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Letteratura scientifica selezionata sul tema "Artists"

Autore: Grafiati

Pubblicato: 4 giugno 2021

Ultima modifica: 25 luglio 2025

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Articoli di riviste sul tema "Artists"

1

Feyerabend, Paul. "Theoreticians, Artists and Artisans." Leonardo 29, no. 1 (1996): 23. http://dx.doi.org/10.2307/1576272.

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Campbell, Erin J. "Artisans, Artists and Intellectuals." Art History 23, no. 4 (2000): 622–26. http://dx.doi.org/10.1111/1467-8365.00229.

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3

Primel, Casey, Anupama Rao, and Susanna Ferguson. "On Artists and Artisans." Comparative Studies of South Asia, Africa and the Middle East 35, no. 3 (2015): 486–91. http://dx.doi.org/10.1215/1089201x-3426337.

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4

Yu, Sang-Min, and Yun-Suk Lee. "A Study on the Relationship between Institutional Factors and Stress in Popular Culture Artists." Korea Association Of Cultural Economics 27, no. 1 (2024): 181–207. http://dx.doi.org/10.36234/kace.2024.27.1.181.

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This study aims to analyze the stress experienced by popular culture artists in the changing work environment. This study used the data from the '2021 Survey on Artists & Activities' in Korea. We analyzed the impact of institutional factors on artists' stress by popular culture field through Ordered logistic regression analysis between film, broadcast, and popular music artists and their stress levels. Career Interruption, Activities period, education, On-the-job injury, residence area and full-time status of broadcast artist significantly affected artist's stress. Also, Public Pension Sal

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5

Braden, L. E. A. "Networks Created Within Exhibition: The Curators’ Effect on Historical Recognition." American Behavioral Scientist 65, no. 1 (2018): 25–43. http://dx.doi.org/10.1177/0002764218800145.

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This research examines artist networks created by shared museum exhibition. While previous research on artistic careers assesses self-cultivated networks, historical recognition may be further influenced by connections created by important others, such as museum curators and art historians. I argue when museum exhibitions show artists together, curators are creating symbolic associations between artists that signal the artist’s import and contextualization within his or her peer group. These exhibition-created associations, in turn, influence historians who must choose a small selection of art

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6

Traduzido por Talita Trizoli, Howardena Pindell. "CONSELHOS PARA UM JOVEM ARTISTA NEGRO / Advices to a young black artist." arte e ensaios 27, no. 42 (2022): 336–41. http://dx.doi.org/10.37235/ae.n42.22.

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Nesse ensaio confessional, a artista afro-americana Howardena Pindell rememora alguns epis�dios de racismo em sua trajet�ria profissional como artista e curadora, al�m de oferecer alguns conselhos profissionais para jovens artistas negros, a fim de escapar de rela��es abusivas de trabalho, golpes e demais�problemas existentes no sistema das artes.Palavras-chave:Ensaio de artista. Sistema das artes. Conselhos.�AbstractIn this confessional essay, the African-American artist Howardena Pindell recalls�some episodes of racism in her professional trajectory as an artist and curator, as well as offer

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Jang, Yeonjoo, and Nayeun Choi. "Artists’ Mental Health Research: Trend and Future Directions." Korean Society of Culture and Convergence 44, no. 5 (2022): 529–48. http://dx.doi.org/10.33645/cnc.2022.5.44.5.529.

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This research aims to define artists by examining relevant laws and previous research related to the mental health of Korean artists. Further, this study aims to present the direction for future research on mental health of artists by systematically analyzing research trends. The research questions to be examined in this study are, first, what is the current status of research related to artists' mental health? Second, what research topics are related to artists' mental health? Third, what is the future of research on artist's mental health? A total of 26 articles and dissertations published i

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8

Harris, Catherine T., Philip J. Perricone, and Margaret Supplee Smith. "The Artist and Androgyny: A Study of Gender Identity in Visual Artists." Empirical Studies of the Arts 6, no. 1 (1988): 67–78. http://dx.doi.org/10.2190/9p69-xcur-c3na-2dck.

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While art is an activity that is socially valued, the image of the artist as perceived by the public and expressed in the literature has rarely been studied empirically. The Adjective Check List is used to test one dimension of this issue—June Wayne's hypothesis that the artist is a stereotypical woman, focusing on the artist's view of himself/herself and artists in general. Data were gathered by means of a questionnaire mailed to 1753 artists who had been nominated for the national Awards in Visual Arts during the first five years of the program (1982–86). It was found that artists tend to ha

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Marter, Joan, and Amy J. Wolf. "Significant Others: Artist Wives of Artists." Woman's Art Journal 15, no. 2 (1994): 57. http://dx.doi.org/10.2307/1358612.

