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Letteratura scientifica selezionata sul tema "Installations (Art)"

Autore: Grafiati

Pubblicato: 4 giugno 2021

Ultima modifica: 5 ottobre 2024

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Articoli di riviste sul tema "Installations (Art)"

1

Rios, Patricia, and Aquiles Negrete. "The object of art in science: science communication via art installation." Journal of Science Communication 12, no. 03 (December 11, 2013): A04. http://dx.doi.org/10.22323/2.12030204.

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Science is part of our everyday live; so is art. Some art installations that link the two require the active presence of the spectator. Thereby they help to raise the awareness, promote understanding, and generate an emotional response from the public. This project rests on the public participation model that seeks to explore the connection between art installations and science communication through experiential learning. In order to test the effectiveness of an art installation communicating science two groups were contrasted. The first was exposed to a list of scientific facts; the second pa

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Zečević, Marija. "Installation: Between the Artistic and Architectural Project." AM Journal of Art and Media Studies, no. 12 (April 15, 2017): 55. http://dx.doi.org/10.25038/am.v0i12.167.

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The subject of this research is the art installation, a spatial creativity that arises in relation between art and architecture. In a more narrow definition, the subject of the research is installations created in the formative period of the 60s and 70s up to the present. As a ‘critical spatial practice’ art installations are conceived in the form of alternative proposals for settlements which enter the field of architectural design. Ideas concerning new sets of relations between the subject and a spatial order indicate the potential of the use of the concept of art installations in architectu

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3

Cuan, Catie, Erin Berl, and Amy LaViers. "Time to compile: A performance installation as human-robot interaction study examining self-evaluation and perceived control." Paladyn, Journal of Behavioral Robotics 10, no. 1 (August 28, 2019): 267–85. http://dx.doi.org/10.1515/pjbr-2019-0024.

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AbstractEmbodied art installations embed interactive elements within theatrical contexts and allow participating audience members to experience art in an active, kinesthetic manner. These experiences can exemplify, probe, or question how humans think about objects, each other, and themselves. This paper presents work using installations to explore human perceptions of robot and human capabilities. The paper documents an installation, developed over several months and activated at distinct venues, where user studies were conducted in parallel to a robotic art installation. A set of best practic

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Ehninger, Eva. "Die Land Art als Film." Zeitschrift für Ästhetik und Allgemeine Kunstwissenschaft 55, no. 1 (2010): 109–27. http://dx.doi.org/10.28937/1000106160.

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"Parallel zu ihren monumentalen Außenrauminstallationen, die während der späten 1960er und frühen 1970er Jahre im Westen und Südwesten der USA realisiert wurden, haben einige Vertreter der amerikanischen Land Art auch Arbeiten im filmischen Medium produziert. Die Frage nach dem Stellenwert dieser Filmbeiträge für das jeweilige Œuvre ist in der Forschung ein Streitpunkt. Dieser Artikel bewertet weniger ihren Status als eigenständige Werke oder Dokumentationen, sondern widmet sich einem Thema, das Installationen und filmische Arbeiten gemein haben: die Kritik am klassischen Raumverständnis. Anha

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Lilin, You. "The Feminist Installation Art in Modern China." Vestnik of Saint Petersburg State University of Culture, no. 1 (58) (2024): 129–35. http://dx.doi.org/10.30725/2619-0303-2024-1-129-135.

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Feminist installation art in contemporary China is one of the most dynamic and controversial trends in Chinese contemporary art. It reflects the complex processes of social, political and cultural transformation that have been taking place in China in recent decades. Feminist installations express critical attitudes towards traditional gender roles, national identity, environmental issues and globalization. However, feminist installation art in contemporary China has not received sufficient scholarly coverage and analysis in domestic and foreign literature. Existing studies are often limited t

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Erel, Yael, Foteini Kyriakidou, and Rodrigo Eduardo Muro Avendano. "Urban Illuminations – Light Art Activating The Public Realm." IOP Conference Series: Earth and Environmental Science 1320, no. 1 (March 1, 2024): 012012. http://dx.doi.org/10.1088/1755-1315/1320/1/012012.

