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Tesi sul tema "Mass media and art"

Autore: Grafiati

Pubblicato: 4 giugno 2021

Ultima modifica: 1 agosto 2024

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1

Papadaki, Eirini. "The mediation of art through the mass media." Thesis, University of Kent, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.246640.

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2

D'Olimpio, Lauralin. "The moral possibilities of mass art." University of Western Australia. Philosophy Discipline Group, 2009. http://theses.library.uwa.edu.au/adt-WU2009.0172.

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This Thesis critically examines the moral possibilities of mass art. Mass art is often dismissed by critics as pseudo or ersatz art, described as 'kitsch' and lacking in aesthetic and moral value. I will critically examine several definitions of mass art which argue whether or not mass art can and should be classified as art qua art, and what its moral possibilities are given that definition. I focus my analysis on the theories proposed by Noel Carroll, Clement Greenberg, R. G. Collingwood, Dwight MacDonald, Walter Benjamin, T. W. Adorno and Max Horkheimer with a view to defending a positive a

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3

Holowczenko, Amy L. "Framing the culture wars : a content analysis of news media coverage of the Mapplethorpe and Brooklyn Museum art controversies /." Online version of thesis, 2007. http://hdl.handle.net/1850/4890.

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4

Camargo, Maíra Sanchez Cezaretto [UNESP]. "Fred Forest: o poder da mídia espontânea como elemento de criação artística." Universidade Estadual Paulista (UNESP), 2012. http://hdl.handle.net/11449/86955.

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Made available in DSpace on 2014-06-11T19:22:29Z (GMT). No. of bitstreams: 0 Previous issue date: 2012-06-21Bitstream added on 2014-06-13T20:27:34Z : No. of bitstreams: 1 camargo_msc_me_ia.pdf: 482562 bytes, checksum: 15c962686a1c3928d03ca9f587edf825 (MD5)<br>Universidade Estadual Paulista (UNESP)<br>Este estudo tem o objetivo de discutir o poder da mídia utilizado para criação artística, mais especificamente a mídia espontânea. A relação entre arte e comunicação é analisada com o apoio na obra denominada Wanted Julia Margareth Cameron, de Fred Forest. São avaliados os aspectos que levam o a

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5

Camargo, Maíra Sanchez Cezaretto. "Fred Forest : o poder da mídia espontânea como elemento de criação artística /." São Paulo : [s.n.], 2012. http://hdl.handle.net/11449/86955.

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Orientador: Milton Sogabe<br>Banca: Hermes Renato Hildebrand<br>Banca: Fábio Oliveira Nunes<br>Resumo: Este estudo tem o objetivo de discutir o poder da mídia utilizado para criação artística, mais especificamente a mídia espontânea. A relação entre arte e comunicação é analisada com o apoio na obra denominada Wanted Julia Margareth Cameron, de Fred Forest. São avaliados os aspectos que levam o artista a idealizar e colocar em prática suas estratégias. As ferramentas utilizadas por Forest em suas obras e a articulação delas também são contempladas neste estudo. Além disso, o potencial publicit

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6

Hachmeister, John. "Pluralism and the hard sell historically unique influences on young artists today." Thesis, Kansas State University, 1985. http://hdl.handle.net/2097/9845.

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7

Keen, Seth. "Video chaos : multilinear narrative structuration in new media video practice /." Electronic version, 2005. http://adt.lib.uts.edu.au/public/adt-NTSM20050921.151215/index.html.

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8

Miller, Elizabeth. "Manipulating the Hype: contemporary art's response to media cliches." Thesis, The University of Sydney, 2013. http://hdl.handle.net/2123/10099.

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Manipulating the Hype addresses art’s reaction to the barrage of signs produced by the media. The paper researches contemporary art’s response to clichéd media stereotypes and elucidates artists’ multifaceted perspective on overtly obvious yet widely embraced paradigms marketed by the media. Contemporary art’s strategic reconfiguration of media stereotypes is a valuable introspection upon the superficiality and impracticability of advertising and entertainment industry constructs. By reconsidering the mediated image, art has the ability to inspire reevaluation of cultural values. The thesis ad

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9

Santana, Isabella Oliveira. "Campos do terror contemporaneo (res)significados no topos da performance art." [s.n.], 2009. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284048.

