Bibliografías temáticas / Typology of short stories

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Literatura académica sobre el tema "Typology of short stories"

Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 18 de febrero de 2022

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Artículos de revistas sobre el tema "Typology of short stories"

1

Сenys, Tomas. "Intertextual analysis of Viktor Pelevin’s collection of novels Pineapple water for the Fair Lady". Literatūra 61, n.º 2 (15 de diciembre de 2019): 97–109. http://dx.doi.org/10.15388/litera.2019.2.7.

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This article aims to analyze Viktor Pelevin’s collection of short stories Pineapple water for the Fair lady in the frame of intertextual theory. The analytical method used in this article is based on a typology developed by Gerard Genette. Using this typology, an analysis of transtextual connections present in the text was conducted. The analysis of paratextual connections in the texts made it possible to make an assumption that all the novels are connected by a specular structure. A closer inspection of the intertextual connection and references presented in the text established a connection with certain works of Nabokov. These references to various works of Nabokov allow to view Pelevin’s collection of short stories not as thematically disconnected narratives but as one cohesive entity.
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Egorova, Olga, Anna Borovskaya, Olga Romanovskaya, Dmitriy Bychkov y Lyubov Spesivtseva. "Typology of title transformations in self-translations of Vladimir Nabokov’s short stories". Babel. Revue internationale de la traduction / International Journal of Translation 63, n.º 6 (31 de diciembre de 2017): 786–812. http://dx.doi.org/10.1075/babel.00014.ego.

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Abstract This article is dedicated to the issue of the adequacy of self-translations of Vladimir Nabokov’s small forms of fiction. Different types of transformations of short-story titles in the creative work of the bilingual writer were chosen as the object of the research. The article is characterized by a multidisciplinary approach, uniting aspects of linguistic, literary and cultural studies in the investigation of the self-translation phenomenon, an approach that provides for scientifically-grounded conclusions. The authors of the paper build a typology of structural and semantic changes reflecting the features of Nabokov’s interpretations of his own texts. Contrastive comparative, structural, intertextual and cognitive methods were employed as the main research methods. This complex approach to text analysis used in the paper permits an expansion of the idea of the semantics and poetics of separate texts as well as a collection of stories as a whole. The authors pay special attention to investigation of the following types of correlation between the original title and its equivalent: semantic specification, semantic narrowing, semantic broadening and modulation. The authors note that Nabokov in many cases does not follow his own principles of “literality”. The specializing character of correlation between the original text and the translation is predetermined by the author’s aspiration to convey the exact sense and to emphasize separate connotative shades of meaning, while devices of modulation and semantic broadening perform the function of an author’s comment.
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Kondrateva, Viktoriya V. y Marina Ch Larionova. "Cultural Universals in A.P. Chekhov and I. Temerken’s Short Stories: Genetics and Typology". Proceedings of Southern Federal University. Philology 2021, n.º 1 (30 de marzo de 2021): 26–33. http://dx.doi.org/10.18522/1995-0640-2021-1-26-33.

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For a long time Hungarian literature has been influenced by Russian literature. A.P. Chekhov’s works have been drawing a specific interest among Hungarian readers. In this regard, the question about genetic and typological ties between Russian and Hungarian literature arises. The issue in the article is considered on the example of the short story “Ferko” by the Hungarian writer, ethnographer and folklorist Istvan Temerken and the “steppe” works of A.P. Chekhov. For many Hungarian writers Chekhov’s literary works became a model which they relied on during the search of new art forms. I. Temerken grew up in a steppe region of Hungary and the “steppe” theme was especially close to him. The story “Ferko” is written in Chekhov’s manner. The place of the action is the steppe, the main character is a boy, as if separated from everyone who is next to him, the image of the road and a number of other elements of the art world of the short story allow you to notice strong similarities in the story “Ferko” and “steppe” works of Chekhov (especially in the story “Steppe”). However, Temerken could not read “Steppe” translated into Hungarian, since the story was translated after the writer’s death. It means that apart from a direct orientation to the Chekhov’s style and poetics, there should be something in the field of typological rapprochement of cultures, which explains this similarity. A.N. Veselovsky called this phenomenon “counter courses”. And modern researchers explain then as archetypes or cultural universals common to all cultures. In the works of Temerken and Chekhov such are the images of a child, steppe, sun, etc.
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Kukueva, Galina V. "Lingua-poetic typology of the texts of short stories by V.M. Shukshin (theoretical aspect)". Sibirskiy filologicheskiy zhurnal, n.º 3 (1 de septiembre de 2007): 57–65. http://dx.doi.org/10.17223/18137083/20/9.