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Abstract How can contemporary light art installations impact the sensorial perception of the urban context to modify and reinterpret urban space? In Robert Irwin’s words, how can they provide “…an extended way of looking at the world”? In this paper, we examine how temporary light installations may impact the public realm by modifying citizens’ perceptions of moments in the city: a habitual urban passage is interrupted with a temporal experience, changing the way the urban space is experienced. We explore how site-specific light installations create unique intersections of audience and spatial

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Prisco, Brianna. "Living Art: An Exploration of Interactive Art Installations." Art Education 69, no. 5 (August 15, 2016): 49–57. http://dx.doi.org/10.1080/00043125.2016.1202078.

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Paul, Christiane. "Renderings of Digital Art." Leonardo 35, no. 5 (October 2002): 471–84. http://dx.doi.org/10.1162/002409402320774303.

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This essay identifies the current qualifier of choice, “new media,” by explaining how this term is used to describe digital art in various forms. Establishing a historical context, the author highlights the pioneer exhibitions and artists who began working with new technology and digital art as early as the late 1960s and early 1970s. The article proceeds to articulate the shapes and forms of digital art, recognizing its broad range of artistic practice: music, interactive installation, installation with network components, software art, and purely Internet-based art. The author examines the t

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Bouzguenda, Ghada. "Eco-Public Installation Through Landscape Architecture for Sustainability in the Urban Space." International Journal of Architecture, Arts and Applications 10, no. 2 (June 29, 2024): 60–68. http://dx.doi.org/10.11648/j.ijaaa.20241002.14.

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Sustainable art in landscape architecture encompasses activities like installing works of art that are durable, functional, decorative, iconographic, interpretative, integrated, ephemeral, or temporary. Projects of sustainable installation in landscape architecture have highlighted the contributions of public arts in social, cultural, and economic aspects. Studying the environmental impacts of public art in cities is still lacking. The purpose of this article is to highlight the contribution of eco-art in urban space to the development of sustainable cities, through the exam of a selection of

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Chemberzhi, Daria. "The importance of installation art for the development of contemporary art in the world and Ukraine." Bulletin of Lviv National Academy of Arts, no. 39 (2019): 278–87. http://dx.doi.org/10.37131/2524-0943-2019-39-19.

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Article is devoted to a research of a role and the place of art installation in the modern world. At the same time the retrospective analysis of a role of art installation in the past and comparative characteristic with the present is carried out. The Ukrainian context of development of art installation is also revealed. At the same time it is found out that installation is not only an important component of modern art, but also an integral part of historical discourse. Due to its visual functions, the installation actively influences the viewer. For the most part, installations are not just a

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Tesi sul tema "Installations (Art)"

1

Stansbie, Lisa. "Zeppelinbend : Multiplicity, encyclopaedic strategies and nonlinear methodologies for a visual practice." Thesis, Leeds Beckett University, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.533350.

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Fortin-Desbiens, Patrick. "Pour un art universel : le défi de Babel /." Thèse, Chicoutimi : Université du Québec à Chicoutimi, 2003. http://theses.uqac.ca.

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Shaffer, Michael J. "Dan Graham's Video-Installations of the 1970s." VCU Scholars Compass, 2010. http://scholarscompass.vcu.edu/etd/56.

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This dissertation examines the video-installations created by American artist Dan Graham in the 1970s. It investigates the artist's relationship to Minimalism by analyzing themes Graham highlights in his own writings and in interviews. In particular, I explore how the artist's understanding of Herbert Marcuse, Walter Benjamin, and R.D. Laing informed his post-Minimalist work and how concepts gleaned from these sources are manifest in his video-installations. Also undertaken are discussions of the artist's interest in aestheticized play, the just-past present, the debate between Behaviourism

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Bernardini, Elena. "Interrogating installation art from India." Thesis, SOAS, University of London, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.664613.

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Veber, Hélène. "Toi et moi aller-retour : l'installation vidéo comme reflet de l'humain /." Thèse, Chicoutimi : Montréal : Université du Québec à Chicoutimi ;. Université du Québec à Montréal, 2003. http://theses.uqac.ca.

