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Littérature scientifique sur le sujet « Dance »

Auteur : Grafiati

Publié le 4 juin 2021

Mis à jour le 25 juillet 2025

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Articles de revues sur le sujet "Dance"

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Gailīte, Elīna. "Tautas deju definēšanas problemātika mūsdienās Latvijā." Aktuālās problēmas literatūras un kultūras pētniecībā: rakstu krājums, no. 26/2 (March 11, 2021): 94–104. http://dx.doi.org/10.37384/aplkp.2021.26-2.094.

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The article “Problems of defining folk dance in Latvia today” examines the aspects that affect the current situation in Latvia, where folk dances are understood as both folk dances that have not been modified by choreographers, dances passed down through generations that can be danced every day, and stage folk dances, which are a type of art performed by folk dance ensembles, created by choreographers and dances adapted to the stage performance. The research aim is to identify and describe the problems that currently exist in the Latvian cultural space, where the definition of folk dances crea

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MURADOVA, Terane. "APPLICATION OF AZERBAIJANI FOLK DANCE IN KHOREOGRAPHICAL COMPOSITION." IEDSR Association 6, no. 12 (2021): 218–26. http://dx.doi.org/10.46872/pj.258.

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Login: The article is dedicated to the embodiment of Azerbaijani folk dances on the professional stage. The main condition for the stage embodiment of folk dances is to take into account the laws of composition and stage criteria. When talking about the stage structure of folk dance, a number of important factors need to be clarified. The composition consists of several parts. These parts consist of dance combinations. For this, dance must express the parts of the composition as exposition, binding, development and complementary. Development: Angle factor is very important in stage arrangement

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Surya, Windi Kartika, and Nerosti Nerosti. "Eksistensi Tari Andun Dalam Upacara Adat Perkawinan Di Kecamatan Seluma Kabupaten Seluma Provinsi Bengkulu." Jurnal Sendratasik 10, no. 4 (2021): 51. http://dx.doi.org/10.24036/js.v10i4.114175.

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This research has a problem regarding the formulation of "The Existence of Andun Dance in Seluma Marriage, Seluma Regency, Bengkulu Province". The purpose of this research is to describe and analyze the existence of Andun Dance in traditional wedding ceremonies in Seluma District, Seluma Regency, Bengkulu Province. This research uses descriptive qualitative analysis. Data collection techniques or through literature study, observation, interviews and documentation. The research found that the Andun Dance consists of two types, namely: (1) the Andun lelawanan dance which is danced in pairs and w

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Supeni, Siti. "JAVANESE TRADITIONAL ART-DANCE AS THE IMPLEMENTATION OF CHARACTER EDUCATION OF CHILDREN TO SUPPORT CHILD FRIENDLY SCHOOL." RESEARCH FAIR UNISRI 4, no. 2 (2020): 48. http://dx.doi.org/10.33061/rsfu.v4i2.4517.

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The purpose of the research is to: ( I) identify character education of children in various Javanese traditional dances, (2) to analyze the needs, output, problems. and learning objectives of child-friendly schools (CFS) in applying character education based on regional dance by interviewing a dancer trainer and a professional dancer who have experiences in creating and practicing the dances, and (3) to identify types of Javanese traditional dance values inside the dances. the types of research is through literary studies, interviews, surveys, observations, and documentation. To analyze the da

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Kariasa Putra, I. Komang, Tjokorda Udiana Nindhia Pemayun, and Gede Yosef Tjokropramono. "Sanghyang Dedari Dance as a Painting Creation Idea." CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI 2, no. 2 (2022): 87–91. http://dx.doi.org/10.59997/citakara.v2i2.1849.

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Balinese dance is a variety of dances originating from the island of Bali. Balinese dance does not always depend on the storyline. The main goal of Balinese dancers is to dance each stage of movement and sequence with full expression. Sang Hyang Dedari dance is a Balinese dance that is used as a religious tool. Balinese people still believe that when girls aged 9-12 years dance this dance, they will be possessed by the holy spirit of an angel. Usually, the Sang Hyang Dedari Dance is played or danced before the rice harvest around April to resist disease outbreaks, and this dance has been desig

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Hawthorn, Ainsley. "Middle Eastern Dance and What We Call It." Dance Research 37, no. 1 (2019): 1–17. http://dx.doi.org/10.3366/drs.2019.0250.

