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Thèses sur le sujet « Art and science »

Auteur : Grafiati

Publié le 4 juin 2021

Mis à jour le 25 juillet 2025

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1

Lacoste, Jean. ""Goethe : art, science, poésie"." Paris, EPHE, 2006. http://www.theses.fr/2006EPHE4060.

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Les études qui composent cette thèse, hétérogènes sans doute par leur objet, leurs méthodes et leurs ambitions, ont toutes en commun de chercher à éclairer l'oeuvre littéraire de Goethe à partir des notions élaborées dans les "écrits scientifiques". Si ces études sont fragmentaires, à dessein, et par nécessité, elles renvoient toutes à une certaine unité de la pensée de Goethe, elles la postulent même. C'est dans les écrits consacrés à la géologie, à la "théorie des couleurs", à la biologie et à la botanique, etc - écrits auxquels Goethe lui-même accordait une importance qui surprenait ses int

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2

King, Barbara Amelia. "Space Art + Space Science a polymathic paradigm shift in the art/science dialogue." Master's thesis, Faculty of Engineering and the Built Environment, 2021. http://hdl.handle.net/11427/32739.

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Perhaps no other field of scientific endeavor has been more influenced by the arts than space exploration. The artistic visions of yesteryear are the technological realities of today. These realities in turn create new possibilities for artistic expression. However, Space Art and Space Science have shared a convoluted history. Their forerunner disciplines of the Humanities and Natural Sciences and their practitioners were entrenched as polar opposites for centuries. Recent research, however, has revealed the reverse; that the psychological profile and the creative processes of artists and scie

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3

McKay, Caroline Mary. "Kandinsky : the sciences of man and the science of art." Thesis, University of Cambridge, 1991. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.241112.

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4

Schooley, Kathryne Balch. "Shaping: From art to science." Thesis, University of North Texas, 2005. https://digital.library.unt.edu/ark:/67531/metadc4803/.

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This study evaluated the effectiveness of a procedure for teaching a caregiver to shape vocal language in a young child with autism. A multiple baseline design was employed to assess caregiver use of shaping procedures, child vocal language progress, and the social validity of the procedures. Following baseline and introductory sessions, the coach and caregiver reviewed video from the previous session and the coach gave descriptive feedback to the caregiver about her performance. Following the review of the videotaped segment, procedures to increase skills were selected and practiced. Rates of

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5

Lewis, Roger. "The art and science of biography." Thesis, University of Hertfordshire, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.494570.

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Most bibiographes list the external facts and yet quite miss the mystery and uniqueness of the person under investigation. Why? The aim of this thesis is, first, to evaluate the principal contemporary methodologies for constructing 'literary biographies' (i.e. life histories of writers, actors, musicians, and so forth, based on empirical study of factual data, and offering interpretations of the life and of its cultural reputation) and. secondly, to propose a specific approach to the genre that can produce more instructive and informative literary lives. The thesis is a practice-based study, c

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6

Wade, Kenneth R. "Recipes for investment : art or science." Thesis, University of Manchester, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.625127.

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This thesis investigates the inconsistency in modelling financial markets between the sophisticated analytic models based in efficient market theory and persistence in the practical finance world of relatively simplistic approaches to investment, supported by the views of wealthy investors which seem to provide evidence of superior ex-ante performance inconsistent with even simple efficiency concepts. What is often termed 'value' investing is typical of such an approach. Although the term originally implied determining an intrinsic value for the common stock based upon a comprehensive fundamen

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7

Barker, Bernard Christopher. "Transforming schools : art, science or illusion?" Thesis, University of Leicester, 2003. http://hdl.handle.net/2381/30838.

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This ethnographic case study of Hillside School's two years in special measures investigates a number of theoretical perspectives derived from a substantial review of the literature on effectiveness, improvement and leadership. The claim that appropriately trained heads can motivate teachers and students to achieve ever more challenging targets, and transform the education and prospects of the next generation, is tested against the experience of two headteachers in the field. Repeated participant interviews, a contemporary diary and extensive documentation are used to examine how the heads bui

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8

Puhachova, Anna, and L. V. Roienko. "Is graphic design art or science?" Thesis, Наукова платформа Open Science Laboratory, 2020. https://er.knutd.edu.ua/handle/123456789/16302.

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У статті розглядаються основні аспекти та сфери застосування графічного дизайну.<br>Graphic design is described as the process of visual communication and problem-solving through the use of typography, photography, iconography and illustration.