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Mercado, Nicholas. "A framework for site informed light art installations." Kansas State University, 2015. http://hdl.handle.net/2097/19162.

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Master of Landscape Architecture<br>Landscape Architecture/Regional and Community Planning<br>Mary C. Kingery-Page<br>The purpose of this study is to investigate and design public light art installations. The investigation consisted of evaluating select examples of public light installations in order to develop a typology, and designing two site-specific light art installations: one in Wichita, Kansas, and the other, in Denver, Colorado. Though public light art is found in most cities, its potential is often lost or unrecognized. In certain cases, public light art can be ‘plop art,’ which is

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Stanforth, Gregory Owen. "Turret envy /." Online version of thesis, 1991. http://hdl.handle.net/1850/11954.

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Bouchard, Michèle. "Objets et sons dans l'installation sculpturale : portrait d'une cacophonie humaine /." Thèse, Chicoutimi : Université du Québec à Chicoutimi, 2006. http://theses.uqac.ca.

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King, Donald V. "(Frame) /-bridge-\ !bang! ((spill)) *sparkle* (mapping Mogadore) /." [Kent, Ohio] : Kent State University, 2008. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=kent1216759724.

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Thesis (M.F.A.)--Kent State University, 2008.<br>Title from PDF t.p. (viewed Oct. 19, 2009). Advisor: Paul O'Keeffe. Keywords: Sculpture, Installation Art, Video Art. Includes bibliographical references (p. 25).

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Ouzounian, Gascia. "Sound art and spatial practices situating sound installation art since 1958 /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2008. http://wwwlib.umi.com/cr/ucsd/fullcit?p3291983.

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Thesis (Ph. D.)--University of California, San Diego, 2008.<br>Title from first page of PDF file (viewed May 14, 2008). Available via ProQuest Digital Dissertations. Vita. Includes bibliographical references P. 359-373.

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Più fonti

Libri sul tema "Installations (Art)"

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Kira, Perov, Böhm Dorothee, Herzogenrath Wulf, Luckow Dirk, and Deichtorhallen Hamburg, eds. Bill Viola: Installationen = Installations. Köln: Snoeck Verlagsgesellschaft mbH, 2017.

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Flaig, Ulrike. Ulrike Flaig, Soundcheck: Installationen = Installations. Ostfildern: Hatje Cantz, 2000.

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Fahlström, Öyvind. Öyvind Fahlström: Die Installationen = the installations. Ostfildern: Cantz, 1995.

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Majerus, Michel. Michel Majerus: Installationen 92-02 = installations 92-02. Köln: König, 2005.

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Adcock, Craig E. Dispossessed installations. Edited by Lindbloom Terri, Rutkovsky Paul, and Florida State University Gallery & Museum. Tallahassee: Florida State University Gallery & Museum Press, 1992.

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Shaoqiang, Wang. Installation art. Berkeley, CA: Gingko Press, 2010.

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Morellet, François. François Morellet, Installations: Catalogue raisonné seiner Installationen = Catalogue raisonné de ses installations. Stuttgart: Daco-Verlag Günter Bläse, 1994.

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8

Bierwirth, Maria Anna. Big picture: (Orte/Projektionen = (Locations/projections) : Zwölf Kinematografische Installationen = Twelve cinimatographic installations. Düsseldorf: Kunstammlung Nordrhein-Westfalen, 2011.

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9

1949-, Aschenbrenner Michael, Kardon Janet, Princenthal Nancy, and American Craft Museum (New York, N.Y.), eds. Glass installations. New York (40 W. 53rd St., New York 10019): American Craft Museum, 1993.

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Odenbach, Marcel. Marcel Odenbach: Video-Arbeiten, Installationen,Zeichnungen, 1988-1993 = videos, installations, drawings. Stuttgart: Edition Cantz, 1993.

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Capitoli di libri sul tema "Installations (Art)"

1

Franke, Herbert W. "Installations and Methods." In Computer Graphics — Computer Art, 1–92. Berlin, Heidelberg: Springer Berlin Heidelberg, 1985. http://dx.doi.org/10.1007/978-3-642-70259-4_1.

