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Letteratura scientifica selezionata sul tema "Decorative arts"

Autore: Grafiati

Pubblicato: 4 giugno 2021

Ultima modifica: 25 luglio 2025

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Articoli di riviste sul tema "Decorative arts"

1

Gurzhii, I. "DECORATIVE CERAMICS AS A BRANCH OF MODERN ART." Aesthetics and Ethics of Pedagogical Action, no. 29 (June 14, 2024): 100–111. http://dx.doi.org/10.33989/2226-4051.2024.29.306146.

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The article examines decorative arts as a type of visual arts that focuses on works of art creation, with the aim of decorating and giving them aesthetic appeal, as well as objects of a purely exhibition nature. Decorative ceramics are divided into the following types: exterior, interior, and exhibition, and have two directions of development: traditional and academic. Modern Ukrainian decorative ceramics is characterized as an essential branch of decorative arts that developed based on millennial traditions and has its territorial features. It has been found that the technique of making moder

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2

Zhong, Na, and Xianhua Sun. "Research on the Window and Door Decoration Art of Traditional Residential Buildings in Yili, Xinjiang." Highlights in Art and Design 8, no. 1 (2024): 21–31. http://dx.doi.org/10.54097/e2ksbt62.

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Architecture is a form of cultural expression and a product of specific historical periods. The traditional dwellings of Xinjiang Ili have developed a unique regional architectural decorative style under the influence of Russian culture and their own ethnic culture through long-term changes. This article explores the design concepts of window and door decorative arts in Xinjiang Ili traditional dwellings from aspects such as an overview of Xinjiang Ili traditional dwellings, factors influencing the formation of window and door decorative arts, and characteristics of window and door decorative

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3

Tang, Xi Ya. "Decorative Arts of Gates Detail Components in Chinese Traditional Architecture." Advanced Materials Research 860-863 (December 2013): 1237–43. http://dx.doi.org/10.4028/www.scientific.net/amr.860-863.1237.

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Gate decoration art is one of Chinese traditional architecture decoration. It not only has own structure form and material form of building passageway against with that of other nations in the world, but so is a cultural background miniature of Chinese nation, and it is a material carrier of folk culture and decorative pattern. Decorative arts of gates detail components in Chinese traditional architecture have contained abundant aesthetic value and cultural connotation, all of this endowed gate decoration art with secret oriental color.

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4

BUCHKIVSKA, Galyna, Valentyna BARANOVSKA та Kateryna BINYTSKA. "ВИКОРИСТАННЯ ІКТ І НАРОДНОГО ДЕКОРАТИВНОГО ТА ПРИКЛАДНОГО МИСТЕЦТВА В ПРОЦЕСІ ПРОФЕСІЙНОЇ ПІДГОТОВКИ МАЙБУТНІХ ВЧИТЕЛІВ". Освітні обрії 52, № 1 (2021): 124–28. http://dx.doi.org/10.15330/obrii.52.1.124-128.

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The article highlights the possibilities of using ICT and folk decorative and applied arts in professional training of future teachers. The use of ICT and decorative and applied arts in the process of training future teachers, in the course of artistic and labor activities, in particular, forms positive motives for learning. Future teachers feel the need to know the history and artistic traditions of the native land (at the stage of choosing the object of work, clarifying its purpose, methods of decoration in accordance with regional peculiarities, etc.), they are eager to master the basics of

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5

Heckscher, Morrison H., R. Craig Miller, Oswaldo Rodriguez Roque, and Alice Cooney Frelinghuysen. "American Decorative Arts." Recent Acquisitions, no. 1985/1986 (1985): 52. http://dx.doi.org/10.2307/1513692.

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6

Heckscher, Morrison H., Oswaldo Rodriguez Roque, Frances Gruber Safford, Alice Cooney Frelinghuysen, and Amelia Peck. "American Decorative Arts." Recent Acquisitions, no. 1986/1987 (1986): 62. http://dx.doi.org/10.2307/1513711.

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Roque, Oswaldo Rodriguez, Frances Gruber Safford, and Amelia Peck. "American Decorative Arts." Recent Acquisitions, no. 1987/1988 (1987): 56. http://dx.doi.org/10.2307/1513731.