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This article traces the historical background of the term ‘belly dance’, the English-language name for a complex of solo, improvised dance styles of Middle Eastern and North African origin whose movements are based on articulations of the torso. The expression danse du ventre – literally, ‘dance of the belly’ – was initially popularised in France as an alternate title for Orientalist artist Jean-Léon Gérôme's 1863 painting of an Egyptian dancer and ultimately became the standard designation for solo, and especially women's, dances from the Middle East and North Africa. The translation ‘belly d

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Turabian, Jose Luis. "Doctor-Patient Relationship as Dancing a Dance." Journal of Family Medicine 1, no. 2 (2018): 1–6. http://dx.doi.org/10.14302/issn.2640-690x.jfm-18-2485.

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The transcendence of the doctor-patient relationship is given by the confirmed fact of its influence on the results of health care. Several models of doctor-patient relationship can be described, but evidence of improved compliance, satisfaction and recall of physician information has been found in patient-centered consultations. Since these concepts of doctor-patient relationship and patient-centered consultation have multiple facets, they are complex to understand and teach. Using a metaphor is a tool that can be useful in these situations. We could say that the "good" doctor-patient relatio

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Berdnik, M. "The Impact of Historical Choreographic Origins on Forming Emotional Content in Latin American Ballroom Dance." Culture of Ukraine, no. 80 (June 30, 2023): 76–81. http://dx.doi.org/10.31516/2410-5325.080.09.

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Modern ballroom dance is actively developed as a sport whereas the art of dancing, which is characterized by emotions, is disappearing now. The causes are dealt with the low level of performing Latin American ballroom dance as an art and the necessity to develop the origins of this dance. It is also important to perform a particular Ballroom dance emotionally considering its historical roots. It is fact that now the great number of competitive dance couples give a lot of attention to the physical training of choreographic compositions with a large number of acrobatic tricks and little re

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Harefa, Mega Suryawan, Malarsih Malarsih, and Rahina Nugrahani. "Analisis Bentuk Penyajian Tari Fanari Niowalu pada Acara Fal�wa di Kecamatan Idan�gawo." Ideas: Jurnal Pendidikan, Sosial, dan Budaya 10, no. 1 (2024): 223. http://dx.doi.org/10.32884/ideas.v10i1.1548.

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The fanari niowalu dance is a traditional dance which is one of the sacred dances in wedding customs which is only danced by niowalu at the fal�wa which symbolizes that Niowalu is ready to get married and welcomes the extended family of the marafule (groom), guests and the community who come was at the fal�wa event. The purpose of writing this article is to analyze the form of presentation of the fanari niowalu dance using qualitative research methods with an ethnochoreological approach that describes existing problems. This dance is danced at weddings where the dance is started by the mothers

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Pype, Katrien. "Dancing for God or the Devil: Pentecostal Discourse on Popular Dance in Kinshasa." Journal of Religion in Africa 36, no. 3-4 (2006): 296–318. http://dx.doi.org/10.1163/157006606778941968.

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AbstractThis article studies the dance poetics and politics of Christians in contemporary Kinshasa. For Kinois (inhabitants of Kinshasa), dance is one of the most important technologies to get in touch with an invisible Other, the divine or the occult. In sermons, and other modes of instruction, spiritual leaders inform their followers about the morality of songs and dances. These discourses reflect pentecostal thought, and trace back the purity of specific body movements to the choreography's source of inspiration. As the specific movements of so-called sacred dances borrow from a wide array

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Thèses sur le sujet "Dance"

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Castillo, Iris Margot. "The dance is in the dancer as the dancer is in the dance /." Online version of thesis, 1996. http://hdl.handle.net/1850/12236.

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King-Cavin, Karen. "The black dancer" coping with the politics of dance." The Ohio State University, 1987. http://rave.ohiolink.edu/etdc/view?acc_num=osu1332947354.

