, por su reflexión metagenérica y asimilación del pasado. También se contempla la obra del cineasta como continuadora de una tradición gótico-expresionista, un movimiento continuo cuyo espíritu, estética y posicionamiento vital se oponen a la actitud racionalista del clasicismo. Se realiza un recorrido por los elementos que conforman una tradición que Burton ha recogido principalmente a través de sus manifestaciones cinematográficas. Tim Burton es heredero y continuador de este espíritu romántico, de su atmósfera e iconografía características, de la estética de lo siniestro, de su macabro sentido del humor, de la denuncia de la hipocresía social y de la sociedad que niega la libertad y la identidad individuales, de su énfasis en la subjetividad, la intuición y lo irracional.A continuación se trata el modo en que Tim Burton crea el espacio fantástico mediante una cuidadísima puesta en escena donde el diseño, la fotografía y la música compuesta por Danny Elfman se convierten en elementos fundamentales de la expresión dramática. Finalmente se analizan en profundidad Eduardo Manostijeras y Pesadilla antes de Navidad, películas compendio que representan el conjunto de la poética visual del director. Cierto sector de la crítica considera las películas de Burton como deslumbrantes pero huecos ejercicios de virtuosismo formal. Este trabajo trata de demostrar que, efectivamente, Burton posee un brillante talento visual, pero esto no significa que deje de lado consideraciones más amplias sobre la historia y el significado. La entidad y complejidad de los temas y personajes de sus películas evitan que se conviertan en meros ejercicios de estilo.
This doctoral thesis studies the characteristics of Tim Burton's cinema. It relates his work to his life, examines his situation into the contemporary Hollywood industry and considers the constant elements that form his visual poetic. It studies the question and contradictions of film genres and the Theories of Authorship. It examines the characteristics of Postmodern culture and the particular intertextual practice in Burton's films. It contemplates the fantastic phenomenon, that is best regarded as an artistic mode from which a number of related genres emerge. It considers Tim Burton's cinema to be the heir of what is denominated the Gothic-expressionist Tradition, a movement whose spirit, aesthetics and vital position are in opposition to the rational attitude of Classicism. It discusses the way Tim Burton creates the fantastic space through a careful stage design and the music composed by Danny Elfman.The films Edward Scissorhands and The Nightmare Before Christmas are analysed in depth in order to prove that Burton's emotive storylines, and the complexity and entity of his themes and characters, shift his films away from being mere exercises in style.
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Cheron, Florence. "Tim Burton, un cinéma de la ré-imagination". Thesis, Paris 8, 2016. http://www.theses.fr/2016PA080077.

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Référentiel, réflexif, métaphorique constituent un échantillon des expressions et concepts employés pour qualifier les films de Tim Burton, attestant du lien qui unit ce corpus à l'histoire de son art et à son époque. Partant de ce constat, l'hypothèse proposée ici affirme que cette filmographie constitue un cinéma de la ré-imagination. Le cinéaste emploie lui même ce terme pour définir l'approche conceptuelle de son cinéma. Cette thèse explique d'abord le choix de ce mot par rapport aux concepts pré existants pour ensuite analyser ce qu'il englobe et implique dans la filmographie de Tim Burton. Ses films sont conçus comme des boîtes à jouets rassemblant souvenirs, imagination et pièces intactes. Ces éléments constituent la base formelle des ré imaginations burtoniennes. Ils s'entremêlent au sein d'une même image, tout au long d'un fil narratif parfois ténu. En adoptant des procédés cinématographiques et filmiques ramenant vers des âges antérieurs du septième art et rattachant les intrigues au domaine de l'imaginaire par l'intermédiaire de manifestations mentales, Tim Burton construit un cinéma ancré dans le passé, essayant de reconstituer le royaume de l'enfance en le reconstituant avec ce qu'il en reste
Referential, reflexive, metaphorical – these are a few recurrent terms and concepts used to describe the films of Tim Burton, which attest to the links between this corpus and the history of his art and his era. Based on this observation, the present hypothesis argues that Burton’s filmography is a cinema of re imagination. The filmmaker himself uses this term to describe the conceptual approach to his films. This dissertation explains the choice of re imagination in regard to other pre existing concepts before analyzing the implications of re imagination in Tim Burton's filmography. His films are designed like toy chests in which memories, imagination, and intact pieces are collected. These elements establish the formal base of Tim Burton's re imaginings. They come together to form a single image by means an often tenuous narrative thread. By adopting cinematographic and filmic processes which look back to prior eras of the seventh art, and by bringing stories into the domain of the imagination through the intermediary of mental manifestations, Tim Burton builds a cinema that is anchored in the past, all while trying to restore the kingdom of childhood with what is left behind
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Cheron, Florence. "Tim Burton, un cinéma de la ré-imagination". Electronic Thesis or Diss., Paris 8, 2016. https://eu03.alma.exlibrisgroup.com/view/uresolver/33UFC_INST/openurl?u.ignore_date_coverage=true&portfolio_pid=53218718540006657&Force_direct=true.