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Zhang, Yu, Joep Frens, Mathias Funk, Jun Hu, and Matthias Rauterberg. "Scripting Interactive Art Installations in Public Spaces." In Lecture Notes in Computer Science, 157–66. Cham: Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-07233-3_15.

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Staniszewski, Mary Anne. "Aestheticized installations for modernism, ethnographic art and objects of everyday life [excerpt]." In Curating Art, 89–101. London: Routledge, 2021. http://dx.doi.org/10.4324/9781315686943-16.

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Shanbaum, Phaedra. "Introduction." In The Digital Interface and New Media Art Installations, 1–13. New York : Routledge, 2019. | Series: Routledge advances in art and visual studies | Based on the author’s thesis (doctoral–Goldsmiths’ College, 2017) under the title: The interface is obsolete.: Routledge, 2019. http://dx.doi.org/10.4324/9780429467899-1.

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Shanbaum, Phaedra. "The Aesthetic Interface." In The Digital Interface and New Media Art Installations, 14–37. New York : Routledge, 2019. | Series: Routledge advances in art and visual studies | Based on the author’s thesis (doctoral–Goldsmiths’ College, 2017) under the title: The interface is obsolete.: Routledge, 2019. http://dx.doi.org/10.4324/9780429467899-2.

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Shanbaum, Phaedra. "The Embodied Interface." In The Digital Interface and New Media Art Installations, 38–57. New York : Routledge, 2019. | Series: Routledge advances in art and visual studies | Based on the author’s thesis (doctoral–Goldsmiths’ College, 2017) under the title: The interface is obsolete.: Routledge, 2019. http://dx.doi.org/10.4324/9780429467899-3.

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Shanbaum, Phaedra. "The Agential Interface." In The Digital Interface and New Media Art Installations, 58–77. New York : Routledge, 2019. | Series: Routledge advances in art and visual studies | Based on the author’s thesis (doctoral–Goldsmiths’ College, 2017) under the title: The interface is obsolete.: Routledge, 2019. http://dx.doi.org/10.4324/9780429467899-4.

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Shanbaum, Phaedra. "Instruction and the Interface." In The Digital Interface and New Media Art Installations, 78–104. New York : Routledge, 2019. | Series: Routledge advances in art and visual studies | Based on the author’s thesis (doctoral–Goldsmiths’ College, 2017) under the title: The interface is obsolete.: Routledge, 2019. http://dx.doi.org/10.4324/9780429467899-5.

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Shanbaum, Phaedra. "The Ubiquitous Interface: Part I." In The Digital Interface and New Media Art Installations, 105–24. New York : Routledge, 2019. | Series: Routledge advances in art and visual studies | Based on the author’s thesis (doctoral–Goldsmiths’ College, 2017) under the title: The interface is obsolete.: Routledge, 2019. http://dx.doi.org/10.4324/9780429467899-6.

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Shanbaum, Phaedra. "The Ubiquitous Interface: Part II." In The Digital Interface and New Media Art Installations, 125–45. New York : Routledge, 2019. | Series: Routledge advances in art and visual studies | Based on the author’s thesis (doctoral–Goldsmiths’ College, 2017) under the title: The interface is obsolete.: Routledge, 2019. http://dx.doi.org/10.4324/9780429467899-7.

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Atti di convegni sul tema "Installations (Art)"

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Lu, Chen-Hua, Su-Chu Hsu, and Che-Rung Lee. "Visualizing Machine Intelligence as Art Installations for Popular Science by Crafting Convolutional Neural Networks." In 2024 International Conference on Consumer Electronics - Taiwan (ICCE-Taiwan), 297–98. IEEE, 2024. http://dx.doi.org/10.1109/icce-taiwan62264.2024.10673892.

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Yang, Zuo-Yi, and Chi-Wen Hsieh. "Implementation of Embedded Systems for Light and Shadow Installation Art." In 2024 International Conference on Consumer Electronics - Taiwan (ICCE-Taiwan), 675–76. IEEE, 2024. http://dx.doi.org/10.1109/icce-taiwan62264.2024.10674200.