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Green, Amy Catherine. ""Dance, Dance Revolution": The Function of Dance in American Politics, 1763-1800." W&M ScholarWorks, 2009. https://scholarworks.wm.edu/etd/1539626597.

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Kraus, Samuel Steven, and Samuel Steven Kraus. "An Investigation of Dance, Dance Injuries, and Dance Medicine within the Tucson Community." Thesis, The University of Arizona, 2017. http://hdl.handle.net/10150/625026.

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This paper is an investigation of dance, dance medicine, and dance injuries in the local community. Tucson is uniquely rich with dance culture and has been for many decades. Interviews conducted with local professionals Ashley Bowman and Claire Hancock capture authentic standpoints on dance in Tucson and provide insight into the rough, demanding nature of professional dance. To this day, the national dance community struggles as underserved artist-athletes, socioeconomically and medically. Fortunately, recent years have shown progress in closing the gap between the worlds of dance and me

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Faulds, Katrina. ""Invitation pour la danse" : social dance, dance music and feminine identity in the English country house c.1770-1860." Thesis, University of Southampton, 2015. https://eprints.soton.ac.uk/378156/.

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The engagement of landed elite women with dance music in the early nineteenth century and the contribution that such music made to the formation of female identity has received limited scholarly attention. While research on social dance has brought to life the cultural complexities of the ballroom, and investigations into the influence of dance on principally canonical repertoire have enriched our understanding of the intersections that occurred between music and dance, the actual collection and domestic performance of dance music itself has largely lain forgotten. The English country house pr

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Barry, Julia. "Adapting and integrating elements of best practice in dancer wellness in elite adolescent pre-professional dance programmes into private dance studio contexts." Thesis, Queensland University of Technology, 2021. https://eprints.qut.edu.au/214099/1/Julia_Barry_Thesis.pdf.

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Awareness of the well-being of adolescent dance students is important for their health, safety, performance ability and longevity of participation in dance. This research project investigated current strategies for supporting adolescent dance student physical, psychological, and social well-being (i.e., dancer wellness) within elite pre-professional dance training programmes and private dance studios in Australia, identifying strengths and challenges in the implementation of dancer wellness programmes. The findings offer considerations for private dance studio teachers on potential strategies

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Fleischle-Braun, Claudia. "Der Moderne Tanz : Geschichte und Vermittlungskonzepte /." Butzbach-Griedel : Afra, 2001. http://catalogue.bnf.fr/ark:/12148/cb389105358.

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Meegan, Wendy. "Dance beyond performance space : Jacob's Pillow Dance Festival and the National Museum of Dance." ScholarWorks@UNO, 2002. http://scholarworks.uno.edu/aa_rpts/86.

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The administrative skills acquired through this internship include time management, organizational, preservation, presentation, and documentation skills. This internship is a wonderful opportunity to experience the methods different dance organizations use to preserve their past, and promote their organizations through a historical perspective. Preserving the history of an organization is an important task that many of arts administration courses fail to acknowledge. However, since many other aspects of arts administration can be more easily accomplished if this task is performed efficiently,

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Meijer, Kim. "Let the Gods Dance| Transformation Through Haitian Dance." Thesis, Pacifica Graduate Institute, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=1690650.

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<p> This thesis is an exploration of the transformation of body and mind through Haitian dance from depth and liberation psychological perspectives. More personally, it focuses on the author’s transformational experience while being part of a Haitian dance community in Brooklyn, New York. Haitian dance is ingrained in Haitian culture, which embodies the history of Haitian people, mythology, gods, music, rituals, and ceremonies. This hermeneutic research examines Haitian dance as a way to access the somatic unconscious and support psychological healing and individuation. The research desc

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Williamson, Emilie Renne Champagne. "Physiology in Dance: Instructional Presentation for Dance Students." Thesis, The University of Arizona, 2013. http://hdl.handle.net/10150/297805.

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The purpose of the following document and supplemental presentations and questionnaire is to provide an overview of physiology as it relates to dance and introduce students of dance to physiology and nutrition and so begin to encourage them to think more about how the body works and how best to sustain it. The audience chosen for the original presentation of information are the University of Arizona School of Dance freshman students, who were chosen for their dedication to dance and with the hope that the provision of this information during their freshman year, will aid them in sustaining the

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Livres sur le sujet "Dance"

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Emily, Grosvenor, and Laguna Lance, eds. Lance Laguna's dance! dance! dance!: Master six ballroom dances. Running Press, 2000.

