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Littérature scientifique sur le sujet « Elizabeth Poets »

Auteur : Grafiati

Publié le 4 juin 2021

Mis à jour le 7 février 2022

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Articles de revues sur le sujet "Elizabeth Poets"

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Taylor, Ellen Maureen. "Personal Geographies: Poetic Lineage of American Poets Elizabeth Coatsworth and Kate Barnes." ELOPE: English Language Overseas Perspectives and Enquiries 13, no. 2 (2016): 111–27. http://dx.doi.org/10.4312/elope.13.2.111-127.

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This paper examines the relationship between two 20th-century American poets, Elizabeth Coatsworth and her daughter, Kate Barnes. Both women mined their physical and personal geographies to create their work; both labored in the shadows of domineering literary husbands. Elizabeth’s early poetry is economical in language, following literary conventions shaped by Eastern poets and Imagists of her era. Kate’s work echoes her mother’s painterly eye, yet is informed by the feminist poetry of her generation. Their dynamic relationship as mother and daughter, both struggling with service to the preva

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Butler, Katherine. "“By Instruments her Powers Appeare”: Music and Authority in the Reign of Queen Elizabeth I." Renaissance Quarterly 65, no. 2 (2012): 353–84. http://dx.doi.org/10.1086/667255.

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Queen Elizabeth I’s musical talents and the elaborate music of her courtly entertainments are widely acknowledged. However, while the effect of Elizabeth’s gender on her authority as a ruler has been the subject of much historical research, the impact of this musical activity on the creation and representation of her authority has not been recognized. Gender stereotypes were both exploited and subverted as music became a symbol and tool of Elizabeth’s queenship. Poets and courtiers drew inspiration from Elizabeth’s music-making, combining traditional notions of the erotic power of female music

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Louis, Margot K. "Enlarging the Heart: L. E. L.'s “The Improvisatrice,” Hemans's “Properzia Rossi,” and Barrett Browning's Aurora Leigh." Victorian Literature and Culture 26, no. 1 (1998): 1–17. http://dx.doi.org/10.1017/s1060150300002242.

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Elizabeth barrett browning's relation to her female predecessors was complex, conflicted, and rewarding. In Aurora Leigh we see both the heroine and her creator grow from poets who attempt to prove themselves in traditionally masculine terms, into poets who engage with a feminine tradition of sentimental verse which they resist and criticize but nevertheless find of essential value. Only by viewing the poem against the backdrop of the sentimental tradition can we fully appreciate Barrett Browning's challenge to the cult of privacy and the doctrine of separate spheres, her dual emphasis on poet

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Wakefield, Gordon S. "God and Some English Poets 15. Elizabeth Jennings." Expository Times 109, no. 1 (1997): 10–14. http://dx.doi.org/10.1177/001452469710900104.

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Gashi, Syzana Kurtaj. "Browning’s and Serembe’s Love Poems." SEEU Review 15, no. 2 (2020): 31–41. http://dx.doi.org/10.2478/seeur-2020-0015.

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Abstract Browning’s and Serembe’s love poems will be analyzed in this research paper in order to illustrate how they reflected their efforts to present the idea of love in their poetry. In the ‘By the Fire-Side’, one of the major poems of Robert Browning during the thesaurus of the British Victorian period and Zef Serembe’s ‘Song for Longing’, considered by many to rank among the best love poems of Rilindja (Renaissance) poets in the nineteenth century Albania. The two poets, do not consider the idea of love in the abstract term. They include love by referring to the specific details, Browning

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Haft, Adele J. "The Poet As Map-Maker: The Cartographic Inspiration and Influence of Elizabeth Bishop’s “The Map”." Cartographic Perspectives, no. 38 (March 1, 2001): 37–65. http://dx.doi.org/10.14714/cp38.794.

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New Year’s Eve of 1934 found Elizabeth Bishop recuperating from the flu. Out of her isolation, the recently orphaned 23-year-old created “The Map.” Inspired by a map’s depiction of the North Atlantic, Bishop’s exquisite poem alludes in part to the “seashore towns” and coastal waters of her childhood home, Nova Scotia. A seminal twentieth-century poem about maps, Bishop’s “The Map” has inspired a host of other mappoems since it opened her Pulitzer prize-winning collection, Poems: North & South—A Cold Spring, in 1955. My paper, the third in a series advocating the use of poetry in the teachi

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Baldock, Sophie. "‘Our Looks, Two Looks’: Miniature Portraits in the Letters of Elizabeth Bishop and Robert Lowell." Review of English Studies 71, no. 300 (2019): 528–53. http://dx.doi.org/10.1093/res/hgz097.

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Abstract This article examines parallels between the exchange of miniature portraits in late eighteenth-century letters and the exchange of photographs and keepsakes in the twentieth-century correspondence of American poets Elizabeth Bishop and Robert Lowell. Drawing on theories of the miniature in Susan Stewart’s work, alongside art-historical and literary-critical accounts of the practice of exchanging miniature portraits in letters, the article builds on arguments that portraits go hand-in-hand with the genre of letter writing. I argue that previous criticism of the Bishop-Lowell correspond

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McIntosh, Hugh. "Conventions of Closeness: Realism and the Creative Friendship of Elizabeth Bishop and Robert Lowell." PMLA/Publications of the Modern Language Association of America 127, no. 2 (2012): 231–47. http://dx.doi.org/10.1632/pmla.2012.127.2.231.