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Référentiel, réflexif, métaphorique constituent un échantillon des expressions et concepts employés pour qualifier les films de Tim Burton, attestant du lien qui unit ce corpus à l'histoire de son art et à son époque. Partant de ce constat, l'hypothèse proposée ici affirme que cette filmographie constitue un cinéma de la ré-imagination. Le cinéaste emploie lui même ce terme pour définir l'approche conceptuelle de son cinéma. Cette thèse explique d'abord le choix de ce mot par rapport aux concepts pré existants pour ensuite analyser ce qu'il englobe et implique dans la filmographie de Tim Burton. Ses films sont conçus comme des boîtes à jouets rassemblant souvenirs, imagination et pièces intactes. Ces éléments constituent la base formelle des ré imaginations burtoniennes. Ils s'entremêlent au sein d'une même image, tout au long d'un fil narratif parfois ténu. En adoptant des procédés cinématographiques et filmiques ramenant vers des âges antérieurs du septième art et rattachant les intrigues au domaine de l'imaginaire par l'intermédiaire de manifestations mentales, Tim Burton construit un cinéma ancré dans le passé, essayant de reconstituer le royaume de l'enfance en le reconstituant avec ce qu'il en reste
Referential, reflexive, metaphorical – these are a few recurrent terms and concepts used to describe the films of Tim Burton, which attest to the links between this corpus and the history of his art and his era. Based on this observation, the present hypothesis argues that Burton’s filmography is a cinema of re imagination. The filmmaker himself uses this term to describe the conceptual approach to his films. This dissertation explains the choice of re imagination in regard to other pre existing concepts before analyzing the implications of re imagination in Tim Burton's filmography. His films are designed like toy chests in which memories, imagination, and intact pieces are collected. These elements establish the formal base of Tim Burton's re imaginings. They come together to form a single image by means an often tenuous narrative thread. By adopting cinematographic and filmic processes which look back to prior eras of the seventh art, and by bringing stories into the domain of the imagination through the intermediary of mental manifestations, Tim Burton builds a cinema that is anchored in the past, all while trying to restore the kingdom of childhood with what is left behind
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7

Imparato, Francesco <1994&gt. "Una visione della diversità: l'outsider nel cinema di Tim Burton". Master's Degree Thesis, Università Ca' Foscari Venezia, 2019. http://hdl.handle.net/10579/15303.

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Con le sue atmosfere macabre e fiabesche, Tim Burton è un regista che ha lasciato un'impronta peculiare nel cinema occidentale degli ultimi anni. I mondi da lui creati sono caratterizzati da luoghi e personaggi indimenticabili, come il villaggio di Halloween e Jack Skeleton in Nightmare Before Christmas. Quello che traspare da molte delle sue opere è una certa affinità tra il regista e i suoi personaggi. Quest'ultimi rivelano il ragazzino un po' strano che fu Burton, cresciuto nei sobborghi americani quasi stereotipati di Burbank, California. Molto spesso, infatti, i suoi eroi vengono considerati “diversi”, reietti di una società che li crede strani, a volte pericolosi. Tramite la sua sensibilità ed esperienza personale, Burton propone quindi il discorso sulla diversità e sulla normalità. In che modo il regista rappresenta questi due tipi di realtà, così distanti tra loro ma intrecciate allo stesso tempo? Spesso i suoi protagonisti, rinnegati o emarginati, sono considerati in una luce positiva, portatori di visione del mondo che va al di fuori degli stereotipi. Così facendo, il regista critica ciò che è “normale”, sottolineandone gli aspetti assurdi e le nevrosi che lo caratterizzano. Dopo aver analizzato la biografia del regista e le influenze che lo hanno formato, si cercherà di identificare il ruolo dell'outsider, figura a cui tutti i suoi personaggi fanno riferimento. Si analizzeranno quindi le loro carattristiche principali, per poi comprendere come essi si rapportino al mondo che li circonda.
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Silva, Filipi César Rodrigues Cardoso da. "Cinema de animação: um estudo narratológico dos filmes de Tim Burton". Pontifícia Universidade Católica de São Paulo, 2018. https://tede2.pucsp.br/handle/handle/21148.

