Bibliografías temáticas / Tragic lamentation

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Literatura académica sobre el tema "Tragic lamentation"

Autor: Grafiati

Publicado: 23 de noviembre de 2024

Última modificación: 31 de julio de 2025

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Artículos de revistas sobre el tema "Tragic lamentation"

Shoemaker, Karl. "The King’s Two Bodies as Lamentation." Law, Culture and the Humanities 13, no. 1 (2016): 24–35. http://dx.doi.org/10.1177/1743872114547006.

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The King’s Two Bodies is, as has long been recognized, a genealogy of modern state power. But it is also something else less clearly recognized. The King’s Two Bodies is a lamentation. In Kantorowicz’s poignant eulogy, the sovereign that medieval lawyers had made in the imago dei, was revealed at last to be an idol. Profound reverence for the rule of law crumbled into absent-minded legality. The lawful sovereign became diabolical power, forever deciding exceptions but incapable of justice or grace. In The King’s Two Bodies, Kantorowicz mournfully shows how the death and tragic afterlife of a p

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Seaford, Richard. "Aeschylus and the unity of opposites." Journal of Hellenic Studies 123 (November 2003): 141–63. http://dx.doi.org/10.2307/3246264.

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AbstractThe idea of the ‘unity of opposites’ allows one to see important connections between phenomena normally treated separately: verbal style, ritual, tragic action and cosmology. The stylistic figure of Satzparallelismus in lamentation and mystic ritual expresses the unity of opposites (particularly of life and death) as oxymora. Both rituals were factors in the genesis of tragedy, and continued to influence the style and action of mature tragedy. The author advances new readings of various passages of the Oresteia, which is seen to advocate the replacement of a Herakleitean model of the u

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Jay, Jeff. "Spectacle, Stage-Craft, and the Tragic in Philo’s In Flaccum." Journal of Ancient Judaism 8, no. 2 (2017): 222–40. http://dx.doi.org/10.30965/21967954-00802007.

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This article provides a literary analysis of how references to spectacle and stage-craft function in Philo’s In Flaccum, which is a valuable text for understanding Philo’s complex and seemingly contradictory attitudes toward the theater, stage-craft, and drama. After marching Jews into the theater of Alexandria for punishment during the pogrom, Flaccus becomes a spectacle himself when Philo portrays Flaccus’s deportation to exile as a procession. By staging an elaborate textual spectacle starring the deposed Flaccus, Philo exploits the well-attested punitive dimension of spectacles. Through ex

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Tolubaeva, Ch, and N. Zhumashova. "Psychologism in The Long March Section of The Epic of Manas." Bulletin of Science and Practice, no. 2 (February 15, 2023): 394–99. http://dx.doi.org/10.33619/2414-2948/87/48.

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The article deals with some issues related to psychologism The Long March in section of The Epic of Manas. In this section of The Epic of Manas there are often monologues, speeches of characters, dialogues, psychological descriptions, which are considered as actively used artistic means of expressing psychologism. In addition, such types of monologues as dying instruction and lamentation are noted. Examples of the description of the psychological states of the characters were also given. In particular, a separate fragment was considered and analyzed in connection with the issues of psychologis

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Korablova, Nadiia. "The “event-tragedy” of war in the figures of Badiwan’s reflections as a condition of philosophy." Culturology Ideas, no. 23 (1'2023) (2023): 27–37. http://dx.doi.org/10.37627/2311-9489-23-2023-1.27-37.

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Claiming our share in discursive positions, ideas and assessments of Russian aggression in Ukraine, reflections on it, we investigate this tragic event through heuristic value and "social relevance", influences on internal determinants — "life of mind" and spirit of man and communities, the formation of which is determined by the course of the war. Hegel's work "Phenomenology of the Spirit" was used to operationalize his position on the gestalts of the spirit, the appeal to which was stimulated by Slavoj Žižek's analysis and evaluation of the Russian aggression against Ukraine, in which he app

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Voitkevich, Svetlana G. "The Image of Parfen Rogozhin in «The Idiot», the Opera by M. Weinberg and A. Medvedev." Journal of Siberian Federal University. Humanities & Social Sciences 15, no. 1 (2022): 133–40. http://dx.doi.org/10.17516/1997-1370-0883.

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The article is to commemorate the 200th anniversary of Fedor Mikhailovich Dostoyevsky; it concerns a musical version of his novel, «The Idiot». The Russian writer’s work has attracted attention of many composers. In 1986 Mieczysław Weinberg completed the eponymous opera. The librettist Aleksandr Medvedev follows the logic of the original story and constructs the musical drama preserving the specific features and versatility of each character, which is also reflected in the music. The image of Parfen Rogozhin reveals the development of his contradictory nature. The character is represented with

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Zolyan, Suren T. "Mechanisms of Constructing National History and Historical Memory in Movses Khorenatsi’s “History of Armenia”." Critique and Semiotics, no. 1 (2024): 32–63. http://dx.doi.org/10.25205/2307-1753-2024-1-32-63.