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Orientador: Arthur Hunold Lara<br>Dissertação (mestrado) - Universidade de Camopinas, Instituto de Artes<br>Made available in DSpace on 2018-08-14T18:05:02Z (GMT). No. of bitstreams: 1 Santana_IsabellaOliveira_M.pdf: 2999025 bytes, checksum: 17e3c7904e5ba7e9450a3b837f6ddc4f (MD5) Previous issue date: 2009<br>Resumo: Este trabalho de caráter teórico-prático na área da performance art, tem como escopo (res)significar estudos realizados acerca de notícias e imagens de terror veiculadas nos meios de comunicação de massa - principalmente na rede internet - no topos da performance art. Constatamos

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10

Hicks, Cinque. "City of atoms: en-racinating media art and public space in Atlanta." Thesis, Georgia Institute of Technology, 2010. http://hdl.handle.net/1853/39621.

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Designers of information communication technologies (ICTs) in public space often fall into the trap of designing only for the "flaneur," an unembedded mobile subject in the generic global city. They deracinate the experience of space and support the global flâneur as the paradigmatic deracinated subject. In this thesis I propose a specific vision of "en-racinating" media, that is media that takes the specificity of place seriously. A careful consideration of public art can help us in this endeavor by leveraging the artistic notion of "site specificity" in the most culturally grounded meaning o

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11

Dunfee, Melissa Catherine. "Financial Challenges of New Media Art in Contemporary Arts Institutions." University of Akron / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=akron1487646333901318.

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12

Milter, Katalin S. "The impact of politics on post-communist media in Eastern Europe : an historical case study of the 1996 Hungarian Broadcasting Act /." View abstract, 2008. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:3316361.

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13

Sercombe, Howard. "Naming youth : the construction of the youth category." Murdoch University, 1996. http://wwwlib.murdoch.edu.au/adt/browse/view/adt-MU20070831.115336.

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The youth category, in its modern form, has emerged under particular social and economic conditions, under the influence of particular social institutions, shaped by particular discourses. This thesis is an inquiry into the constitution of youth as a social category through an examination of these factors. Through a review of the historical and sociological literature, the thesis establishes the conditions for the emergence of the modem concept of youth in the nineteenth and early twentieth centuries. The evidence suggests that the youth category came into being as a result of changes in the

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14

Tipping, Roy. "The history and practice of the presentation of art music performance on BBC television, 1936-1982." Thesis, De Montfort University, 2002. http://hdl.handle.net/2086/4314.

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This thesis traces the history of the presentation of art music performance on BBC television including concerts, operas and ballets and analyses the ways found to present them. The background to the initial programming policies on BBC Television is analysed with reference to the art music activities on BBC Radio before 1936. The novel methods of televising art music are described: there were no precedents for live multi-camera shooting. Until the creation of commercial television in 1955, BBC Television broadcast about two hours of art music performance each week. From 1955 to 1963 the output

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15

Kudsi-Zadeh, Chantalle B. "(Re)visualizing AIDS : art activism and the popular medicalscientific image of HIV." Thesis, McGill University, 1997. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=27947.

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This thesis is concerned with AIDS cultural activism. Specifically, it examines artistic responses to the medical/scientific image of HIV that circulates widely in the mainstream press. Examples of AIDS science reporting that focus on the medical/scientific image of HIV are selected from popular American news journals. It is argued that science and journalism are different and mutually dependent domains of knowledge, neither of which can be examined without the other. AIDS activist art engages with the relationship between science and the media and offers alternatives to the authority offered

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16

Turner, Rhys Stephen. "Etherscapes: Massless, Elastic, Technology and Control." University of Sydney, 2005. http://hdl.handle.net/2123/1100.