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This research conducts a narratological study of Tim Burton’s films in the light of the narrative theory of Vladimir Propp. It is to analyze in the oeuvre of Burton, analogous procedures to those of the wonderful tale such as described by Propp. It also pays attention to the matters that interconnect the Proppian wonderful world to the fantastic burthonian world. It seeks to understand how a reinterpretation in the cinematographic context of Tim Burton films create a connection with the morphological structure of the wonderful of V. Propp. The conducted literature reviews involve authoritative works on the fantastic cinema, the animation cinema in general and particularly the cinema of Tim Burton. The corpus of the research is composed by the Corpse Bride – 2005 of Tim Burton; The establishment of the corpus was based on the criterion of selection of the animation films that stand out in the oeuvre of Tim Burton. Methodologically, the research is bibliographical and comparative. The main theoretical reference is Propp's own narratological theory, which always seeks the wonderful in his works. This research also takes into consideration the masterful model work of Haroldo de Campos, Morphology of Macunaíma, which presents and reinterprets the proppian model. The relevance of this study lies in the fact that little research has been made on hybrid wonderful tale to the animation cinema. It is also proposing a new unfolding of the proppian semiology, turning it this time to the universe of visual discourse and digital manipulation
Esta pesquisa realiza um estudo narratológico em filmes de Tim Burton à luz da teoria narrativa de Vladimir Propp. Trata-se de analisar na obra de Burton, procedimentos análogos àqueles do conto maravilhoso tais como descritos por Propp.Atenta-se também para as pautas que interconectam o mundo maravilhosoproppiano ao mundo fantástico burthoniano. Busca-se entender como uma reinterpretação no contexto cinematográfico das películas de Tim Burton criam uma conexão com a estrutura morfológica do maravilhoso de V. Propp. A revisão bibliográfica efetuada aquienvolve trabalhos abalizados sobre o cinema fantástico, o cinema de animação em geral e o cinema de Tim Burton em particular. O corpus da pesquisa é composto pela obra cinematográfica A Noiva Cadáver – 2005 do diretor Tim Burton; O estabelecimento do corpus pautou-se pelo critério de seleção do filme de animação que despontam no conjunto da obra de Tim Burton. Metodologicamente, a pesquisa é bibliográfica e comparativa. O principal referencial teórico é a própria teoria narratológica de Propp que sempre busca o maravilhoso em suas obras. Este trabalho também leva em consideração o modelo da obra magistral de Haroldo de Campos, Morfologia do Macunaíma, que apresenta e reinterpreta o modelo proppiano. A relevância do trabalho está no fato de que poucas pesquisas foram realizadas sobre conto maravilhoso hibrido ao cinema de animação. Está também em propor um novo desdobramento da semiologia proppiana, voltando-a desta vez ao universo do discurso visual e da manipulação digital
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Matos, Xênia Amaral. "Em busca do universo de Tim Burton: uma análise do gótico e do grotesco". Universidade Federal de Santa Maria, 2016. http://repositorio.ufsm.br/handle/1/12975.

