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Bibliographies thématiques / Period of "drama" / Thèses

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Thèses sur le sujet « Period of "drama" »

Auteur : Grafiati

Publié le 7 juin 2025

Mis à jour le 2 août 2025

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1

Si, Tou Sau-ieng, and 司徒秀英. "A study of zhuanqi drama of the mid-Ming period." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1999. http://hub.hku.hk/bib/B31239262.

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Björkman, Nilsson John. "Period Drama : Punctuation restoration in Swedish through fine- tuned KB-BERT." Thesis, KTH, Skolan för elektroteknik och datavetenskap (EECS), 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-303127.

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Presented here is a method for automatic punctuation restoration in Swedish using a BERT model. The method is based on KB-BERT, a publicly available, neural network language model pre-trained on a Swedish corpus by National Library of Sweden. This model has then been fine-tuned for this specific task using a corpus of government texts. With a lower-case and unpunctuated Swedish text as input, the model is supposed to return a grammatically correct punctuated copy of the text as output. A successful solution to this problem brings benefits for an array of NLP domains, such as speech-to-text and

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3

Fung, Kai Chun. "The reception of Elizabethan and Jacobean drama in the Romantic period: the case of John Ford." Thesis, The University of Sydney, 2007. http://hdl.handle.net/2123/1866.

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Fung, Kai Chun. "The reception of Elizabethan and Jacobean drama in the Romantic period the case of John Ford /." University of Sydney, 2007. http://hdl.handle.net/2123/1866.

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5

Ward, T. "Compound magic : Virtuosity, theatricality and the experience of theatre in the Jacobean Period." Thesis, University of East Anglia, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.235190.

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6

Hennessey, James Todd. "An examination of human anatomy in the drama of the early modern period." Thesis, University of Birmingham, 2016. http://etheses.bham.ac.uk//id/eprint/7075/.

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An examination of the science of human anatomy and dissection as it occurs in plays of the early modern period. Starting with a survey of available literature on the subject, the thesis then moves on to examine the state of human anatomy in England at the time as well as an overview medical training, textbooks and information that may have been available to the public at large. This leads to an examination of a group of plays that refer explicitly to the practice of anatomy, references that are found to be either literal or metaphorical in nature. In this, the theatrical representation of anat

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7

Mayhew, Steve. "Becoming John Ford : the silent period 1914-1930." Thesis, Kingston University, 2013. http://eprints.kingston.ac.uk/27731/.

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Drawing on extensive primary research into John Ford’s early films, from the silent era up until the late 1920s, the thesis charts the evolution of what has become known as the ‘Fordian sensibility’ through a close textual analysis of the director’s extant silent films, taking into account the implications of the auteur theory as applied to Ford’s work. A major part of the research process has been devoted to the appropriation of the director’s surviving early titles, in order that all existing film materials relevant to the thesis can be included. Prior to examining Ford’s silent film output,

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8

Sandis, Elizabeth. "A coming of age : drama at St John's College, Oxford in the early modern period." Thesis, University of Oxford, 2017. https://ora.ox.ac.uk/objects/uuid:7e069753-9028-4055-980d-8cf1239eba87.

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In charting the remarkable rise of St John's College, Oxford, from struggling, new-born foundation in 1555 to spectacular host of King Charles and Queen Henrietta in 1636, I demonstrate how the theatrical tradition developed by the community of St John's men negotiated and articulated their college's political and economic transformation. My research has uncovered the centrality of drama to college life and the fundamental significance of collegiate identity and tradition to the university men, showing that if we are to build a synoptic view of 'university drama' in early modern England, we mu

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9

Niafas, Konstantinos. "Liber Pater and his cult in latin literature until the end of the Augustan period." Thesis, University of Exeter, 1998. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.267211.

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10

鄧兆華 та Siu-wah Tang. "The commercial performance context of Chinese drama in the Song period = 宋代戲劇的商業演出環境". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2013. http://hdl.handle.net/10722/193000.

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China entered its revolutionary stage of commercial development in the 10th to 13th centuries. Provided with its relatively stable political and economical environment, its rapid development in commercialization, urbanization and population was obviously recorded in history. Commercial performing spaces of the Chinese drama and opera, also known as the “Goulan theatres”, were vastly developed in a number of cities and towns in the Northern and Southern Song Dynasties (960-1279). This paper would study the influence of this kind of commercial performance on the development of the Chinese Opera.

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Hsiao, Li-ling. "The eternal present of the past : performance, illustration, and reading in the drama culture of the Wanli period (1573-1619)." Thesis, University of Oxford, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.273228.

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12

Hwang, Yun Mi. "South Korean historical drama : gender, nation and the heritage industry." Thesis, University of St Andrews, 2011. http://hdl.handle.net/10023/1924.

