Bibliographies thématiques / Haiti, fiction

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Littérature scientifique sur le sujet « Haiti, fiction »

Auteur : Grafiati

Publié le 4 juin 2021

Mis à jour le 27 juillet 2025

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Articles de revues sur le sujet "Haiti, fiction"

Munro, Martin. "Community in Post-earthquake Writing from Haiti." Paragraph 37, no. 2 (2014): 193–204. http://dx.doi.org/10.3366/para.2014.0121.

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This article develops Celia Britton's insights into community in French Caribbean writing in two ways. First, it considers Jacques Roumain's Gouverneurs de la rosée and its image of community in the broader context of modern and contemporary Haitian fiction; and second it discusses representations of community in two Haitian works written after the earthquake of 2010, an event that literally destroyed many communities and has forced Haitian authors to rethink relationships between different groups in Haiti and between human life, the cities, nature and the land.

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Sandmann, Alexa. "Contemporary Immigration: First-Person Fiction from Cuba, Haiti, Korea, and Cambodia." Social Studies 95, no. 3 (2004): 115–22. http://dx.doi.org/10.3200/tsss.95.3.115-122.

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Lamour, Sabine. "Imperialism and Prostitution in Haiti (1915–1934)." Journal of Haitian Studies 30, no. 1 (2024): 32–61. https://doi.org/10.1353/jhs.2024.a959383.

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Abstract: This article offers a reconstruction of prostitution in Haiti under the 1915–1934 US Occupation, as not a marginal activity but a central mechanism of imperial domination. It highlights the ways in which racialized female bodies were controlled, commodified, and used as instruments of power within the US colonial enterprise, articulating the sexual, racial, spatial, and social dimensions of oppression. Faced with the silence or absence of archives, I employ a speculative methodology based on the novel L'Espace d'un cillement ( In the Flicker of an Eyelid ) by Jacques Stephen Alexis.

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Peabody, Sue. "Taking Haiti to the people: History and fiction of the Haitian revolution." Slavery & Abolition 27, no. 1 (2006): 125–32. http://dx.doi.org/10.1080/01440390500500021.

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Esteves, Marcelo Rodrigues. "Sob o signo da travessia:." Êxodos e Migrações 4, no. 6 (2019): 200–208. http://dx.doi.org/10.24168/revistaprumo.v4i6.1190.

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At becoming worldly known, in 2016, thanks to the success of his documentary I Am Not Your Negro, the Haitian Raoul Peck already possessed an extensive career as a filmmaker, with a first fiction film, Haitian Corner, released in 1987. The movie tells the story of na haitian poet, immigrant, who lives in Brooklyn, New York, tormented by the ghosts of torture suffered in Haiti in the Duvalier era. Himself marked by the sign of displacement – Peck lived in Haiti, in the Democratic Republic of Congo, in Germany, in the United States and France – the filmmaker starts with Haitian Corner a long lis

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Paravisini-Gebert, Lizabeth. "Caribbean Eco-fictions: Multilayered Stories of the Haitian Environment." Journal of Haitian Studies 29, no. 1 (2023): 198–211. http://dx.doi.org/10.1353/jhs.2023.a922866.

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Abstract: The duty of care for the nation’s threatened environment, for which the forest and its inhabitants stand as potent symbols, has been at the center of Haitian fiction, as well as of fiction by other Caribbean writers who have set their work in Haiti. The Haitian novel has mourned the impacts of deforestation on both human and nonhuman communities and denounced the practices that have led to catastrophic deforestation and the concomitant biodiversity losses, offering in turn new approaches and potential remedies for addressing one of the nation’s most central problems. The Haitian nove

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Renaud, Leighan. "‘I Have Seen the Sea’: Caribbean Aquatic Poetics in Monique Roffey’s The Mermaid of Black Conch." Humanities 14, no. 7 (2025): 154. https://doi.org/10.3390/h14070154.

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The polyvalent nature of water is one often explored in fiction by Caribbean writers, and this paper will consider the ways that the representations of mermaids act as an extension of this exploration. Mermaids are central to a number of folk traditions across the Caribbean region and its diaspora. On islands, including Trinidad, Martinique, Carriacou, and Haiti, with names such as Fairymaid, Mama Glo, and La Siren, mermaids are often regarded as mothers and protectresses of both the sea and the creatures within it. This paper will analyse the representation of the mermaid in Monique Roffey’s

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King, Daniel P. "Seeds of Fiction: Graham Greene's Adventures in Haiti and Central America, 1954â1983 by Bernard Diederich." World Literature Today 88, no. 1 (2014): 75–76. http://dx.doi.org/10.1353/wlt.2014.0247.