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Graf, Fritz. "Creation in the Poimandres and in Other Creation Stories". Archiv für Religionsgeschichte 21-22, n.º 1 (2 de diciembre de 2020): 411–21. http://dx.doi.org/10.1515/arege-2020-0021.

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AbstractMy paper develops from the observation that the cosmogonies in Ovid’s Metamorphoses and the Hermetic Poimandres are related to each other. After an analysis of Ovid’s text as an example of a diakrisis cosmogony in which the world is created by the sorting out of its originally confused elements, I give a short overview of the history of this type of cosmogony before Ovid. I then analyze the respective cosmogony in the Poimandres as another example of the same typology. A look at the use of diakrisis cosmogonies in late antiquity, including in the first ‘Moral Poem’ of Gregory of Nazianzus, closes the paper and demonstrates the attraction of this cosmogonical model in the Imperial epoch.
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Caocci, Duilio. "Free to choose: Female characters in the stories of Grazia Deledda". Dziennikarstwo i Media 11 (24 de enero de 2020): 7–15. http://dx.doi.org/10.19195/2082-8322.11.1.

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Grazia Deledda’s strategies of female characters’ construction and agency are at the core of this essay. The goal is to investigate how the Nobel prize winner shapes the identity as the actions of her female characters in a decidedly eccentric manner if compared to contemporary Italian narrative. The path of the essay is chiefly chronological as it starts from her first short stories 1888, published in the context of widely circulated periodicals, to ends with Cosima, the autobiographical novel published in 1936, the year of Deledda’s death. A typology of her characters emerges in relation both to the cultural assumptions that strongly influence the first production of Deledda as well as to the heterogeneous literary models with which the writer weaves a dense and uninterrupted dialogue.
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Čechová, Natália. "Aesthetic distance as a form of liminality in selected short stories of American literature". Ars Aeterna 9, n.º 1 (27 de junio de 2017): 35–56. http://dx.doi.org/10.1515/aa-2017-0005.

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Abstract Aesthetic distance is a phenomenon that has attracted a considerable amount of attention, especially since the first works of postmodernism came to light. Aesthetic distance is based on creating such works which - using certain artistic tools and techniques - break the illusion and thus inhibit readers from immersing themselves in the literary world portrayed in the work they read. As a result, aesthetic distance creates a liminal space, or an invisible but consciously perceivable border between reality, i.e. the world we live in and fiction, i.e. the world we want to relocate to and enjoy during the reading process. The paper is based on an article by Bjorn Thomassen, in which he presents several types of liminality and states that the typology is not final. My aim is to prove that liminality can occur in literature as well, particularly in works built on aesthetic distance. In this matter, I focus on the reception theory of Wolfgang Iser, who studies literary texts from three perspectives: the text, the reader and the communication between the two. The theory is applied to selected short stories of American literature, which contain illusion-breaking features and thus may be viewed as liminal spaces.
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Brown, Paula M., Susan D. Fischer y Wynne Janis. "Pragmatic and Linguistic Constraints on Message Formulation". Journal of Speech, Language, and Hearing Research 34, n.º 6 (diciembre de 1991): 1346–61. http://dx.doi.org/10.1044/jshr.3406.1346.

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This study provides a cross-linguistic replication, using American Sign Language (ASL), of the Brown and Dell (1987) finding that when relaying an action involving an instrument, English speakers are more likely to explicitly mention the instrument if it is atypically, rather than typically, used to accomplish that action. Subjects were 20 hearing-impaired users of English and 20 hearing-impaired users of ASL. Each subject read and retold, in either English or ASL, 20 short stories. Analyses of the stories revealed production decision differences between ASL and English, but no differences related to hearing status. In ASL, there is more explicitness, and importance seems to play a more pivotal role in instrument specification. The results are related to differences in the typology of English and ASL and are discussed with regard to secondlanguage learning and translation
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Sloistova, Maria S. "TYPOLOGY AND STRATEGIES OF CREATIVE RECEPTION: A CASE STUDY OF ENGLISH POSTMODERNIST POETRY AND PROSE". Вестник Пермского университета. Российская и зарубежная филология 12, n.º 2 (2020): 110–19. http://dx.doi.org/10.17072/2073-6681-2020-2-110-119.

