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Tesi sul tema "Installations (Art)"

Autore: Grafiati

Pubblicato: 4 giugno 2021

Ultima modifica: 5 ottobre 2024

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1

Stansbie, Lisa. "Zeppelinbend : Multiplicity, encyclopaedic strategies and nonlinear methodologies for a visual practice." Thesis, Leeds Beckett University, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.533350.

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2

Fortin-Desbiens, Patrick. "Pour un art universel : le défi de Babel /." Thèse, Chicoutimi : Université du Québec à Chicoutimi, 2003. http://theses.uqac.ca.

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3

Shaffer, Michael J. "Dan Graham's Video-Installations of the 1970s." VCU Scholars Compass, 2010. http://scholarscompass.vcu.edu/etd/56.

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Abstract (sommario):

This dissertation examines the video-installations created by American artist Dan Graham in the 1970s. It investigates the artist's relationship to Minimalism by analyzing themes Graham highlights in his own writings and in interviews. In particular, I explore how the artist's understanding of Herbert Marcuse, Walter Benjamin, and R.D. Laing informed his post-Minimalist work and how concepts gleaned from these sources are manifest in his video-installations. Also undertaken are discussions of the artist's interest in aestheticized play, the just-past present, the debate between Behaviourism

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4

Bernardini, Elena. "Interrogating installation art from India." Thesis, SOAS, University of London, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.664613.

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5

Veber, Hélène. "Toi et moi aller-retour : l'installation vidéo comme reflet de l'humain /." Thèse, Chicoutimi : Montréal : Université du Québec à Chicoutimi ;. Université du Québec à Montréal, 2003. http://theses.uqac.ca.

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6

Mercado, Nicholas. "A framework for site informed light art installations." Kansas State University, 2015. http://hdl.handle.net/2097/19162.

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Master of Landscape Architecture<br>Landscape Architecture/Regional and Community Planning<br>Mary C. Kingery-Page<br>The purpose of this study is to investigate and design public light art installations. The investigation consisted of evaluating select examples of public light installations in order to develop a typology, and designing two site-specific light art installations: one in Wichita, Kansas, and the other, in Denver, Colorado. Though public light art is found in most cities, its potential is often lost or unrecognized. In certain cases, public light art can be ‘plop art,’ which is

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7

Stanforth, Gregory Owen. "Turret envy /." Online version of thesis, 1991. http://hdl.handle.net/1850/11954.

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8

Bouchard, Michèle. "Objets et sons dans l'installation sculpturale : portrait d'une cacophonie humaine /." Thèse, Chicoutimi : Université du Québec à Chicoutimi, 2006. http://theses.uqac.ca.

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9

King, Donald V. "(Frame) /-bridge-\ !bang! ((spill)) *sparkle* (mapping Mogadore) /." [Kent, Ohio] : Kent State University, 2008. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=kent1216759724.

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Thesis (M.F.A.)--Kent State University, 2008.<br>Title from PDF t.p. (viewed Oct. 19, 2009). Advisor: Paul O'Keeffe. Keywords: Sculpture, Installation Art, Video Art. Includes bibliographical references (p. 25).

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10

Ouzounian, Gascia. "Sound art and spatial practices situating sound installation art since 1958 /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2008. http://wwwlib.umi.com/cr/ucsd/fullcit?p3291983.

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Thesis (Ph. D.)--University of California, San Diego, 2008.<br>Title from first page of PDF file (viewed May 14, 2008). Available via ProQuest Digital Dissertations. Vita. Includes bibliographical references P. 359-373.

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11

Badawi, H. "The potential for installations to create new directions for Saudi Arabian art." Thesis, Coventry University, 2011. http://curve.coventry.ac.uk/open/items/0fcc12b6-5baf-4892-a1d2-f06776a58cc5/1.