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Kain, Geoffrey. "Spirit Confronts the Four-Headed Monster: Jean-Bertrand Aristide’s Mistik–Infused Flood-Rise in Duvalierist Haiti." Humanities 9, no. 4 (2020): 144. http://dx.doi.org/10.3390/h9040144.

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To explore Jean-Bertrand Aristide’s rise from obscure rural Haiti to become the nation’s first democratically elected president—by a landslide—is to enter into a world and a swirl of events that reads like surreal fiction or magical realism. As a Catholic priest (Salesian order), Aristide was fueled by the religio-socialist principles of liberation theology, which emerged as a significant force in Latin America primarily in the 1970s and 1980s, forcefully and vocally advocating for the masses of Haitian poor mired in deeply-entrenched disenfranchisement and exploitation. As a charismatic spoke

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Hawkins, Tom. ""Theresa, a Haytien Tale" (1828): Classical Allusions and Female Heroism." Journal of Haitian Studies 31, no. 1 (2025): 40–63. https://doi.org/10.1353/jhs.2025.a966104.

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Abstract: This article analyzes the role of the Roman hero Aeneas and the patriarch Lot from the Hebrew Bible in "Theresa, a Haytien Tale" (1828), which describes a fictionalized episode in the Haitian Revolution (1791–1804) and is the first known work of fiction composed by a Black author in the United States. I argue that the story presents a radically feminist re-gendering of Aeneas and Lot. This analysis engages contemporary scholarship on "Theresa" in two ways. First, in terms of gender (which has been the primary focus of most scholarship on this short story), my reading of the masculine

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Thèses sur le sujet "Haiti, fiction"

Josaphat, Fabienne Sylvia. "Haiti, 1965 - A Novel." FIU Digital Commons, 2014. http://digitalcommons.fiu.edu/etd/1171.

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HAITI, 1965 is a historical novel set in Haiti where a struggling taxi driver, Raymond L’Eveillé, struggles to provide for his family under the rule of the infamous dictator François Duvalier Sr. Raymond’s brother Nicolas, a professor and attorney, lives a more luxurious lifestyle, and both brothers are at odds over finances. When Nicolas decides to write a book about the crimes committed by the government, the inevitable happens. The brutal Tonton Macoutes militia raid his home and find notes that are as evidence enough to send him to Haiti's most notorious gulag of the era, Fort Dimanche, It

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Lancaster, Lauren T. "Memory and Trauma in Edwidge Danticat’s Fiction." Miami University Honors Theses / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=muhonors1303495922.

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Suriel, Richard Junior. "El Masacre se pasa a pie e a reconstrução do massacre de haitianos na fronteira domínico-haitiana: ficção e História." Universidade Federal de Roraima, 2014. http://www.bdtd.ufrr.br/tde_busca/arquivo.php?codArquivo=181.

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>Esta dissertação apresenta uma reflexão sobre História e ficção a partir da reconstrução do massacre de haitianos, em 1937, na fronteira norte da República Dominicana e da República do Haiti, dois países que formavam a então ilha Hispaniola, quando da chegada de Cristóvão Colombo no Novo Mundo. O corpus ficcional deste trabalho é o romance El Masacre se pasa a pie, do escritor e advogado dominicano Freddy Prestol Castillo, publicado em 1978, na República Dominicana. Nossa hipótese para desenvolver este trabalho foi a de que para re

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Adams, Megan. ""A Border is a Veil Not Many People Can Wear": Testimonial Fiction and Transnational Healing in Edwidge Danticat's The Farming of Bones and Nelly Rosario's Song of the Water Saints." Scholar Commons, 2010. http://scholarcommons.usf.edu/etd/3436.

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Drawing on recent attempts to reconcile the divergent nations of Hispaniola, I will examine the ways in which fiction by U.S. immigrant writers Danticat and Rosario looks back to the traumatic history of race relations on Hispaniola and the 1937 massacre as a means of approaching reconciliation and healing amongst the inhabitants of Hispaniola. As invested outsiders to their homelands, Danticat and Rosario may work, as Chancy suggests, in the capacity of actors for Hispaniola. Both Danticat and Rosario graciously admit that their writing is largely contingent on the relative freedom from censu

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Faithful-Velayoudom, Lucianne. "Réalité historique et fiction littéraire : le passage de l'histoire au mythe:Louis Dèlgrès et Toussaint Louverture, deux figures emblématiques." Antilles-Guyane, 2006. http://www.theses.fr/2006AGUY0161.

