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Littérature scientifique sur le sujet « Aesthetic Ideology »

Auteur : Grafiati

Publié le 7 juin 2025

Mis à jour le 2 août 2025

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Articles de revues sur le sujet "Aesthetic Ideology"

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Rush, F. L., Paul de Man, and Andrzej Warminski. "Aesthetic Ideology." Journal of Aesthetics and Art Criticism 55, no. 4 (1997): 443. http://dx.doi.org/10.2307/430942.

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Kuncheva, Raya. "Aesthetic Education and Aesthetic Ideology…" Recherches, no. 16 (July 19, 2016): 53–58. http://dx.doi.org/10.4000/cher.6392.

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Berliner, Todd. "Hollywood Aesthetic: Pleasure in American Cinema." Projections 14, no. 2 (2020): 90–101. http://dx.doi.org/10.3167/proj.2020.140209.

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In this reply to four commentaries on my book, Hollywood Aesthetic: Pleasure in American Cinema, I address several conceptual and methodological issues raised by the respondents. Those issues include the book’s focus on aesthetic pleasure; the functions of narrative, style, ideology, and genre in Hollywood cinema; the relationship between ideology and aesthetics; the use of scientific research in the humanities; normative aesthetic evaluations; real versus hypothetical spectators; and the practices of aesthetic film analysis.

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Loesberg, Jonathan. "Materialism and Aesthetics: Paul De Man's Aesthetic Ideology." diacritics 27, no. 4 (1997): 87–108. http://dx.doi.org/10.1353/dia.1997.0033.

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Spencer, Jeremy. "The Critical-Linguistic Critique of the Aesthetic Ideology in the Late Writing of Paul de Man." Labyrinth 22, no. 2 (2021): 9. http://dx.doi.org/10.25180/lj.v22i2.234.

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The focus of this essay is Paul de Man's provocative antipathy towards the category of the aesthetic in his late writings on philosophical aesthetics. I introduce de Man's critique of what he terms aesthetic ideology – a form of ideological communication – which he considers manifest in the aesthetics of Schiller in particular but also in more scrupulously critical philosophers. I begin the essay with Benjamin's well known observation that twentieth century fascisms aestheticized political practice as part of a defence of existing property relations. I introduce de Man's critique of aesthetic

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马驰. "Aesthetic, Practice and Ideology." China Studies 43, no. ll (2008): 343–57. http://dx.doi.org/10.18077/chss.2008.43..018.

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Rottenberg, Elizabeth. "Book Review: Aesthetic Ideology." MLN 112, no. 5 (1997): 974–79. http://dx.doi.org/10.1353/mln.1997.0060.

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Zhu, Yuke, Yuxin Ma, Ruoqing Yang, and Mingyu Chen. "Shaping Teachers' Aesthetic competence with Aesthetic Education Concepts in Confucius Ideology." Journal of Education and Educational Research 5, no. 3 (2023): 16–19. http://dx.doi.org/10.54097/jeer.v5i3.13071.

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Confucius established a comprehensive framework of aesthetic education based on the rich heritage of aesthetics passed down through generations. His profound insights emphasized an aesthetic education philosophy rooted in "benevolence" and centered around "humanization." He seamlessly integrated these principles into the establishment of a rational social order and the cultivation of an ideal personality. This perspective holds significant practical significance and social value in contemporary efforts to advance aesthetic education and shape individual personalities. Confucius believed that a

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Prasetyo, Hadi. "STRATEGI KRITIK CERPEN “TELINGA” TERHADAP ORBA: MENINJAU STRUKTUR PRODUKSI DAN IDEOLOGI TEKS." Fon: Jurnal Pendidikan Bahasa dan Sastra Indonesia 17, no. 2 (2021): 122–34. http://dx.doi.org/10.25134/fon.v17i2.4329.

