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Bibliographies thématiques / Motion picture theaters – Employees / Thèses

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Thèses sur le sujet « Motion picture theaters – Employees »

Auteur : Grafiati

Publié le 26 juillet 2024

Mis à jour le 31 juillet 2025

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1

Ng, Siu-hong Ryan. "Film Complex : Resuscitation of film in commercial society /." Hong Kong : University of Hong Kong, 1999. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25946821.

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2

O'Skea, Sean. "Indiana encore : history and preservation of eastern Indiana's historic theaters." Virtual Press, 1999. http://liblink.bsu.edu/uhtbin/catkey/1133729.

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3

Hemingway, Simon Peter. "Hierophanies and heterotopias : magic, moving picture theaters and churches, 1907-1922 /." Full text (PDF) from UMI/Dissertation Abstracts International, 2001. http://wwwlib.umi.com/cr/utexas/fullcit?p3008349.

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4

Swami, Sanjeev. "Dynamic marketing decisions in the presence of perishable demand." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/NQ34631.pdf.

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5

Yan, Kwan-shing. "Management science : quenes in cinemas /." Hong Kong : University of Hong Kong, 1996. http://sunzi.lib.hku.hk/hkuto/record.jsp?B18024646.

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6

吳兆康 and Siu-hong Ryan Ng. "Film Complex: resuscitation of film in commercial society." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1999. http://hub.hku.hk/bib/B31984770.

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7

Chow, Hon-bong Stephen. "Clineplex : city and its cinematic experience /." Hong Kong : University of Hong Kong, 2002. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25950149.

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8

Zeh, Carola. "Lichtspieltheater in Sachsen : Entwicklung, Dokumentation und Bestandsanalyse /." Thesis, Hamburg : Kovač, 2007. http://d-nb.info/985900407/04.

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9

Lau, Lik-wing Raymond. "A Cinema(tic City)walk." Hong Kong : University of Hong Kong, 1999. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25947850.

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10

Cork, Kevin James. "Twenty-four miles around Nelungaloo : the history and importance of cinema exhibition in pre-television times to a country area of central-western New South Wales /." View thesis, 1994. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20030916.125146/index.html.

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11

Gunckel, Colin. ""A theater worthy of our race" the exhibition and reception of Spanish language film in Los Angeles, 1911-1942 /." Diss., Restricted to subscribing institutions, 2009. http://proquest.umi.com/pqdweb?did=1997008061&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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12

Overpeck, Deron. "Out of the dark American film exhibition : political action and industrial change, 1966-1986 /." Diss., Restricted to subscribing institutions, 2007. http://proquest.umi.com/pqdweb?did=1459904671&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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13

Kung, Sze-chung Charles. "Cinema park." Hong Kong : University of Hong Kong, 1997. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25956206.

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14

Curtis, Emily A. "Movies under the stars : a history and inventory of drive-in theaters in the Indianapolis area." Virtual Press, 1997. http://liblink.bsu.edu/uhtbin/catkey/1041913.

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The drive-in theater was a phenomenon unique and prosperous in 1950s America. At the height of their popularity, there were over 4,000 drive-in theaters located across the United States. Their great success came because they were suitable to the mindset of the time-they provided a place for a family to be together without dress code, babysitter, or parking problems, and without having to leave their beloved cars. Construction of 23 drive-in theaters occurred in the Indianapolis area between 1940 and 1974. These varied in size and location, but all contained the essential ingredients-a large co

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15

Seyferth, Staci Lynne. "Digital playhouse." This title; PDF viewer required. Home page for entire collection, 2004. http://archives.udmercy.edu:8080/dspace/handle/10429/9.

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16

Labosier, James Bruce. "Motion Picture Exhibition and the Development of a Middle-class Clientele: Portland, Oregon, 1894-1915." PDXScholar, 1995. https://pdxscholar.library.pdx.edu/open_access_etds/4952.

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For about the first fifteen years after its commercial introduction motion picture entertainment throughout the United States was supported almost entirely by the mass of urban industrial workers, immigrants and their families. Beginning a few years before 1910 motion pictures began acquiring regular support from a limited element of the more affluent citizens until by the end of 1916 they constituted motion pictures' primary audience. This paper examines the audience development and conversion as it occurred in the downtown theaters of Portland, Oregon. Motion pictures were shown to two diver

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17

Van, Dyk Stephanie. "Re-interpretation of the cinema." Diss., Pretoria : [s.n.], 2005. http://upetd.up.ac.za/thesis/available/etd-05182005-112443.

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18

Brown, Anna Marie. "Cinerati." PDXScholar, 2012. https://pdxscholar.library.pdx.edu/open_access_etds/808.

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From the polluted canals of turn-of-the-century Birmingham, England, William Moxley is an ineffectual captain of industry burning for a Music Hall life. With his unlikely bride Elvina in tow, he journeys to the west coast of the United States, only to shipwreck against his lifelong dream--a vaudeville hall called "The Sunshine." In "Dear Clara," a depression-era love story, Warren Wilkerson has been a Sunshine fixture since the age of six; suddenly forced out by the theatre's back-stabbing, bootlegging "owner," Warren must resort to desperate measures in order to pay for his dying wife's insul

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19

Braun, Lori. "Montreal suburban nonplaces : Famous Players theatres and the deterioration of urban community." Thesis, McGill University, 2002. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=79748.