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9

Hagemeier, Nicholas E. "The Art and Science of Thriving." Digital Commons @ East Tennessee State University, 2019. https://dc.etsu.edu/etsu-works/7747.

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10

Garubba, Keith. "Art/Science and a Blended Inquiry." The Ohio State University, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=osu1405436323.

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11

Graham, John. "Stendhal and physiognomy : science into art /." Charlottesville : Graley, 1990. http://catalogue.bnf.fr/ark:/12148/cb376953217.

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12

Daita, Ananda Rohit. "The Art and Science of Data Analysis." Thesis, University of North Texas, 2018. https://digital.library.unt.edu/ark:/67531/metadc1157624/.

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This thesis aims to utilize data analysis and predictive modeling techniques and apply them in different domains for gaining insights. The topics were chosen keeping the same in mind. Analysis of customer interests is a crucial factor in present marketing trends and hence we worked on twitter data which is a significant part of digital marketing. Neuroscience, especially psychological behavior, is an important research area. We chose eye tracking data based on which we differentiated human concentration while watching controllable (video game) videos and uncontrollable (sports) videos. Current

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13

Vishnevsky, Nathania Anne. "Selected species: experiments in art and science." The Ohio State University, 1998. http://rave.ohiolink.edu/etdc/view?acc_num=osu1382710786.

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14

Imhoff, Joshua L. "W. H. Hudson between art and science /." Oxford, Ohio : Miami University, 2009. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=miami1260651357.

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15

Hicks, Scotia J. "The art and science of criminal profiling." Diss., The University of Arizona, 2004. http://hdl.handle.net/10150/290111.

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In recent years, the American public has become increasingly fascinated by criminal profiling. Despite the popularity of criminal profiling, however, evidence of its accuracy and utility in serving the various phases of the criminal justice process has not been scientifically demonstrated. Historically portrayed as an art, profiling has increasingly been represented as a science by profiling practitioners, even in the absence of a body of scientific literature to support such a representation. The purpose of this book is twofold: First, the state of criminal profiling today will be critically

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16

Field, Rhian. "Public engagement with climate change through visual art : an experiential with Art-Science." Thesis, Aberystwyth University, 2017. http://hdl.handle.net/2160/e909d884-dd1d-49b6-9567-96e2e1cd983e.

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Art has a potentially influential part to play in science communication, assisting in the process of making information more accessible and more effective. It supports education, serves as a universal language and can help us imagine and hypothesize. However, beyond the practical application of art as visual illustrator, there is something more mysterious and the possibility of a potential yet un-tapped. Art has a reputation for influencing human emotions and behaviour, although the exact mechanics of this process is presently unknown. An effective collaboration between artists and scientists

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17

Sears, Todd Richard. "War as Art or Science: A Humanist Vision." Thesis, Monterey, California. Naval Postgraduate School, 1991. http://hdl.handle.net/10945/43543.

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Approved for public release; distribution is unlimited<br>This thesis attempts to answer the question, Is War art of science? In doing so it draws heavily upon Thomas Kuhn's humanistic philosophy of science. If War can be separated theoretically into two distinct analytical units, preparation for war, and conduct of war, then the answer to the question becomes more accessible. The war preparation process is notably similar to the Kuhnian dynamic of scientific process, i.e., the evolution of a paradigm through inter-disciplinary criticism and rearticulation. A case study of post-WWII US nuclear

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18

Webster, Stephen. "Encounters : contemporary art-science collaborations in the UK." Thesis, Open University, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.446105.

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19

Macedo-Lamb, Silvana Barbosa. "From fine art to natural science through allegory." Thesis, Northumbria University, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.410383.

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20

Дядечко, Алла Миколаївна, Алла Николаевна Дядечко, Alla Mykolaivna Diadechko, and L. Sigida. "The art and science of connecting with consumers." Thesis, Вид-во СумДУ, 2009. http://essuir.sumdu.edu.ua/handle/123456789/16809.

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Too often people jump right to the outbound marketing. As a result they often end up trying to push products into people who really don't want the products at all. Effective inbound marketing often results in much more effective - and less difficult - outbound marketing and sales. Marketing is science of future and it will help to sale products more effective. When you are citing the document, use the following link http://essuir.sumdu.edu.ua/handle/123456789/16809

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21

Nichol, Richard C. "The art and science of Messianic Jewish preaching." Theological Research Exchange Network (TREN), 1999. http://www.tren.com.

