Articles de revues sur le sujet « Period of "drama" »
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B, Vijayakumar. "A Comparative Analysis of Tamil and Assamese Dramatic Tradition." International Research Journal of Tamil 4, no. 2 (2022): 1–8. http://dx.doi.org/10.34256/irjt2221.
Texte intégralHall, Elizabeth. "Period Drama." Lighting Design + Application 41, no. 5 (2011): 80–85. https://doi.org/10.1177/036063251104100513.
Texte intégralAbbiss, Will Stanford. "Period Drama, Faye Woods (2022)." Journal of Popular Television, The 10, no. 3 (2022): 321–23. http://dx.doi.org/10.1386/jptv_00086_5.
Texte intégralTaddeo, Julie Anne. "Let's Talk about Sex: Period Drama Histories for the Twenty-first Century." Journal of British Cinema and Television 16, no. 1 (2019): 42–60. http://dx.doi.org/10.3366/jbctv.2019.0455.
Texte intégralXiang, Meng, and Kyung Hoon Han. "A Comparative Analysis Study on Musical Characteristics Shown in the Use of Modes in Korean and Chinese Classical Drama OSTs: Focusing on the Analysis of the Theme Melody of Major Underscores." Korean Society of Culture and Convergence 45, no. 11 (2023): 1289–99. http://dx.doi.org/10.33645/cnc.2023.11.45.11.1289.
Texte intégralKardiansyah, M. Yuseano. "English Drama in the Late of Victorian Period (1880-1901): Realism in Drama Genre Revival." TEKNOSASTIK 15, no. 2 (2019): 64. http://dx.doi.org/10.33365/ts.v15i2.100.
Texte intégralČiripová, Dáša. "Greek Drama in the Hellenistic Period." Slovenske divadlo /The Slovak Theatre 65, no. 4 (2017): 373–82. http://dx.doi.org/10.1515/sd-2017-0022.
Texte intégralCooke, Olga Muller, and Robert Russell. "Russian Drama of the Revolutionary Period." Theatre Journal 42, no. 1 (1990): 135. http://dx.doi.org/10.2307/3207578.
Texte intégralVazirakhon, Akhmedova, and Маftuna Ergasheva. "THE IMAGE OF ALISHER NAVAI IN HISTORICAL DRAMA." INTERNATIONAL SCIENCES, EDUCATION AND NEW LEARNING TECHNOLOGIES 1, no. 8 (2024): 21–26. https://doi.org/10.5281/zenodo.12569619.
Texte intégralYu, Minghuang. "A Critical Study of The Emperor Jones and The Yama Chao from the Perspective of Expressionism." Journal of Social Science and Humanities 7, no. 3 (2025): 12–14. https://doi.org/10.53469/jssh.2025.7(03).03.
Texte intégralGao, Mingjia. "The Reinvention of Modern Classroom Management in the new period." Journal of Education and Educational Research 1, no. 3 (2023): 57–60. http://dx.doi.org/10.54097/jeer.v1i3.4409.
Texte intégralIkramova, Aziza Aminovna. "SYNCRETIC FEATURES IN IQBOL MIRZO'S POETIC DRAMA "SAMARKAND SAYQALI"." International journal of word art 5, no. 4 (2022): 113–18. https://doi.org/10.5281/zenodo.6777124.
Texte intégralMustafayeva, Aynure. "Theater-drama art in the Roman period." Poetika.izm, no. 01 (2024): 107. http://dx.doi.org/10.59849/2663-2926.2024.1.107.
Texte intégralAndres, Rok. "Existentialism in Slovenian Drama and Theatre in the Period after the World War II." Res novae: revija za celovito znanost 6, no. 2 (2021): 7–34. http://dx.doi.org/10.62983/rn2865.212.1.
Texte intégralKhan, Rooh Ul Amin, Ahsan Ul Haq, and Jamal Ud Din. "Portrayal of Families in Prime Time Urdu Drama." Global Sociological Review V, no. III (2020): 48–57. http://dx.doi.org/10.31703/gsr.2020(v-iii).06.
Texte intégralFena Andita Cahyani and Mochammad Rochim. "Manajemen Konflik Penghuni Apartemen dalam Drama Korea." Bandung Conference Series: Communication Management 3, no. 2 (2023): 504–9. http://dx.doi.org/10.29313/bcscm.v3i2.7447.
Texte intégralLinchenko, Andrei Aleksandrovich. "The Mythology of Time in Modern Foreign period dramas: between Retrotopia and Metamodern Sensuality." Философия и культура, no. 9 (September 2022): 10–27. http://dx.doi.org/10.7256/2454-0757.2022.9.38722.