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Tim Burton is a North-American cineaste known by the movies Beetlejuice (1988), The Nightmare Before Christmas (1993), and Edward Scissorhands (1990). In 1997, Burton published his first literary work called The Melancholy Death of Oyster Boy and Other Stories, a work which presents 23 poems illustrated by the author. Tim Burton’s cinematographic and literary works present some particular characteristics that exemplify the presence of a signature, which is meanly delineated by gothic elements, grotesque characteristics, and transtextual relationships. In this sense, this master’s research analyses the gothic and grotesque characteristics in the films Vincent (1982), Frankenweenie (1982), and Corpse Bride (2005); as well as in the book The Melancholy Death of Oyster Boy and Other Stories (1997).
Tim Burton é um cineasta norte-americano que se destacou pelos filmes Beetlejuice (1988), The Nightmare Before Christmas (1993) e Edward Scissorhands (1990). Em 1997, Burton publica seu primeiro trabalho literário: The Melancholy Death of Oyster Boy and Other Stories, uma coletânea de 23 histórias, as quais são ilustradas pelo próprio autor. As produções de Burton, sejam elas cinematográficas ou literárias, possuem características que permitem a observação de uma assinatura, a qual é delineada, principalmente, pela presença do gótico, do grotesco e da transtextualidade. A presente dissertação discute o gótico e o grotesco em Tim Burton, analisando os curtas-metragens Vincent (1982), Frankenweenie (1982), o longametragem Corpse Bride (2005) e o livro The Melancholy Death of Oyster Boy and Other Stories (1997).
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Ozaki, Francine Fabiana. "The Melancholy death of oyster boy e other Stories, de Tim Burton". reponame:Repositório Institucional da UFPR, 2013. http://hdl.handle.net/1884/33773.

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Resumo: O presente trabalho tem em vista a realização de uma leitura crítica de O Triste Fim do Pequeno Menino Ostra e Outras Histórias, tradução de Márcio Suzuki da obra The Melancholy Death of Oyster Boy & Other Stories, do diretor e gravurista Tim Burton. Para tanto, realizamos uma leitura crítica preliminar do livro dentro do contexto mais amplo de sua obra filmográfica. Após uma breve análise dos filmes, constatamos um movimento de ênfase na caracterização do personagem em sua obra filmográfica, além de uma série de traços que Burton imprime recorrentemente na construção de seus personagens, como uma espécie de assinatura. Tendo em vista essas constatações, partimos para uma leitura do livro de histórias em verso, com o intuito de verificar se também aí havia uma ênfase na caracterização do personagem e se essa assinatura se estendia também ao processo de construção dos personagens literários. Ao constatarmos que a construção de tais personagens se dava também no livro de forma semelhante, partimos então para uma leitura crítica da tradução brasileira, com o objetivo de verificar em que medida a leitura de que parte Suzuki para sua tradução se aproximava ou se distanciava da leitura que realizamos. Como essa análise do texto traduzido apontou para uma leitura diferente daquela que empreendemos, ainda que seja igualmente justificável, buscaremos sintetizar os princípios críticos de um novo projeto de tradução, nos termos concebidos pelo teórico francês Antoine Berman (1995), que tenha em vista os traços constitutivos da estética burtoniana nos termos do que constatamos.
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Libros sobre el tema "Tim Burton"

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Ferenczi, Aurelien. Tim Burton. Paris: "Cahiers du cinema, 2007.

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Baecque, Antoine de. Tim Burton. Paris: Cahiers du Cinema, 2011.

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Tim Burton. Paris: Cahiers du cinéma Sarl, 2010.

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Spanu, Massimiliano. Tim Burton. Milano: Editrice Il castoro, 1998.

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Tim Burton. London: Titan Books, 2000.

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Kristian, Fraga, ed. Tim Burton: Interviews. Jackson: University Press of Mississippi, 2005.

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Burton, Tim. Tim Burton: Interviews. Jackson: University Press of Mississippi, 2005.

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Weinstock, Jeffrey Andrew, ed. The Works of Tim Burton. New York: Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137370839.

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Donato, Mauro Di. Tim Burton: Visioni di confine. Roma: Bulzoni, 1999.

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Grossi, Mario. Tim Burton: L'oscura stanza dei giochi. Arenzano (GE): Castel Negrino, 2021.

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Capítulos de libros sobre el tema "Tim Burton"

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Weinstock, Jeffrey Andrew. "Mainstream Outsider: Burton Adapts Burton". En The Works of Tim Burton, 1–29. New York: Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137370839_1.

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Pomerance, Murray. "Burton Black". En The Works of Tim Burton, 33–46. New York: Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137370839_2.

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Hicks, Cheryl. "It Came from Burbank: Exhibiting the Art of Tim Burton". En The Works of Tim Burton, 165–78. New York: Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137370839_10.

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Hills, Matt. "“Tim Is Very Personal”: Sketching a Portrait of Tim Burton’s Auteurist Fandom and Its Origins". En The Works of Tim Burton, 179–93. New York: Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137370839_11.

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Siegel, Carol. "Tim Burton’s Popularization of Perversity: Edward Scissorhands, Batman Returns, Sleepy Hollow, and Corpse Bride". En The Works of Tim Burton, 197–216. New York: Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137370839_12.