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ABSTRAK: Penelitian ini bertujuan untuk menjelaskan strategi kritik cerpen “Telinga” karya Seno Gumira Ajidarma (SGA) terhadap rezim Orde Baru (Orba) Indonesia. Hal tersebut akan dijelaskan dengan cara meninjau struktur produksi dan ideologi teks cerpen “Telinga” karya SGA. Untuk menjelaskannya, penelitian ini menggunakan teori kritik sastra materialistis Terry Eagleton. Metode yang digunakan dalam penelitian ini ialah metode dialektika. Metode ini memungkinkan peneliti untuk menjelaskan ideologi teks sebagai produk pengolahan estetik atas struktur produksi pada masa Orba. Hasil penelitian men

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Wright, Elizabeth, and Terry Eagleton. "The Ideology of the Aesthetic." Modern Language Review 86, no. 3 (1991): 653. http://dx.doi.org/10.2307/3731014.

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Thèses sur le sujet "Aesthetic Ideology"

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Adams, Bella. "A post-colonial aesthetic? : ideology and representation in the novels of Amy Tan." Thesis, University of Sunderland, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.301958.

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Parsons, Lisa. "Re-framing the dancer : the critical evaluation of an aesthetic and ideology for integrated dance." Thesis, University of Central Lancashire, 2007. http://clok.uclan.ac.uk/20275/.

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This research contextualises, evaluates and critically examines specific methodologies for integrated/mixed-ability dance that pertain to re-framing the dancer. Integrated/mixed-ability dance is committed to inclusive practice thereby changing the old order of aesthetics in favour of a new approach. It is this innovative work that this study has documented. The body (in dance) is understood as a complex phenomenon that engages with issues of consciousness, perception and temporality. The synthesis of philosophy (most specifically phenomenology), structuralist theory (with reference to Althusse

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Staskievicz, Jurata. "Aesthetic and ideological functions of time and space shifts in the postmodernist narrative." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2008. http://vddb.library.lt/obj/LT-eLABa-0001:E.02~2008~D_20080924_174222-28427.

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The purpose of this study was to analyze aesthetic and ideological functions of time and space shifts in the postmodernist narrative. The paper investigates the problems of time and space relationships in literary discourse and is based on the material of famous postmodern novel by Kurt Vonnegut, Jr. Slaughterhouse – Five Or The Children’s Crusade A Duty – Dance With Death. The textual features expressed by space and time relations have not received enough attention in English critical literature. However, provides a continual response to the importance of time and space notions which are ofte

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Jackson, D. "Ilya Repin : ideology and aesthetics in Russian art." Thesis, University of Edinburgh, 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.652898.

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This thesis aims to seek a more judicious appreciation of Repin's worth through a comprehensive survey of his life and work, utilising as reference points the twin constituents of painting, form and content, which find reflection in the East/West proclivity towards ideology and aesthetics. The first chapter deals with Repin's early development, from his birth in 1844 into a provincial military settlement, to his enrolment in 1864 at the Imperial Academy in St. Petersburg, and considers the relative influences of the Academy, the secessionist <i>Artel</i> based around Ivan Kramskoy, and the eme

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Brookes, Les. "Gay male fiction since Stonewall : ideology, conflict, and aesthetics /." New York : Routledge, 2009. http://catalogue.bnf.fr/ark:/12148/cb413280741.

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Dorsey, James. "An intersection of aesthetics and ideology : Kobayashi Hideo, 1922-1942 /." Thesis, Connect to this title online; UW restricted, 1997. http://hdl.handle.net/1773/11111.

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Pang, Lai Kwan. "China's left-wing cinema movement, 1932-1937 history, aesthetics, and ideology /." online access from Digital Dissertation Consortium access full-text, 1997. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?9807778.

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Pickard, Martin John. "The operas of J.N. von Poissl (1783-1865) : aesthetics and ideology." Thesis, University of Leeds, 2012. http://etheses.whiterose.ac.uk/3353/.

