Bibliographies thématiques / Chuvash Songs

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Littérature scientifique sur le sujet « Chuvash Songs »

Auteur : Grafiati
Publié le 25 juillet 2024
Mis à jour le 31 juillet 2025

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Articles de revues sur le sujet "Chuvash Songs"

1

Ismagilova, Ekaterina I. "Folk song poetry of the Chuvash people of the Krasnoyarsk Krai." Sibirskiy filologicheskiy zhurnal, no. 4 (2022): 49–62. http://dx.doi.org/10.17223/18137083/81/4.

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To create an adequate picture of the existence of the oral folk art of the Chuvash settlers, it is necessary to characterize individual microlocal traditions. Such traditions include song samples recorded from the Chuvash of the Krasnoyarsk Territory in the Bolshemurtinsky (1981 year of recording) and Kazachinsky (2009 year of recording) regions. Genre-style composition of songs is heterogeneous. The calendar layer of folklore is represented by Maslenitsa and round dance songs. Life cycle patterns include wedding and recruiting songs. Untimed lyrics includes guest and traditional lyric songs,
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Mankov, Andrey V. "MUSICAL LIFE OF CHUVASHIA IN THE EARLY 1930s." Historical Search 1, no. 3 (2020): 98–105. http://dx.doi.org/10.47026/2712-9454-2020-1-3-98-105.

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The article studies the main directions of musical life of Chuvashia at the beginning of the Cultural Revolution in the USSR in the 1930s. The issues of the journal “Soviet music” were used as a historic source. The article, in particular, tells about the achievements of the Republic in creating the national culture within the framework of the Cultural Revolution which were demonstrated in the days of celebrating in 1935 the 15th anniversary of the Chuvash autonomous region formation. At this, the author pays special attention to the role of Cheboksary music college in forming the musical arts
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Egorova, Olga Nikolaevna. "Ethnographic Notes of N. V. Nikolsky on the Chuvash People of the Village of Apanasovo-Temyashi." Ethnic Culture 4, no. 2 (2022): 6–12. http://dx.doi.org/10.31483/r-101502.

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The work is devoted to the analysis of ethnographic records of the doctor of historical sciences, professor N. V. Nikolsky about the Chuvashs of the village of Apanasovo-Temyashi, Yalchik district of the Chuvash Republic, stored in the scientific archive of the Chuvash State Institute of the Humanities. The materials of the scientist are valuable historical sources that describe the general picture of the everyday life of the Chuvash village at the turn of the 19th-20th centuries. The collection of ethnographic material was carried out by the researcher through participant observation as part
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Bushueva, Lyubov Ivanovna. "Composer A. A. Egorov in the History of the Musical Culture of Chuvashia." Ethnic Culture 4, no. 4 (2022): 8–14. http://dx.doi.org/10.31483/r-103771.

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The article is devoted to the creative connections of the famous Soviet conductor and composer A.A. Egorov with the musical culture of Chuvashia in the 1930s. The purpose of the work is to recreate the historical picture of these connections, to determine his contribution to the Chuvash art and to identify the characteristic features of the interpretation of the national song folklore. The material of the study was musical texts of works by A.A. Egorov (first of all, the author’s collection «Folk Songs Arranged for Mixed Choir by A. Egorov»), as well as his theoretical and methodological work
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Iagafova, Ekaterina A. "Representation of Chuvash ethnicity in cyberspace." Samara Journal of Science 12, no. 3 (2023): 222–27. http://dx.doi.org/10.55355/snv2023123214.

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The article examines the forms, methods and mechanisms of representation of Chuvash ethnicity in cyberspace, characterizes the space of ethnic history and culture of the Chuvash on the Internet, describes the forms and ways of representing the ethnic image of the Chuvash in the Internet space, analyzes the structure of Chuvash cyberspace; characterizes the degree of activity and motivation of participants in virtual communities in the process of representation of ethnicity. The research is based on the study of the content of the «Chuvash» Internet: online platforms, Internet services, resourc
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Fedotova, E. V. "Defining the concept of “homeland” in Chuvash recruitment songs from Siberia and the Volga region." Languages and Folklore of Indigenous Peoples of Siberia, no. 52 (2024): 149–61. https://doi.org/10.25205/2312-6337-2024-4-149-161.