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Louis Delgrès et Toussaint Louverture sont des figures clés d'une expérience inaugurale, celle du "défi consulaire". En considérant ces deux figures emblématiques, nous sommes amenés à examiner les rapports entre réalité historique et fiction litteraire, de façon à rendre compte du processus de transformation des personnages historiques en personnages mytiques. Le temps historiques est celui des révolutions antiesclavagistes dans les colonies françaises, exacerbées par les idées de la révolution française de 1789. Delgrès et Louverture sont parvenus à s'inscrire dans les écrits selon les norme

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Kaussen, Valerie Mae. "Romancing the peasant history and revolution in the modern Haitian novel /." Diss., 2000. http://catalog.hathitrust.org/api/volumes/oclc/45811993.html.

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Quansah, Ekua A. "Women of African ancestry's contribution to scholarship: Voices through fiction (Edwidge Danticat, Haiti, Tsitsi Dangarembga, Zimbabwe, Dionne Brand)." 2005. http://link.library.utoronto.ca/eir/EIRdetail.cfm?Resources__ID=370494&T=F.

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Atis, Jean-Goualbert. "La mise en fiction du retour au pays natal chez Émile Ollivier, Anthony Phelps et Dany Laferrière." Thesis, 2020. http://hdl.handle.net/1866/25611.

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La présente étude vise à explorer les mécanismes scripturaux d’oeuvres littéraires qui thématisent le retour au pays natal. À partir d’un corpus formé de romans publiés par des écrivains expatriés, elle ambitionne de démontrer l’adéquation de leur forme à leur contenu. À cet égard, La contrainte de l’inachevé d’Anthony Phelps, Pays sans chapeau de Dany Laferrière et Les urnes scellées d’Émile Ollivier répondent au critère de fictions qui associent étroitement thème et structure, sens et composition, fond et forme. Ces trois romans, en effet, procèdent de choix structurels et thématiques qui d

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Livres sur le sujet "Haiti, fiction"

Danticat, Edwidge. Haiti noir. Akashic Books, 2011.

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Watson, Jesse Joshua. Hope for Haiti. G.P. Putnam's Sons, 2010.

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Becker, Stephen D. A rendezvous in Haiti. Norton, 1987.

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Becker, Stephen D. A rendezvous in Haiti. Collins Harvill, 1986.

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Danticat, Edwidge. Eight days: A story of Haiti. Orchard Books, 2010.

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Santos, Elaine Cristina dos. Brasil-Haiti: 101 histórias, uma esperança. Garimpo Editorial, 2010.

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Phipps-Kettlewell, Marilène. The company of heaven: Stories from Haiti. University of Iowa Press, 2010.

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Temple, Frances. Taste of salt: A story of modern Haiti. Harper Trophy, 1992.

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Temple, Frances. Taste of salt: A story of modern Haiti. HarperTrophy, 2005.

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Temple, Frances. Taste of salt: A story of modern Haiti. Orchard Books, 1992.

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Chapitres de livres sur le sujet "Haiti, fiction"

Francis, Donette. "Reconstituting Female Subjects in Haiti and the Diaspora." In Fictions of Feminine Citizenship. Palgrave Macmillan US, 2010. http://dx.doi.org/10.1057/9780230105775_4.

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Daut, Marlene L. "Victor Hugo and the Rhetorical Possibilities of “Monstrous Hybridity” in Nineteenth-Century Revolutionary Fiction." In Tropics of Haiti. Liverpool University Press, 2015. http://dx.doi.org/10.5949/liverpool/9781781381847.003.0004.

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Swanson, Lucy. "Conclusion." In The Zombie in Contemporary French Caribbean Fiction. Liverpool University Press, 2023. http://dx.doi.org/10.3828/liverpool/9781802077995.003.0006.

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The conclusion examines subsequent references to the zombie in global narratives, beginning with the narratives that emerged from Haiti following the 2010 earthquake in which the zombie was transformed into a symbol of trauma. From it considers representations from writers and filmmakers from outside Haiti, visions that may initially seem to offer more accurate and nuanced representations of the zombie and Vodou, but which upon further exploration simply exemplify the new ways the Global North undermines Haiti’s economic and political sovereignty. Yet works from Guadeloupe and Senegal demonstr

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Lamothe, Daphne. "Vodou Imagery, African American Tradition,and Cultural Transformation in Zora Neale Hurston’s Their Eyes Were Watching God." In Zora Neale Hurston’s Their Eyes Were Watching God. Oxford University PressNew York, NY, 2000. http://dx.doi.org/10.1093/oso/9780195121735.003.0009.