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22

Hopkins, Noel Paul. "Abradable coatings : from black art, to materials science." Thesis, Swansea University, 2007. https://cronfa.swan.ac.uk/Record/cronfa42844.

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Suck, squeeze, bang, blow! The efficiency and performance of a gas turbine engine relies on the ability to maintain high gas pressure ratios, throughout each stage of the compressor. To do this, engine manufacturers must minimise gas leakage over compressor blade and seal fin tips. Increasing the efficiency of the gas turbine engine is an area of enormous importance to engine manufacturers worldwide. The rewards are obvious when it is considered that a modest improvement of 0.5 to 1% to the Specific Fuel Consumption (SFC) can translate to huge savings on fuel costs. One way in which engine man

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23

Billick, Nicole J. "M.C. Escher: a bridge between art and science." Thesis, Boston University, 2000. https://hdl.handle.net/2144/27596.

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Boston University. University Professors Program Senior theses.<br>PLEASE NOTE: Boston University Libraries did not receive an Authorization To Manage form for this thesis. It is therefore not openly accessible, though it may be available by request. If you are the author or principal advisor of this work and would like to request open access for it, please contact us at open-help@bu.edu. Thank you.<br>2031-01-02

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24

Amorena, Maria Florencia. "Science, art, fiction : l'image chez Juan José Saer." Electronic Thesis or Diss., Paris 8, 2015. http://www.theses.fr/2015PA080143.

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Cette recherche se donne pour objectif d’analyser les images verbales dans l’œuvre de l’écrivain argentin Juan José Saer (Serodino 1937- Paris 2005). Elle s’appuie sur une étude du corpus littéraire ainsi que sur le scénario inédit Las nubes de Magallanes. Elle vise à comprendre dans quelle mesure les images verbales et mentales sont pertinentes dans la construction d’une esthétique et d’une épistémologie saeriennes. A partir d’une analyse des images verbales et mentales dans l’œuvre de Saer, cette étude veut non seulement montrer que description et narration sont intimement liées, mais que le

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Amorena, Maria Florencia. "Science, art, fiction : l'image chez Juan José Saer." Thesis, Paris 8, 2015. http://www.theses.fr/2015PA080143.

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Cette recherche se donne pour objectif d’analyser les images verbales dans l’œuvre de l’écrivain argentin Juan José Saer (Serodino 1937- Paris 2005). Elle s’appuie sur une étude du corpus littéraire ainsi que sur le scénario inédit Las nubes de Magallanes. Elle vise à comprendre dans quelle mesure les images verbales et mentales sont pertinentes dans la construction d’une esthétique et d’une épistémologie saeriennes. A partir d’une analyse des images verbales et mentales dans l’œuvre de Saer, cette étude veut non seulement montrer que description et narration sont intimement liées, mais que le

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26

Henschke, Chris, and chris henschke@rmit edu au. "Broken Symmetries: tensions and connections between art and science." RMIT University. Creative Media, 2007. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20080110.121930.

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In respect to the nature and development of scientific knowledge and issues of abstraction and irrationality in science, there is evidence that the fundamental forms of inspiration and origins of methodology are common to both scientific and artistic research. Also, the results of artistic practice, although far more culturally specific and subjective, are arguably complementary to those of scientific research. What are then the methods used and results obtained when one makes art about scientific theories, using technologies derived from the results of scientific research? Furthermore, how do

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27

Taylor, Grant D. "The machine that made science art : the troubled history of computer art 1963-1989." University of Western Australia. Visual Arts Discipline Group, 2005. http://theses.library.uwa.edu.au/adt-WU2005.0114.

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[Truncated abstract] This thesis represents an historical account of the reception and criticism of computer art from its emergence in 1963 to its crisis in 1989, when aesthetic and ideological differences polarise and eventually fragment the art form. Throughout its history, static-pictorial computer art has been extensively maligned. In fact, no other twentieth-century art form has elicited such a negative and often hostile response. In locating the destabilising forces that affect and shape computer art, this thesis identifies a complex interplay of ideological and discursive forces that i

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28

Chernetska, Alla. "Art et science : nouveau langage dans l'exploration du monde." Thesis, Paris 1, 2017. http://www.theses.fr/2017PA01H001.