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Recruitment songs, sung at the departure of conscripts for military service or war, are classified within the realm of family and everyday music. The compilation of Chuvash recruitment songs commenced in the 19th century, initiated by Chuvash educators. Data collection focused on the Volga region, the ancestral territory. Also, recordings were made in Siberia, where the Chuvash migrant ethnic group preserved its traditions into the 1980s. Some traditions, such as seeing off recruits to the army, are still in use today. However, the topic of defining the boundaries of the homeland in recruitmen
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Ismagilova, Ekaterina I., and Elena V. Fedotova. "The Theme of Separation in the Song Folklore of the Chuvash Settlers of the Kemerovo Region." Critique and Semiotics 10, no. 2 (2022): 241–57. http://dx.doi.org/10.25205/2307-1737-2022-2-241-257.

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This paper examines the embodiment of the theme of separation in the song texts recorded in 1951 and 2007 from the Chuvash settlers of the Kemerovo region. This theme is present in guest and recruit songs, in the songs of immigrants created in the process of forced resettlement of the Chuvash to new lands. In aphoristic short-plot songs, the theme of separation often manifests itself in the form of separate words and verbal turns – “signs” that point to it. In guest songs, the theme of separation is conveyed most often through images of memories, distant distances, abandonment, sadness. “Signs
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Ильина, Галина Геннадьевна, and Алексей Анатольевич Александров. "FOLKLORE TRADITIONS OF KANASHSKY, YANTIKOVSKY AND URMARSKY DISTRICTS OF THE CHUVASH REPUBLIC: GENRE COMPOSITION." Bulletin of the Chuvash State Pedagogical University named after I Y Yakovlev, no. 2(107) (July 30, 2020): 41–50. http://dx.doi.org/10.37972/chgpu.2020.107.2.006.

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В статье рассматривается жанровое разнообразие песен некоторых деревень Канашского, Янтиковского и Урмарского районов Чувашской Республики. Рассмотрение выбранных нами автохтонных локальных традиций продиктовано тем, что именно из этих районов в разное время произошло переселение чувашей в Сибирь. Нами планируется сравнительное изучение фольклора переселенцев на новых территориях, которое будет проведено позже. Изучение локальных традиций позволит нам провести дальнейшее исследование. Фольклор рассматриваемых районов чрезвычайно богат и сложен. В ходе работы выявлены песни, исполняемые в этих
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Kutsaeva, Marina Vasilevna. "“The song helps us to build and to live”: the role and functions of the ethnic song in Moscow Chuvash and Mari diasporic groups." Ethnic Culture 5, no. 4 (2023): 40–48. http://dx.doi.org/10.31483/r-107989.

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The paper studies the role and functions of songs in an ethnic language in the life of representatives of the internal diaspora. The article is based on the results of sociolinguistic surveys conducted in Chuvash and Mari diasporas of the Moscow region in 2014–2017 and 2019–2021, respectively. The researcher employed the following sociolinguistic methods: direct observation, participant observation, structured interviews of respondents, documentary recording of responses, statistical data analysis. One of the blocks in the sociolinguistic questionnaire included such aspects as the language – i
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Petrov, Igor G. "POSTHUMOUS WEDDING IN TRADITIONAL IDEAS AND RITUAL PRACTICE OF THE CHUVASHS IN SOUTHERN URAL." Vestnik Chuvashskogo universiteta, no. 1 (March 30, 2023): 50–63. http://dx.doi.org/10.47026/1810-1909-2023-1-50-63.

