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Littérature scientifique sur le sujet « Poetic essence »

Auteur : Grafiati

Publié le 7 juin 2025

Mis à jour le 2 août 2025

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Articles de revues sur le sujet "Poetic essence"

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Kulnieks, Andrejs, and Kelly Young. "Ekphrastic Poetics: Fostering a Curriculum of Ecological Awareness Through Poetic Inquiry." in education 20, no. 2 (2014): 78–89. http://dx.doi.org/10.37119/ojs2014.v20i2.199.

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In this article we outline the role of ekphrastic poetics in an ecological practice of poetic inquiry. Ekphrastic poetics, as a rhetorical device, involves one medium of art relating to another medium by unfolding its form and essence. Ultimately, our work involves a poetic response to an aesthetic form and it is through our ongoing collaborations that we are able to outline the importance of the poetic benefits of dwelling in natural places. We offer specific examples of how we engage in interpretive response activities that help to foster ecological habits of mind in teacher education. Keywo

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Muhammatovna, Abdullayeva Rukia. "GENESIS OF NAZM UL-JAVAHIR, IDEATIC-MYSTICAL ESSENCE AND POETICS." European International Journal of Philological Sciences 4, no. 7 (2024): 5–8. http://dx.doi.org/10.55640/eijps-04-07-02.

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The study of the poetics of a particular work is carried out in connection with the artistic concept of the creator. After all, each work is a product of its author's worldview, ideological-aesthetic views, life ideal and creative position. That's why our greats said: "If you read my words, you will understand me." In particular, in "Nazm ul-Javahir" Alisher Navoi's opinions about the world and man found their poetic expression in harmony with Hazrat Ali's thinking. It reflects the deep thinking and spiritual world of the genius of words.

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Dharmendra Kumar Singh and Reshu Shukla. "Being and Beyonding: The Poetry of Kamala Das." Creative Saplings 3, no. 12 (2024): 83–111. https://doi.org/10.56062/gtrs.2024.3.12.824.

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This research paper comprises four sections. Each section explores the thematic pillars of “being” and “beyonding” that form the essence of Kamala Das' poetic oeuvres. Emphasizing these two terms, it aims to uncover how they uniquely shape her poetic identity. The initial section provides an in-depth exploration of “being” and “beyonding," dispelling ambiguities concerning them. The subsequent section probes the concept of "being" as manifested in her poetry, intimately annexed to her personal experiences and crucial life events, disclosing the intimacy between her art and her identity. The th

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Motikala, Subba Dewan. "AI In Poetry Translation: Can Machines Capture Poetic Essence?" INTERNATIONAL JOURNAL OF SOCIAL SCIENCE HUMANITY & MANAGEMENT RESEARCH 04, no. 05 (2025): 867–75. https://doi.org/10.5281/zenodo.15348662.

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Poetry translation is a challenging process that extends beyond literal meaning, requiring sensitivity to emotional depth, cultural context, and poetic structure (Venuti, 2017). While artificial intelligence (AI) has advanced in machine translation, its ability to preserve poetic essence remains debated (Toral & Way, 2018). The purpose of this study is to analyze AI’s role in poetry translation, assessing whether it can retain the artistic and emotional depth of poetry or merely provide word-for-word translations. AI’s strengths lie in efficiency and linguistic accuracy, yet it

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Fan, Yanzhu. "Poetic Metaphors and Embodied Cognition A Potential Pathway of Mind Development." Communications in Humanities Research 20, no. 1 (2023): 238–43. http://dx.doi.org/10.54254/2753-7064/20/20231378.

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Cognitive poetics theory regards metaphor as a significant mechanism in human unconscious cognitive processes for understanding abstract concepts and phenomena, which constitutes the essence of poetic expression. Poetic metaphors accentuate linguistic expression at the level of pure abstract concepts, transcending experiential and cultural limitations, and emerge as a significant wellspring for unconscious cognition and mind development. However, mind development cannot be exclusively reliant on metaphor, as abstract thinking arises from the interplay between rational agents and the objective

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Reysner, Marina. "Persian Court Poetry (10th — 12th Centuries) and Troubadour Lyrics (12th — 13th Centuries): a Comparative Analysis of Poetics." Проблемы исторической поэтики 23, no. 2 (2025): 29–50. https://doi.org/10.15393/j9.art.2025.15062.