Texte intégralAbbiss, Will Stanford. "Proposing a Post-heritage Critical Framework: The Crown, Ambiguity, and Media Self-consciousness." Television & New Media 21, no. 8 (2019): 825–41. http://dx.doi.org/10.1177/1527476419866427.
Texte intégralJuraboeva, Mukhlisa. "ELIZABETHAN POETRY, DRAMA AND FICTION." «Zamonaviy dunyoda innovatsion tadqiqotlar: Nazariya va amaliyot» nomli ilmiy, masofaviy, onlayn konferensiya 1, no. 27 (2022): 17–19. https://doi.org/10.5281/zenodo.7329239.
Texte intégralJuraboeva, Mukhlisa. "ELIZABETHAN POETRY, DRAMA AND FICTION." «Zamonaviy dunyoda innovatsion tadqiqotlar: Nazariya va amaliyot» nomli ilmiy, masofaviy, onlayn konferensiya 1, no. 27 (2022): 17–19. https://doi.org/10.5281/zenodo.7344795.
Texte intégralPinardi, Risky Rahmawati, Mohammad Rizan, and Agung Wahyu Handaru. "The Influence of the Drama Industry on the Increasing Decisions to Visit Indonesian Tourists to Abroad: Literature Review." International Journal of Research and Review 10, no. 10 (2023): 56–67. http://dx.doi.org/10.52403/ijrr.20231008.
Texte intégralJowett, Lorna. "Horrible histories? Vampire television, period drama and spectacle." Horror Studies 8, no. 2 (2017): 313–28. http://dx.doi.org/10.1386/host.8.2.313_1.
Texte intégralMaeda, Kosaku, Go Yamatoya, Yuichi Ushio, Nobuhisa Kuramata, Koji Matsunaga, and Yuichi Inoue. "Production Technology for NHK's Period Drama 'Yaeno Sakura'." Journal of the Institute of Image Information and Television Engineers 68, no. 4 (2014): 256–62. http://dx.doi.org/10.3169/itej.68.256.
Texte intégralKim, Ju-Ae. "Expressive Effect of Victorian Costumes in Period Drama." Korean Journal of Community Living Science 34, no. 3 (2023): 341–52. http://dx.doi.org/10.7856/kjcls.2023.34.3.341.
Texte intégralArya, Sakshi G., and O. P. Dewal. "On Controversy’s Path: Analysing the Period Drama Padmaavat." MediaSpace: DME Media Journal of Communication 4, no. 01 (2023): 24–31. http://dx.doi.org/10.53361/dmejc.v4i01.04.
Texte intégralAdha, Ruly. "Elizabethan Period (The Golden Age of English Literature)." JADEs : Journal of Academia in English Education 1, no. 1 (2020): 84–95. http://dx.doi.org/10.32505/jades.v1i1.2707.
Texte intégralGreig, Hannah. "‘The New Downton Abbey’? Poldark and the Presentation and Perception of an Eighteenth-century Past." Journal of British Cinema and Television 16, no. 1 (2019): 94–113. http://dx.doi.org/10.3366/jbctv.2019.0458.
Texte intégralNguyen Van, Lich. "Unique artistic and poetic art of Huy Thong in period 1932-1945 on the aspect of language topic." Journal of Science Social Science 66, no. 2 (2021): 37–43. http://dx.doi.org/10.18173/2354-1067.2021-0023.
Texte intégralTong, Enyue, and Li Liu. "Research on the Theater of Absurd." Arts Studies and Criticism 4, no. 1 (2023): 1. http://dx.doi.org/10.32629/asc.v4i1.1210.
Texte intégralOlszewska, Maria Jolanta. "A contribution to the history of theater in the interwar period. A few words about Zofia Nałkowska’s Dom kobiet once again." Czytanie Dwudziestolecia 1 (2024): 103–20. https://doi.org/10.16926/cd.2024.01.06.
Texte intégralAskarzadeh Torghabeh, Rajabali. "The Study of Revenge Tragedies and Their Roots." International Journal of Applied Linguistics and English Literature 7, no. 4 (2018): 234. http://dx.doi.org/10.7575/aiac.ijalel.v.7n.4p.234.
Texte intégralBranagh-Miscampbell, Maxine, Barbara Leonardi, Elias Greig, Michael Falk, and Miranda Kiek. "XII Literature 1780–1830: The Romantic Period." Year's Work in English Studies 98, no. 1 (2019): 620–701. http://dx.doi.org/10.1093/ywes/maz010.
Texte intégralThevananth, Thevanayagam. "'Theatre for Liberation' during the Period of IPKF in Srilanka." Shanlax International Journal of Tamil Research 7, no. 3 (2023): 34–59. http://dx.doi.org/10.34293/tamil.v7i3.6089.
Texte intégralGamer, Michael. "National Supernaturalism: Joanna Baillie, Germany, and the Gothic Drama." Theatre Survey 38, no. 2 (1997): 49–88. http://dx.doi.org/10.1017/s0040557400002076.