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Lennard, Dominic. "“This is my art, and it is dangerous!”: Tim Burton’s Artist-Heroes". En The Works of Tim Burton, 217–30. New York: Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137370839_13.

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Fowkes, Katherine A. "Tim Burton and the Creative Trickster: A Case Study of Three Films". En The Works of Tim Burton, 231–44. New York: Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137370839_14.

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Spooner, Catherine. "Costuming the Outsider in Tim Burton’s Cinema, or, Why a Corset Is like a Codfish". En The Works of Tim Burton, 47–63. New York: Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137370839_3.

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van Elferen, Isabella. "Danny Elfman’s Musical Fantasyland, or, Listening to a Snow Globe". En The Works of Tim Burton, 65–82. New York: Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137370839_4.

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Telotte, J. P. "Tim Burton’s “Filled” Spaces: Alice in Wonderland". En The Works of Tim Burton, 83–96. New York: Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137370839_5.

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Actas de conferencias sobre el tema "Tim Burton"

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"Real-time numerical simulation of storm surge inundation using high-performance computing for disaster management, Queensland". En 20th International Congress on Modelling and Simulation (MODSIM2013). Modelling and Simulation Society of Australia and New Zealand (MSSANZ), Inc., 2013. http://dx.doi.org/10.36334/modsim.2013.m1.burston.

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Nielsen, Morten Meyerhoff, Nuno Ramos Carvalho, Linda Gonçalves Veiga y Luís Soares Barbosa. "Administrative Burden Reduction Over Time". En ICEGOV '17: 10th International Conference on Theory and Practice of Electronic Governance. New York, NY, USA: ACM, 2017. http://dx.doi.org/10.1145/3047273.3047334.

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Asaduzzaman, Sayed, Daniel Newman y Coenen Casey. "A deep transfer learning approach for evaluation and categorization of burn degree from human skin burn images". En Real-Time Image Processing and Deep Learning 2024, editado por Nasser Kehtarnavaz y Mukul V. Shirvaikar. SPIE, 2024. http://dx.doi.org/10.1117/12.3022040.

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Al-anezi, Bashar Khalaif, Kishore Burman, Kalyan Datta, Erwan Le Guerroue y Jean-Michel Filak. "Relative Sea Level reconstruction and time calibration of the Burgan-Mauddud-Wara of the Greater Burgan Field, Kuwait". En International Petroleum Technology Conference. International Petroleum Technology Conference, 2011. http://dx.doi.org/10.2523/iptc-14168-ms.

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Sardarmehni, Tohid y Ali Heydari. "Approximate Solution for Optimal Control of Continuous-Time Switched Systems". En ASME 2016 Dynamic Systems and Control Conference. American Society of Mechanical Engineers, 2016. http://dx.doi.org/10.1115/dscc2016-9745.

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Two approximate solutions for optimal control of switched systems with autonomous subsystems and continuous-time dynamics are developed. The proposed solutions consist of online training algorithms with recursive least squares training laws. The first solution is the classic policy iteration algorithm which imposes heavy computational burden (full back-up). In order to relax the computational burden in the policy iteration algorithm, the second algorithm is presented. The convergence of the proposed algorithms to the optimal solution in online training is investigated. Simulation results are presented to illustrate the effectiveness of the discussed algorithms.
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Wu, K., A. Ouf, J. Mocco, J. Fifi y H. Shoirah. "E-045 The time burden of CTP in late window presenters". En SNIS 17TH ANNUAL MEETING. BMA House, Tavistock Square, London, WC1H 9JR: BMJ Publishing Group Ltd., 2020. http://dx.doi.org/10.1136/neurintsurg-2020-snis.81.

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Moreira, Verônica, Valquiria Nedel, Márcia Lorena Chaves, Raphael Castilhos y Maira Olchik. "DYSPHAGIA ASSOCIATED CAREGIVER BURDEN IN ALZHEIMER DISEASE". En XIII Meeting of Researchers on Alzheimer's Disease and Related Disorders. Zeppelini Editorial e Comunicação, 2021. http://dx.doi.org/10.5327/1980-5764.rpda047.

