Bibliografías temáticas / William Makepeace

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Literatura académica sobre el tema "William Makepeace"

Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 29 de julio de 2024

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Artículos de revistas sobre el tema "William Makepeace"

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Stone, Donald D. "The Newcomes: Memoirs of a Most Respectable Family William Makepeace Thackeray Peter L. Shillingsburg The Newcomes William Makepeace Thackeray Andrew Sanders The Newcomes William Makepeace Thackeray David Pascoe." Nineteenth-Century Literature 53, no. 2 (September 1998): 259–64. http://dx.doi.org/10.2307/2902990.

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Stone, Donald D. ": The Newcomes: Memoirs of a Most Respectable Family . William Makepeace Thackeray, Peter L. Shillingsburg. ; The Newcomes . William Makepeace Thackeray, Andrew Sanders. ; The Newcomes . William Makepeace Thackeray, David Pascoe." Nineteenth-Century Literature 53, no. 2 (September 1998): 259–64. http://dx.doi.org/10.1525/ncl.1998.53.2.01p00257.

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Pearson, Richard. "William Makepeace Thackeray: A Literary Life (review)." Victorian Studies 45, no. 1 (2002): 167–69. http://dx.doi.org/10.1353/vic.2003.0058.

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Mykhed, T. "WILLIAM MAKEPEACE THACKERAY: IRONIC CONTEXT OF HIS “KYIV TEXT”." PROBLEMS OF SEMANTICS, PRAGMATICS AND COGNITIVE LINGUISTICS, no. 33 (2018): 72–81. http://dx.doi.org/10.17721/2663-6530.2018.33.05.

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The article is devoted to the analysis of the parody ballad by W. M. Thackeray "The Legend of St. Sophia of Kioff" (1839). An attempt was made to indicate the source of information about Kyiv, which could be found in Jane Porter’s historical novel "Thaddeus of Warsaw", written according to the testimonies of Polish emigrants. The ballad is interpreted as a traditional for English oral and written literature genre, which has acquired formal signs of printed text. All these signs are present in Thackeray's ballad, including the division into chapters, a functionally significant paratext, topical
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Gao, Timothy. "These Newcomes: William Makepeace Thackeray and Novelistic Particularity." Victorian Literature and Culture 49, no. 3 (2021): 457–80. http://dx.doi.org/10.1017/s106015031900041x.

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Through a sustained close reading of William Makepeace Thackeray's 1855 novel The Newcomes, this essay examines three analogous types of particularity in the novel: the particularity of loved ones in the social network, of fictional persons in the literary work, and of the individual text. Drawing on recent sociological and network readings of Victorian narrative, I argue that Thackeray's plot about relationships in the marriage market is reflected (on the level of form) by the structural relation between characters and text, and (on the level of the reading experience) by the affective engage
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Brevda, William. "Thackeray’s Vanity Fair of Hats." Victorians: A Journal of Culture and Literature 145, no. 1 (June 2024): 1–23. http://dx.doi.org/10.1353/vct.2024.a931639.

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ABSTRACT: In Vanity Fair: A Novel without a Hero , William Makepeace Thackeray uses hats to illustrate his mock-heroic characters and to reinforce the novel’s theme of “ Vanitas Vanitatum! ” Of these hats—including cocked hats, top hats, shovel-hats, shakos, and bonnets—the narrator’s fool’s cap is the most symbolically important. Adopting a dual perspective of “Satire and Sentiment,” the narrator shows that “All is vanity.” If the vanity of life is inescapable, he implies, then the only consolation is laughter.
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Flynn, M. J. "The Transatlantic Grudges of William Makepeace Thackeray and G. P. R. James." Notes and Queries 52, no. 4 (December 1, 2005): 476–78. http://dx.doi.org/10.1093/notesj/gji424.

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Bullock, April. "Thackeray’s Young Men: Bohemia and Manliness in the Novels of William Makepeace Thackeray." Victorians Institute Journal 37 (December 1, 2009): 165–94. http://dx.doi.org/10.5325/victinstj.37.1.0165.

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Bayley, Susan. "Thackeray's German Governesses, Real and Imagined." Victorians: A Journal of Culture and Literature 143, no. 1 (June 2023): 64–80. http://dx.doi.org/10.1353/vct.2023.a903693.

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ABSTRACT: As a father of two daughters educated at home, William Makepeace Thackeray knew something about German governesses: he interviewed many, employed several, and counted one among his acquaintances. In his fiction, he satirized the type in two burlesques: Miss Wirt ( The Book of Snobs , 1848) and Mlle Wallfisch ( The Adventures of Philip , 1862)—ludicrous characters intended to amuse English middle-class readers, whose bigotry he also targets. But these imaginary renderings contradicted Thackeray's real opinion of German people and culture, which was complimentary and admiring, albeit t
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Simons, Gary. "“Show me the money!”: A Pecuniary Investigation of William Makepeace Thackeray’s Early Victorian Journalism." Victorian Periodicals Review 45, no. 1 (2012): 64–96. http://dx.doi.org/10.1353/vpr.2012.0008.