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Master of Visual Arts<br>This thesis is an exploration into the ether of the digital aesthetic. It attempts to capture a segment of the continually morphing space then deconstruct and analyse it through electronic and new media art. Herein you will find a questioning of technology and control within electronic and new media art as an investigation into better understanding the current media image and visual culture that so powerfully influences the modern social construct. By nature this argument has existed for some years but only now with advancements in technology and more affordable realis

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17

Stoltenow, Petersen Kelsi K. "YouTube beauty vlogs: How social media blurs social boundaries." The Ohio State University, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=osu1523368597591707.

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18

Van, Zyl Christa Engela. "‘Swartsmeer’ : ’n studie oor die stereotipering van Afrika en Afrikane in die populere media." Thesis, Stellenbosch : University of Stellenbosch, 2008. http://hdl.handle.net/10019.1/1886.

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Thesis (MA (VA)(Visual Arts))--University of Stellenbosch, 2008.<br>This thesis consists of a study that identifies and analyses the origins, nature, and spectrum of different stereotypes of Africans in popular texts. The past can only be explored through texts, which are unavoidably mediated, re-interpreted, fictional and temporary. No text can be read in isolation – it is imperative to gain knowledge about the social and ideological context in the analysis of any historical text. History shows that racism is a constructed concept, and the roots of stereotypical perceptions of the ‘Othe

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19

Margetts, Emma. "From cannibal to consumer: The shifting poetic metaphor of the vampire." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2007. https://ro.ecu.edu.au/theses/253.

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The Vampire is a parasitic demon who has ·haunted humanity for thousands of years. Feeding off the living, this bloodsucking, animated corpse could generally be said to embody human fears surrounding death and sexuality. Appearing in a variety of mythologies around the world, the vampire has been connected with excessive and/or repressed desire, the subconscious and dark side of human nature. The vampire and associated metaphors' reflect social boundaries and express forbidden desires, in particular, when the figure appeared in late-Gothic literature of the 18th-century novel. The transitions

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20

Cheung, Eric Sui Ting. "Media consumption patterns of Taiwanese women living in New Zealand and their implications for adjustment to New Zealand society this thesis is submitted to Auckland University of Technology in partial fulfilment of the degree of Master of Communication Studies, 2003 /." Full thesis. Abstract, 2003. http://puka2.aut.ac.nz/ait/theses/CheungE.pdf.

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21

Flores, Maria Aparecida. "A comunicação em processo: um olhar através da arte, da cultura e da tecnologia." Universidade Tecnológica Federal do Paraná, 2009. http://repositorio.utfpr.edu.br/jspui/handle/1/176.

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A proposta deste estudo é analisar os processos recentes de convergência, interação e colaboração no campo da Comunicação, permeado pela cultura e pela tecnologia -especialmente a tecnologia digital. Para isso optou-se por relacionar os processos no campo da comunicação a processos semelhantes no campo da arte, uma vez que na arte os movimentos de deslocamento de foco do produto para o processo são mais evidentes que na mídia. Ao analisar esses movimentos é possível investigar como as possibilidades recentes de circulação da informação, proporcionadas pelas tecnologias digitais, alteraram o

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22

Thomas, Patricia Adele. "Print to pixel: how can the cultural implications of mediated images and text be examined using creative practice?" Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2013. https://ro.ecu.edu.au/theses/569.

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Information in the twenty-first century is at our fingertips in an instant. Through the technology of the mobile phone, computer, and television, we are alerted to information of international, national, local, and personal significance. The aim of this research is to establish that creative practice can provide a cogent forum with which to interrogate the cultural implications of mediated images and text in the twenty first Century. This exegesis Print to pixel explores the interrelationship between the political and cultural values as identified in the various codes within western mainstream

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23

Barosso, Elisa M. "Rockwellian art digitally changed after September 11 th: An exploratory public communication case study of “The Make Sense of Our Times” print campaign." Scholarly Commons, 2004. https://scholarlycommons.pacific.edu/uop_etds/2648.