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The Bavarian composer Johann Nepomuk von Poissl was regarded by many in the second decade of the nineteenth century as German opera’s greatest hope. Though neglected by later musicology, in his day Poissl was a central figure in the aesthetic discourses surrounding opera, being prominent as a composer, librettist, translator, journalist and director of the Munich Court Theatre. He was also a profoundly ideological artist, expressing in his operas a distinctive vision of Bavarian nationhood and of the wider German identity. This thesis represents the first substantial study of Poissl’s operatic

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Uran, Chad Scott. "The aesthetics and politics of Ojibwe language revitalization." Diss., University of Iowa, 2012. https://ir.uiowa.edu/etd/1780.

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This is an investigation into language ideologies, and the significance of same, among activists working to revitalize the Ojibwe language. Better inclusion of indigenous community members is necessary to spread the Ojibwe language. Improved competence in using--and strategically chging--language ideologies is necessary by language activists. Matters of orthography, storytelling, Elder status, state institutionalization, indigenous leadership, and decolonization reveal underlying ideologies of language, any of which can help or hinder efforts to reverse language shift. This is shown through pa

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Popa, Marius. "Présence du classicisme français dans la critique littéraire roumaine (de la Révolution de 1821 à la fin du communisme)." Thesis, Sorbonne université, 2019. http://www.theses.fr/2019SORUL020.

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La présente thèse se propose de répertorier et d’analyser les références au classicisme français et le rôle qu’il a joué dans la critique littéraire roumaine, depuis la Révolution de Tudor Vladimirescu (1821) jusqu’à la chute du régime communiste (1989). Après avoir replacé la réception du modèle dans le cadre de l’histoire de la Roumanie et de ses relations politiques et intellectuelles avec la France (notamment par une étude de la traduction des classiques français en langue roumaine) et après une analyse généalogique et esthétique du concept de « classicisme français », on s’est efforcé de

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Livres sur le sujet "Aesthetic Ideology"

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Man, Paul De. Aesthetic ideology. University of Minnesota Press, 1996.

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Man, Paul De. Aesthetic ideology. University of Minnesota Press, 1996.

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Eagleton, Terry. The ideology of the aesthetic. Blackwell, 1990.

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Eagleton, Terry. The ideology of the aesthetic. Blackwell, 1990.

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James, Klumpenhouwer Henry, Krims Adam, and Lyotard Jean François, eds. Music/ideology: Resisting the aesthetic : essays. G + B Arts International, 1998.

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Redfield, Marc. Phantom formations: Aesthetic ideology and the Bildungsroman. Cornell University Press, 1996.

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Norris, Christopher. Paul de Man, deconstruction and the critique of aesthetic ideology. Routledge, 1988.

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Furniss, Tom. Edmund Burke's aesthetic ideology: Language, gender, and political economy in revolution. Cambridge University Press, 2008.

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Lewis, Levine George, ed. Aesthetics and ideology. Rutgers University Press, 1994.

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Mark, Delaere, De la Motte-Haber, Helga, 1938-, and Sabbe Herman 1937-, eds. New music, aesthetics and ideology =: Neue Musik, Ästhetik und Ideologie. Florian Noetzel, 1995.

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Chapitres de livres sur le sujet "Aesthetic Ideology"

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Xhignesse, Michel-Antoine. "Schopenhauer's Aesthetic Ideology." In The Schopenhauerian Mind. Routledge, 2023. http://dx.doi.org/10.4324/9781003048992-12.

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Swingewood, Alan. "Ideology and Cultural Production." In Sociological Poetics and Aesthetic Theory. Palgrave Macmillan UK, 1987. http://dx.doi.org/10.1007/978-1-349-18771-3_3.

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van Peer, Willie. "1. Canon formation: Ideology or aesthetic quality?" In Linguistic Approaches to Literature. John Benjamins Publishing Company, 2008. http://dx.doi.org/10.1075/lal.4.03pee.

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Spruce, Gary. "Listening and responding and the ideology of aesthetic listening." In Learning to Teach Music in the Secondary School. Routledge, 2016. http://dx.doi.org/10.4324/9781315621203-11.