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The paper focuses on complex research and description of creative reception theory and typology. There are provided definitions of such terms as reception, creative reception, creative reception strategies, and others. The author builds the typology of creative reception on the basis of works by E. V. Abramovskikh, S. Ye. Trunin, M. V. Zagidullina, V. I. Tyupa, and M. Naumann. This typology includes two types (or levels) of creative reception, defined as classic and postmodernist. Each of the types is characterized by a number of strategies, i. e. ways of representing an artistically received text in one’s own work. The classic type strategies (formal, authentic, neutral and antithetical) focus primarily on plot transformation. As for the postmodernist level, the author singles out two strategies: congenial and play. The theory and typology of creative reception is substantiated with some examples of reminiscences and allusions to English and world poetry. The examples under analysis are taken from the following prose works by the outstanding English postmodernist writer John Robert Fowles (1926–2005): the novel The French Lieutenant’s Woman (1969), the collection of long short stories The Ebony Tower (1974), the philosophic book The Aristos (1964), and also the lyric collection Selected Poems, published posthumously in 2012. The collection has not been translated into Russian yet. Therefore, the poem under analysis (Islanders) has been translated into Russian by the author of the present paper. The paper also deals with indirect Biblical reception which is found in the allusion to the ivory tower. The allusion gave the title The Ebony Tower both to Fowles’ long short story and collection as a whole. The author of the paper draws a conclusion about the dominant creative reception strategies in the literary works under analysis and also about the possible use of the presented creative reception typology in analyzing works by other writers.
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ABYZOV, ALEXEY A. y TATYANA G. BARYSHEVA. "SHORT STORIES “LOTHAIRE: A LEGEND” BY HARRIET LEE AND “MARTIN DER STREBER” BY PAUL HEYSE: TO THE PROBLEM OF GENRE TYPOLOGY". HUMANITARIAN RESEARCHES 74, n.º 2 (2020): 99–105. http://dx.doi.org/10.21672/1818-4936-2020-74-2-099-105.

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Tesis sobre el tema "Typology of short stories"

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Welch, Alisa Eve. "Short Stories". PDXScholar, 2012. https://pdxscholar.library.pdx.edu/open_access_etds/811.

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In these six intertwining fictional short stories, one fateful decision ripples through the lives of multiple generations. Annie is an unmarried young mother during World War II when she leaves her young daughter in the care of a childless couple. When Annie fails to return for the child after days and then years, a new and fragile family is formed only to be tested by Annie's eventual return. The other stories in this collection follow the daughters and granddaughters who have to navigate their own lives in the shadow of this abandonment. Spanning multiple decades, Annie's decision remains a pivotal psychological scar imprinted in her descendants and those left to care for the child that she could not.
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Gay, Wayne Lee. "Short Stories". Thesis, University of North Texas, 2007. https://digital.library.unt.edu/ark:/67531/metadc6144/.

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This collection of seven representative original short stories will include four short stories relating to a fictional location in Dallas, the Starry Skies gay country-and-western dance hall. Three short stories set in fabulous, sometimes absurd settings, will follow. A preface dealing with the nature of fictional place and non-fictional place in fiction will precede the collection of short stories.
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Nelson, Caleb. "| | Poof | | Short Stories". Thesis, University of Massachusetts Boston, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=1590687.

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Storytellers have an interdependent relationship with their narratives. If you have ever told a lie, you understand. Stories take on a life of their own, as you consider the potential ramifications of each contingent piece. Definite sets of things happen as results of specific other things. If you throw an ax at me, only a few things can immediately happen, and our relationship will be forever changed. Events evolve. When we create or discover a narrative, we live by its logic. Upon consideration, a moment compels a series of moments modulated by a voice, a single perspective, a personal narrative, which is to say a story. Stories are fabrications of reality, conveyance mechanisms of fact, fiction, and assertion. Stories are contrived, whereas narratives just exist. Narratives are there to be discovered. They are the veins of human action left by life’s tendency toward disorder. Narrative is entropy through time.

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Hsieh, Iris Chi. "Sighting [short stories] /". Diss., Online access via UMI:, 2007.

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Dougherty, Mary Ann. "Betrayal : Short Stories". PDXScholar, 2015. https://pdxscholar.library.pdx.edu/open_access_etds/2233.

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This collection of short stories, titled Betrayal, is my thesis project to meet the requirements for a Master of Fine Arts in Creative Writing/Fiction. In each story, of course, there is betrayal, of sister, daughter, wife, husband or lover. The settings of the stories are various, the Midwest, the Great Lakes, the Allegheny Mountains and Louisiana bayou country. Northeastern Ohio and Lake Erie, especially, have informed description and metaphor in the stories, and their atmosphere is influenced by Gothic literature.
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Falkner, Aryanna M. "Dislocations: Short Stories". Bowling Green State University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1586438288966435.