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Public Relations advertisements in crisis situations are vital to the image of a company. The actions the company takes are complemented by the type of advertisements that are run as a result of the crisis. These ads help the organization in crisis state their position and communicate with their publics. This study is unique in that The New York Times itself was not in crisis, however, they produced ads for a country that was. This study examines the “Make Sense of Our Times” campaign run in The New York Times after September 11 th . This campaign used Norman Rockwell images that had one eleme

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24

Schmitz-Justen, Felix. "A network for communication, art and technology and the three key elements environment, group and stage : a complete documentation of complex development processes /." Sankt Augustin, Germany : GMD-Forschungszentrum Informationstechnik, 2000. http://www.gmd.de/publications/research/2000/007/.

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25

Machona, Gerald Ralph Tawanda. "Imagine/nation : mediating 'xenophobia' through visual and performance art." Thesis, Rhodes University, 2014. http://hdl.handle.net/10962/d1011106.

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This half-thesis has developed as a supporting document to an exhibition titled Vabvakure, people from far away, which responds to the growing trends of violence perpetrated against African foreign nationals living in South Africa. This violence which has generally been termed as 'xenophobia' has been framed within this discourse as 'afrophobia', as it is fraught with complexities of race, ethnicity and class. Evidently, not all foreign nationals are at risk but selective targeting of working class black African foreign nationals seems to be the modus operandi. Fanning these flames of prejudic

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26

Milter, Katalin Szoverfy. "The Impact of Politics on Post-Communist Media in Eastern Europe: An Historical Case Study of the 1996 Hungarian Broadcasting Act." Ohio University / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1213213285.

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27

Smith, Glen R. "Are perceptions of media bias an effective shortcut? Why people perceive bias and why it matters /." Pullman, Wash. : Washington State University, 2009. http://www.dissertations.wsu.edu/Dissertations/Summer2009/g_smith_062909.pdf.

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28

Jones, Carrie S. Lilly. "Oprah and Her Book Club: More than Mass Media Money-Maker." Thesis, University of North Texas, 1999. https://digital.library.unt.edu/ark:/67531/metadc277830/.

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With her Book Club, talk show host Oprah Winfrey has used the relatively new technology of television to revive literature. Despite the odds against her--selecting hard-to-read, quirky books by generally unknown authors--Winfrey has successfully created women's spaces for the 1990s, not so different from the American women's social clubs from the late 1800s and early 1900s, and the French salons of the sixteenth and seventeenth centuries. This study will show how Oprah's Book Club allows readers, especially women, to use the psychological processes of transference and transactional reading by

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29

Triplett, Jayson Ming. "The continuing ballad of Franco the Kid." Master's thesis, Mississippi State : Mississippi State University, 2008. http://library.msstate.edu/etd/show.asp?etd=etd-04072008-082226.

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30

Bostic, Jordan Land Floyd Mitchell. "No Title IX in journalism an analysis of subject gender in newspaper sports column /." [Denton, Tex.] : University of North Texas, 2009. http://digital.library.unt.edu/ark:/67531/metadc12086.

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31

De, Vaal Amelia. "Vrouetydskrifte as sosiokulturele joernale : prominente diskoerse oor vroue en die beroepswêreld in agt vrouetydskrifte uit 2006." Pretoria : [s.n.], 2007. http://upetd.up.ac.za/thesis/available/etd-11202007-135658.

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32

Hunter, Catherine Wood. "Flesh for fantasy : exposing the sexualised and manipulated female persona in contemporary women's media." Thesis, Stellenbosch : Stellenbosch University, 2005. http://hdl.handle.net/10019.1/21213.

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Thesis (MA)--University of Stellenbosch, 2005.<br>ENGLISH ABSTRACT: This thesis focuses on the representation of women in media aimed at women. A critical examination of visual communication (magazines, advertising and visual story-telling1) will demonstrate that the media may be regarded as highly influential in the way women perceive their bodies, reproduction and sexuality. I begin by examining the presentation of the ‘ideal’ woman as an instance of the Pygmalion complex. This reading of the media’s formulation of the female ideal aims to demonstrate the psychological effects of the P

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33

Terry, Ryan Luke. "On the Convergence of Cinema and Theme Parks: Developing a Predictable Model for Creative Design." Scholar Commons, 2015. http://scholarcommons.usf.edu/etd/5784.