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From the dynamic landscape of contemporary South Korean cinema, one trend that stands out is the palpable revival of the historical drama (known as the ‘sageuk’ in Korean). Since the early 2000s, expensive, visually striking, and successful costumed pieces have been showcased to the audience. Now rivalling the other mainstream genres such as gangster action, romantic comedy, and the Korean blockbuster, the sageuk has made an indelible impact on the national film industry. Even so, the cycle has yet to receive much critical attention. This thesis addresses the gap, driven by the question, what

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13

Deaton, Michaela. "Coney Island." Digital Commons at Loyola Marymount University and Loyola Law School, 2021. https://digitalcommons.lmu.edu/etd/981.

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14

Shaw, Caitlin. "Remediating the eighties : nostalgia and retro in British screen fiction from 2005 to 2011." Thesis, De Montfort University, 2015. http://hdl.handle.net/2086/11153.

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This doctoral thesis studies a cycle of British film and television fictions produced in the years 2005-2011 and set retrospectively in the 1980s. In its identification and in-depth textual and contextual analysis of what it terms the ‘Eighties Cycle’, it offers a significant contribution to British film and television scholarship. It examines eighties-set productions as members of a sub-genre of British recent-past period dramas begging unique consideration outside of comparisons to British ‘heritage’ dramas, to contemporary social dramas or to actual history. It shows that incentives for dep

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15

Ferrer, Joshua. "The Community of Women in María de Zayas y Sotomayor’s La traición en la amistad." Miami University / OhioLINK, 2004. http://rave.ohiolink.edu/etdc/view?acc_num=miami1091819243.

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16

Chantrelle, Laurent. "Émergence d'un théâtre pour enfants moderne dans l'entre-deux-guerres." Electronic Thesis or Diss., Paris 8, 2021. http://www.theses.fr/2021PA080012.

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Cette étude sur l’histoire du théâtre pour enfants débute à partir de la période médiévale pour s’achever à la fin de l’année 1939 avec un focus particulier réalisé dans l’entre-deux-guerres. Il s'agit d'étudier la façon dont se crée un théâtre moderne pour enfants en évoquant des racines anciennes. Dans les années 1919 à 1939 un basculement fondamental s’opère dans le champ théâtral enfantin français avec des tentatives qui réclament la présence exclusive dans leurs divertissements de comédiens adultes sur scène. La tendance dans ce genre artistique qui jusqu’alors consiste à produire des spe

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17

Niyonzima, Sébastien. "Résurgence de la mythologie grecque dans le théâtre français de l'entre-deux-guerres : pourquoi et comment ?" Electronic Thesis or Diss., Université Clermont Auvergne (2021-...), 2024. http://www.theses.fr/2024UCFA0050.

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Les mythes ont toujours fait l'objet de réécriture depuis l'Antiquité. Toutefois, l'ampleur que prend leur reprise au XXe siècle - deux millénaires après les tragiques grecs et trois siècles après les classiques français - amène tout chercheur à s'interroger. Pourquoi la résurgence de la fable mythique dans un contexte historico-littéraire ultra-moderne ? Comment s'opère cette réécriture qui rencontre l'assentiment d'un public exigeant ? Notre travail répond à ces questionnements en donnant quatre raisons interdépendantes développées chacune dans une partie de la thèse. La première concerne l'

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18

Gagnon, Julie E. "Masculinidades de moda : machos del Siglo de Oro." Thesis, McGill University, 2003. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=84509.

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Among the diverse fabric of masculinities that prestigious authors such as Pedro Calderon de la Barca, Tirso de Molina and Agustin Moreto weave into their plots, fashion proves to be a common thread and a particularly useful tool. Thus, as I approach the idea of "Fashionable Masculinities" and investigate a few "macho" and/or not so "macho men" in Early Modern drama I hope to go beyond the traditional interpretations, stereotypes and icons often associated with men---in particular, Spanish men in Golden Age drama. This will be achieved by revisiting typical cases and compared through re

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19

Potter, David J. "Post-Kantian idealism and the dramas of Schiller and Zacharias Werner, with particular reference to the period 1800 to 1810." Thesis, University of Cambridge, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.240967.

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20

Borowski, Yvonne. "Laughter in Ancient Greek Drama of the Classical Period." Phd diss., 2015. http://hdl.handle.net/11089/11865.

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Celem rozprawy jest analiza percepcji zjawiska śmiechu według poetów ateńskich w V w. p.n.e. Korpus badawczy składa się z zachowanych tekstów tragedii oraz wybranych fragmentów z Ajschylosa, Sofoklesa oraz Eurypidesa. Niniejsza rozprawa porusza następujące kwestie dotyczące: 1) natury zjawiska śmiechu; 2) terminologii starogreckiej dla śmiechu; 3) percepcji zjawiska śmiechu wyłaniającej się z wyodrębnionej greckiej terminologii; 4) percepcji śmiechu w dramacie greckim; 5) podobieństw i różnic w wykorzystaniu motywu śmiechu przez trzech tragików. Dysertacja podzielona została na dwie główne czę

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21

Tan, Zhi zhong, and 譚志東. "Drama Campaign of Communism China in Yan'an Period(1935-1947)." Thesis, 1995. http://ndltd.ncl.edu.tw/handle/94454824805329033075.