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The creation of national histories is considered to be a characteristic feature of modernity, associated with the processes of creating national states. These narratives intend to trace the origins of the nation to mythologized antiquity and legitimize the existence of the nation-state. Meanwhile, “History of Armenia” by Movses Khorenatsi shows that similar narrative practices could have arisen even in the early Middle Ages. It is assumed that in addition to the historical context, the principles of historical narration and semantization apply, which give meaning to the events described. Histo

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Волчков, А. "(Un)rejected Bible: The Legend of the Greek Translation of the Bible (LXX) in the Rabbinic Tradition." Библия и христианская древность, no. 2(18) (August 15, 2023): 177–201. http://dx.doi.org/10.31802/bca.2023.2.18.004.

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Считается, что в традиции раввинов перевод еврейской Библии на греческий язык расценивался как трагическое событие с роковыми для Израиля последствиями. В память об этом ошибочном начинании даже был установлен специальный день для поста и сетований, а сам перевод сравнивался с созданием золотого тельца. На основании некоторых раввинистических свидетельств в европейской науке возникло представление о свершившемся на рубеже I и II веков н. э. отказе иудеев от использования Септуагинты. Новейшие исследования свидетельствуют о полной неадекватности этой концепции по отношению к исторической реальн

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Khaninova, Rimma M. "Жанровое своеобразие калмыцкой поэзии конца ХХ – начала XXI в.: тема картофеля в сибирской ссылке". Бюллетень Калмыцкого научного центра Российской академии наук, № 1 (1 серпня 2023): 170–99. http://dx.doi.org/10.22162/2587-6503-2023-1-25-170-199.

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Introduction. The article deals with the theme of potatoes in the Siberian exile of Kalmyks (1943–1957) and focuses on representative poems by Kalmyk poets of different generations written in the native and Russian languages. The texts were created by authors who survived the Siberian exile (i.e. were born during or after the latter) to convey personal and collective memories of the twentieth-century tragedy of the ethnos. Goals. The paper seeks to reveal the genre originality of such poems from the late twentieth through the early twenty first centuries, consider syntheses of genres, articul

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Shumilo, Svіtlana. "THE SPIRITUAL VERSE "LAMENT OF JOSEPH THE BEAUTIFUL" AND ITS SYRIAN LITERARY SOURCE." Siverian chronicle (2022) 3 (October 24, 2022): 104–8. https://doi.org/10.5281/zenodo.7245051.

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The paper provides a comparative analysis of the spiritual verse “Lament of Joseph the Beautiful” and Ephrem the Syrian’s sermon about the Old Testament righteous Joseph. The author uses comparative method to conduct research. The article’s novelty is in discovering the literary source for Old Rus spiritual verse, which is the translated text of Ephrem the Syrian’s sermon. A favorite writer of Rusiches, Ephrem the Syrian was so popular in medieval Rus, that his works are c

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Tesis sobre el tema "Tragic lamentation"

Karaferias, Philippos. "Larmes politiques : Étude sur la fonction politique du deuil et des lamentations rituelles dans la tragédie athénienne et ses mises en scène contemporaines en Grèce (XXe-XXIe siècles)." Electronic Thesis or Diss., Université Grenoble Alpes, 2024. http://www.theses.fr/2024GRALL009.

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La lamentation poétique dans le contexte d'une tragédie antique a impliqué la recherche scientifique de différentes manières. Dans le cadre de cette thèse, les aspects qui promeuvent la dimension politique de la lamentation seront étudiés : c'est-à-dire les lamentations théâtrales de la Grèce antique et la manière dont la dimension politique qui y est souvent contenue influence par le théâtre la réalité politique du Ve siècle. À travers une analyse de vocabulaire et une analyse structurelle des lamentations choisies, on tentera de montrer comment le deuil, un outil rituel, peut critiquer les p

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Libros sobre el tema "Tragic lamentation"

Ill, Charles William. Tragi-Comic History of the Burial of Cock Robin: With the Lamentation of Jenny Wren. Creative Media Partners, LLC, 2022.

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Capítulos de libros sobre el tema "Tragic lamentation"

"I. The Politics of Tragic Lamentation." In Female Acts in Greek Tragedy. Princeton University Press, 2009. http://dx.doi.org/10.1515/9781400824731.19.

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Bachvarova, Mary R. "Sumerian gala Priests and eastern Mediterranean returning gods Tragic Lamentation in Cross-Cultural Perspective." In Lament. Oxford University PressNew York, NY, 2008. http://dx.doi.org/10.1093/oso/9780195336924.003.0002.

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Abstract In the tragic dramas of fifth-century b.c.e. Athens, men dressed up as women and sang laments put into the mouths of legendary heroines and female choruses. Why did Athenian men engage in such behavior? Although ethnographic studies of modern folk lament have been instrumental in advancing our understanding of ancient Greek lament, it is also important to set the practices of first-millennium b.c.e. Greece in the larger context of the ancient Mediterranean world and the preceding second millennium.1 In this chapter I use material from the second-millennium Near East to argue that beca

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Blowers, Paul M. "Tragical Pathos." In Visions and Faces of the Tragic. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198854104.003.0006.

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This chapter argues that the Christian “tragical conscience,” as described in the preceding chapter, was a conscience that demanded its own “cleansing” (catharsis) and clarified moral vision, which further relied on the cultivation, psychologically and existentially, of a whole panoply of tragical emotions that enriched Christian response to real-life tragedies. The assessment here of the development of a Christian “tragical pathos” draws from Martha Nussbaum’s work on the “moral intelligence” of emotions in Hellenistic philosophy and from Robert Kaster’s identification of “emotional scripts”

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