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While it has been productive to consider the creative friendship of Elizabeth Bishop and Robert Lowell as grounded in a “shared experience of outsider-hood,” their correspondence and the poems they inspired each other to write reveal a shared attraction to conventional imagery of communal belonging—national allegiance, heterosexual domesticity, and nostalgia for the classical realism of nineteenth-century novels. Bishop and Lowell were a queer couple for many reasons, but I argue that their conflation of conventionality and social critique resonates strongly with recent theories of countercult

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Wilson, Richard. "A BLOODY QUESTION: THE POLITICS OF VENUS AND ADONIS." Religion and the Arts 5, no. 3 (2001): 297–316. http://dx.doi.org/10.1163/15685290152813671.

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AbstractIn 1588, Burghley drafted a "Bloody Question" for Catholics: "If the Pope were to send over an army, whose side would you be on: the Pope's or the Queen's?" What the iconography of Venus and Adonis suggests is that the poem is a critique of the martyr's course pursued by Southwell and also of the persecution brought on by Queen Elizabeth. Southwell was a cousin of Shakespeare and addressed his preface to St. Peter's Complaint to "Master W. S." (as only later appeared in the 1616 edition published on the continent). The preface clearly alludes to Venus and Adonis, The Rape of Lucrece an

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Wróbel, Elżbieta. "„Ta gorsza” – czyli o kilku wierszach Elżbiety Szemplińskiej." Poznańskie Studia Polonistyczne. Seria Literacka, no. 32 (October 2, 2018): 95–111. http://dx.doi.org/10.14746/pspsl.2018.32.5.

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In the article, the author brings back the forgotten poet of the interwar period Elizabeth Szemplińska. The starting point of the discussion is the political and social situation that occurred in Poland in the thirties. The economic crisis, from which the whole of Europe was struggling from, favored radicalization among the Polish intelligence. Szemplińska openly admitted to her communist sympathies. The article remembers young poets from the Quadriga group, one of whom was also Nina Rydzewska. The group suggested the slogan „poetry socialized” showing the misery and suffering of the lowest so

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Thèses sur le sujet "Elizabeth Poets"

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Marshall, Christine. "Elizabeth Bishop's revisionary eye /." free to MU campus, to others for purchase, 2004. http://wwwlib.umi.com/cr/mo/fullcit?p1420938.

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Dowd, Ann Karen. "Elizabeth Bishop: her Nova Scotian origins and the portable culture of home." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1999. http://hub.hku.hk/bib/B31238427.

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Swyderski, Ann. "Emily Dickinson and Elizabeth Barrett Browning : 'the outer - from the inner/derives its magnitude'." Thesis, University of Exeter, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.323984.

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Olsen, Elena Brit. ""Alone I climb the craggy steep" : literary ambition and metaphysical identity in eighteenth-century women's poetry /." Thesis, Connect to this title online; UW restricted, 2004. http://hdl.handle.net/1773/9337.

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Yegenoglu, Dilara. "Elizabeth Barrett Browning: Quest for the Father." Thesis, University of North Texas, 1996. https://digital.library.unt.edu/ark:/67531/metadc279212/.

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This dissertation explores Elizabeth Barrett's dependency on the archetypal Victorian patriarch. Chapter I focuses on the psychological effects of this father-daughter relationship on Elizabeth Barrett. Chapter II addresses Barrett's acceptance of the conventional female role, which is suggested by the nature and the situation of the women she chooses to depict. These women are placed in situations where they can reveal their devotion to family, their capacity for passive endurance, and their wish to resist. Almost always, they choose death as an alternative to life where a powerful father fig

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Baldock, Sophie. ""A correspondence is a poetry enlarged" : Robert Duncan, Elizabeth Bishop, Amy Clampitt and post-War poets' letters." Thesis, University of Sheffield, 2016. http://etheses.whiterose.ac.uk/16716/.

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This thesis explores the work of three post-war American poets—Robert Duncan, Elizabeth Bishop and Amy Clampitt—for whom the practice of letter writing was already a disappearing art. In placing these poets and their letters side-by-side, the thesis makes connections between poets who have previously been seen as inhabiting different and largely discrete poetic spheres. The thesis intervenes in the growing field of epistolary scholarship, extending and amending the findings of previous critics who have observed the close relationship between letters and poems. It challenges a recent critical e

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Blackmore, Sabine. "In soft Complaints no longer ease I find." Doctoral thesis, Humboldt-Universität zu Berlin, Philosophische Fakultät II, 2015. http://dx.doi.org/10.18452/17176.