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In 2001 when this research commenced, there was little understanding in Saudi Arabia of the opportunities digital art could provide for artists, how it could be integrated with or used instead of painting, and the effects the enlarged vocabulary could have in communicating difficult social issues. As a result, this study aimed at filling a gap in knowledge through reviewing contemporary Saudi art. This, in turn, helped me to understand the position of my practice. The study also aimed at developing a means of expression in which traditional art can be combined with digital media and showing ho

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12

Nicolaisen, Lelani. "Immersed in paint : Understanding painting installations through art practice." Mini-Dissertation, University of Pretoria, 2017. http://hdl.handle.net/2263/65593.

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13

Larocque, Marie-Claire. "Installation architectonique : trilogie "topophonique"." Thèse, Chicoutimi : Université du Québec à Chicoutimi, 1996. http://theses.uqac.ca.

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14

Heusner, Christine. "Chiasm /." Online version of thesis, 2008. http://hdl.handle.net/1850/7793.

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15

Pinkham, Todd Alan. "Brazen idols /." Online version of thesis, 1993. http://hdl.handle.net/1850/11902.

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16

Sharek, Elizabeth. "The unsettled object." Click here to access this resource online, 2007. http://hdl.handle.net/10292/421.

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Abstract (sommario):

The Unsettled Object is an installational art project that considers the instability of objects in regards to their assembly, classification, and presentation, underpinned by the context of the museum and supported by Michel Foucault’s notion of the classificatory grids he discusses in The Order of Things: an archaeology of the Human Sciences. (Foucault,1970) The artefacts are being fabricated as a response to the corporeal body-on-display; its surfaces, spaces and volumes. An underlying notion of temporality and mutability is indicated in the processes of making, the objects, material respons

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17

Noltze, Katja. "Dialog Kunst - Raum : situative Innenrauminstallation als Wahrnehmungsangebot und Lernort /." Oberhausen : Athena, 2005. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=013346201&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA.

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18

Braddock, Christopher. "The artist will be present performing partial objects and subjects : a thesis submitted to Auckland University of Technology in partial fulfilment of the requirements for the degree of Doctor of Philosophy (PhD), 2008." Click here to access this resource online, 2008. http://hdl.handle.net/10292/441.

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19

Bartow, Paul J. "Information retrieval /." Online version of thesis, 1991. http://hdl.handle.net/1850/12169.

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20

Ryan, Bengtsson Linda. "Re-negotiating social space : Public art installations and interactive experience." Doctoral thesis, Karlstads universitet, Avdelningen för medie- och kommunikationsvetenskap, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-11723.

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Abstract (sommario):

Digital media technologies are becoming increasingly and extensively integrated into our way of living. We communicate, inform and entertain ourselves through media technologies in disparate spaces. When digital technology is integrated into our everyday environment, the border between media interfaces and physical environments is blurred. Traditional divisions of spaces dissolve and are rearranged, complicating the linkages between private and public spheres. The key phenomenon shaping these experiences with digital media technologies is interactivity. Interactivity intersects these spaces

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21

Mubarak, Oussama. "Designing and Modeling Collective Co-located Interactions for Art Installations." Thesis, Paris, CNAM, 2018. http://www.theses.fr/2018CNAM1170/document.

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Abstract (sommario):

À l'instar d'œuvres telles que Kinoautomat de Radúz Činčera, SAM - Sound Activated Mobile d'Edward Ihnatowicz et Glowflow de Myron Krueger, des artistes ont développé, dès les années 1960, des installations artistiques engageant des situations d'interaction collective co-localisée inédites, c'est-à-dire impliquant plusieurs voire de nombreux spectateurs interagissant dans le même lieu via et avec un dispositif informatique. Le nombre de ces travaux ne cesse d'augmenter depuis le début du 21ème siècle, profitant des nouvelles opportunités offertes par les avancées dans les technologies de visio

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22

Mubarak, Oussama. "Designing and Modeling Collective Co-located Interactions for Art Installations." Electronic Thesis or Diss., Paris, CNAM, 2018. http://www.theses.fr/2018CNAM1170.