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Haruki, Murakami. Dance Dance Dance. Vintage, 1995.

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Dhananjayan, V. P. A dancer on dance. 2nd ed. Bharata Kalanjali, 1991.

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Mary, Clarke. Dancer: Men in dance. British Broadcasting Corp., 1986.

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Holleran, Andrew. Dancer from the Dance. Harper Perennial, 2001.

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Holleran, Andrew. Dancer from the dance. Penguin, 1990.

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Haruki, Murakami. Dance, dance, dance--: Roman. Amfora, 2001.

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Haruki, Murakami. Dance dance dance: A novel. Hamish Hamilton, 1994.

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Haruki, Murakami. Dance dance dance: A novel. Kodansha International, 1994.

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Haruki, Murakami. Dance, dance, dance: A novel. Penguin, 1995.

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Chapitres de livres sur le sujet "Dance"

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Troxler, Peter. "Dance? Dance!" In Applied Design Research. CRC Press, 2022. http://dx.doi.org/10.1201/9781003265924-5.

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Gottlieb-Eliaz, Einav. "The Dance Not Danced." In Dance/Movement Therapy and Sexual Abuse. Routledge, 2023. http://dx.doi.org/10.4324/9781003309048-10.

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Schoene, Lisa M. "Dance." In Athletic Footwear and Orthoses in Sports Medicine. Springer New York, 2010. http://dx.doi.org/10.1007/978-0-387-76416-0_26.

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Behnke, Elizabeth A., and Maureen Connolly. "Dance." In Contributions to Phenomenology. Springer Netherlands, 1997. http://dx.doi.org/10.1007/978-94-017-5344-9_29.

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Levesque, Roger J. R. "Dance." In Encyclopedia of Adolescence. Springer New York, 2011. http://dx.doi.org/10.1007/978-1-4419-1695-2_465.

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Beck, Gavin, and Maura Sellars. "Dance." In Numeracy in Authentic Contexts. Springer Singapore, 2017. http://dx.doi.org/10.1007/978-981-10-5736-6_7.

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Deu, Rajwinder S. "Dance." In Sports-related Fractures, Dislocations and Trauma. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-36790-9_53.

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Naerebout, Frederick. "Dance." In A Companion to the Archaeology of Religion in the Ancient World. John Wiley & Sons, Ltd, 2015. http://dx.doi.org/10.1002/9781118886809.ch8.

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Giambrone, Roberto. "Dance." In Lecture Notes in Morphogenesis. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-51324-5_19.

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Karoblis, Gediminas. "Dance." In Handbook of Phenomenological Aesthetics. Springer Netherlands, 2009. http://dx.doi.org/10.1007/978-90-481-2471-8_13.

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Actes de conférences sur le sujet "Dance"

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Li, Bing-Ze, and Jian-Jiun Ding. "Dance vision: automated dance posture analysis system." In International Workshop on Advanced Imaging Technology (IWAIT) 2025, edited by Jae-Gon Kim, Chia-Hung Yeh, Kemao Qian, Masayuki Nakajima, Chuan-Yu Chang, and Phooi Yee Lau. SPIE, 2025. https://doi.org/10.1117/12.3057457.

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Wang, Xuanchen, Heng Wang, Dongnan Liu, and Weidong Cai. "Dance any Beat: Blending Beats with Visuals in Dance Video Generation." In 2025 IEEE/CVF Winter Conference on Applications of Computer Vision (WACV). IEEE, 2025. https://doi.org/10.1109/wacv61041.2025.00502.

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Talpa, Svetlana. "Stage folk dance versus character dance." In Simpozion Național de Studii Culturale, dedicat Zilelor Europene ale Patrimoniului. Ediția III. Institute of Cultural Heritage, Republic of Moldova, 2022. http://dx.doi.org/10.52603/sc21.09.