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Background: Dysphagia is prevalent in Alzheimer’s disease (AD) and can influence caregivers’ burden. Objectives: Evaluate the impact of feeding process in caregivers’ burden of individuals with AD. Methods: This is a cross-sectional study. Caregivers of individuals with AD who attended the dementia outpatient clinic and are over 18 years of age were included. We collected demographic variables and the Zarit Burden Interview - Short Version (ranging from 0 to 48) and The Edinburgh Feeding Evaluation in Dementia Scale (scoring from 0 to 20) scales. Relationship between the two scales and demographic variables were sought. Results: 38 caregivers were included, with a mean age of 55.2 (± 4) years, 68.4% female, 76.3% spouses and with an average time as a caregiver of 4.6 (± 3.1) years, the same average of the patients’ disease time. 71% caregivers do not report changes in the patient’s diet and 92.1% were never instructed about the feeding process during the course of the disease. The aspects “the patient requires close supervision while feeding” (p=0.024) and “there is spillage while feeding” (p=0.004) were correlated and showed an impact on the level of burden. Conclusion: Despite the short period of illness and no dietary changes, tasks related to food impact the burden of the caregivers.
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Tanner, Peter, Ramón Hingorani, Juan Luis Bellod y David Sanz. "Design for Robustness: Burden or Opportunity?" En Footbridge 2022 (Madrid): Creating Experience. Madrid, Spain: Asociación Española de Ingeniería Estructural, 2022. http://dx.doi.org/10.24904/footbridge2022.290.

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<p>Since the successful translation of many constraints into an aesthetically appealing as well as reliable, functional and cost-effective structure is primarily a question of sound conceptual design, the importance of this step in the design process as a whole cannot be overstated. Nonetheless, the growing complexity of analysis and verification methods, materials technology and construction procedures is driving ever greater specialisation against a backdrop of increasingly extensive and opaque standardisation and control systems. Such specialisation comes at the expense of conceptual design training in engineering schools and consequently of structural engineers’ creativity and other skills necessary to create compelling designs for structures. The rules for ensuring robustness reflect the increasing complexity and opacity characterising structural design codes. While the practical importance of designing and building robust structures is universally acknowledged, the codes presently in place are often vague or confusing. Cross-referencing, in turn, may lead to loops around rules that, confounding engineers, are counterproductive. At the same time, however, that lack of clarity may afford opportunities for innovative solutions by building items that ensure robustness into the conceptual design of a structure. This paper proposes an operational design process that deals appropriately with all factors of structural performance, including robustness, without compromising bridge economy or elegance. That process, which combines several robustness strategies, including risk- based considerations, is illustrated with a case study.</p>
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Baumann, E., S. Potvin, J. D. Deschênes, I. Coddington, N. R. Newbury y F. R. Giorgetta. "Compressive Sampling with Time-Programable Frequency Combs". En Fourier Transform Spectroscopy. Washington, D.C.: Optica Publishing Group, 2023. http://dx.doi.org/10.1364/fts.2023.fw5e.1.

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We present free-form dual-comb spectroscopy, which samples the interferogram at arbitrary user-programable pulse offsets. We implement compressive and recurrence sampling, alleviating data burden and allowing for adaptable update rates ranging from video rate to MHz. © work of the US government, not subject to copyright
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Veraverbeke, S., S. Lhermitte, W. Verstraeten y R. Goossens. "Assessing burn severity using satellite time series". En FOREST FIRES 2010. Southampton, UK: WIT Press, 2010. http://dx.doi.org/10.2495/fiva100101.

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Informes sobre el tema "Tim Burton"

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Poterba, James y Scott Weisbenner. The Distributional Burden of Taxing Estates and Unrealized Capital Gains at the Time of Death. Cambridge, MA: National Bureau of Economic Research, julio de 2000. http://dx.doi.org/10.3386/w7811.

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Piet, S. J. Exploratory study of burn time, duty factor, and fluence on ITER activation hazards. Office of Scientific and Technical Information (OSTI), agosto de 1992. http://dx.doi.org/10.2172/10188503.

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Piet, S. J. Exploratory study of burn time, duty factor, and fluence on ITER activation hazards. Office of Scientific and Technical Information (OSTI), agosto de 1992. http://dx.doi.org/10.2172/7010930.

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Chong, Alberto E. y Mark Gradstein. Institutional Quality and Government Efficiency. Inter-American Development Bank, abril de 2007. http://dx.doi.org/10.18235/0011289.