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The article is devoted to the identification of common poetic characteristics of the Persian court poets (10th — 12th centuries) and the Provencal troubadours (12th — 13th centuries). The concepts of ‘poet’ and ‘poetry’, which helped the representatives of two poetic traditions to formulate their views on the essence of literary work and to assert the novelty and originality of their writings were selected for comparison purposes. The article presents the examples of arguments about a poet’s skill as a professional craft, contained in medieval Arabic treatises on poetics, on which the Persian

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Muhammad, Suzana Haji, and Qian Zhu. "Green Writing and Elemental Poetic: A Postcolonial Ecocritical Reading of Tim Winton." World Journal of English Language 14, no. 4 (2024): 16. http://dx.doi.org/10.5430/wjel.v14n4p16.

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This article will draw a connection between postcolonial green writing and Winton’s poetic natural space, where the material world and imagination coexist, and emphasize the unity between elemental essence and the essence of the everyday lifeworld, through examining the manifestation of the four perennial elements in the works of Tim Winton. It finds that Winton’s works explore the depiction of four crucial elementary matters in his works, as well as a discourse initiated regarding the potential of literature to foster ecological awareness. Referring to postcolonial ecocriticism and Bachelard’

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BARYKIN, Alexey V. "PHENOMENOLOGICAL POETICS OF A LYRIC WORK: METHODOLOGICAL ASPECT." Tyumen State University Herald. Humanities Research. Humanitates 7, no. 3 (2021): 73–86. http://dx.doi.org/10.21684/2411-197x-2021-7-3-73-86.

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The goal of this article is to present the methodological foundations of the phenomenological poetics of a literary work. The subject of the research is the principles of the phenomenological approach to poetological foundations, the object is the structural-semantic, textual-semiotic features of the lyric work. The author summarizes the experience of different concepts of the phenomenological approach to revealing the essence of the receptive strategy of both artistic consciousness and research practice. The main attention is paid to the structure of artistic consciousness, the peculiarities

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Wang, Siqi. "Language of Poetry and Poetic Discourse (on the Problem of the Relationship of Concepts)." Uchenye Zapiski Kazanskogo Universiteta. Seriya Gumanitarnye Nauki 163, no. 4–5 (2021): 119–28. http://dx.doi.org/10.26907/2541-7738.2021.4-5.119-128.

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The article examines the essential and logical-hierarchical relationships of such concepts as poetic discourse, poetic language, and the language of poetry. The relevance of the research is determined by fact that the understanding and interpretation of poetic discourse within the framework of the scientific theory is in a state of development, the methodology of literary criticism and linguistics is evolving, and many concepts are still confused. Opinions expressed by the researchers who have studied the essence of poetic language and language of poetry, as well as support the concept of poet

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Huttunen, Tomi. "Montage in Russian Imaginism: Poetry, theatre and theory." Sign Systems Studies 41, no. 2/3 (2013): 219–29. http://dx.doi.org/10.12697/sss.2013.41.2-3.05.

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The article discusses the concept of montage as used by the Russian Imaginist poetic group: the montage principle in their poetry, theoretical writings and theatre articles. The leading Imaginist figures Vadim Shershenevich and Anatolij Mariengof were active both in theorizing and practising montage in their oeuvre at the beginning of the 1920s. Shershenevich’s application of the principle in poetry was called “image catalogue”, a radical poetic experiment in the spirit of both Walt Whitman and Sergei Eisenstein. Mariengof ’s main contribution to the montage poetics was his first fictional nov

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Thèses sur le sujet "Poetic essence"

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Petersen, Matthew Zane. "Poetic essence in architecture." Thesis, Montana State University, 2010. http://etd.lib.montana.edu/etd/2010/petersen/PetersenM0510.pdf.

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Zamorano, Meza Jose Manuel. "Existential Octavio Paz or the poetic essence of being." Thesis, University of British Columbia, 2012. http://hdl.handle.net/2429/42954.

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Octavio Paz is one of the fundamental literary figures of Latin America. His works are diverse in genre, extensive in topics and in many cases polemical. Paz’s thinking about Mexican identity, poetry and modernity through his essays and his poetry pose a problem of philosophical interpretation that deserves attention. My hermeneutical reading of Paz’s poetics in light of the existential philosophy of Martin Heidegger and José Ortega y Gasset facilitates the understanding of some of Paz’s fundamental and most enduring tenets. Moreover, studying Paz in this way may help us understanding Mexican

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Amoury, Rita de Cássia Lemos. "SERTÃO, METÁFORA E CONSTRUÇÃO POÉTICA EM O CÃO SEM PLUMAS, O RIO E MORTE E VIDA SEVERINA DE JOÃO CABRAL." Pontifícia Universidade Católica de Goiás, 2011. http://localhost:8080/tede/handle/tede/3213.