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L’art et la science sont des voies parallèles de connaissance du monde, même si chacun utilise ses propres moyens. Ayant des approches différentes, les deux sont en quête de l’invisible, de ce qui se trouve au-delà de la première perception de la réalité, pour aboutir à la découverte de nouveaux phénomènes dans le réel. Les collaborations actuelles entre les artistes et les scientifiques m’ont conduite à la recherche de nouvelles approches de la réalité que ces projets communs puissent apporter à l’Humanité. En découvrant le domaine Art & Science, je me suis interrogée sur des démarches et

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29

Schlaepfer-Miller, Juanita. "Defining new knowledge produced by collaborative art-science research." Thesis, University of Plymouth, 2016. http://hdl.handle.net/10026.1/6500.

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This thesis takes a theoretical framework constructed for transdisciplinary research within different natural science disciplines and investigates what kind of new knowledge is produced when this framework is applied to projects at the interface of art and natural science. The main case study is “Sauti ya Wakulima – The Voice of the Farmers”, which involves collaboration with another intervention artist, and with natural scientists and farmers. This is a collaborative knowledge project with small-scale urban as well as rural farmers in Tanzania who have created an online community archive of t

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30

Cutting, Bruce A., University of Western Sydney, College of Law and Business, and School of Management. "Refounding governance : transforming the science to master the art." THESIS_CLAB_MAN_Cutting_B.xml, 2002. http://handle.uws.edu.au:8081/1959.7/79.

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Since Montesquie's incisive differentiation of the principal forms of governance and their components, the rate at which theories of governance have been proposed has exponenetially grown now when we have a plethora of different theories on the best way to govern, lead and /or manage. Anyone interested in this topic is confronted with many conflicting schools of thought, from Weber's theory of the 'iron cage' to Wheatley's new-age concept of leadership. This seeming maze of different theories can be seen merely as different perspectives on the overall embracing concept of governance which is e

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31

Reynolds, James Michael. "Secondary science students' responses to two SAMPLE, art projects." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape16/PQDD_0008/MQ30021.pdf.

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32

Swirski, Peter. "Poe, Lem, and the art and science of literature." Thesis, McGill University, 1995. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=40004.

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Transcending the boundaries of literature, the works of Edgar Allan Poe and Stanislaw Lem contribute to a dialogue between literary, philosophical, and scientific cultures. A critical approach to these writers that ignores the epistemic dimension in their works opens itself to the charge of misunderstanding their artistic goals and aspirations. In my dissertation I thus define, justify, and conduct an interdisciplinary study of Poe and Lem's works.<br>My project is underwritten by the epistemological assumption that literary works, and notably works of fiction, can make a contribution to knowl

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33

Terzic, Marilyn. "Understanding television: the art and science of aesthetic response." Thesis, McGill University, 2011. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=104508.

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This dissertation examines the processes of perception and cognition and demonstrates their application to the creation of aesthetically and artistically significant television content. By reexamining past understandings and assumptions, the ways in which artists and media producers have manipulated the information search and processing faculties of their audiences, and thus guided the meanings they ascribed to still and moving images, are explored. To reflect the multidisciplinary nature of television aesthetics, this research is not limited to a particular academic discipline. Instead, it dr

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34

Puentes, Kalid. "Introducing neo-surrealism : the social science of performance art." Thesis, Brunel University, 2017. http://bura.brunel.ac.uk/handle/2438/17144.

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This study is concerned with the obscurity surrounding the boundaries of a socio-political context and a metaphysical context, especially as it correlates to Contemporary Performance Art. This dichotomy seemingly results in symbolic conflation and therefore necessitates the inclusion of social science as part of Performance Studies discourse. The intersection of these disciplines aligns with respect to the significance of context: the role of communication when considering the phenomenon of interpreting the perspective of other individuals. In this study, the various layers appropriated to the

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35

Hassan, Nurul Izzaty. "Revealing the art and science of self-replicating rotaxanes." Thesis, University of St Andrews, 2012. http://hdl.handle.net/10023/3128.

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This Thesis reveals the strategies for the construction and replication of mechanically interlocked molecules, particularly rotaxanes, which consist of a macrocyclic ring that encircles a linear component terminated with bulky groups. The work highlights our recent research activities in exploring the recognition-mediated synthesis of this class of interlocked molecule and its amplification by replication. Our starting point is the minimal model of self-replication. The introductory chapters (Chapter 1 and 2) provide some background and significance to the study, which presents comprehensive r

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Cutting, Bruce A. "Refounding governance : transforming the science to master the art." Thesis, View thesis, 2002. http://handle.uws.edu.au:8081/1959.7/79.