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Poorer countries have a much smaller public sector and correspondingly a smaller tax burden than richer countries, yet, their economic performance has not been necessarily better. Using a simple model, this paper suggests that the growth and welfare effects of taxation are mediated through institutional quality; consequently, optimal tax levels increase with improved institutional quality. The paper then employs firm-level perceptions on the quality of public services and on the tax burden to test some of the model¿s predictions. Consistent with these predictions, the paper finds that a higher level of institutional quality bolsters positive perceptions of the quality of public services while at the same time moderating the view of taxes as an obstacle to growth.
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Richard, Reginald. Burn Patient Acuity Demographics, Scar Contractures and Rehabilitation Treatment Time Related to Patient Outcomes (ACT). Fort Belvoir, VA: Defense Technical Information Center, octubre de 2011. http://dx.doi.org/10.21236/ada554130.

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Márquez, Gustavo. An Assessment of Pension System Reform in Uruguay in 1995. Inter-American Development Bank, junio de 1997. http://dx.doi.org/10.18235/0009078.

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In 1995, the government of Uruguay undertook a first pillar-based reform of the pension system, as opposed to the second pillar-based Chilean-style reform. The paper's first section describes Uruguay's pension system prior to reform. It demonstrates quite clearly that the crisis faced by that system is the result of both its design and its functioning. Moreover, it shows that over time it created an increasingly unsustainable fiscal burden. The second section presents the reform enacted in September 1995, describing its institutional layout. The third section is dedicated to a forecast of the financial consequences of reform, contrasting it with a no-reform scenario. The simulation exercise shows that reform eases the fiscal burden but that it remains high enough to require substantial fiscal contributions. Finally, the last section outlines the author's conclusions.
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zhang, Ziyu, Yingqiao Wang, Ziyun Jiang, Yuan Tang, Luyao Liu y Xun Li. Thought Imprint Psychotherapy in a lowed resistance state(TIP) for Depression: A Systematic Review Based on RCT. INPLASY - International Platform of Registered Systematic Review and Meta-analysis Protocols, abril de 2022. http://dx.doi.org/10.37766/inplasy2022.4.0076.

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Review question / Objective: The aim of this systematic review is to evaluate the effectiveness and safety of Thought Imprint Psychotherapy in a lowed resistance state(TIP) for depression. Condition being studied: Depression is a kind of mental disease which is characterized by low mood and loss of interesting in daily life, accompanied by disturbance of appetite, sleep disturbance, psychomotor, retardation or agitation, loss of energy, feeling of worthlessness and guilt, difficulty in thinking and even recurrent thought of death or suicide. According to WHO, more than 320 million people are suffering from depression, which had caused great financial burden. It affects all kinds of people and all aspects of life, including performance at school, productivity at work, relationships with family and friends, and ability to participate in the community.
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Mitas, Michael. Real-Time PCR Analysis of Peripheral Blood: A Non-Invasive Technology that can be Used to Assess Tumor Burden in Breast Cancer Patients. Fort Belvoir, VA: Defense Technical Information Center, octubre de 2002. http://dx.doi.org/10.21236/ada412843.

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Mitas, Michael. Real-Time PCR Analysis of Peripheral Blood: A Non-Invasive Technology That Can Be Used to Assess Tumor Burden in Breast Cancer Patients. Fort Belvoir, VA: Defense Technical Information Center, octubre de 2003. http://dx.doi.org/10.21236/ada424096.

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McHale, Yalin y Olsen. PR-179-13203-R01 Real Time Laser Sensor for Nitrogen Oxides and Carbon Monoxide. Chantilly, Virginia: Pipeline Research Council International, Inc. (PRCI), agosto de 2014. http://dx.doi.org/10.55274/r0010020.

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Performance of current NOx sensors is problematic, in particular drift and cross-sensitivity to other species. Many lean burn engines are operated based on earlier calibrations. Operators must allow for drift and use large margins to meet emissions. Laser sensors (based on absorption at target wavelengths) are self-calibrating and immune to interferences. In particular, recently developed Quantum Cascade Lasers (QCLs) allow measurements at mid-infrared (MIR) wavelengths thereby allowing stronger signals, better schemes to mitigate interferences, and fast time response. This project evaluated a commercial QCL-based NOx (NO, NO2) and CO sensor for use in gas engine applications. The project also developed and performed bench top testing of a custom sensor which uses a �pitch and catch� design.
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