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Diese Dissertation untersucht die verschiedenen Konstruktionen poetischer Selbstrepräsentationen durch Melancholie in Gedichten englischer Autorinnen des frühen 18. Jahrhunderts (ca. 1680-1750). Die vielfältigen Gedichte stammen von repräsentativen lyrischer Autorinnen dieser Epoche, z.B. Anne Wharton, Anne Finch, Elizabeth Singer Rowe, Henrietta Knight, Elizabeth Carter, Mary Leapor, Mary Chudleigh, Mehetabel Wright und Elizabeth Boyd. Vor einem ausführlichen medizinhistorischen Hintergrund, der die Ablösung der Humoralpathologie durch die Nerven und die daraus resultierende Neupositionierung

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Soalt, Jennifer. "A New Topography: Elizabeth Bishop's Late Poems." Oberlin College Honors Theses / OhioLINK, 1985. http://rave.ohiolink.edu/etdc/view?acc_num=oberlin1396537622.

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Londry, Michael. "The poems of Elizabeth Tollet : a critical edition." Thesis, University of Oxford, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.417609.

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Woodworth, Elizabeth Deloris. "Poems before Congress by Elizabeth Barrett Browning a critical edition /." Fort Worth, Tex. : Texas Christian University, 2007. http://etd.tcu.edu/etdfiles/available/etd-04272007-155039/unrestricted/woodworth.pdf.

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Livres sur le sujet "Elizabeth Poets"

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Swenson, May. Dear Elizabeth: Five poems & three letters to Elizabeth Bishop. Utah State University Press, 2000.

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Forster, Margaret. Elizabeth Barrett Browning: A biography. Doubleday, 1989.

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Forster, Margaret. Elizabeth Barrett Browning: A biography. Flamingo, 1993.

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Bishop, Elizabeth. Conversations with Elizabeth Bishop. University Press of Mississippi, 1996.

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J, Sypher F., ed. Letters by Letitia Elizabeth Landon. Scholars' Facsimiles & Reprints, 2001.

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Forster, Margaret. Elizabeth Barrett Browning: A biography. Chatto & Windus, 1988.

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Forster, Margaret. Elizabeth Barrett Browning: A biography. Doubleday, 1988.

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Fountain, Gary. Remembering Elizabeth Bishop: An oral biography. University of Massachusetts Press, 1994.

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Peter, Brazeau, ed. Remembering Elizabeth Bishop: An oral biography. University of Massachusetts Press, 1994.

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Elizabeth Barrett Browning: The Hope End years. Seren, 1996.

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Chapitres de livres sur le sujet "Elizabeth Poets"

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Strauss, Paul. "The Virgin Queen as Nurse of the Church: Manipulating an Image of Elizabeth I in Court Sermons." In Scholars and Poets Talk about Queens. Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137534903_19.

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Furr, Derek. "Poets and Critics Live at the Forum: The Occasional Recording and Elizabeth Bishop." In Recorded Poetry and Poetic Reception from Edna Millay to the Circle of Robert Lowell. Palgrave Macmillan US, 2010. http://dx.doi.org/10.1057/9780230109919_3.

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Browning, Robert. "The Poet’s History." In Elizabeth Barrett Browning and Robert Browning. Palgrave Macmillan UK, 2000. http://dx.doi.org/10.1007/978-1-349-62894-0_18.

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Stone, Marjorie. "Fighting on Her Stumps: The Woman, the Poet, the Myths." In Elizabeth Barrett Browning. Macmillan Education UK, 1995. http://dx.doi.org/10.1007/978-1-349-23803-3_1.

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Roman, Camille. "From a Poet’s Window: Washington, 1949–1950." In Elizabeth Bishop’s World War II-Cold War View. Palgrave Macmillan US, 2001. http://dx.doi.org/10.1007/978-1-4039-7921-6_6.

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Aldrich, Lilian. "‘The pretty nothings, the subtle flatteries of the poet’s talk’." In Elizabeth Barrett Browning and Robert Browning. Palgrave Macmillan UK, 2000. http://dx.doi.org/10.1007/978-1-349-62894-0_87.

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Rossetti, William Michael. "A face ‘corresponding with delicate exactness to the tone of her poems’." In Elizabeth Barrett Browning and Robert Browning. Palgrave Macmillan UK, 2000. http://dx.doi.org/10.1007/978-1-349-62894-0_45.

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Bajetta, Carlo M. "‘Most peereles Poëtresse’: the Manuscript Circulation of Elizabeth’s Poems." In Representations of Elizabeth I in Early Modern Culture. Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230307261_6.

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Vallaro, Cristina. "Elizabeth I as Poet: Some Notes on “On Monsieur’s Departure” and John Dowland’s “Now O Now I Needs Must Part”." In Elizabeth I in Writing. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-71952-8_6.

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Hyland, Peter. "Shakespeare and the Elizabethan Sonnet." In An Introduction to Shakespeare’s Poems. Macmillan Education UK, 2002. http://dx.doi.org/10.1057/978-0-230-80240-7_8.

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Actes de conférences sur le sujet "Elizabeth Poets"

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Lawrence, Christopher A., David J. Nisula, Christopher A. Dorang, Crystal Pecora, Leroy Luft, and Don Olesky. "Reconstruction of Maher Terminals, Elizabeth, New Jersey." In 11th Triennial International Conference on Ports. American Society of Civil Engineers, 2007. http://dx.doi.org/10.1061/40834(238)63.

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