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In the article, the author’s main objective is to argue the need to study and capitalize on folk stage dance and character dance by comparatively assigning their methodological and aspectual features. For this purpose, the analytical method of approaching the problem is used, as well as the pedagogical aspect. Performing folk dance and character dance exploits the capacity of the mind of both a professional dancer (ballet artists) and of an amateur dancer, by educating the body in order to be aware of each movement performed. From a methodological point of view, the stage folk dance and the ch

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Chandnasaro, Dharakorn. "The Series of Archaeological Dance: A Historical Study and Dance Move Recording with Labanotation | ระบำ􀄕ชุดโบร􀄕ณคดี: ก􀄕รศึกษ􀄕เชิงประวัติศ􀄕สตร์ และก􀄕รบันทึกท่􀄕ร 􀄕ด้วยล􀄕บ􀄕นโนเทชัน". У The SEAMEO SPAFA International Conference on Southeast Asian Archaeology and Fine Arts (SPAFACON2021). SEAMEO SPAFA, 2021. http://dx.doi.org/10.26721/spafa.pqcnu8815a-26.

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The Series of Archaeological Dances is a creative work of Thai dance inspired by information and evidence of ancient antiquities and sites discovered in Thailand to make the archaeological evidence found to be alive again in the form of Thai theatre and dance. The name of the historical period of art identified by the scholars are used to define the names of five performance of the Archaeological Dances, namely, Dvāravatī Dance, Srīvijaya Dance, Lopburi Dance, Chiang Saen Dance, and Sukhothai Dance. Each performance has its own unique style with no related content to each other. This series of

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Takeda, T., K. Kosuge, and Y. Hirata. "HMM-based dance step estimation for dance partner robot -MS DanceR$." In 2005 IEEE/RSJ International Conference on Intelligent Robots and Systems. IEEE, 2005. http://dx.doi.org/10.1109/iros.2005.1545207.

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Uspuriene, Aiste Barbora. "COMMUNICATION PECULIARITIES OF ADOLESCENTS ATTENDING IN DANCE ACTIVITIES." In International Scientific and Practical Conference. TSNS Interaktiv Plus, 2019. http://dx.doi.org/10.21661/r-508527.

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Dance is related to the peculiarities of communication between teenagers, because the essence of these dances is the performance of dance in a couple, During dance classes, adolescents have the opportunity to acquire excellent communication skills, to consciously discover and improve their weak points, to raise their communication level to a higher, more enjoyable level, There is lack of literature on communication between dancers of all ages and skill levels, There is a significant lack of scientific data on the impact of dance on adolescent communication.

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Curtis, Aaron, Jaeeun Shim, Eugene Gargas, Adhityan Srinivasan, and Ayanna M. Howard. "Dance dance Pleo." In the 10th International Conference. ACM Press, 2011. http://dx.doi.org/10.1145/1999030.1999048.

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TALPĂ, Svetlana. "The importance of noting dance on paper as a particular method of teaching-learning-evaluation of dance disciplines." In Probleme ale ştiinţelor socioumanistice şi ale modernizării învăţământului. "Ion Creanga" State Pedagogical University, 2022. http://dx.doi.org/10.46728/c.v2.25-03-2022.p155-159.

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This article discusses practitioners who have contributed to the development of the process of capturing dance or dance movements on paper, through: notation, photography and film. The reflections of these personalities, such as Ann Hutchinson, Rudolf Von Laban, Eadweard Muybridge, Lois Greenfield, Ted Shawn, Norman McLaren and Sue Healey, included the definition of direct research on how these three documentary media interact to describe a dancing in various choreographic genres. The aim of this research is to highlight the importance of noting and capturing the body in motion, to see if it i

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Wu, Shuang, Shijian Lu, and Li Cheng. "Music-to-Dance Generation with Optimal Transport." In Thirty-First International Joint Conference on Artificial Intelligence {IJCAI-22}. International Joint Conferences on Artificial Intelligence Organization, 2022. http://dx.doi.org/10.24963/ijcai.2022/691.