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Since Montesquie's incisive differentiation of the principal forms of governance and their components, the rate at which theories of governance have been proposed has exponenetially grown now when we have a plethora of different theories on the best way to govern, lead and /or manage. Anyone interested in this topic is confronted with many conflicting schools of thought, from Weber's theory of the 'iron cage' to Wheatley's new-age concept of leadership. This seeming maze of different theories can be seen merely as different perspectives on the overall embracing concept of governance which is e

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37

Cutting, Bruce A. "Refounding governance : transforming the science to master the art /." View thesis, 2002. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20030729.112516/index.html.

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Thesis (Ph.D.) -- University of Western Sydney, 2002.<br>"A thesis ... for the degree of Doctor of Philosophy (Management) at the University of Western Sydney, Australia" Bibliography : leaves 550-564.

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Depew, Michael Lee. "The Tension between Art and Science in Historical Writing." Digital Commons @ East Tennessee State University, 2005. https://dc.etsu.edu/etd/1057.

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A perennial question in the philosophy of history is whether history is a science or an art. This thesis contests that this question constitutes a false dichotomy, limiting the discussion in such a way as to exclude other possibilities of understanding the nature of the historical task. The speculative philosophies of Augustine, Kant, and Marx; the critical philosophies of Ranke, Comte along with the later positivist, and the historical idealist such as Collingwood will be surveyed. History is then examined along side art to discuss not only the similarities but, the differences. Major simi

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Whitman, Jacquelyn Dale (JD). "Confronting ecophobia: increasing ecoliteracy through art and marine science." Thesis, University of Iowa, 2019. https://ir.uiowa.edu/etd/6881.

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Brown, Natalie. "Art and consciousness in light of Maharishi Vedic science." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2011. https://ro.ecu.edu.au/theses/378.

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This research examines the field of art and consciousness in light of Maharishi Vedic Science. Maharishi Vedic Science is a complete science of consciousness and its expressions, based on ancient Vedic knowledge, as elucidated by His Holiness Maharishi Mahesh Yogi, the foremost scholar in the field of consciousness. The research explores the practical application of Maharishi‘s technologies of consciousness― the Transcendental Meditation program and TM-Sidhi program, and simultaneously the theoretical understanding of consciousness through the study of Maharishi Vedic Science. The research exa

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41

Harrison, Paul Liam. "Desiqns for Life : Art Science and Collaboration A practice-led study in fine art printmaking." Thesis, University of Dundee, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.521694.

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42

Bisulca, Christina. "Case Studies in Conservation Science." Diss., The University of Arizona, 2014. http://hdl.handle.net/10150/332904.

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The research presented in this dissertation covers three separate topics of conservation as defined by the National Science Foundation: 1) Materials Stabilization, Strengthening, Monitoring, and Repair; 2. Understanding Material Degradation and Aging; and 3) Materials and Structural Characterization of Cultural Heritage Objects (the `technical study'). The first topic is addressed through a study to assess the consolidant tetraethoxysilane for the stabilization of alum treated wood. Falling under materials degradation studies is a study published in American Museum Novitates to understand how

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Phillips, Perdita. "Fieldwork/fieldwalking: Art, sauntering and science in the "walking country"." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2007. https://ro.ecu.edu.au/theses/257.

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fieldwork/fieldwalking is a contemporary art project exploring practices of walking and science in the field. 11 explores the themes of walking and-fieldwork in art, and as art. Whilst the. sociology of science in the laboratory has been well theorised, less has been said about the field in the natural sciences. And, equally, the most recent and provocative walking art is found in urban areas, in a fabric dominated by the patterns of human settlement. How could new walking art be made in non-urban places? The project set out to investigate how these two, fieldwork and walking, could be combine

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Lapelletrie, Fabrice. "Frank Malina : le lumino-cinétisme dans l’ombre de la science." Thesis, Paris 4, 2010. http://www.theses.fr/2010PA040107.