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8

Frelinghuysen, Alice Cooney. "American Decorative Arts." Metropolitan Museum of Art Bulletin 59, no. 1 (2001): 53. http://dx.doi.org/10.2307/3269173.

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9

Leidy, Denise P., Wai-fong Anita Siu, and James C. Y. Watt. "Chinese Decorative Arts." Metropolitan Museum of Art Bulletin 55, no. 1 (1997): 1. http://dx.doi.org/10.2307/3269222.

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10

Safford, Frances Gruber, Alice Cooney Frelinghuysen, and Catherine Hoover Voorsanger. "American Decorative Arts." Metropolitan Museum of Art Bulletin 49, no. 2 (1991): 58. http://dx.doi.org/10.2307/3258938.

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Più fonti

Tesi sul tema "Decorative arts"

1

Mok, Kar-wing Maria. "Guangdong decorative arts of the Qing dynasty its characteristics and regional features = Qing dai Guangdong gong yi de te se ji qi di yu xing yin su/." Click to view the E-thesis via HKUTO, 2005. http://sunzi.lib.hku.hk/hkuto/record/B31987734.

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2

Bird, Jennifer J. "Designs for the decorative arts by Francesco Salviati." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/MQ63271.pdf.

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3

Jordanov, Iliana H. "Decorator or narrator: A contextualisation of Slavic and Australian pattern making and its relationship to my painting practice." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2004. https://ro.ecu.edu.au/theses/844.

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Abstract (sommario):

In this thesis, I will examine pattern making in art practice from two cultural perceptions, Slavic and Australian. Existing differences between the two cultural backgrounds will be used to debate how pattern is understood by the viewer or practiced by an artist in a particular chosen environment. The central argument focuses on pattern as a decorator and/or a narrator. I will examine the outcomes and changes in narrative pattern according to cultural context and exchange. By introducing Slavic pattern into contemporary (Australian) art practice, I examine how traditional cultural values and f

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4

Raksadeja, K. "Digital and interactive media analysis of myths and traditions expressed in Thai fairground art." Thesis, Liverpool John Moores University, 2018. http://researchonline.ljmu.ac.uk/8604/.

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The core themes in Thai art have traditionally been didactic Buddhist ethical works and popular folkloric beliefs. Both are permeated with a cosmology and worldview that is supernatural but which is pervaded with ethical implications for people’s daily lives. Buddhist art aims to encourage selfless acts for the good of others, including other individuals, society, the country and the natural world. Such abstract themes have been rendered accessible to ordinary people by means of fantastical creatures and supernatural myths that insinuate moral values and demonstrate a coherent Theravada worldv

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5

Bostwick, David. "Decorative plasterwork of the Yorkshire region, 1570-1670." Thesis, University of Sheffield, 1993. http://etheses.whiterose.ac.uk/1895/.

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6

Duckworth, Chloë N. "The created stone : chemical and archaeological perspectives on the colour and material properties of early Egyptian glass, 1500-1200 B.C." Thesis, University of Nottingham, 2011. http://eprints.nottingham.ac.uk/13935/.

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The Late Bronze Age in Western Asia and Egypt witnessed an explosion in the production of so-called 'vitreous materials', in particular the earliest glass. From its outset, this material appeared in an enormous variety of colours and colour combinations, the manufacture of which demanded a high degree of technological know-how. The unique properties of glass also rapidly came to the fore, most notably the potential of glass to be worked while hot. Archaeometric research into early Egyptian glass has tended to focus on chemical and isotopic analysis as a means to assign provenance to its raw in

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7

Parkerson, Sarah Lawrence. "Variations in gold : the stylistic development of the picture frames used by James McNeill Whistler." Thesis, University of Glasgow, 2007. http://theses.gla.ac.uk/4471/.

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Abstract (sommario):

The picture frames used by the American painter James McNeill Whistler developed stylistically throughout his career. This thesis identifies these developments, defines the characteristics indicative of each design, and contextualises their creation within Whistler’s larger body of work. First-hand examinations of over a hundred frames, in both the United Kingdom and the United States, resulted in challenging the generic understanding that a ‘Whistler frame’ is characterised only by reeded ornamentation. These physical examinations are cross-referenced with the significant amount of correspond

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8

Beats, Kate A. "Size, surface and shape : experiencing the Athenian vase." Thesis, University of Warwick, 2012. http://wrap.warwick.ac.uk/50045/.