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The goal of this thesis is to examine the way in which economics shape suburban Famous Players megaplexes in Montreal and how they abet a destruction of urban community. I use Jameson and the critique of the Situationiste International to demonstrate the value, in this case, of examining the relationship between the economic and community. Jameson aptly describes an economic disorientation and identity crisis created by postmodern capitalism. The SI brings to light a loss of enchantment resulting from mass produced products and spaces. I describe the way in which the symbolism, architec

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20

Chiu, Chun-Kai. "Movie theater ticket order system: (MTTOS)." CSUSB ScholarWorks, 2004. https://scholarworks.lib.csusb.edu/etd-project/2541.

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This project is a movie theater order system. This system allows people to get movie information and purchase tickets on the Internet. This project is based on a Model-View-Controller (MVC) architecture, which introduces a controller servlet to provide a single point of entry to the web system and encourages more reuse and extensibility of the code.

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21

周漢邦 and Hon-bong Stephen Chow. "Clineplex: city and its cinematicexperience." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2002. http://hub.hku.hk/bib/B31986389.

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22

Yan, Kwan-shing, and 甄君成. "Management science: quenes in cinemas." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1996. http://hub.hku.hk/bib/B31267798.

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23

劉力榮 and Lik-wing Raymond Lau. "A Cinema(tic City)walk." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1999. http://hub.hku.hk/bib/B31984654.

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24

Jacobs, Rebecca Mary. "On stage." Thesis, Virginia Polytechnic Institute and State University, 1988. http://hdl.handle.net/10919/53169.

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25

"電影院於香港社會、經濟脈絡下的經營狀況: 概念電影院與百老匯電影中心個案研究". 2010. http://library.cuhk.edu.hk/record=b5894325.

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吳國鈞.<br>"2010年2月".<br>"2010 nian 2 yue".<br>Thesis (M.Phil.)--Chinese University of Hong Kong, 2010.<br>Includes bibliographical references (leaves 199-209).<br>Abstracts in Chinese and English.<br>Wu Guojun.<br>Chapter 第一章 --- 導言 --- p.1<br>Chapter 第二章 --- 電影中心的電影放映活動景觀<br>Chapter 2.1 --- 前言 --- p.24<br>Chapter 2.2 --- 香港「非主流」電影放映的脈絡 --- p.26<br>Chapter 2.3 --- 院線主導的「非主流」電影放映景觀 --- p.46<br>Chapter 2.4 --- 院線主導的「非主流」電影活動景觀 --- p.63<br>Chapter 2.5 --- 作爲本地「非主流」電影活動的核心場地 --- p.83<br>Chapter 2.6 --- 小結 --- p.98<br>Chapter 第三章 --- 「非主流」電影與文化產業項目的結合<br>Chapter 3.1 --- 前言 --- p.100<br>Chapte

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26

"Cinema 2047." 2001. http://library.cuhk.edu.hk/record=b5890977.

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Yip Ting Wai Chris.<br>"Architecture Department, Chinese University of Hong Kong, Master of Architecture Programme 2000-2001, design report."<br>Includes bibliographical references.<br>Project Background<br>Initiation --- p.1<br>Project vision --- p.2-3<br>Scenario --- p.4<br>Project brief --- p.5<br>Site Study --- p.6-10<br>Design Process<br>Idea generation --- p.11<br>First phase --- p.12-15<br>Second phase --- p.16<br>Third phase --- p.17<br>Final Design --- p.18-24<br>Appendix<br>Background Research<br>Hong Kong cinema<br>Hong Kong Architecture<br>Program research<br>Analysis of

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27

"Existential space." 2005. http://library.cuhk.edu.hk/record=b5892309.

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Law Mei Ying.<br>"Architecture Department, Chinese University of Hong Kong, Master of Architecture Programme 2004-2005, design report."<br>Includes bibliographical references.<br>Existential Space --- p.001<br>Moving experience --- p.007<br>Film in architecture --- p.027<br>Architecture in film --- p.045<br>Time Space City --- p.049<br>Time Space Film --- p.056<br>Experimental Site --- p.070<br>Program --- p.101<br>ideas and design --- p.105<br>Reference material --- p.141

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28

"Consolation of darkness." 2009. http://library.cuhk.edu.hk/record=b5893923.

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Cheng Ka Yi Jennifer.<br>"Architecture Department, Chinese University of Hong Kong, Master of Architecture Programme 2008-2009, design report."<br>Includes bibliographical references (p. 113-121).<br>Preface<br>Chapter I --- Darkness --- p.13<br>Chapter II --- Cinemas --- p.27<br>Chapter III --- in the Cinema --- p.49<br>Chapter IV --- Sketches --- p.61<br>Chapter V --- Design --- p.83<br>Reference

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29

Bennett, Tammy Lynne. "Understanding the significance of a neighbourhood movie theatre as a cultural resource." Thesis, 2000. http://hdl.handle.net/2429/10559.

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The Greater Vancouver Regional District (GVRD) is in an era of growth, fundamental change, and reexamination of regional and local quality of life. Within this context, the complete community policies of the Livable Region Strategic Plan have been developed to help achieve a region where human community flourishes within the built and natural environment. The complete communities concept provides people with broader diversity in the physical and social elements of community - houses, travel, workplaces, social contacts, public services, recreation activities, shops and personal services

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30

Nelligan, Pariece. "Walking the vocational tightrope : narratives of aspiration, creativity and precarious labour." Thesis, 2014. http://hdl.handle.net/1959.7/uws:34885.

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The aim of this research is to explore the idea of the disembedded, creative, unencumbered neo-liberal subject. I explore this within the context of the creative industries and the creative career, firstly because creative workers exemplify a move away from traditional notions of career to more informal precarious and intermittent employment, secondly because they are said to be ‘iconic’ in terms of the new economy (Gill, 2002; Leadbeater and Oakley, 1999; Ross, 2007) and thirdly because the biographical patterns of creative workers and creative careers reflect the structural force of postmode

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