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Made available in DSpace on 2016-08-10T11:07:03Z (GMT). No. of bitstreams: 1 RITA DE CASSIA LEMOS AMOURY.pdf: 1013801 bytes, checksum: 3e2f30267c3c90a3cde742dd664b3ed3 (MD5) Previous issue date: 2011-03-16<br>This study is an analysis of the poetry construction of the author Joao Cabral de Melo Neto O cão sem plumas (The Dog Without Feathers) from the description of space, man and river poetic, there is also as corpus the poem Morte e vida severina (Death Life Severina). Em O rio seek searching to reflect on the images of water and the aesthetics of space according to the propositions of Gas

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Lopes, Alan Marinho. "O entardecer de uma era: t?cnica, poesia e pensamento em Heidegger." Universidade Federal do Rio Grande do Norte, 2010. http://repositorio.ufrn.br:8080/jspui/handle/123456789/16492.

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Made available in DSpace on 2014-12-17T15:12:15Z (GMT). No. of bitstreams: 1 AlanML_DISSERT.pdf: 720079 bytes, checksum: eb15983670521e088254579d404daecd (MD5) Previous issue date: 2010-04-15<br>Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior<br>The thinking dialog between Heidegger s philosophy and the poetry of H?lderlin and Rilke must be dealt in language s domains. The difficulty to establish this dialog comes from the man in itself, unable to think out of the understructure of science and the modern technique. The poetic language was forgotten or ignored, turning itself obso

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Sörstad, Fredrik. "Conciencia y temporalidad : Un estudio sobre la concepción del tiempo en seis poemarios de José Hierro." Doctoral thesis, Stockholms universitet, Institutionen för spanska, portugisiska och latinamerikastudier, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-8580.

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The aim of the present study is to analyze the conception of time in six books of poems by José Hierro (1922-2002): Tierra sin nosotros (1947), Alegría (1947), Con las piedras, con el viento… (1950), Quinta del 42 (1952), Cuanto sé de mí (1957) and Libro de las alucinaciones (1964). It is suggested that the theme of time in Hierro´s poetry can be approached from three different points of view: existence, essence and consciousness. Furthermore, these three different perspectives are reflected in a chronological division of Hierro´s books of poems into three periods: existential poetry, intimist

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Okwa-Ondo, Peter Abraham. "Nouvel humanisme et ontologie africaine." Thesis, Lyon 3, 2013. http://www.theses.fr/2013LYO30026.

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A travers les faits et manifestations considérés comme irrationnels par l’entendement scientiste et positiviste, on décèle du point de vue de la philosophie de l’esprit, une rationalité poétique qui est à l’œuvre dans tout esprit humain. Ce super- rationalisme qui intègre en même temps le sensible et le rationnel obéit à une logique du symbolisme qu’on retrouve dans l’Ontologie africaine. L’africanisme ontologique induit une philosophie de l’invisible où la connaissance intuitive libère l’esprit du dogmatisme rationaliste. Il permet d’appréhender l’Être dans sa totalité en examinant la questio

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VALENTE, LAURA. "GREGORIO NAZIANZENO Eij" ejpiskovpou" [carm. II,1,13. II,1,10] Introduzione, testo critico, commento e appendici." Doctoral thesis, 2018. http://hdl.handle.net/11393/251619.

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Invitato a Costantinopoli da una delegazione nicena, che ne chiedeva l’intervento a sostegno della comunità ortodossa locale, Gregorio di Nazianzo accantonò il desiderio di dedicarsi alla vita contemplativa e si recò nella Neja ÔRwvmh: non poteva certo immaginare che negli anni trascorsi nella capitale (dagli inizi del 379 al luglio del 381) avrebbe conosciuto, a distanza di breve tempo, l’apice e il fallimento della sua attività politico-ecclestiastica. Alla guida di un piccolo gruppo di fedeli, radunati in una sala udienze privata ribattezzata Anastasia, Gregorio esercitò con impegno i suoi

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Livres sur le sujet "Poetic essence"

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McLaren, Brian D. A generous orthodoxy: Why I am a missional, evangelical, post/Protestant, liberal/conservative, mystical/poetic, biblical, charismatic/contemplative, fundamentalist/Calvinist, Anabaptist/Anglican, Methodist, Catholic, green, incarnational, depressed-yet-hopeful, emergent, unfinished Christian. Youth Specialties, 2006.