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Zhang, Mei, Yan Hou, and Zhenjiang Liu. "The Artistic Style and Aesthetic Ideology of Taoist Temples in Hubei Province." In Advances in Social Science, Education and Humanities Research. Atlantis Press SARL, 2025. https://doi.org/10.2991/978-2-38476-432-7_37.

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Cavendish, Phil. "Ideology, Technology, Aesthetics." In A Companion to Russian Cinema. John Wiley & Sons, Inc, 2016. http://dx.doi.org/10.1002/9781118424773.ch12.

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Heffernan, Julián Jiménez. "The Aesthetic Ideology." In Unphenomenal Shakespeare. BRILL, 2022. http://dx.doi.org/10.1163/9789004526631_018.

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"1 Aesthetic Ideology." In Phantom Formations. Cornell University Press, 2018. http://dx.doi.org/10.7591/9781501723179-003.

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Erjavec, Aleš. "Aesthetics and the Aesthetic Today: After Adorno (2010)." In Art, Philosophy, and Ideology, edited by Tyrus Miller. BRILL, 2024. http://dx.doi.org/10.1163/9789004697515_011.

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"Anti-Communist Aesthetic Ideology." In The Naked Communist. Fordham University Press, 2012. http://dx.doi.org/10.2307/j.ctt13x09vv.8.

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Actes de conférences sur le sujet "Aesthetic Ideology"

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Feldmane, Iveta. "THE HEROIC AND THE GUILTY BODY IN POLITICAL AND SOCIAL POSTERS OF LATVIA DURING THE PERIOD OF SOVIET OCCUPATION." In 11th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2024. SGEM WORLD SCIENCE, 2024. https://doi.org/10.35603/sws.iscah.2024/s07.18.

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The poster as the genre of graphic arts is a medium where the representation of the human body functions as an important semiotic sign. This genre has also reflected and influenced the most diverse spectrum of artistic, social and political processes. In addition to informative and illustrative content, the inclusion of the human body in the composition of the poster has always had ideological purpose. The aim of this paper is to discuss how political ideology integrates the images of the human body in the posters and how it contradicts the individuals� personal feelings and bodily experiences

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Palkovičová, Eva. "Komik in der slowakischen postromantischen Prosa." In Junge Slavistik im Dialog XII: Beiträge zur XVII. Internationalen Slavistischen Konferenz. Universitätsverlag Kiel | Kiel University Publishing, 2025. https://doi.org/10.38072/2750-9605/p49.

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In the postromantic era of the 1860s and 1870s, Slovak fiction writers indicated their distance from Romantic ideology and aesthetics through the comical mode of expression. This study explores methods of such writing in short stories of Ľudovít Kubáni and Gustáv K. Zechenter-Laskomerský and analyzes their relationship to the project of Slovak national revival.

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Duan, Shaojun. "A Study on the Aesthetic Ideology in Carl Sandburg's Nature Poems." In 2018 International Conference on Education Science and Social Development (ESSD 2018). Atlantis Press, 2018. http://dx.doi.org/10.2991/essd-18.2018.74.

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Zhang, Mengyun. "A RESEARCH ON BAI JUYI’S POETRY CREATION FROM THE PERSPECTIVE OF CHILDREN’S LITERATURE." In 10th International Conference "Issues of Far Eastern Literatures (IFEL 2022)". St. Petersburg State University, 2023. http://dx.doi.org/10.21638/11701/9785288063770.11.