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Dance choreography for a piece of music is a challenging task, having to be creative in presenting distinctive stylistic dance elements while taking into account the musical theme and rhythm. It has been tackled by different approaches such as similarity retrieval, sequence-to-sequence modeling and generative adversarial networks, but their generated dance sequences are often short of motion realism, diversity and music consistency. In this paper, we propose a Music-to-Dance with Optimal Transport Network (MDOT-Net) for learning to generate 3D dance choreographies from music. We introduce an o

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Ding, Yuanyuan, and Shuyu Wang. "AIDanceFriend: An Intelligent Mobile Application to Automate the Dance Rating using Artificial Intelligence and Computer Vision." In 13th International Conference on Computer Science, Engineering and Applications (CCSEA 2023). Academy and Industry Research Collaboration Center (AIRCC), 2023. http://dx.doi.org/10.5121/csit.2023.130505.

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In recent years, dance has become a popular entertainment for many people and also an occupation. As a dancer, sometimes it is hard to check how close your cover is vs. the choreographer's because our eyes are not always accurate when we are judging dynamic movement of people, so can artificial intelligence help us to do the work? This paper develops an application which utilizes artificial intelligence, and data analysis skills to develop an application which works on dance scoring [4]. In the application, users can upload two videos, one is their own cover while another one is the original c

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Rapports d'organisations sur le sujet "Dance"

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Enoch, Elizabeth. Mosaic Dance. Iowa State University, Digital Repository, 2013. http://dx.doi.org/10.31274/itaa_proceedings-180814-561.

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Burch, Kaitlyn. Dance Lessons. Portland State University Library, 2000. http://dx.doi.org/10.15760/etd.256.

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Creger, Michael. Dance of Dreams. Portland State University Library, 2000. http://dx.doi.org/10.15760/etd.6775.

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Mosby, Shea Morgan, and Aaron Joseph Couture. Digital acquisition with DANCE. Office of Scientific and Technical Information (OSTI), 2015. http://dx.doi.org/10.2172/1207745.

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Stuart, Joshua, and Elizabeth Bradley. Learning the Grammar of Dance. Defense Technical Information Center, 1998. http://dx.doi.org/10.21236/ada452050.

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Wu, C., A. Chyzh, E. Kwan, et al. Compact fission counter for DANCE. Office of Scientific and Technical Information (OSTI), 2010. http://dx.doi.org/10.2172/1018751.

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Villella, Edward. Dance: From Folk to Classical. Inter-American Development Bank, 1994. http://dx.doi.org/10.18235/0007912.

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McGill, Lawrence T. McGill, and Grace Sato Sato. Mapping the Dance Landscape in Chicagoland. Foundation Center, 2019. http://dx.doi.org/10.15868/socialsector.34160.

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Cvijić, Srdjan, Maja Bjeloš, Luka Šterić, Marko Drajić, and Ivana Ranković. Balkan Csárdás: Hungarian Foreign Policy Dance. Belgrade Centre for Security Policy, 2023. http://dx.doi.org/10.55042/gzwk7404.

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As part of the overall focus on the democratic backsliding in Hungary since Viktor Orbán’s Fidesz reassumed power in 2010, numerous international observers have expressed concern regarding increasing Hungarian influence in the Western Balkans. Specifically, many fear that through intensified meddling in Western Balkan affairs, Orbán’s Hungary would spread its illiberal influence throughout the region and subsequently undermine broader EU policy. In 2019, the process leading to the appointment of Olivér Várhelyi (a Hungarian diplomat close to Orbán) to the position of the European Commissioner

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Cvijic, Srdjan, Maja Bjelos, Ivana Rankovic, Luka Steric, and Marko Drajic. Balkan Csárdás: Hungarian Foreign Policy Dance. Belgrade Centre for Security Policy, 2023. http://dx.doi.org/10.55042/wkpz9702.

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U sklopu sveukupnog bavljenja demokratskim nazadovanjem u Mađarskoj otkako je stranka Viktora Orbana, Fides, ponovo preuzela vlast 2010. godine, brojni međunarodni posmatrači izrazili su zabrinutost zbog povećanja uticaja Mađarske na Zapadnom Balkanu. Ovaj rad je jedan od tek nekoliko sveobuhvatnih pokušaja da se objasne mađarska politika i njena uključenost u Zapadni Balkan.

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