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Hofstadter, Douglas R. Metamagical themas: Questing for the essence of mind and pattern. Viking, 1985.

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Hofstadter, Douglas R. Metamagical Themas: Questing for the Essence of Mind and Pattern. Basic Books, 1985.

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Hofstadter, Douglas R. Metamagical themas: Questing for the essence of mind and pattern. Basic Books, 1985.

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Hofstadter, Douglas R. Metamagical themas: Questing for the essence of mind and pattern. Penguin, 1993.

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Hofstadter, Douglas R. Metamagical themas: Questing for the essence of mind and pattern. Penguin, 1986.

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Hofstadter, Douglas R. Metamagical themas: questing for the essence of mind and pattern. Penguin, 1985.

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Bongiorno, Giorgia, and Laura Toppan, eds. Nel «melograno di lingue». Firenze University Press, 2018. http://dx.doi.org/10.36253/978-88-6453-629-3.

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Questo libro nasce da una constatazione e da un desiderio. Il riscontro di partenza è che la natura plurilinguistica della poesia di Andrea Zanzotto diventi quasi invisibile a forza di essere evidente agli occhi dei suoi lettori. Se l’ipersensibilità babelica del poeta del petèl non è certo assente negli studi critici, in questo volume viene affrontata per la prima volta in modo sistematico, con un’indagine sulle molteplici connessioni che intercorrono fra la scrittura poetica e le lingue. Il desiderio che ha accompagnato questa riflessione è stato quello di condurla con uno sguardo “prismatic

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Naik, Dilip. Poetry as the historical essence of language: An essay on the poetics of Martin Heidegger. Post Graduate Dept. of English, Utkal University, 1989.

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Hò̂, Xuân Hương. Spring essence: The poetry of Hò̂ Xuân Hương. Copper Canyon Press, 2000.

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Chapitres de livres sur le sujet "Poetic essence"

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Yoo, Joanne. "Essence, resonance, and the expansivity of the poetic." In Evocative Qualitative Inquiry. Routledge, 2021. http://dx.doi.org/10.4324/9781003239987-3.

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Crowther, Daniel J. "Why are there Two Systems of Tiberian Ṭeʿamim?" In Semitic Languages and Cultures. Open Book Publishers, 2022. http://dx.doi.org/10.11647/obp.0330.08.

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Why might it be that a dedicated system of accentuation is used for ‘the Three’—the ‘poetic’ books of Job, Proverbs, and Psalms—but not for the many other ‘poetic texts’ found scattered throughout the ‘Twenty-One’ (the rest of the books of the Hebrew Bible)? The earliest commentators associate the two types of Tiberian accentuation with differences in verse-length. More modern commentators attribute it to the essence of poetry. Following these two ideas, two different methods of presenting poetry can be observed in the Twenty-One. One is appropriate to poetic texts with short verses (of fewer

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Champlin, Jeffrey. "‘I know you can cant’." In Untying the Mother Tongue. ICI Berlin Press, 2023. http://dx.doi.org/10.37050/ci-26_7.

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This article reads Fred Moten’s collection B Jenkins as literalizing the poetic appeal to the mother tongue to reveal its mediated essence. Approaching its first and last poems in terms of Friedrich Kittler’s techno-psychological history of the family casts Moten’s detuning of natural language in terms of cultural mastery streaked with affirmative disfluency. With the ‘cant’, slang slides towards a broader awareness of the limits of knowledge. There, language may emerge for perceiving the role of the technological mother tongue in our post-national age.

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Malamud, Randy. "Mesoamerican Spirituality and Animal Co-Essences." In Poetic Animals and Animal Souls. Palgrave Macmillan US, 2003. http://dx.doi.org/10.1007/978-1-137-06349-6_2.

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Bardi, Rebecca. "L’alchimia della parola. Appunti preliminari a un sondaggio linguistico nel Driadeo di Luca Pulci." In Studi e ricerche del Dipartimento di Lettere e Filosofia. Società Editrice Fiorentina, 2023. http://dx.doi.org/10.35948/dilef/978-88-6032-688-1.16.