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Horany, Sarah B. (Sarah Beth). "Original Short Stories". Thesis, North Texas State University, 1986. https://digital.library.unt.edu/ark:/67531/metadc501088/.

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This thesis consists of three original short stories: "August Morning," "Weekend Idyll," and "Free Ride." In addition, an appendix has been added which contains "Hamilton House Roundabout," the original version of "Weekend Idyll." It is included to illustrate the dramatic changes that can occur in the writing process. "August Morning" focuses on a young man's struggle to gain his freedom from his family, particularly his overbearing father. Whether or not he succeeds is ultimately up to the reader. "Weekend Idyll" follows a young woman as she tries to live a dream she has long believed in. Ultimately, her vision is shattered. The final story, "Free Ride," centers on a hapless teenager who finds happiness only in the exhiliaration of racing. Ultimately, it kills him. I wrote stories rather than an analysis primarily for practical reasons. As a teacher I found an exercise in writing more readily transferrable to my classroom.
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Lee, Jung-Ah J. "Short Stories about Home". Scholarship @ Claremont, 2012. http://scholarship.claremont.edu/cmc_theses/534.

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Collection of short stories about unreliable characters. Iris, Happy New Year, Promise, and Siblings are stories about home - whether it is about a broken home or just a character missing home. These short stories are all fictional.
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Beaudin, Giselda. "After love [short stories] /". Diss., Online access via UMI:, 2006.

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Poe, Deborah Marie. "Event landmarks [short stories] /". Diss., Online access via UMI:, 2008.

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Libros sobre el tema "Typology of short stories"

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Markus, Manfred. Point of view im Erzähltext: Eine angewandte Typologie am Beispiel der frühen amerikanischen short story, insbesondere Poes und Hawthornes. Innsbruck: Institut für Sprachwissenschaft der Universität Innsbruck, 1985.

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Accorsi, William. Short, short, short stories. New York: Greenwillow Books, 1991.

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Copinger, Lucy Emily. Short stories. [Durham, England]: Ian Copinger Durham, 2012.

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Zohn, Andrew. Short stories. Saint-Romuald: Productions d'Oz, 2005.

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Carl, Lofmark, ed. Short stories. London: Norvik Press, 2009.

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Sexsmith, William A. Short stories. Whitby, Ont: Plowman, 2003.

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Krieger, Arnold. Short stories. Darmstadt: Studio Schaffen und Forschen, 1993.

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Sexsmith, William A. Short stories. Whitby, Ont: Plowman, 2002.

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Iyengar, Masti Venkatesa. Short stories. New Delhi: Katha, 1995.

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Short stories. Dublin: University College Dublin Press, 2009.

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Capítulos de libros sobre el tema "Typology of short stories"

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Trensky, Paul I. "Short Stories". En The Fiction of Josef Škvorecký, 99–103. London: Palgrave Macmillan UK, 1991. http://dx.doi.org/10.1007/978-1-349-21531-7_9.

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Handley, G. y P. Wilkins. "Short stories". En English coursework, 64–67. London: Macmillan Education UK, 1991. http://dx.doi.org/10.1007/978-1-349-13026-9_11.

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Page, Norman. "Short Stories". En A Conrad Companion, 135–64. London: Palgrave Macmillan UK, 1986. http://dx.doi.org/10.1007/978-1-349-18093-6_7.

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Hyland, Peter. "Short Stories". En Saul Bellow, 119–27. London: Macmillan Education UK, 1992. http://dx.doi.org/10.1007/978-1-349-22109-7_6.

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Colmer, John. "Short Stories". En E. M. Forster, 25–41. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003108160-2.

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VanTassel-Baska, Joyce, Tamra Stambaugh, Kimberley L. Chandler, Heather French y Paula Ginsburgh. "Short Stories". En Jacob's Ladder Reading Comprehension Program, 21–59. 2a ed. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003235934-3.

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VanTassel-Baska, Joyce, Tamra Stambaugh, Kimberley L. Chandler, Heather French y Paula Ginsburgh. "Short Stories". En Jacob's Ladder Grade 3, 21–55. 2a ed. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003235927-3.

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VanTassel-Baska, Joyce, Tamra Stambaugh, Kimberley L. Chandler, Heather French, Paula Ginsburgh, Tamra Stambaugh y Joyce VanTassel-Baska. "Short Stories". En Jacob's Ladder Reading Comprehension Program, 23–49. 2a ed. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003235941-3.