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Abstract (sommario):

This study provides an alternative framework for the interpretation of the painted and plain Athenian vase during the Late Archaic and Classical period. The primary focus is on the way in which the vase came to interact with society. As a commodity with a practical use, the vase was permitted to circulate in social spaces in Athens. As a consequence of this contact, the accumulated meaning became more symbolic than practical. For instance, due to its use within the domestic sphere, the vase became a symbol of domesticity. This development of symbolism involves a transformation in the perceptio

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9

Clay, E. S. "A material-led investigation into the creative potential of British 'waste' wools for fine craft felt-making." Thesis, Bath Spa University, 2013. http://researchspace.bathspa.ac.uk/1734/.

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Abstract (sommario):

This thesis describes the practical investigation and analysis of traditional materials and processes used in the production of hand made felt. Specifically, the research examines the potential of certain British wool types that are currently undervalued (and often overlooked in the production of fine craft felt). These wools are frequently referred to as ‘waste’ wools. The research further explores aspects of the UK’s wool economy and the problematic issue of waste wool. The aim being to locate and articulate the creative potential of a selection of these wools within the field of fine felt c

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10

White, Andrew J. "Post medieval pottery in Lincolnshire 1450-1850." Thesis, University of Nottingham, 1989. http://eprints.nottingham.ac.uk/28497/.

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This thesis investigates the manufacture and use of ceramics over four centuries in Lincolnshire, and considers the evidence for date and function of the pottery itself and for the social standing and economy of the potters, late survivors of the medieval peasant craftsman tradition. Documentary and physical evidence are both searched to produce the most comprehensive possible list of sites and potters names, and to highlight the areas of doubt where neither type of source can give sufficient proof. The methods of pottery production are also examined and two specific types of vessels are discu

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Più fonti

Libri sul tema "Decorative arts"

1

National Gallery of Art (U.S.). Decorative arts. National Gallery of Art, 1998.

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2

Sotheby, Parke-Bernet, London. Decorative arts. Sotheby's, 1986.

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3

Kensington, Ltd Christie's South. Asian decorative arts. Christie's, 2002.

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National Gallery of Art (U.S.). Western decorative arts. National Gallery of Art, 1993.

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5

Kensington, Ltd Christie's South. Decorative Asian arts. Christie's, 2001.

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6

Kensington, Ltd Christie's South. Asian decorative arts. Christie's, 2004.

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7

Bordeaux (France). Musée des arts décoratifs. Decorative Arts Museum. Mairie de Bordeaux, 1990.

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8

Glasgow, University of, and Christie's Scotland Ltd, eds. Decorative arts programme. University of Glasgow in Association with Christie's Scotland, 1987.

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9

Thiébaut, Philippe. Orsay: Decorative arts. Scala, 2003.

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10

Leidy, Denise Patry. Chinese decorative arts. Metropolitan Museum of Art, 1997.

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Capitoli di libri sul tema "Decorative arts"

1

Raum, Mary. "Decorative Arts Medals as Artifacts." In Women and War. Routledge, 2024. http://dx.doi.org/10.4324/9781003406372-7.

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2

Mazzeo, Tilar J. "William Blake and the Decorative Arts." In The Regency Revisited. Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/9781137504494_5.

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3

Ruta, Anna Maria. "11. Decorative Arts, Furniture and Interior Design." In Handbook of International Futurism, edited by Günter Berghaus. De Gruyter, 2018. http://dx.doi.org/10.1515/9783110273564-011.

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4

Dietrich, R. V. "Tourmaline as a Gemstone and in the Decorative Arts." In The Tourmaline Group. Springer US, 1985. http://dx.doi.org/10.1007/978-1-4684-8085-6_10.