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L’intervento propone un primo confronto, per ora limitato a lemmi selezionati, tra il Vocabulista di Luigi Pulci e il Driadeo del fratello Luca. S’intende nello specifico stabilire in che modo la grande ricchezza lessicale della lingua di Luigi possa essere stata di esempio anche per Luca Pulci nella composizione della sua prima opera poetica negli anni dell’esilio in Mugello (1464-65).

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Freeman, Margaret H. "Poetic Cognition." In The Poem as Icon. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190080419.003.0001.

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This introduction prepares the groundwork for explaining how a poem may become an icon. Drawing from insights in cognitive science, it discusses the nature of sensate cognition and introduces a theory of aesthetic cognition that places poetic cognition as a subcategory within its interdisciplinary field. The chapter begins with the central question of poetic cognition: how poetry achieves the felt experience of the essential being of reality that poets and writers throughout the centuries have claimed for their art. “Being” is understood as both the “life force” of organic systems and the “ess

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Vilain, Robert. "Form and Identity: Hofmannsthal and the Symbolist Aesthetic." In The Poetry of Hugo von Hofmannsthal and French Symbolism. Oxford University PressOxford, 2000. http://dx.doi.org/10.1093/oso/9780198160038.003.0003.

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Abstract Amidst the welter of definitions and prescriptions that the Symbolist movement produced is a rich and beautiful statement by Mallarme that encapsulates in its deceptively innocent directness the cardinal presuppositions of Symbolist poetics: Poetry is the validation of human existence: the supreme duty of mankind is to attempt contact with its mysterious dimension, and poetry is what makes the merely human authentic and valuable. Language has to be stripped down to an essence before it will be fit for uncovering the mystery. This essence comprises the spiritual, the mysterious, the au

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Darensky, Vitaly Yu. "‛Poetry Is Not That…’ Ivan Bunin on the ‛Darkness’ of Poetry." In I.A. Bunin and his time: Context of Life — History of Work. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2021. http://dx.doi.org/10.22455/ab-978-5-9208-0675-8-44-55.

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The paper examines Ivan Bunin’s understanding of the essence of poetry, in particular, his metaphor of the “darkness” of poetry. It is shown that Bunin’s understanding of essence of poetry is based on his deep existential experience, that had him convinced that the poetic vision is a result of the depth of ancestral and universal memory. Such understanding of poetry has also deep moral grounds that do not allow the poet to detach himself from the spiritually common life of people and build his artificial symbolic worlds. It principally results in the demand for a maximum level of clarity and n

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Rosenthal, Adam R. "Heidegger and the Stiftung der Wahrheit." In Poetics and the Gift. Edinburgh University Press, 2022. http://dx.doi.org/10.3366/edinburgh/9781474488402.003.0006.

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Chapter Five looks at two of Heidegger’s most important writings on poetry, or Dichtung: ‘The Origin of the Work of Art’ and ‘On the Essence of Language.’ It demonstrates that, in each case, Heidegger understands the essence of poetry to consist in giving. For him, it is no longer either the poetic subject, the divine, or Nature, which gives, but the work itself, which gives space for the gift to appear as such. In this way, the chapter argues, Heidegger reverses the traditional association between poetry and giving, while maintaining that they possess an essential relation.

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Callaghan, Madeleine. "Defying Eternity in Keats’s Poetry." In Eternity in British Romantic Poetry. Liverpool University Press, 2022. http://dx.doi.org/10.3828/liverpool/9781800856066.003.0007.

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Keats’s poetry often seems deeply concerned by the threat of eternity rather than its promise. Even while dying, Keats remained in love with mutability and the earthly. Eternity offered no consolation for losing his human life. This chapter views Keats’s poetry as taking the attitude that eternity is not a human property. Keats makes what is human, mortal, and sensual into the essence of poetry in which eternity cannot but seem a deadly abstraction. Eternity, unmentioned, undesired, and unidealised, stands as the polar opposite of what Keats, that great, and above all, human poet, seeks to ach

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Actes de conférences sur le sujet "Poetic essence"

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Veljković Mekić, Jelena P. "POEZIJA ZA DECU KAO PODSTICAJ ZA GOVORNO STVARALAČKO IZRAŽAVANJE PREDŠKOLACA." In Književnost za decu u nauci i nastavi. University of Kragujevac, Faculty of Education in Jagodina, Serbia, 2024. https://doi.org/10.46793/kdnn23.417vm.