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The goal of this research study is to develop a model of information that will enable media conglomerates and other companies, with theme park investments, to make informed and effective decisions based on scholarly and empirical evidences. In order to do this, the following research study uses historic, scholarly, journalistic, and focus group evidences to consolidate the information necessary to create a model to support concepts and designs. The paper begins with establishing why it is important for media conglomerates, with theme park investments, to integrate cinema into the park’s design

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34

Grunbaum, Barbara. "Glamour /." Online version of thesis, 1987. http://hdl.handle.net/1850/10149.

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35

Mutua, Alfred Nganga. "Media for development and democracy : a new paradigm for development incorporating culture and communication /." View thesis View thesis, 2002. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20030402.125958/index.html.

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Thesis (Ph.D.) -- University of Western Sydney, [2002].<br>"A thesis presented to the University of Western Sydney, Sydney, Australia in partial fulfilment of the requirements for the degree of Doctor of Philosophy " Supported by videocassette Africa 2000: Voices of the future (30 mins.) and Aids: An African perspective (30 mins.). Bibliography: leaves 245-277.

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36

Jamerson, Jeffrey L. "Expressive remix therapy| Facilitating narrative mash-ups through the use of digital media art." Thesis, California Institute of Integral Studies, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=10183267.

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<p> This dissertation explains and highlights a scholar-artist-practitioner research model that blends existing theories rooted in social constructionist, narrative, and creative arts therapies with cutting edge digital art practices that better serve the needs of transition age youth (TAY) within the foster care system. This dissertation is an accumulation of work that traverses the fields of child welfare, mental health, and digital media learning. Two research questions are answered in this dissertation (a) What does a digital artistic intervention look like? and (b) How can digital media a

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37

Bitala-Bitemo, Joseph. "La Communication politique par les mass-media au Congo essai d'analyse fonctionnelle /." Lille 3 : ANRT, 1989. http://catalogue.bnf.fr/ark:/12148/cb37611944x.

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38

Viljoen, Estella. "From Manet to GQ a critical investigation of "gentleman's pornography" /." Pretoria : [s.n.], 2003. http://upetd.up.ac.za/thesis/available/etd-03122004-082238.

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39

Weimer, Jason M. "Where Are You Now: Privacy, Presence & Place in the Pervasive Computing Era." Ohio University / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1619859682738541.

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Weimer, Jason M. "Where Are You Now: Privacy, Presence & Place in the Pervasive Computing Era." Ohio University / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1619859682738541.

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41

Bese, Lucie. "Délinquance et mass media enquête sur l'appréciation des conduites délictueuses par des adolescents scolarisés en Grèce et sur leur délinquance auto-révélée en rapport avec leur consommation de mass media." Lille 3 : ANRT, 1987. http://catalogue.bnf.fr/ark:/12148/cb37596016w.

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42

Smith, Christabel. "The use of narrative and emotion in public health advertising an analysis of drinking and road safety campaigns in New Zealand : a dissertation submitted in partial fulfillment [sic] of the requirements for the degree of Bachelor of Communications (Honours), Auckland University of Technology, 2008 /." Abstract Full dissertation, 2008. http://puka2.aut.ac.nz/ait/Dissertations/SmithC.pdf.

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Dissertation (BCS(Hons)) -- AUT University, 2008.<br>Includes bibliographical references. Also held in print (iii, 111 leaves ; 30 cm. + CD ROM) in City Campus Theses Collection (T 659.2936312510993 SMI)

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43

Sibielski, Rosalind. "What Are Little (Empowered) Girls Made Of?: The Discourse of Girl Power in Contemporary U.S. Popular Culture." Bowling Green State University / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1277091634.