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5

Noor, Mohd Yusri Mohamad, Tengku Intan Suzila Tengku Sharif, and Liza Marziana Mohamad. "Culture and Ethnic Impressions: Decorative Arts of Batek Tembeling, Pahang." In Proceedings of the Regional Conference on Science, Technology and Social Sciences (RCSTSS 2016). Springer Singapore, 2018. http://dx.doi.org/10.1007/978-981-13-0203-9_50.

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6

Lim, Amy. "World of Interiors: Mary II, the Decorative Arts, and Cultural Transfer." In Queenship and Power. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-38813-2_8.

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7

Wells, Francis. "The Role of Architecture and the Decorative Arts in Renaissance Medicine." In Cursor Mundi. Brepols Publishers, 2021. http://dx.doi.org/10.1484/m.cursor-eb.5.121931.

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8

"Decorative Arts." In Encyclopedia of Quality of Life and Well-Being Research. Springer Netherlands, 2014. http://dx.doi.org/10.1007/978-94-007-0753-5_100899.

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9

Wells-Cole, Anthony. "Decorative Arts." In The Cambridge Guide to the Worlds of Shakespeare. Cambridge University Press, 2019. http://dx.doi.org/10.1017/9781316137062.058.

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"Decorative Arts." In Encyclopedia of Quality of Life and Well-Being Research. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-17299-1_300976.

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Atti di convegni sul tema "Decorative arts"

1

Ullrich, Anna. "The decorative arts of the mariner." In ACM SIGGRAPH 97 Visual Proceedings: The art and interdisciplinary programs of SIGGRAPH '97. ACM Press, 1997. http://dx.doi.org/10.1145/259081.259157.

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2

Zeng, Jing, and Chunling Gu. "The Application of Decorative Jinsha Gold Decoration on the New Chinese Style Furniture." In 2017 2nd International Conference on Education, Sports, Arts and Management Engineering (ICESAME 2017). Atlantis Press, 2017. http://dx.doi.org/10.2991/icesame-17.2017.220.

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3

Mokina, A. Y. "MASTER CLASS AND EXHIBITION ACTIVITIES AS AN INCREASE IN THE MOTIVATION OF STUDENTS ' TRAINING IN THE DIRECTION OF DECORATIVE AND APPLIED ARTS AND CRAFTS." In INNOVATIVE TECHNOLOGIES IN SCIENCE AND EDUCATION. DSTU-Print, 2020. http://dx.doi.org/10.23947/itno.2020.226-229.

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Abstract (sommario):

The article examines the issues of modern pedagogical science in the field of art education, namely, in the preparation of artists of decorative and applied arts. The actual issue of students ' motivation to the educational process and further creative professional activity is considered in the article through the formation and organization of the educational environment on the example of the Department of Decorative and applied arts of the Southern Federal University.

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4

Высоцкая, Х. И. "ASPECTS OF ARTISTIC DESIGN OF TEXTILES AT THE BELARUSIAN STATE ACADEMY OF ARTS IN THE EARLY 2020s." In КОДЫ. ИСТОРИИ В ТЕКСТИЛЕ. Crossref, 2024. http://dx.doi.org/10.54874/9785605162971.2024.3.08.

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Учебная дисциплина «Художественное проектирование» предусматривает последовательное изучение особенностей ведения концептуальной проектной работы и является одной из ключевых в процессе подготовки художников декоративно-прикладного искусства и дизайнеров текстиля. Материалы статьи выявляют отличительные черты авторского курса, разработанного Х. И. Высоцкой, доцентом кафедры декоративноприкладного искусства и костюма Белорусской государственной академии искусств для направления специальности «ДПИ (изделия из текстиля)». The Artistic Design academic discipline provides a consistent study of the

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5

Pei, Yan. "Image Study of Decorative Color in Visual Context." In 2nd International Conference on Arts, Design and Contemporary Education. Atlantis Press, 2016. http://dx.doi.org/10.2991/icadce-16.2016.196.

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6

Wen, Peng. "On the value of decorative vocabulary in the oil painting arts." In 2016 International Forum on Management, Education and Information Technology Application. Atlantis Press, 2016. http://dx.doi.org/10.2991/ifmeita-16.2016.166.