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Frank Malina (1912-1981) doit d’abord être reconnu comme un des artisans majeurs de la conquête spatiale. Entre 1934 et 1947, en Californie, aidé par un groupe de passionnés, il supervisa plusieurs programmes consacrés à la propulsion des fusées. En 1945, sa carrière est couronnée par le lancement de la WAC Corporal, une fusée-sonde qui atteignit l’altitude de 72 km. En 1944, il co-fonda avec Théodore Von Karman le Jet Propulsion Laboratory, un laboratoire aujourd’hui rattaché à la NASA. Après un passage de six ans à L’UNESCO, il débuta en 1953 une carrière d’artiste. Ses premières œuvres rass

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Nolan, Lucille Marie. "Vision science and the visual arts : an enquiry into the science of perception and the art of immersion." Thesis, Northumbria University, 2009. http://nrl.northumbria.ac.uk/312/.

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This research addresses questions surrounding two currently prominent visual art topics. The first revolves around the concept of immersion and perceptions of immersive art, the second concerns current interests in art and science and the practice of art and science collaboration. Current debates and theories of immersion revolve around technologically informed virtual models and interactive virtual art environments, however, the history of immersion as a creative medium has been traced to pre-technological, even pre-historical beginnings. In this study, a pre- technological concept of immersi

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Lookman, Mariah. "Looking to draw : picturing the molecular body in art and science." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:58d026b1-457c-412a-a339-ca25eaa9ab19.

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As a practice-led thesis comprised of drawing, sculpture, video, notebooks, and a written dissertation, this study by way of art making argues against the provocation that life sciences aided by the advances in visualizing techniques will hegemonise much of what there is to see and know about biological life. Historian James Elkins argued that non-art informational images were historically relevant considering the strategies scientists use for visualizing phenomena and W. J. T. Mitchell noted the impact of proliferation in image production together with computer technology as the epistemologic

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NASCIMENTO, ELEN CRISTINA CARVALHO. "ELECTRONIC ART: THE MISSING LINK BETWEEN DESIGN, SCIENCE AND TECHNOLOGY." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2017. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=30067@1.

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PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO<br>COORDENAÇÃO DE APERFEIÇOAMENTO DO PESSOAL DE ENSINO SUPERIOR<br>PROGRAMA DE SUPORTE À PÓS-GRADUAÇÃO DE INSTS. DE ENSINO<br>Este trabalho propõe a reflexão sobre a relevância da Arte Eletrônica no processo de formação e produção para o conhecimento contemporâneo, bem como suas afinidades com o campo do Design, desde os princípios históricos até as práticas de produção e experimentação transdisciplinares que ampliam os limites entre Arte, Ciência e Tecnologia. Os capítulos refletem os problemas epistemológicos encontrados e trazem à análise,

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Stones, A. "What art and science want : disciplines and cultures in contention." Thesis, University College London (University of London), 2011. http://discovery.ucl.ac.uk/1336529/.

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Art and science cannot 'want' anything, but artists can be interested in disciplinary outcomes other than those authenticated within their own field, and scientists can want a greater sense of cultural agency than is allowed within a strictly-ruled discipline. The pursuit of such aspirations puts into contention the integrity of arts and sciences as disciplines (for knowing and making a world), and the effectiveness of their cultures in transmitting their selectivist disciplinary gains, or opening them to participation and scrutiny. This inquiry uses Pierre Bourdieu's formulation of the social

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Debout, Christophe. "Construction des savoirs infirmiers en France : entre art et science." Paris 7, 2009. http://www.theses.fr/2009PA070062.

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Les sciences infirmières ont été instituées aux Etats-Unis depuis plus de cinquante ans. Elles ont pour finalité de procurer des savoirs scientifiques utiles au raisonnement clinique de l'Infirmière et ainsi accroître la qualité des soins. Leur objet les conduit à étudier les comportements humains en matière de santé, leurs déterminants afin d'en décliner des interventions de soins infirmiers pertinentes. Cet objet les amène à devoir composer avec l’intentionnalité, le symbolisme, la normativité et l'historicité inhérents à l'être humain. Les tensions épistémologiques que cette complexité susc

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Lapworth, Andrew Colin. "Thinking in the middle of art-science : emergence, experience, encounter." Thesis, University of Bristol, 2015. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683908.

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This thesis explores the implications for the social sciences of a thought that would loosen its ties to foundational beginnings or determinate ends, and instead seek to grasp things through the middle. Following in the wake of the philosophy of Gilles Deleuze, the thesis argues that to 'see things in the middle' requires the elaboration of a new image of thought, one that asserts the primacy of forces and processes of ontogenesis (or, a thought of the 'becoming of being') over the static abstractions of 'subject' and ' object' that define classical ontology. More specifically, the thesis expl

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