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Tesis sobre el tema "William Makepeace"

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Moya, Ana. "La Mujer y el matrimonio en las principales novelas de William Makepeace Thackeray." Doctoral thesis, Universitat de Barcelona, 1989. http://hdl.handle.net/10803/1673.

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El objetivo principal de este tesis doctoral es el poner de relieve le evolución que se de en W. M. Thackeray en cuanto al tratamiento de la mujer y del matrimonio en sus noveles, evolución que nos lleva a pensar en un Thackeray progresista y reformista respecto de la sociedad de su tiempo. Los temas "mujer" y "matrimonio" han sido estudiados conjuntamente por considerar que en la obra de Thackeray el matrimonio aparece como la vertiente social de la mujer (el papel da ésta en la sociedad que Thackeray describe es el matrimonio), constituyendo ambos temes de este modo un todo inseparable en la
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Simons, Gary. ""Show Me the Money!": A Pecuniary Explication of William Makepeace Thackeray's Critical Journalism." Scholar Commons, 2011. http://scholarcommons.usf.edu/etd/3347.

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Scholars have heretofore under-examined William Makepeace Thackeray's early critical essays despite their potential for illuminating Victorian manners and life. Further, these essays' treatments of aesthetics, class, society, history, and politics are all influenced by the pecuniary aspects of periodical journalism and frequently expose socio-economic attitudes and realities. This study explicates the circumstances, contents, and cultural implications of Thackeray's critical essays. Compensatory payments Thackeray received are reconciled with his bibliographic record, questions regarding Thack
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Lasak, Jessica Lee. ""So much for the dixonary" the rejection of Johnsonian linguistic authority in "Vanity Fair" and "The Mill on the Floss" /." Click here for download, 2007. http://proquest.umi.com/pqdweb?did=1342744831&sid=1&Fmt=2&clientId=3260&RQT=309&VName=PQD.

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Thornton, Sara M. "La vanité du texte : l'oeuvre de W.M. Thackeray 1837-1848." Paris 3, 1992. http://www.theses.fr/1992PA030118.

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Dans l'oeuvre de thackeray ecrire est depeint comme une activite malsaine. Le lecteur remarque que tous ceux qui ecrivent, lisent, trafiquent ou contribuent de quelle maniere que ce soit a la fabrication et a la distribution de textes sont en quelque sorte souilles par ce contact impur. Afin d'eclaircir l'attitude de thackeray envers le texte, ce travail considere le statut du texte dans le texte thackerayen ainsi que la position de l'auteur vis-avis de l'ecriture comme mode de representation. Le texte de thackeray est examine a travers et a l'aide des differentes definitions du mot "vanite":
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Massey, Ellen. "Boggley wollah and "sulphur-steams" colonialism in "Vanity fair" and "Jane Eyre" /." Click here for download, 2009. http://proquest.umi.com/pqdweb?did=1698507681&sid=1&Fmt=2&clientId=3260&RQT=309&VName=PQD.

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Vega-Ritter, Max. "Dickens et Thackeray, essai d'analyse psychocritique : des "Pickwick papers" à "David Copperfield" et de "Barry Lyndon" à "Henry Esmond"." Montpellier 3, 1986. http://www.theses.fr/1986MON30003.

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Rontree, Mary Elizabeth. "Satire and parody in the fiction of Thomas Love Peacock and the early writings of William Makepeace Thackeray, 1815-1850." Thesis, University of Gloucestershire, 2004. http://eprints.glos.ac.uk/3130/.

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This thesis examines the works of Peacock and the early periodical contributions of Thackeray in the light of recent twentieth-century critical interpretations of satire. In particular, attention to Peacock's use of elements of the Menippean sub-genre in his satirical fiction offers a reassessment of his place in the literary tradition. While Thackeray's early writings demonstrate some characteristics of Menippean satire, a review of his work from the broader perspective of Bakhtin's exposition of carnival influences in serio-comic literature provides a new understanding of the origins and use
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Mackenzie, Hazel. ""Allow me to introduce myself - first, negatively" : Charles Dickens, Anthony Trollope, William Makepeace Thackeray and first-person journalism in the 1860s family magazine." Thesis, University of York, 2010. http://etheses.whiterose.ac.uk/1490/.

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This thesis examines the editorial contributions of W.M. Thackeray, Charles Dickens and Anthony Trollope to the Cornhill Magazine, All the Year Round and Saint Pauls Magazine, analyzing their cultivation of a familiar or personal style of journalism in the context of the 1860s family magazine and its rhetoric of intimacy. Focusing on their first-person journalistic series, it argues that these writers/editors used these contributions as a means of establishing a seemingly intimate and personal relationship with their readers, and considers the various techniques that they used to develop that
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Decaux, Sylvie. "Journalisme et journalistes à l'aube de l'ère victorienne : Thackeray, modèle ou miroir de son temps ?" Paris 3, 1994. http://www.theses.fr/1995PA030034.