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VanTassel-Baska, Joyce y Tamra Stambaugh. "Short Stories". En Jacob's Ladder Reading Comprehension Program, 21–66. 2a ed. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003235972-3.

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VanTassel-Baska, Joyce y Tamra Stambaugh. "Short Stories". En Jacob's Ladder Reading Comprehension Program, 25–101. 2a ed. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003235989-3.

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Actas de conferencias sobre el tema "Typology of short stories"

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Popova, A. V. "Typology of heroes in A. Kim's stories". En ТЕНДЕНЦИИ РАЗВИТИЯ НАУКИ И ОБРАЗОВАНИЯ. НИЦ «Л-Журнал», 2018. http://dx.doi.org/10.18411/lj-11-2018-106.

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Dal Pian, Maria Cristina, Luiz Fernando Dal Pian y Mônica Dal Pian. "DIGITAL TRANSCREATION OF SHORT STORIES". En International Technology, Education and Development Conference. IATED, 2016. http://dx.doi.org/10.21125/iceri.2016.1567.

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Budiman, Muhammad Arief y Mei Fita Asri Untari. "Short Stories on Comparison Literature". En Proceedings of the UNNES International Conference on English Language Teaching, Literature, and Translation (ELTLT 2018). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/eltlt-18.2019.12.

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Harjito, Harjito. "Thugs in Indonesian Short Stories". En Annual Conference on Social Sciences and Humanities. SCITEPRESS - Science and Technology Publications, 2018. http://dx.doi.org/10.5220/0007422204390444.

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"Direct Speech in Children’s Short Stories". En 10th International Visible Conference on Educational Studies and Applied Linguistics. Tishk International University, 2019. http://dx.doi.org/10.23918/vesal2019.a7.

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Susilowati, Meinarni. "Contemporary Javanese Youth in Short Stories". En International Conference Recent Innovation. SCITEPRESS - Science and Technology Publications, 2018. http://dx.doi.org/10.5220/0009913706410647.

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Kazantseva, Anna. "An approach to summarizing short stories". En the Eleventh Conference of the European Chapter of the Association for Computational Linguistics: Student Research Workshop. Morristown, NJ, USA: Association for Computational Linguistics, 2006. http://dx.doi.org/10.3115/1609039.1609046.

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Algunova, YU V., A. T. Safonova y M. I. Volovich. "Typology of short prose heroes by T. Tolstoy". En Scientific achievements of the third millennium. SPC "LJournal", 2021. http://dx.doi.org/10.18411/scienceconf-03-2021-42.

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Heinrichova, Nadezda. "Short Stories By Wolfgang Borchert In FLT". En ICEEPSY 2019 - 10th International Conference on Education and Educational Psychology. Cognitive-Crcs, 2019. http://dx.doi.org/10.15405/epsbs.2019.11.29.

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Argenta, Chris y Eric Stewart. "Extracting Short Stories from Large Data Sets". En the 2014 Workshop. New York, New York, USA: ACM Press, 2014. http://dx.doi.org/10.1145/2609876.2609881.

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Informes sobre el tema "Typology of short stories"

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Welch, Alisa. Short Stories. Portland State University Library, enero de 2000. http://dx.doi.org/10.15760/etd.811.

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Dougherty, Mary Ann. Betrayal : Short Stories. Portland State University Library, enero de 2000. http://dx.doi.org/10.15760/etd.2230.

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Corrigan, Patsy. Translation of Ilse Aichinger's short stories. Portland State University Library, enero de 2000. http://dx.doi.org/10.15760/etd.5297.

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Dorn, Kevin. If It Wasn't This: Collected Short Stories. Portland State University Library, enero de 2014. http://dx.doi.org/10.15760/honors.54.

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Steele, Tim. Discount Ceremony: A Collection of Short Stories. Portland State University Library, enero de 2000. http://dx.doi.org/10.15760/etd.6387.

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Buckner, Marie. Phantom Islands A Collection of Short Stories. Portland State University Library, enero de 2000. http://dx.doi.org/10.15760/etd.853.

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Burton, Benjamin. Fragments of Struggle: Five Short Stories by Kobayashi Takiji. Portland State University Library, enero de 2014. http://dx.doi.org/10.15760/honors.51.

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Ballesteros-Aguayo, L. y FJ Escobar-Borrego. Humour in the post-war press: Short stories of Gloria Fuertes in the falangist magazine Maravillas. Revista Latina de Comunicación Social, febrero de 2019. http://dx.doi.org/10.4185/rlcs-2019-1343en.

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