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Abstract Zora nealf hurston wrote Their Eyes Were Watching God in 1937 while in Haiti collecting folklore on Vodou.1 A year later, she published Tell My Horse, which documents the findings from that expedition. While the history of these publications suggests that, for Hurston, folklore and fiction converge in Haiti, few critics have adequately explored that juncture. Most acknowledge Hurston’s interest in Haitian Vodou, but their analyses of the impact of this belief system on her work frequently do not extend beyond perfunctory glosses. A notable exception is Ellease Southerland’s essay “The

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Swanson, Lucy. "The Popular Zombie." In The Zombie in Contemporary French Caribbean Fiction. Liverpool University Press, 2023. http://dx.doi.org/10.3828/liverpool/9781802077995.003.0005.

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Whereas chapters 1 through 3 of this book show that the zombie has been widely appropriated by “highbrow” literary fiction of the French Caribbean, especially of Haiti, the final chapter explores a trait that characterizes the zombie both in the French Caribbean and in Hollywood B movies: its status as a “popular” figure, meaning both its association with popular culture (whether folklore or mass media), and its symbolic connection to the masses. Gary Victor—widely considered the most popular writer in Haiti—revives and foregrounds the zombie’s association with popular culture and the populace

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Faherty, Duncan. "Coda." In The Haitian Revolution in the Early Republic of Letters. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780192889157.003.0007.

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Abstract The Coda charts how early-nineteenth-century African American intellectuals repurposed the Haitian Revolution as precursor for domestic Black freedom. The Coda examines the first African American newspaper, the Freedom’s Journal (1827), which routinely featured information about Haiti, including in its publication of “Theresa—a Haytien Tale,” perhaps the earliest extant piece of African American fiction. Linking a reading of “Theresa” to the wider print public sphere, the Coda gestures toward how African American print networks reconfigured operant meanings of Haiti in the late 1820s.

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Stecher, Thomás. "Reading Edwidge Danticat’s Essays in Light of Her Fiction." In Narrating History, Home, and Dyaspora. University Press of Mississippi, 2022. http://dx.doi.org/10.14325/mississippi/9781496839879.003.0011.

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This chapter situates Edwidge Danticat’s essay writing within the broader frame of her literary work in order to discuss how she publicly reflects on her position as a diasporic writer, and the ethical and aesthetic proposals that such a stance entails. By focusing on Create Dangerously (2010) and The Art of Death(2017), the authors discuss the implications of writing about Haiti from the diaspora, such as the ethical dilemmas of representing Haitians and the aesthetic proposals of integrating oral forms of expression into written prose. The analysis highlights how Danticat’s essays revisit ce

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Lanzendörfer, Tim. "The Postracial, Postcapitalist Zombie." In Books of the Dead. University Press of Mississippi, 2018. http://dx.doi.org/10.14325/mississippi/9781496819062.003.0007.

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The final chapter of the book discusses the question of race in contemporary zombie fiction. Departing from the observation that many zombie fiction texts insist that the zombie apocalypse will do away with race as a marker of difference, it reads two recent texts against this oft-used trope. Arguing against much recent criticism, it posits that Zone One is best read not as concerned with the history of racial oppression, but as concerned with the way capitalism constructs race as a category useful to it. It concludes by reading Díaz’s “Monstro” as a tale most instructive at the metalevel, for

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Faherty, Duncan. "Sympathy in the Era of Ungood Feelings." In The Haitian Revolution in the Early Republic of Letters. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780192889157.003.0003.

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Abstract The second chapter explores the hauntology of Haiti by focusing on how early American fiction represented the United States as hermeneutically, temporally, and ontologically disjointed by the arrival of French, Creole, and enslaved refugees. Using Martha Meredith Read’s 1802 novel Monima; or The Beggar Girl as a point of departure, the chapter maps how Federalist writers accentuated the ghostly indecipherability of foreign connections which they feared were unsettling the domestic realm. In depicting an American social scene bereft of networks of sympathetic support, Read draws linkag

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Dayan, Joan. "Fictions of Haiti." In Haiti, History, and the Gods. University of California Press, 1996. http://dx.doi.org/10.1525/california/9780520089006.003.0002.

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