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Dans une perspective plus large d'interrogation sur le journalisme litteraire tel qu'il se pratiquait au debut de l'epoque victorienne, cette etude s'attache au "cas" thackeray qui fut journaliste professionnel entre 1837 et 1847. Apres une evocation de la presse vers 1840, sont analyses les differents aspects de la carriere de thackeray, ainsi que le contenu de ses recits journalistiques (critique litteraire, critique d'art, critique gastronomique, recits de voyage, papiers d'observation social, parodies, etc. ) il apparait que thackeray, tout en restant tout a fait typique de son temps, a fo
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Berggren, Elin. "Characterization in Social Satire : A comparative analysis of the heroines Elizabeth Bennet in Jane Austenʼs Pride and Prejudice, and Becky Sharp in William Makepeace Thackerayʼs Vanity Fair". Thesis, Karlstads universitet, Institutionen för språk, litteratur och interkultur, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-40753.

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This essay presents a comparative analysis of the characterizations of the female protagonists Elizabeth Bennet in Jane Austen̕ s Pride and Prejudice (1813), and Becky Sharp in William Makepeace Thackeray̕ s Vanity Fair (1847-1848). The analysis is conducted from a gender perspective, and with the use of feminist criticism. The two novels complement each other since they are both satirical images of society, concerning aspects such as class and gender. Also, both novels  portray women climbing the class ladder, during the period of the Napoleonic wars. In the comparison, the main focus lies on
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Libros sobre el tema "William Makepeace"

1

Harold, Bloom, ed. William Makepeace Thackeray. New York: Chelsea House Publishers, 1987.

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Harden, Edgar F. A William Makepeace Thackeray Chronology. London: Palgrave Macmillan UK, 2003. http://dx.doi.org/10.1057/9780230598577.

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Harold, Bloom, ed. William Makepeace Thackeray's Vanity fair. New York: Chelsea House Publishers, 1987.

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Harden, Edgar F., ed. Selected Letters of William Makepeace Thackeray. London: Palgrave Macmillan UK, 1996. http://dx.doi.org/10.1007/978-1-349-14073-2.

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Thackeray, William Makepeace. Selected letters of William Makepeace Thackeray. Washington Square, N.Y: New York University Press, 1996.

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Melville, Lewis. The Life of William Makepeace Thackeray. London: Routledge/Thoemmes Press, 1996.

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Johnson, Charles Plumptre. The early writings of William Makepeace Thackeray. London: Routledge/Thoemmes Press, 1996.

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William Makepeace Thackeray. Franklin Classics, 2018.

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Salmon, Richard. William Makepeace Thackeray. Liverpool University Press, 2005.

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Whibley, Charles. William Makepeace Thackeray. Franklin Classics Trade Press, 2018.

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Capítulos de libros sobre el tema "William Makepeace"

1

Brosch, Renate. "Thackeray, William Makepeace." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_17225-1.

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Klotz, Volker. "William Makepeace Thackeray." In Das europäische Kunstmärchen, 271–83. Stuttgart: J.B. Metzler, 1985. http://dx.doi.org/10.1007/978-3-476-03204-1_21.

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Brosch, Renate. "William Makepeace Thackeray." In Kindler Kompakt: Englische Literatur, 19. Jahrhundert, 84–89. Stuttgart: J.B. Metzler, 2015. http://dx.doi.org/10.1007/978-3-476-05527-9_14.

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Kingsmill, Hugh. "William Makepeace Thackeray." In The Progress of a Biographer, 15–26. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003272632-2.

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Kohl, Stephan. "Thackeray, William Makepeace." In Englischsprachige Autoren, 272–75. Stuttgart: J.B. Metzler, 2004. http://dx.doi.org/10.1007/978-3-476-02951-5_100.

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Martin, Brian. "William Makepeace Thackeray." In The Nineteenth Century (1798–1900), 337–44. London: Macmillan Education UK, 1989. http://dx.doi.org/10.1007/978-1-349-20159-4_32.

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Brosch, Renate. "Thackeray, William Makepeace: Vanity Fair." In Kindlers Literatur Lexikon (KLL), 1–3. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_17227-1.

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Brosch, Renate. "Thackeray, William Makepeace: The Newcomes." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_17230-1.

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Harden, Edgar F. "Ancestry and Family." In A William Makepeace Thackeray Chronology, 1–3. London: Palgrave Macmillan UK, 2003. http://dx.doi.org/10.1057/9780230598577_1.

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Harden, Edgar F. "Chronology." In A William Makepeace Thackeray Chronology, 5–355. London: Palgrave Macmillan UK, 2003. http://dx.doi.org/10.1057/9780230598577_2.

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