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Children between the ages of two and seven are in the intuitive intelligence stage and their intellectual and emotional development depend to a great extent on their use of speech, which is a part of almost all their activities in different ways. Various games with literary texts facilitate the acquisition of language and enable a spontaneous development of children’s creativity. Poetic language is unconventional, picturesque and enigmatic and, as such, stimulates children’s speech and helps them preserve their imaginative, unmolded, egoistic experience of the world, which in its essence is ve

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Vardoshvili, Eka. "Literary Paradigms of Adam Mickiewicz “Faris” in the World Poetry." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2025. https://doi.org/10.62119/icla.4.9017.

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The work displays, how the literary paradigm of A. Mickiewicz’s “Faris“ is manifested in the world poetry. In 1827 Goethe raised the issue of existence of the world literature, which in itself implies existence of common tendencies and literary paradigms in the world poetry. It is noteworthy that the works of N. Baratashvili are a new stage of development of the Georgian Romanticism and together with the essence of his works he is next to the European Romanticists. In Georgian poetry, “Merani” by N. Baratashvili is considered as one of the literary paradigms of A. Mickiewicz’s “Faris“, which

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Li, Qiainyin, and Marcos Mortensen Steagall. "Dreams of a Solo Traveller: Exploring Cultural Identity and Gender Roles Through Silk and Poetic Visual Communication." In LINK 2024 Conference Proceedings. Tuwhera, 2024. https://doi.org/10.24135/link2023.v5i1.249.

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Dreams of a Solo Traveller offers a reimagined perspective on the Chinese term 剩女 (Shèngnǚ or "Leftover Woman"), a label often applied to unmarried, urban professional women over the age of 27. In this research, the term is reframed to represent women who, rather than adhering to traditional marital expectations, deliberately pursue alternative paths for their future. The study is informed by personal experiences as well as literature on the familial and societal pressures faced by many young Chinese women today. A central concept in the research is the discursive interplay between poetry and

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Mortensen Steagall, Marcos. "Immersive Photography: Exploring Realms Beyond Cognition and Physicality." In LINK 2024 Conference Proceedings. Tuwhera, 2024. https://doi.org/10.24135/link2023.v5i1.244.

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This study presents a practice-led, artistic research project that asks the question: What considerations must be taken into account when photographing land to convey an immersive, embodied, and spiritually-attuned connection between the self and what is captured? The study posits that embodiment extends beyond cognitive and physical realms, engaging with a ‘living essence’ that can be broadly interpreted as spiritual knowledge. When a photographer interacts with the land on this deeper level, the process transforms into a communion between the ‘essence of the living self’ and the ‘essence of

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Mortensen Steagall, Marcos. "Immersive Photography: Exploring Spiritual and Embodied Dimensions Beyond Cognition." In LINK 2024 Conference Proceedings. Tuwhera, 2024. https://doi.org/10.24135/link2024.v5i1.212.

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This study introduces a practice-led, artistic research project that explores the question: What considerations are necessary when photographing land to convey an immersive, embodied, and spiritually-attuned connection between the self and the subject? The study suggests that embodiment transcends cognitive and physical realms, engaging with a ‘living essence’ that can be interpreted as a form of spiritual knowledge. When a photographer connects with the land on this deeper level, the process becomes a communion between the ‘essence of the living self’ and the ‘essence of the living earth,’ fo

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Cheung, Cherise. "The Melancholic Traveller." In LINK 2024 Conference Proceedings. Tuwhera, 2024. https://doi.org/10.24135/link2024.v5i1.224.

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The project, 忘歸 (The Melancholic Traveller), is a travelogue crafted using 龍鱗裝 (dragon scale binding), integrating cyanotype illustrations, poetry, and bilingual text in English and Chinese. This work explores the essence of nostalgia and the fluid concept of 家鄉 (homeland) for the Chinese diaspora, reflecting on a distinct Chinese world through artistic and poetic expressions. Created during a six-week field study in Guangdong and Macau, the project documents the experience of being confined by COVID-19 lockdowns. The travelogue captures an intimate, constrained world that gradually expanded a

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Bregadze, Konstantine. "The Theme of War in German and Georgian Baroque Literature." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2025. https://doi.org/10.62119/icla.4.9024.