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Mubarak, Oussama, David Bihanic, Pierre Cubaud, and Samuel Bianchini. "Art installations." In ARTECH2017: Eighth International Conference on Digital Arts. New York, NY, USA: ACM, 2017. http://dx.doi.org/10.1145/3106548.3106593.

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Lazin, Linda Lauro. "Session details: Art installations." In SIGGRAPH03: Special Interest Group on Computer Graphics and Interactive Techniques. New York, NY, USA: ACM, 2003. http://dx.doi.org/10.1145/3248421.

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"Session details: Art installations and demonstrations." In IDC '18: Interaction Design and Children, edited by Marikken Høiseth, Gökçe Elif Baykal, Anders-Petter Andersson, and Babak Farshchian. New York, NY, USA: ACM, 2018. http://dx.doi.org/10.1145/3247773.

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Ishii, Ayaka, Manaka Fukushima, Namiki Tanaka, Yasushi Matoba, Kaori Ikematsu, and Itiro Siio. "Electrolysis Bubble Display based Art Installations." In TEI '21: Fifteenth International Conference on Tangible, Embedded, and Embodied Interaction. New York, NY, USA: ACM, 2021. http://dx.doi.org/10.1145/3430524.3440632.

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Fragoso Castro, João, Paulo Bernardino Bastos, and Heitor Alvelos. "Emotional resonance at art interactive installations." In ARTECH 2021: 10th International Conference on Digital and Interactive Arts. New York, NY, USA: ACM, 2021. http://dx.doi.org/10.1145/3483529.3483710.

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Bluff, Andrew, and Andrew Johnston. "Remote Control of Complex Interactive Art Installations." In C&C '15: Creativity and Cognition. New York, NY, USA: ACM, 2015. http://dx.doi.org/10.1145/2757226.2764553.

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Jacucci, Giulio, Mira Wagner, Ina Wagner, Elisa Giaccardi, Mauro Annunziato, Nell Breyer, Jonas Hansen, et al. "ParticipArt: Exploring participation in interactive art installations." In 2010 IEEE International Symposium on Mixed and Augmented Reality - Arts, Media, and Humanities (ISMAR-AMH). IEEE, 2010. http://dx.doi.org/10.1109/ismar-amh.2010.5643313.

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Hurtado, Enrique, Mikel Arce, and Josu Rekalde. "Simple interfaces for interactive and generative art installations." In Interacción '21: XXI International Conference on Human Computer Interaction. New York, NY, USA: ACM, 2021. http://dx.doi.org/10.1145/3471391.3471417.

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Rapporti di organizzazioni sul tema "Installations (Art)"

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Bucher, Ch, S. Chen, G. Adinolfi, R. Guerrero-Lemus, Y. Ogasawara, G. Heilscher, I. McGill, et al. Active Power Management of Photovoltaic Systems – State of the Art and Technical Solutions. IEA Photovoltaic Power Systems Programme (PVPS), 2024. http://dx.doi.org/10.69766/syrj8267.

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This report discusses different methods of PV power curtailment and their application in electric installations and power grids. It also presents the varying solutions used in different countries along with the applicable standards.

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Wright, A. L. Primary system fission product release and transport: A state-of-the-art report to the committee on the safety of nuclear installations. Office of Scientific and Technical Information (OSTI), June 1994. http://dx.doi.org/10.2172/10161670.

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Callaghan, Caitlin, Danielle Peterson, Timothy Cooke, Brandon Booker, and Kathryn Trubac. Installation resilience in cold regions using energy storage systems. Engineer Research and Development Center (U.S.), October 2021. http://dx.doi.org/10.21079/11681/42200.