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Franc, Małgorzata. "Training of Artists or Artisans?" ART Space, no. 3 (2018): 8–11. http://dx.doi.org/10.28925/2519-4135.4.2018.3.2.

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The article analyses the situation in Polish art education after 1990. It is indicated that higher art education in Poland can be obtained in eighteen universities and five affiliates in eleven Polish cities. The complex situation of higher art education is examined. The role of applied arts is noted.

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Più fonti

Tesi sul tema "Artists"

1

Mantooth, Jennifer R. "Muse as artist : selected artists past and present /." Online version of thesis, 1992. http://hdl.handle.net/1850/11227.

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Alkhudair, Maha. "Unveiling Artists: Saudi Female Artists Life Stories." Thesis, Université d'Ottawa / University of Ottawa, 2018. http://hdl.handle.net/10393/37502.

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This study tells the life stories of four Saudi female artists. Using life story narrative approach, I focused on the following research questions: How are Saudi female artists fulfilling their aspirations as artists in the conservative Saudi society? What are the common and divergent themes in the life stories of the Saudi women artists, namely Safeya Binzagr, Maha Almalluh, Tagreed Albagshi, and Fida Alhussan? The artists were interviewed using open-ended questions and asked to discuss their artwork. The postmodern feminism and social construction theories were used to understand their life

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3

O'Neil, Maryvelma Smith. "Giovanni Baglione : seventeenth-century artist, draughtsman and biographer of artists." Thesis, University of Oxford, 1989. http://ora.ox.ac.uk/objects/uuid:b1494a9e-8c16-4d48-9553-0f63da44cb6c.

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This thesis explores Baglione's contributions to art and to the history of art by examining the nature of his artistic and critical originality and the significant influences thereon. In the work for which he is best known, Le Vite ... (1642), Baglione was an interesting and generous critic who was unusually receptive to pictorial effects, even when in architecture and sculpture. He assesses Caravaggio's accomplishments with well chosen observations thereby breaking his restriction to discuss only accessible works of art. A broad view of his paintings and drawings shows Baglione's complex, ori

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4

McLaughlin, Pamela Ann. "Mapping an identity how women artists develop an artistic identity /." Related electronic resource: Current Research at SU : database of SU dissertations, recent titles available full text, 2006. http://proquest.umi.com/login?COPT=REJTPTU0NWQmSU5UPTAmVkVSPTI=&clientId=3739.

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5

Blackledge, Aimee. "Materials for the Artist's Mind : Artists as Collectors in Eighteenth-Century England." Thesis, University of Oxford, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.519751.

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Bain, Alison L. "Exhibiting the artist's city : occupational identity construction by contemporary Toroto visual artists." Thesis, University of Cambridge, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.423935.

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Earner, Meaghan. "Allston Artist Village." View thesis online, 2009. http://docs.rwu.edu/archthese/13/.

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Dubreuil, Jordan. "Strabismal existence." View thesis online, 2009. http://docs.rwu.edu/archthese/21/.

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9

Taft, William W. Jr. "The Special Artists." Digital Archive @ GSU, 2011. http://digitalarchive.gsu.edu/english_diss/100.

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Leung, Lo-ming, and 梁路明. "Artists village-place (space) for artists in Yau Tong Bay, Yau Tong." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1999. http://hub.hku.hk/bib/B31985300.

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Più fonti

Libri sul tema "Artists"

1

Michèle, Grandjean, and Association pour la promotion des arts du monde (Nîmes, France), eds. Artistes haïtiens =: Haitian artists. A.P.A.M., Association pour la promotion des arts du monde, 2002.

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2

Association pour la promotion des arts du monde (Nîmes, France), ed. Artistes haïtiens: Haitian artists. A.P.A.M., Association pour la promotion des arts du monde, 2002.

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3

Clive, Phillpot, and Weatherspoon Art Gallery, eds. Artist/author: Contemporary artists' books. Distributed Art Publishers, 1998.

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4

Pigorini, Museo preistorico-etnografico Luigi, ed. Women in charge: Artiste Inuit contemporanee = Inuit contemporary women artists = artistes Iunuit contemporaines. Officina libraria, 2011.

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5

Ecuador. Ministerio de Relaciones Exteriores, ed. Artistas plásticos del Ecuador: Ecuador's plastic artists. Ministerio de Relaciones Exteriores, Direccíon General de Promoción Cultural, 2002.

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6

Prada, Teresa de. Bolivian artists' guide =: Guía de artistas bolivianos. [s.n., 1991.

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7

Volkswagen do Brasil, S.A., ed. Artistas do muralismo brasileiro =: Brazilian mural artists. Volkswagen do Brasil, 1988.

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Prada, Teresa de. Bolivian artists' guide =: Guía de artistas bolivianos. [s.n., 1991.