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Abstract (sommario):

À l'instar d'œuvres telles que Kinoautomat de Radúz Činčera, SAM - Sound Activated Mobile d'Edward Ihnatowicz et Glowflow de Myron Krueger, des artistes ont développé, dès les années 1960, des installations artistiques engageant des situations d'interaction collective co-localisée inédites, c'est-à-dire impliquant plusieurs voire de nombreux spectateurs interagissant dans le même lieu via et avec un dispositif informatique. Le nombre de ces travaux ne cesse d'augmenter depuis le début du 21ème siècle, profitant des nouvelles opportunités offertes par les avancées dans les technologies de visio

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23

Robertson, Josée. "Les mémoires suspendues /." Thèse, Chicoutimi : Université du Québec à Chicoutimi, 2003. http://theses.uqac.ca.

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24

Tanoai, Tuafale. "Story telling as koha consolidating community memories : [an exegesis submitted to Auckland University of Technology in partial fulfilment of the requirements for the degree of Master of Art and Design, 2009] /." Click here to access this resource online, 2009. http://hdl.handle.net/10292/783.

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This project will explore a fusion of Tangata Whenua and Pacific perspectives within a performance installation framework. I intend to juxtapose community narratives within a video art form. I will explore the recording and transmitting of indigenous stories and will create contemporary narratives linking the past to the present. Working within my communities, (Tangata Whenua1, Pacific2, artists from different disciplines, LGBT3, and extensive friends networks), this project will investigate aspects of performance installation using live sets amid recordings of conversations and develop an int

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25

Cappe, Maki. "La question de l'œuvre à l'épreuve des installations artistiques. De l'étendue à l'unité." Electronic Thesis or Diss., Sorbonne université, 2024. https://accesdistant.sorbonne-universite.fr/login?url=https://theses-intra.sorbonne-universite.fr/2024SORUL064.pdf.

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Quand on parle d'une œuvre au sujet d'une installation artistique, que désigne-t-on au juste ? Apparue dans les années soixante, la dénomination de l'installation recouvre des productions très hétérogènes. Plus proche de la sculpture à ses débuts, elle se répand largement aujourd'hui sous la forme de l'art expérientiel et des environnements numériques immersifs. Pourtant, malgré ces disparités qui empêchent une définition de la pratique ou une reconnaissance formelle de ses caractéristiques, deux éléments concourent à l'ambition d'une approche générique : 1) elle n'est pas réductible à un obje

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26

Mondloch, Kate. "Thinking through the screen media installation, its spectator, and the screen /." Diss., Restricted to subscribing institutions, 2005. http://proquest.umi.com/pqdweb?did=1031040591&sid=32&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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27

James, David. "Travelling space : locating in-between : exegesis submitted to Auckland University of Technology in partial fulfilment of the degree of Master of Arts (Art and Design), 2007 /." Click here to access this resource online, 2007. http://repositoryaut.lconz.ac.nz/theses/1365/.

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Abstract (sommario):

Exegesis (MA--Art and Design) -- AUT University, 2007.<br>5 DVDs contain appendices. Includes bibliographical references. Also held in print (47 leaves : col. ill. ; 30 cm. + 5 DVDs) in City Campus Collection (T 709.93 JAM)

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28

Grim, Courtney. "Beef you feel good about /." Online version of thesis, 1996. http://hdl.handle.net/1850/11956.

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29

Benedetto, Giuseppe. "La colonne à travers l'espace-temps et/ou l'imaginaire de la durée /." Thèse, Chicoutimi : Université du Québec à Chicoutimi, 1994. http://theses.uqac.ca.

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30

Ebner, Bonnie M. "Many telling moments the essence of fragmented image culture /." Orlando, Fla. : University of Central Florida, 2008. http://purl.fcla.edu/fcla/etd/CFE0002116.

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31

Fong, Helen. "The image as metaphor an exploration into the metaphorical and experiential operations of the installed image : this exegesis [thesis] is submitted to Auckland University of Technology in partial fulfilment of the degree of Masters of Art and Design, 2003." Full thesis. Abstract, 2003.