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7

Li, Yiqing. "Study of Xi'an Islamic Architecture Decorative Patterns." In 4th International Conference on Management Science, Education Technology, Arts, Social Science and Economics 2016. Atlantis Press, 2016. http://dx.doi.org/10.2991/msetasse-16.2016.393.

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8

Nguyen, NTHa. "THE ART OF DECORATIVE EMBROIDERY ON DRESS IN HO CHI MINH CITY." In International Conference on Arts and Humanities. The International Institute of Knowledge Management, 2024. https://doi.org/10.17501/23572744.2024.11103.

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9

"The Application of Traditional Architectural Decorative Art in Modern Architecture." In 2019 International Conference on Arts, Management, Education and Innovation. Clausius Scientific Press, 2019. http://dx.doi.org/10.23977/icamei.2019.060.

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Liu, Fang, and Wei Peng. "Re-design of decorative pattern of Kirgiz nationality." In 2016 International Conference on Advances in Management, Arts and Humanities Science (AMAHS 2016). Atlantis Press, 2016. http://dx.doi.org/10.2991/amahs-16.2016.53.

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Rapporti di organizzazioni sul tema "Decorative arts"

1

Hernández Benítez, Andrea, and Belén Ruiz Garrido. Creación feminista y experiencias de trabajo en el ámbito de las altas capacidades. Hacia un modelo de superación de categorías. Fundación Avanza, 2024. http://dx.doi.org/10.60096/fundacionavanza/3432024.

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El artículo explora la creación femenina en las artes decorativas, centrada la obra de Mrinalini Mukherjee en la Bienal de 2022. Trata cómo las artistas desafían estándares tradicionales, invitando a reflexionar sobre su impacto en la cultura y arte

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2

Hunter, Fraser, and Martin Carruthers. Iron Age Scotland. Society for Antiquaries of Scotland, 2012. http://dx.doi.org/10.9750/scarf.09.2012.193.

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The main recommendations of the panel report can be summarised under five key headings:  Building blocks: The ultimate aim should be to build rich, detailed and testable narratives situated within a European context, and addressing phenomena from the longue durée to the short-term over international to local scales. Chronological control is essential to this and effective dating strategies are required to enable generation-level analysis. The ‘serendipity factor’ of archaeological work must be enhanced by recognising and getting the most out of information-rich sites as they appear. o There i

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3

Norwegian Alternatives: Decorative and Applied Arts. Inter-American Development Bank, 1999. http://dx.doi.org/10.18235/0006420.

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Fifty-two contemporary craft, decorative and applied art objects by thirty-one members of the Norwegian Association for Arts and Handicrafts, made in wood, fiber, clay, glass and as jewelry, from the collections of the Kunstindustrimuseet in Oslo, the Vestlandske Kunsindustrimuseum in Bergen, the Nordenfjeldske Kunstindustrimuseum in Trondheim, the Hadeland Glassverk in Jevnaker, and from independent artists who loaned their pieces for the exhibition.

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What a Time It Was: Life and Culture in Buenos Aires. Inter-American Development Bank, 1996. http://dx.doi.org/10.18235/0006437.

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Eighty-four works from the collections of the City Museum of Buenos Aires, the Isaac Fernández Blanco Museum, the Eduardo Sívori Museum, the National Museum of Decorative Arts, and the National Museum of Fine Arts in Buenos Aires, Argentina. The exhibition honored the 37th Annual Meeting of the IDB Board of Governors in Buenos Aires.

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5

Design in 20th Century Barcelona: From Gaudí to the Olympic Games. Inter-American Development Bank, 1997. http://dx.doi.org/10.18235/0006404.

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Fifty objects, from original bronzes and maquettes by Antoni Gaudí, to modern furniture and appliances, and Cobi, Javier Mariscal's design adopted for the mascot of the Olympic Games in 1992. The exhibit was developed with Barcelona architects Juli Capella and Quim Larrea, and presented in honor of the 38th Annual Meeting of the IDB Board of Governors held in March, 1997 in Barcelona. Most of the important 20th century Catalonian designers were represented, including Monegal, Sert, Bonet, Ricard, Tusquets, Lluscà, and Tresserra. Works were loaned from the Gaudí Museum at the Temple of the Holy

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