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The works of the Tang Dynasty poet Bai Juyi have been selected for many times into Chinese general language textbooks because of their popular significance and aesthetic value. The overall length is as much as 15 articles, ranking second only to Li Bo, Du Fu and Wang Wei. His poetry not only has a profound theoretical level, but also is widely accepted by readers of different ages. The reason is that his poetry creation has the characteristics of combining simplicity and sublime, which can naturally integrate popularity and aesthetics, reflecting more real life in thought, and at the same time

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Zhang, Xuan. "A Brief Talk on the Aesthetic Ideology in Vernacular Architecture of Northern Shandong Province." In 2018 International Conference on Advances in Social Sciences and Sustainable Development (ASSSD 2018). Atlantis Press, 2018. http://dx.doi.org/10.2991/asssd-18.2018.4.

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Lu, Ying, and Jing Zhang. "Study on the Infiltration and Development of Marcuse's Aesthetic Ideology in the Art of Book Design." In 3rd International Conference on Arts, Design and Contemporary Education (ICADCE 2017). Atlantis Press, 2017. http://dx.doi.org/10.2991/icadce-17.2017.115.

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Chiseliţă, Vasile. "Th e repertoire of the performer Nina Ermurachi in the “Folclor” orchestra: dominant categories and aesthetic trends." In Conferința științifică internațională Patrimoniul cultural: cercetare, valorificare, promovare. Ediția XIV. Institute of Cultural Heritage, Republic of Moldova, 2022. http://dx.doi.org/10.52603/pc22.25.

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Th e study ”Th e repertoire of the performer Nina Ermurachi in the Folclor orchestra: dominant categories and aesthetic trends” addresses some methodological and epistemological aspects of the theme, designed as a preliminary stage of a wider research on the contribution of the professional folk orchestra “Folclor” in the work of cultural patrimonialization on the platform of neo-traditional art from the late Soviet period (1960-1980). Th e focus is on elucidating the heuristic relevance of some seminal notions from cultural studies theory. Th e author tries to argue the complexity, multiplici

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Roland, Stephanie, and Quentin Stevens. "North Korean Aesthetics within a Colonial Urban Form: Monuments to Independence and Democracy in Windhoek, Namibia." In The 39th Annual Conference of the Society of Architectural Historians Australia and New Zealand. SAHANZ, 2023. http://dx.doi.org/10.55939/a5038pxdax.

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This paper examines two high-profile commemorative spaces in Namibia’s national capital, Windhoek, designed and constructed by North Korean state-owned enterprise Mansudae Overseas Projects. These commemorative projects illustrate the complex and evolving intersections between public art, architecture and urban form in this post-colonial context. They show how sites designed around heritage and collective identity intersect with urban space’s physical development and everyday use. The projects also illustrate the intersecting histories of three aesthetic lineages: German, South African and Nor

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Lohmann, Larissa. "A obra, o rosto e a mensagem: reflexões sobre a construção da área portuária de Porto Alegre." In Seminario Internacional de Investigación en Urbanismo. Curso de Arquitetura e Urbanismo. Universidade do Vale do Itajaí, 2016. http://dx.doi.org/10.5821/siiu.6251.

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A investigação pretende aportar uma análise sobre o processo de construção do porto de Porto Alegre, em diálogo com a então ideologia política da capital rio-grandense. Tendo em vista os inúmeros matizes que compõe o caso de estudo, projetos e relatórios oficiais, além de testemunhos artísticos, fotografias e bibliografia sobre o tema serão estudados afim de documentar a evolução da paisagem costeira, desde seus antecedentes até a implantação do projeto “Porto Alegre porto de mar”. O objeto deste artigo é parte integrante de uma pesquisa mais ampla que se dedica a

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Voloshina, L. "The existential meaning of traditional Russian art." In Actual Issues of Modern Science. Voloshina, L., 2024. https://doi.org/10.61726/6866.2025.25.59.001.

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The appeal to tradition has recently been particularly noticeable in art, pedagogy, and psychology. All these three areas of human activity are related to our perception of the world. Modern reality is faced with the existential problem of identifying a person, understanding their place and purpose in this world. The relevance of the study is primarily related to this problem. The study object is Russian art in general. The study subject is its existential content. The study aims to show the importance of preserving the Russian tradition in the 20th and 21st centuries art, as an existential ta

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