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Abstract (sommario):

Thesis (MA--Art and Design) -- Auckland University of Technology, 2003.<br>Illustrations not included in e-thesis. Also held in print (21 leaves : col. ill. ; 30 cm. + 1 CD-ROM) in Wellesley Theses Collection (T 709.93 FON)

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32

Jewesbury, Daniel. "'No higher unity' : hybridity, non-linear narratives and the mirage in the Arizona desert." Thesis, University of Ulster, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.274105.

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33

Vaughan, Pam. "..and the rabbit." Thesis, The University of Sydney, 2004. https://hdl.handle.net/2123/27960.

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Abstract (sommario):

A small number of framed prints can be seen on approach to the exhibition. They are black and white — the predominant colours of the entire exhibition. Viewers will walk into a dimly lit room and see a frail, house-shaped structure made out of Perspex plates. The plates have images scratched into them, some with the residue of ink. Inside the house is an old iron rabbit trap as well as lighting which casts imprecise shadows into the surroundings. Around the walls are a series of charcoal drawings on paper. Most of the images are of a single object or figure. Circling around the room and weavin

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34

Banyard, Kylie Jane Art College of Fine Arts UNSW. "Phantom in the corner: staging a gothic spectacle." Awarded by:University of New South Wales. Art, 2007. http://handle.unsw.edu.au/1959.4/43082.

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My research proposes an analytical engagement with the central functions of Phantasmagoria and the Wunderkammer, namely atmosphere and display. My paper is divided into six chapters; Chapter one proposes spectatorship as a common thread linking the Phantasmagoria to the Wunderkammer and offers an overview of the similarities and disparities between the two. Chapters two, three and four focus on constructs, definitions and implications of Gothicity within the context of Phantasmagoria, Horror films and contemporary art. Aligning my studio-based practice with contemporary artists' who engage wit

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35

Hare, Richard Paul. "Craft art practice [an exegesis [thesis] submitted to the Auckland University of Technology in partial fulfilment of the degree of Master of Arts (Art and Design), 2003]." Full thesis. Abstract, 2003.

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36

Steer, Laurie. "A fatal cycle this exegesis is submitted to Auckland University of Technology in partial fulfillment of the requirements for the degree of Master of Art and Design, 2007." Click here to access this resource online, 2007. http://hdl.handle.net/10292/177.

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Exegesis (MA--Art and Design) -- AUT University, 2007.<br>Includes bibliographical references. Also held in print (53 leaves : col. ill. ; 21 x 30 cm. + 1 DVD) in the Archive at the City Campus (T 709.05 STE)

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37

Bacon, Julie. "La performance-installation et les relations d'acte-archivage." Thèse, Chicoutimi : Université du Québec à Chicoutimi, 2001. http://theses.uqac.ca.

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38

Martin, Ariya. "In search of delicious /." Link to online version, 2005. https://ritdml.rit.edu/dspace/handle/1850/1109.

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39

Alberganti, Alain. "Esthétique de la spatialité immersive dans l'art de l'installation." Paris 8, 2009. http://www.theses.fr/2009PA083257.

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Abstract (sommario):

L’art de l’installation sous sa forme immersive constitue un évènement majeur dans l’histoire de l’art et dans la société. Il représente l’avènement d’un nouvel espace plastique à la frontière entre l’art et le réel. Cette frontière est le moteur d’un dispositif artistique immersif par lequel le visiteur d’une installation expérimente une perception autre de l’espace. La réception de l’oeuvre n’est plus fondée sur une opposition sujet / objet mais sur un projet qui génère une spatialité à partir des perceptions du visiteur. Cette spatialité de l’installation se situe au croisement des arts pla

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40

Cosentino, Daniel. "Cosentinoworks /." Online version of thesis, 2009. http://hdl.handle.net/1850/9603.

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41

Victor, Suzann. "The image stammers /." View thesis, 1999. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20030905.163129/index.html.