Texte intégralIslam, Dr Jamirul, and Dr Md Nasir Hossain. "ORIGIN AND ITS GROWTH OF INDIAN DRAMA: A CONCISE CHRONOLOGICAL STUDY." JOURNAL OF ENGLISH LANGUAGE AND LITERATURE 12, no. 01 (2025): 39–50. https://doi.org/10.54513/joell.2025.12106.
Texte intégralTroha, Gašper. "Eksistencialistična drama." Jezik in slovstvo 51, no. 2 (2024): 53–68. http://dx.doi.org/10.4312/jis.51.2.53-68.
Texte intégralLutzky, Ursula. "The sociopragmatic nature of interjections in Early Modern English drama comedy." Historical Pragmatics today 22, no. 2 (2021): 225–44. http://dx.doi.org/10.1075/jhp.00054.lut.
Texte intégralByrne, Katherine, and Julie Anne Taddeo. "Calling #TimesUp on the TV period drama rape narrative." Critical Studies in Television: The International Journal of Television Studies 14, no. 3 (2019): 379–98. http://dx.doi.org/10.1177/1749602019856535.
Texte intégralCzerwinski, E. J. "Russian Drama of the Revolutionary Period by Robert Russell." Comparative Drama 23, no. 3 (1989): 289–90. http://dx.doi.org/10.1353/cdr.1989.0010.
Texte intégralKAMIYAMA, Akira. "Customs of the Meiji Period and Kabuki's War Drama." Comparative Theatre Review 11, no. 1 (2011): 4–20. http://dx.doi.org/10.7141/ctr.11.4.
Texte intégralJ. Sosulski, Michael. "Workshop in German Drama." Scenario: A Journal of Performative Teaching, Learning, Research II, no. 1 (2008): 7–16. http://dx.doi.org/10.33178/scenario.2.1.2.
Texte intégralZahra, Fina, and Fadli M. Athalarik. "The Paradoxality of Gender Representation in the Gender Bender Korean Drama Mr. Queen." COMMENTATE: Journal of Communication Management 3, no. 2 (2022): 91. http://dx.doi.org/10.37535/103003220221.
Texte intégralBaskota, Prateet. "From Chaucer to the Restoration: A Comparative Analysis of Elizabethan Drama and Literature in the Artificial Intelligence Era." SXC Journal 2, no. 1 (2025): 35–48. https://doi.org/10.3126/sxcj.v2i1.81664.
Texte intégralZhurcheva, Olga V. "“New drama”: Pro et contra." Izvestiya of Saratov University. Philology. Journalism 22, no. 4 (2022): 484–87. http://dx.doi.org/10.18500/1817-7115-2022-22-4-484-487.
Texte intégralJaesuk Kim. "The Comparative Study on the Korean and Japanese Naturalism Drama in the Formative period of Modern Drama." Korean Language and Literature ll, no. 162 (2012): 285–319. http://dx.doi.org/10.17291/kolali.2012..162.010.
Texte intégralMisirača, Marko. "50 Years of Drama from Bosnia & Herzegovina in Theater Festival of Bosnia and Herzegovina in Jajce: A Short History of Bosnian Theater Plays Through an Overview of Participation in the B&H Theater Festival in Jajce." Društvene i humanističke studije (Online) 6, no. 3(16) (2021): 59–70. http://dx.doi.org/10.51558/2490-3647.2021.6.3.59.
Texte intégralJiang, Lulu, Farideh Alizadeh, and Wenjing Cui. "Effectiveness of Drama-Based Intervention in Improving Mental Health and Well-Being: A Systematic Review and Meta-Analysis during the COVID-19 Pandemic and Post-Pandemic Period." Healthcare 11, no. 6 (2023): 839. http://dx.doi.org/10.3390/healthcare11060839.
Texte intégralT., Dhanalakshmi. "MUSIC IN SANGAM PERIOD." International Journal of Computational Research and Development 1, no. 1 (2016): 110–12. https://doi.org/10.5281/zenodo.192374.
Texte intégralSais Martinez, Pere, and Dimitra Konstantopoulou. "LOS ESPACIOS DE GROTOWSKI: DESDE EL TEATRO POBRE HASTA EL DRAMA OBJETIVO." Acotaciones. Revista de Investigación y Creación Teatral 45 (December 18, 2020): 96–136. http://dx.doi.org/10.32621/acotaciones.2020.45.04.
Texte intégralMoonKyoungYeon. "Colonial Period and the Drama of Mourning -Focusing on the -." Journal of Korean drama and theatre ll, no. 41 (2013): 345–78. http://dx.doi.org/10.17938/tjkdat.2013..41.345.
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