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9

Rome, British School at, ed. Ten artists: Dieci artisti dell'Accademia Britannica 1988. (British School at Rome), 1988.

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10

Museu da Presidência da República (Portugal), ed. Artistas portugueses lá fora: Portuguese artists abroad. Museu da Presidência da República, 2009.

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Più fonti

Capitoli di libri sul tema "Artists"

1

Hillyer, Richard. "Artists." In Divided between Carelessness and Care. Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137368638_4.

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2

Jallinoja, Riitta. "Artists." In Families, Status and Dynasties. Palgrave Macmillan UK, 2017. http://dx.doi.org/10.1057/978-1-137-58073-3_6.

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3

Daloz, Jean-Pascal. "Artists." In Expressions of High Status. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-05401-3_14.

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4

Theran, Susan. "Artists’ Biographies." In Leonard’s Price Index of Latin American Art at Auction. Palgrave Macmillan UK, 1999. http://dx.doi.org/10.1007/978-1-349-15084-7_4.

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5

Cromhout, Gavin, Josh Fallon, Nathan Flood, et al. "Imitating Artists." In Photoshop Elements 2 Face Makeovers. Apress, 2003. http://dx.doi.org/10.1007/978-1-4302-5179-8_8.

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6

Elsner, Peter. "Sugar Artists." In Kanerva’s Occupational Dermatology. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-40221-5_192-2.

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Gonçalo, Margarida. "Tattoo Artists." In Kanerva’s Occupational Dermatology. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-40221-5_194-2.

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8

Elsner, P. "Sugar Artists." In Handbook of Occupational Dermatology. Springer Berlin Heidelberg, 2000. http://dx.doi.org/10.1007/978-3-662-07677-4_176.

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Kanerva, L. "Tattoo Artists." In Handbook of Occupational Dermatology. Springer Berlin Heidelberg, 2000. http://dx.doi.org/10.1007/978-3-662-07677-4_178.

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Van Assche, Annelies. "‘Lifestyle Artists’." In Labor and Aesthetics in European Contemporary Dance. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-40693-6_4.

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Atti di convegni sul tema "Artists"

1

Krishnaraja, Shanmukapriya, and M. Prasad. "Identifying Artists from Paintings Using Deep Learning Models." In 2024 International Conference on Smart Systems for Electrical, Electronics, Communication and Computer Engineering (ICSSEECC). IEEE, 2024. http://dx.doi.org/10.1109/icsseecc61126.2024.10649467.

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2

Stepanova, Daria D., German S. Andreev, and Pavel S. Sharakhin. "Content Strategies of Music Artists in the Digital Age of the Music Industry (by the Example of Russian Musical Artists)." In 2025 Communication Strategies in Digital Society Seminar (ComSDS). IEEE, 2025. https://doi.org/10.1109/comsds65569.2025.10971327.

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3

Wright, Dr Angela. "Artist Graduates: Are they ready to do Business?" In HEAd'16 - International Conference on Higher Education Advances. Universitat Politècnica València, 2016. http://dx.doi.org/10.4995/head16.2016.2493.

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Abstract (sommario):

Businesses must expose their products and services to customers so as to make sales and be heard. The world of the artist[1] is no different, and, in the words of the late Luciano Pavarotti, the artist must ‘be heard and be seen’. The aim of this paper is to examine if there is a need to ensure that our artistic graduates are ‘market ready’. The paper specifically examines this concept in the context of an Irish Institute of Technology (IT). Artists generally do not view the world in terms of business &amp; commerce, only as a creative space. This research study investigates if there is a

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4

Comninos, Peter, Leigh McLoughlin, and Eike Falk Anderson. "Educating technophile artists." In ACM SIGGRAPH ASIA 2009 Educators Program. ACM Press, 2009. http://dx.doi.org/10.1145/1666611.1666612.

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Diamond, Sara. "Artists & designers." In the 8th ACM conference. ACM Press, 2011. http://dx.doi.org/10.1145/2069618.2069651.

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6

Gold, Rich, Char Davies, Michael Naimark, Mark Petrakis, Stephen Wilson, and Sara Roberts. "Artists in multimedia." In the second ACM international conference. ACM Press, 1994. http://dx.doi.org/10.1145/192593.192678.

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Meulien-Ohlmann, Odile. "Artists and collectors." In Display Holography: Fifth International Symposium, edited by Tung H. Jeong. SPIE, 1995. http://dx.doi.org/10.1117/12.201945.

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Chang, Minsuk, Stefania Druga, Alexander J. Fiannaca, et al. "The Prompt Artists." In C&C '23: Creativity and Cognition. ACM, 2023. http://dx.doi.org/10.1145/3591196.3593515.

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Ndejuru, Lisa. "Artists Mentoring Artists in the Telling of Difficult Lived Experiences." In 2021 AERA Annual Meeting. AERA, 2021. http://dx.doi.org/10.3102/1689383.