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Abstract (sommario):

Thesis (MA (Hons.))--University of Western Sydney, Nepean, 1999.<br>"Submitted in part fulfillment for the degree of Master of Arts Honours in Visual Arts, University of Western Sydney Nepean, 1999." Includes bibliographical references (leaves 59-61, 62-63).

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42

Martin, Jacques. "Lieu commun." Thèse, Chicoutimi : Université du Québec à Chicoutimi, 1991. http://theses.uqac.ca.

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Mémoire (M.A.)-- Université du Québec à Chicoutimi, 1991.<br>Ce travail de recherche a été réalisé à l'UQAC dans le cadre du programme en arts plastiques extensionné de l'UQAM à l'UQAC. CaQCU Document électronique également accessible en format PDF. CaQCU

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43

Lamontagne, François. "Pour une ontologie du corps /." Thèse, Chicoutimi : Université du Québec à Chicoutimi, 1994. http://theses.uqac.ca.

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Mémoire (M.A.)-- Université du Québec à Chicoutimi, 1994.<br>Résumé disponible sur Internet. Diapositives à la fin du v. en pochette. CaQCU CaQCU Document électronique également accessible en format PDF. CaQCU

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44

Johnston, Amber. "In memory of trauma /." Online version of thesis, 2009. http://hdl.handle.net/1850/11248.

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45

Kosovac, Ena. "Awkward formalism the role of objects in contemporary painting installation : this exegesis is submitted to Auckland University of Technology in partial fulfilment for the degree of Master of Art and Design, 2009 /." Click here to access this resource online, 2009. http://hdl.handle.net/10292/799.

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Abstract (sommario):

I am a painter with a huge attachment to objects. In this painting project I aim to make objects whose objecthood is formed by the collision of the different languages of both painting and sculpture – objects that negotiate the boundary line between traditional genre divisions. These objects react to one another, where an aspect of one suggests the next, so that they develop like an epidemic. And therefore this project functions in an accumulative way, where each work or body of work acts as a stepping-stone for the next, so that the objects descend from a common ancestor and have a common ori

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46

Schmiedel, Dean. "The other mother : an artist's conception /." Online version of thesis, 2007. http://hdl.handle.net/1850/4486.

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47

Cunniffe, Paula Marie. "Locating interiority text, image, identity, and the domestic : an exegesis submitted to Auckland University of Technology in partial fulfilment of the degree of Master of Arts (Art & Design), 2007." Click here to access this resource online, 2007. http://repositoryaut.lconz.ac.nz/theses/1364/.

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48

Findlay, Jules. "Mrs Gallagher, Acts of disobedience : performance and installation in rural New Zealand : this exegesis is submitted to Auckland University of Technology in partial fulfilment of the degree of Master of Arts (Art and Design), 2007 /." Click here to access this resource online, 2007. http://repositoryaut.lconz.ac.nz/theses/1366/.

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Abstract (sommario):

Exegesis (MA--Art and Design) -- AUT University, 2007.<br>Appendix 4 contains 2 DVDs. Includes bibliographical references. Also held in print (55 leaves : col. ill. ; 22 x 30 cm. + 2 DVDs) in City Campus Collection (T 709.93 FIN)

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49

Hong, Misun. "Between the sky and the earth /." Online version of thesis, 1990. http://hdl.handle.net/1850/11079.

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50

Baasch, Rachel Mary. "The eyes of the wall : space, narrative and perspective." Thesis, Rhodes University, 2013. http://hdl.handle.net/10962/d1001578.

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Abstract (sommario):

The Eyes of the Wall and Other Short Stories is concerned with dialectics of seeing and perceiving as they pertain directly to a corporal understanding of interiority and exteriority, architectural framing and notions of dislocation in relation to place. This practical submission is a site-specific installation that engages in a reciprocal dialogue with its environment. The individual sculptural works which demarcate the parameters of the installation are hybrids of domestic architectural forms, (namely the wall, the window and the door) and internal furnishings such as the curtain and the bed

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