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The article considers the funeral and memorial customs and rites of the Chuvashs living in the Southern Urals, mainly the Ttans-Ik and Trans-Belaya basins of the Republic of Bashkortostan. The choice of the study range is due to the fact that the funeral and memorial customs and rites of the Chuvash of this region have not been studied sufficiently in historical and ethnological terms, and the available studies are generalized or fragmentary in nature. The purpose of the study is to show the phenomenon of the so-called posthumous wedding and its local variants, which have been preserved and ex
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Livres sur le sujet "Chuvash Songs"

1

Grechko, Nina Maniulovna. Uĭăkh śuti văl pultăr. [s.n.], 2007.

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Vorobʹev, Vasiliĭ Petrovich. Chăvash khalăkh i͡urrisem. [Chăvash patshalăkh gumanitari ăslălăkhĕsen instituchĕ], 2011.

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3

Nikolaĭ, Vasilʹev, ed. Săpka i͡u︡rrisem: Săpkavsem. Chăvash kĕneke izdatelʹstvi, 1989.

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Kondratʹev, M. G. Chuvashskai͡a︡ "śavra i͡u︡ră" i ee tatarskie paralleli. Nauch.-issl. in-t i͡a︡zyka, literatury, istorii i ėkonomiki pri Sovete Ministrov Chuvashskoĭ Respubliki, 1993.

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Kondratʹev, M. G. O ritme chuvashskoĭ narodnoĭ pesni: K probleme kvantitativnosti v narodnoĭ muzyke. "Sov. kompozitor", 1990.

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Patmar, I. A. Purnăś ilemĕ: Pai͡a︡nkhi chăvashsen tuĭ ĭĕrki. s.n.], 1992.

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Stanislav, Aleksandrov, Rodionov V. G, I͡U︡mart G. F, and Chuvashskai͡a︡ A.S.S.R. (R.S.F.S.R.). Nauchno-issledovatelʹskiĭ institut i͡a︡zyka, literatury, istorii i ėkonomiki., eds. Chuvashskai͡a︡ narodnai͡a︡ poėzii͡a︡. Nauchno-issl. in-t i͡a︡zyka, lit-ry, istorii i ėkonomiki pri Sovete Ministrov Chuvashskoĭ ASSR, 1990.

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8

Ivanov-Ekhvet, A. I. Muzy ishchut prii͡u︡t ; k istorii dorevoli͡u︡t͡s︡ionnykh russko-chuvashskikh kulʹturnykh vzaimosvi͡a︡zeĭ--muzyka, teatr. Chuvashskoe knizhnoe izd-vo, 1987.

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9

Chuvash Folk Songs. Akademiai Kiado, 2002.

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Persirlans songs traditional chuvash music. 2011.

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Chapitres de livres sur le sujet "Chuvash Songs"

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Knyazev, Mikhail. "NEITHER A LEXICAL VERB NOR A COMPLEMENTIZER: EVIDENTIAL SAY-BASED COMPLEMENTS IN CHUVASH." In Songs and Trees: Papers in Memory of Sasha Vydrina. Institute for Linguistic Studies, Russian Academy of Sciences, 2023. http://dx.doi.org/10.30842/9785604799925202319.

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Actes de conférences sur le sujet "Chuvash Songs"

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Seabra, Waldomiro J. G., Juan G. Colonna, and Eduardo F. Nakamura. "Sensor Acústico para Detecção de Desmatamento Ilegal na Floresta Amazônica." In IX Simpósio Brasileiro de Computação Ubíqua e Pervasiva. Sociedade Brasileira de Computação - SBC, 2017. http://dx.doi.org/10.5753/sbcup.2017.3300.

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Neste trabalho, apresentamos um método para detecção de sons de motosserras, com o objetivo de auxiliar no combate de extração ilegal de madeira nas florestas tropicais. Em nossa abordagem utilizamos um método de classificação de uma classe para detectar apenas o som de interesse e rejeitar todos os outros sons, sejam estes naturais ou artificiais, tais como: chuva, vento, diversas vocalizações de animais, fala humana, e motores de barcos. O método de classificação escolhido é o Support Vector Data Description (SVDD), que consiste em criar uma hiperesfera ao redor dos pontos que representam a
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