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10

Nasyrov, Robert, Janina Bach, and Pascal Laube. "Evaluating Glaze's Effectiveness: A Critical Analysis of AI Art Protection Through Non-Artist Perspectives and Common Image Transformations." In 16th International Conference on Applied Human Factors and Ergonomics (AHFE 2025). AHFE International, 2025. https://doi.org/10.54941/ahfe1006086.

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Abstract (sommario):

This paper presents a systematic evaluation of Glaze 2.1, a tool designed to protect artists' styles from AI mimicry. We examine its effectiveness against common image transformations typically applied by social media platforms and assess its protection capabilities through the perspective of non-artist users. Our methodology combines technical analysis of how transformations like JPEG compression, scaling, blurring, and sharpening affect Glaze's protective perturbations with a comprehensive user study involving participants without specific artistic expertise. Results indicate that Glaze exhi

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Rapporti di organizzazioni sul tema "Artists"

1

O'Brien, K. Artists commemorated on maps. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 1988. http://dx.doi.org/10.4095/298276.

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2

Greer, Stephen, and Bryony White. Live Art Scotland Practitioner Directory. University of Glasgow, 2022. http://dx.doi.org/10.36399/gla.pubs.265874.

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3

Heddon, Dee, Clare Qualmann, Morag Rose, Harry Wilson, and Maggie O'Neill. #WalkCreate: Artists' Walking Work and COVID-19. Walking Publics/Walking Arts Artists' Report, January 2023. Walking Publics/Walking Arts, 2023. http://dx.doi.org/10.36399/gla.pubs.293342.

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4

Galenson, David. The Life Cycles of Modern Artists. National Bureau of Economic Research, 2002. http://dx.doi.org/10.3386/w8779.

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5

Sequeira, Dora María, Ileana Alvarado V., and Félix Angel. Young Costa Rican Artists: Nine Proposals. Inter-American Development Bank, 2007. http://dx.doi.org/10.18235/0006438.

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Abstract (sommario):

Nine artists, all living in Costa Rica, were selected out of thirty-four who responded to an open call to present portfolios. The selection criteria is to be forty years of age or younger, have had at least one individual show, and have participated in a minimum of three group exhibitions. The exhibition has been organized by the IDB Cultural Center in collaboration with the Foundation of the Central Bank Museums of Costa Rica. Works include installations and interactive digital art, digital graphics, conventional photography, ceramics, painting, wire drawing and design objects manufactured wi

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6

Angel, Félix, and Cristina Rossi. Latin American Artists of Italian Descent. Inter-American Development Bank, 2011. http://dx.doi.org/10.18235/0006441.

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Abstract (sommario):

This catalogue belongs to the exhibit that celebrates the 150th Anniversary of Italy's Unification. The exhibition includes a selection of art works by Latin American artists of Italian descent that constitutes a symbolic yet significant exploration of the Italian cultural presence and its influence in Latin America. Among the artists included are: Héctor Borla, Sergio Camporeale, Ricardo Crivelli, Eduardo Medici, Emilio Pettoruti, and Rogelio Polesello (Argentina), Lyria Palombini (Brazil), Roberto Sebastián Matta (Chile), Umberto Giangrandi (Colombia), Francisco Amighetti (Costa Rica), Javie

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Kupfer, Monica E. Perceptive Strokes: Women Artists of Panama. Inter-American Development Bank, 2013. http://dx.doi.org/10.18235/0006215.

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Abstract (sommario):

The IDB Cultural Center is proud to host this exhibit honoring the Republic of Panama, host country of the IDB Annual Meeting, which will take place from March 14¿20, 2013. The exhibition highlights the history of modern and contemporary art by Panamanian women and will include paintings, photographs, sculptures, and video art from the 1920s to the present. The 22 artworks, selected by Panamanian curator Dr. Monica E. Kupfer, reveal the ways in which a varied group of female artists have experienced and represented significant geopolitical events in the nation¿s history. Their interpretations

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Delyea, Cole. Latin Jazz Sound Characteristics (Various Artists). ResearchHub Technologies, Inc., 2024. http://dx.doi.org/10.55277/researchhub.jo9s63ck.

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Delyea, Cole. Gospel Music Sound Characteristics (Various artists). ResearchHub Technologies, Inc., 2024. http://dx.doi.org/10.55277/researchhub.naofz1z4.

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Heddon, Dee, Clare Qualmann, Morag Rose, Harry Wilson, and Maggie O'Neill. Data and Analysis of Artists’ Walking Survey: A Supplement to Artists’ Walking Work and COVID-19. Walking Publics/Walking Arts, 2023. http://dx.doi.org/10.36399/gla.pubs.293343.

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