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44

Tosco, Amedeo, and n/a. "The Italo-Australian Press: Media and Mass Communication in the Emigration World 1900-1940." Griffith University. School of Humanities, 2003. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20070215.111854.

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L'idea di questa tesi nasce da una serie di circostanze, prima tra tutte la professione dell'autore che per quindici anni ha svolto in Italia l'attività di giornalista, lavorando prima al Messaggero di Roma, come cronista, e successivamente alla Rai - Radiotelevisione Italiana in qualità di redattore di 'giudiziaria' . Inoltre, l'autore di questa tesi, ha fatto una interessantissima esperienza professionale sia come critico cinematografico e sia come 'pastonista politico' presso la redazione romana del Giornale Nuovo - coordinata in quegli anni da Cesare Zappulli - quando era direttore il g

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45

Leopold, Amanda A. "Dealing with the Digital: Literary Media, Mediated Narratives, and Sketchy Politics." Oberlin College Honors Theses / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=oberlin1495718816858325.

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46

Deiner, Catherine Anne. ""Soap operas as a platform for disseminating health information regarding ART and the use of 'reel' versus 'real' role models"." Thesis, Rhodes University, 2015. http://hdl.handle.net/10962/d1017783.

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The media, through development communication and edutainment, plays a critical role in the transformation of societies. In line with this, this thesis discusses the extent to which commercially driven prosocial soap operas can provide a platform for public health messaging, in the context of the HIV/AIDS epidemic in South Africa, for antiretroviral treatment (ART) and for encouraging ART adherence to foster national development. Furthermore, this thesis examined the potential of celebrities as HIV/AIDS ambassadors and the potential of both fictional characters and ‘real-life’ celebrities to di

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47

Okoro, Iheanyi Emmanuel. "The Role of the U.S. Mass Media in the Political Socialization of Nigerian Immigrants in the United States." Thesis, University of North Texas, 1996. https://digital.library.unt.edu/ark:/67531/metadc279111/.

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A mail survey of Nigerian immigrants in Dallas, Texas, and Chicago, Illinois, was conducted during October and November 1995. Four hundred and sixty-eight Nigerian immigrant families in the two cities were selected by systematic sampling through the telephone books. Return rate was approximately 40% (187). The variables included in the study were media exposure variables, general demographics, immigration traits, U.S. demographics, Nigerian demographics, and political and cultural traits. New variables which had not been included in previous studies were also tested in this study: television t

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48

Moot, Dennis. "Visual Culture, Crises Discourse and the Politics of Representation: Alternative Visionsof Africa in Film and News Media." Ohio University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1596021641358625.

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49

Salzman, Catherine C. "Central American Media: A Comparative Study of Media Industries in Guatemala, Nicaragua, Honduras, El Salvador, and Costa Rica." Thesis, University of North Texas, 2008. https://digital.library.unt.edu/ark:/67531/metadc9039/.

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Abstract (sommario):

The five countries that lie on the isthmus connecting North and South America have endured a past of colonialism, civil war, and natural disaster. As these countries evolve in the 21st century, growing economies and political peace provide a promising outlook for the citizens of these nations. The media industries in these nations have varying levels of development which are explored in this thesis. Using Michael Porter's 1990 framework and a case study methodology, this thesis explores the differences and similarities of media industries in Guatemala, El Salvador, Honduras, Nicaragua and

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50

Sisk, Christopher Andrew. "In Media Res." VCU Scholars Compass, 2018. https://scholarscompass.vcu.edu/etd/5444.

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Abstract (sommario):

We are inundated by a constant feed of media that responds and adapts in real time to the impulses of our psyches and the dimensions of our devices. Beneath the surface, this stream of information is directed by hidden, automated controls and steered by political agendas. The transmission of information has evolved into a spiral of entropy, and the boundaries between author, content, platform, and receiver have blurred. This reductive space of responsive media is a catalyst for immense political and cultural change, causing us to question our notions of authority, truth, and reality.

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