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22

LING, CIAN-MEI, and 凌千媚. "A study on themes songs for Taiwan period drama series." Thesis, 2019. http://ndltd.ncl.edu.tw/handle/m2cewg.

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碩士<br>國立高雄師範大學<br>表演藝術碩士學位學程<br>107<br>Period dramas are based on specific historical events, and usually presented with clothing, scenes and props especially designed for the time setting. The lifestyle and the values the time represent are interpreted by the characters in the dramas. Recently, this trend of period dramas has arisen. Theme songs of this drama genre convey the feeling of being trapped and helpless in the time setting societies. They are composed with lyrics covering plots and special music arrangements. The dramas connect with audiences through the songs which comparing to oth

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23

Gray, Richard James. "French radio drama from the interwar to the postwar period (1922-1973)." Thesis, 2006. http://hdl.handle.net/2152/2495.

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24

Benabu, Joel M. "Shakespeare's Openings in Action: A Study of Four Plays from the Period 1591-c.1602." Thesis, 2012. http://hdl.handle.net/1807/33845.

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Regardless of genre, Shakespeare’s plays open in many different ways on the stage. Some openings come in the form of a prologue and extend from it; others in the form of a framing dialogue; some may begin in medias res; and there is also a single case of an induction in The Taming of the Shrew. My dissertation, “Shakespeare’s Openings in Action: A Study of Four Plays from the Period 1591- c.1602,” subsequently referred to as “Shakespeare’s Openings in Action,” attempts to define the construction of openings in the context of Shakespeare’s dramaturgy and to understand texts which were written i

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25

Lee, Monica L. "De la crónica a la escena : Arauco en el teatro del Siglo de Oro." Thesis, 1993. http://hdl.handle.net/2429/2193.

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The encounter between Spain and the New World --the Americas-- is one of the distinctive historical events of the 15th century. So it is surprising that there is very little reference to the Americas in the many plays remaining from the Spanish Golden Age theatre. This thesis studies six plays centering on the Arauco wars in Southern Chile and the figure of one of the first governors of that country, don Garcia Hurtado de Mendoza. The main objective of this study is to demonstrate to what extent the literary elaboration of the topic contributed to the vision of the New World held by the Spanis

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26

Hrnčířová, Denisa. "Genderové stereotypy v současném britském historickém kostýmním dramatu. Komparace Panství Downton a Pana Selfridge." Master's thesis, 2017. http://www.nusl.cz/ntk/nusl-267689.

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The diploma thesis named Gender Stereotypes in Contemporary British Period Drama. The Comparative Analysis of Downton Abbey and Mr Selfridge compares the marks of gender stereotypes and conservative principles in British period drama series. The analysis of their clash with progress in society and technology during the first two decades of the 20th century is performed on the method of qualitative content analysis of two examples of popular contemporary British costume drama Downton Abbey and Mr Selfridge. The theoretical framework of the thesis is based on the concept regarding history in fil

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27

Patterson, Charles P. "A fruitful bough : the Old Testament story of Joseph in medieval and Golden Age Spanish literature." 2009. http://hdl.handle.net/2152/18454.

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The Old Testament story of Joseph is common to the Christians, Muslims, and Jews of medieval Spain, and each group drew upon its own and other exegetical traditions to produce literary versions of the biblical tale. After the expulsion of the latter two groups, several Hispanic playwrights, including such notable figures as Lope de Vega, Pedro Calderón de la Barca, and Sor Juana Inés de la Cruz, continued to produce theatrical versions of the Josephine legend throughout the Golden Age. Most of these plays attained a great deal of popularity. In spite of the importance of these works in early S

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28

Hoblová, Kristýna. "Reflexe vylučovací krize (1678-1683) v soudobé literatuře." Master's thesis, 2016. http://www.nusl.cz/ntk/nusl-351925.

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The Reflection of the Exclusion Crisis (1678-1683) in Contemporary Literature Kristýna Hoblová abstract This work of literary history analyses the reflection of the Exclusion Crisis (1678-1683) in contemporary literature across genres. It is based on the theory of the rise of the public sphere by Jürgen Habermas and on the theory of Michael McKeon, understanding the ideology of the late Stuarts as a last remnant of aristocratic ideology. The Exclusion Crisis is presented here as a period of unsettling negotiations between the declining Stuart ethos and the Whig ideology of the rising mercantil

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29

García-Martín, Elena. "Negotiating Golden Age tradition since the Spanish Second Republic: performing national, political and social identities." Thesis, 2004. http://hdl.handle.net/2152/2555.

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