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The fierce Thirty Years' War in 17th century Germany (1618-1648) and the internal political chaos in 18th century Georgia (political fragmentation), the foreign aggression of the Ottoman Empire and the Kingdom of Iran against Georgia became the subject of poetic creativity, in particular, in the works of the famous German Baroque writer Andreas Gryphius (1616-1664) and the poem "Davitiani" by the representative of Georgian Baroque, Davit Guramishvili (1705-1792). War is considered here as an apocalyptic event that not only destroys the homeland politically and economically but also war is reg

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Rotari, Dorina. "Tendencies and orientations in contemporary female poetry from the Republic of Moldova." In Conferință științifică internațională "FILOLOGIA MODERNĂ: REALIZĂRI ŞI PERSPECTIVE ÎN CONTEXT EUROPEAN" cu genericul G. Călinescu. 125 ani de la naştere, Ediţia a 18-a. “Bogdan Petriceicu-Hasdeu” Institute of Romanian Philology, Republic of Moldova, 2024. http://dx.doi.org/10.52505/filomod.2024.18.38.

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The present article addresses the contemporary female poetry from the Republic of Moldova, which, in the context of dualist literary eclecticism, stands out through a variety of directions and aesthetic formulas: biographicalism, neo-expressionism, minimalism, authenticism, etc. Being for a long time under the sign of stereotyping, female poetry is currently decanting from the history of the genre, imposing poetic individualities in search of their own creative essences (Ecaterina Bargan, Ana Donțu, Maria Paula Erizanu, Aura Maru, Irina Nechit, Ana Rapcea etc.). Also noteworthy is the freedom

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Nikolaeva, S. "THE NATIONAL HISTORICAL CONCEPT OF RUSSIA IN Y.P. KUZNETSOV'S POEM “FEDORA”." In VIII International Conference “Russian Literature of the 20th-21st Centuries as a Whole Process (Issues of Theoretical and Methodological Research)”. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3741.rus_lit_20-21/261-265.

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The article deals with historiosophical meaning of the verses by J.P. Kuznetsov “Fedora”. It is concluded that the poet defines the essence of the current historical moment in the fate of Russia in 1993, outlines historical Parallels with previous eras, enters into a polemic with Chaadaev and Vyazemsky, develops the ideas of Dostoevsky and Blok. In the center of attention Yu.P. has the way of Russia in world history, the “Russian idea”, which is not a movement in a circle or on a curve, without a goal, as Chaadaev believed, not trampling on the spot, but a conscious and bequeathed by the ances

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Darenskiy, V. "THE AESTHETICS OF ANAMNESIS." In Aesthetics and Hermeneutics. LCC MAKS Press, 2022. http://dx.doi.org/10.29003/m2556.978-5-317-06726-7/102-106.

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On the example of I.A. Bunin's definition of the essence of poetry,the understanding of art as an anamnesis of generic and universal memory is considered. A true understanding of poetry requires a kind of “initiation” of the soul, and for the “profane” who seek external “beauty” in it, it remains incomprehensible. To understand this understanding of art, one can use the philosophical concepts of the anamnesis of the soul and the sophism of being.

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Rapports d'organisations sur le sujet "Poetic essence"

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Los, Josyp. Панорама сенсів: аргументи авторитетів світоглядної публіцистики. Ivan Franko National University of Lviv, 2023. http://dx.doi.org/10.30970/vjo.2023.52-53.11731.

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The article deals with the problem of the meaningfulness (essence) of the worldview journalism in the context of the argumentative resources of the work of influentive authors, for which the missionary role of the word is decisive. The search for meaning has been debated for centuries by orators, philosophers, psychologists, writers, sociologists, historians, journalists, and so on. In addition to other factors, a combination of the principles of worldview journalism and conceptual humanitarianism gives effective results. The author explores the acute problem of the effectiveness of a journali

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Lyzanchuk, Vasyl. THE CHARITABLE ENERGY OF THE JOURNALISTIC WORD. Ivan Franko National University of Lviv, 2022. http://dx.doi.org/10.30970/vjo.2022.51.11415.

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The article investigates the immortality of books, collections, including those, translated into foreign languages, composed of the publications of publications of worldview journalism. It deals with top analytics on simulated training of journalists, the study of events and phenomena at the macro level, which enables the qualitative forecast of world development trends in the appropriate contexts for a long time. Key words: top, analytics, book, worldview journalism, culture, arguments, forecast.The article is characterized intellectual-spiritual, moral-aesthetic and information-educational v

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