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Electrical energy storage (EES) has emerged as a key enabler for access to electricity in remote environments and in those environments where other external factors challenge access to reliable electricity. In cold climates, energy storage technologies face challenging conditions that can inhibit their performance and utility to provide electricity. Use of available energy storage technologies has the potential to improve Army installation resilience by providing more consistent and reliable power to critical infrastructure and, potentially, to broader infrastructure and operations. Sustainabl

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Callaghan, Caitlin, Danielle Peterson, Timothy Cooke, Brandon Booker, and Kathryn Trubac. Installation resilience in cold regions using energy storage systems. Engineer Research and Development Center (U.S.), October 2021. http://dx.doi.org/10.21079/11681/42200.

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Electrical energy storage (EES) has emerged as a key enabler for access to electricity in remote environments and in those environments where other external factors challenge access to reliable electricity. In cold climates, energy storage technologies face challenging conditions that can inhibit their performance and utility to provide electricity. Use of available energy storage technologies has the potential to improve Army installation resilience by providing more consistent and reliable power to critical infrastructure and, potentially, to broader infrastructure and operations. Sustainabl

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Urban, Angela, Susannah Davidson, and Allison Young. Dining facility w/hole-building evaluation to reduce solid waste : opportunities and best practices for optimization and management of food waste. Engineer Research and Development Center (U.S.), September 2023. http://dx.doi.org/10.21079/11681/47560.

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On military installations, an average of 1.2 pounds in food waste is disposed per person per day, accounting for 68% of dining facility (DFAC) refuse and 46% of the total installation refuse stream, making food waste the heaviest portion of installation solid waste. At a single installation, this can contribute up to 1.5 million dollars lost yearly from food waste alone. Department of Defense Instruction (DoDI) 4715.23 (DoD 2016) establishes policy and prescribes procedures to implement waste management through waste prevention and recycling. The US Army Installation Management Commands (IMCOM

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Sequeira, Dora María, Ileana Alvarado V., and Félix Angel. Young Costa Rican Artists: Nine Proposals. Inter-American Development Bank, August 2007. http://dx.doi.org/10.18235/0006438.

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Nine artists, all living in Costa Rica, were selected out of thirty-four who responded to an open call to present portfolios. The selection criteria is to be forty years of age or younger, have had at least one individual show, and have participated in a minimum of three group exhibitions. The exhibition has been organized by the IDB Cultural Center in collaboration with the Foundation of the Central Bank Museums of Costa Rica. Works include installations and interactive digital art, digital graphics, conventional photography, ceramics, painting, wire drawing and design objects manufactured wi

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Dumlao, Hernani. Army Transformation: Are Installations Ready? Fort Belvoir, VA: Defense Technical Information Center, January 2002. http://dx.doi.org/10.21236/ada404554.

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Gauntt, Nathan E., Kevin Duvall Davis, Jason John Repik, James M. Brandt, Ann C. Gentile, and Simon David Hammond. Design Installation and Operation of the Vortex ART Platform. Office of Scientific and Technical Information (OSTI), September 2019. http://dx.doi.org/10.2172/1562796.

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9

Choquette, Gary. PR000-22605-R01 Design Guideline for Retrofittable Inline Flow Measurement. Chantilly, Virginia: Pipeline Research Council International, Inc. (PRCI), February 2024. http://dx.doi.org/10.55274/r0000054.

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Abstract (sommario):

This report describes measurement devices suitable for the retrofit installation of inline flow measurements. Retrofit applications are defined as installations where minimal piping modifications are required and, preferably, the modifications can be done without taking the system out of service. The document includes recommendations and best practices that help minimize error as well as methods to perform in situ calibration of those measurement devices.

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10

Author, Unknown. L52287 Pre-Construction Drillability Assessment for Horizontal Directional Drilling in Rock. Chantilly, Virginia: Pipeline Research Council International, Inc. (PRCI), August 2008. http://dx.doi.org/10.55274/r0011760.

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Abstract (sommario):

Construction contractors often claim extra compensation associated with horizontally directionally drilled (HDD) pipeline installations is needed when drilling in rock. These claims result from HDD contractors' allegations that rock properties experienced during construction are significantly different from the properties on which the contractors' bids were based. This report provides information and recommendations that improve exploration and testing methods for assessing the drillability of rock to be encountered on HDD pipeline installations. These improvements will lead to a better unders

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