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Articoli di riviste sul tema "Mass media and art"

Autore: Grafiati

Pubblicato: 4 giugno 2021

Ultima modifica: 1 agosto 2024

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1

Karan, Marija. "(Re)positioning art music in contemporary traditional and digital mass media/radio context." New Sound, no. 56-2 (2020): 49–63. http://dx.doi.org/10.5937/newso2056049k.

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This paper discusses, actualizes and problematizes the representation and treatment of art music in the context of contemporary mass media radio discourse, in its traditional and digital/internet formats. The thesis is that understanding the content of high culture and art music is key to the social and cultural progress of the audience, and that it implies the clear views of the creator of the work of art music, on the one hand, and the experience of the recipient - that is, the audience, on the other hand. In this context, traditional and digital mass media must continue to act as the main t

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Li, Xiangyun. "On the Influence of Mass Media on Music Dissemination under the Condition of Digitization." Journal of Education, Humanities and Social Sciences 23 (December 13, 2023): 902–5. http://dx.doi.org/10.54097/ehss.v23i.15078.

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Under the condition of digitization, mass media would have entered people's field of vision as a carrier, and has had an important impact on music dissemination. With the continuous and in-depth development of the media industry, the relationship between mass media and music art has become complex, and has an implication on the production, dissemination and popularity of music art. And the paper mainly discusses the role of mass media and the influence of mass media on communication of music, together with analyzing the ways to reinforce the impact of mass media.

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Hirst, Martin. "Art Silverblatt: Genre Studies in Mass Media. A Handbook." Publizistik 53, no. 1 (March 2008): 135–36. http://dx.doi.org/10.1007/s11616-008-0030-9.

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Lopes, Fernando Augusto Silva. "Media, art and technology: a contemporary reflection." Comunicação e Sociedade 31 (June 29, 2017): 299–310. http://dx.doi.org/10.17231/comsoc.31(2017).2619.

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This article is based on a report about cultural industries and their reflexes on media saturation. From that point, a reflection on technology, media and contemporary arts is presented, especially on the role of the body in the manifestation of art. This work seeks to ratify the influence of technology, of mass media and of information over the construction of the contemporary cultural values. It also provides a reflection on current contemporary artistic practices as elements that seek to evidence and question the standardizing influence of mass media and of the market. The background for th

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Shubina, E. L. "HEDGE APPROXIMATORS AS PROFESSIONAL TOOLS OF GERMAN MASS MEDIA DISCOURSE." Professional Discourse & Communication 1, no. 1 (May 29, 2019): 83–98. http://dx.doi.org/10.24833/2687-0126-2019-1-1-83-98.

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The purpose of this paper is the analysis of German mass media texts to investigate into hedge approximators. Synonymous analytical constructions eine Art … (a kind of); so etwas wie …; (so) etwas Ähnliches wie … are used to achieve certain pragmatic purposes the discourse of mass media. The most frequent word combination is eine Art... . The structural organization of such combinations is regulated by specific rules. The majorities of nominal groups of the eine Art N type without an attribute preceding the main component (eine Art Glück) do not allow to determine the case of the second noun i

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Zhao, Hui wen, and Yi nong Tian. "Optimization study of media creation ideas based on the new media environment." SHS Web of Conferences 167 (2023): 02015. http://dx.doi.org/10.1051/shsconf/202316702015.

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Nowadays, new media are being used in more and more fields, most notably in the communication industry, with endless online media and ever-evolving cell phone terminals appearing in our lives all the time and becoming an essential part of our lives. Under the influence of this background, the creation and dissemination of art have gradually become dependent on new media and have begun a profound transformation. On the one hand, the new media has promoted the circulation of art, making the originally niche art categories to the mass market; on the other hand, the expanding market and audience a

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Проценко, Е. А. "ART OR ISKUSSTVO? PECULIARITIES OF RECODED LEXICAL ITEMS ASSIMILATION IN MASS MEDIA." НАУЧНЫЙ ЖУРНАЛ СОВРЕМЕННЫЕ ЛИНГВИСТИЧЕСКИЕ И МЕТОДИКО-ДИДАКТИЧЕСКИЕ ИССЛЕДОВАНИЯ, no. 1(57) (March 17, 2023): 33–44. http://dx.doi.org/10.36622/vstu.2023.39.58.002.

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Постановка задачи. Проблема использования лексики иноязычного происхождения не теряет своей актуальности на протяжении последних десятилетий из-за масштабного «нашествия» англо-американизмов. В статье ставится задача проанализировать слова иноязычного происхождения, широко используемые в современной прессе, но еще не вошедшие в систему русского языка. В качестве отдельного объекта исследования выделяются лексические единицы, образованные в результате межъязыкового перекодирования с иностранного языка. Результаты. В ходе исследования на материале современных газетных текстов было выявлено более

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Chang, Zhou, Norfadilah Kamaruddin, and Wan Samiati WMD. "Analysis of Mass Media Influences on British Contemporary Art: A Turner Prize perspective." Environment-Behaviour Proceedings Journal 7, SI7 (August 31, 2022): 135–39. http://dx.doi.org/10.21834/ebpj.v7isi7.3773.

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Turner Prize has grown from an unattended state to an authoritative art festival. Besides the innovation of its own evaluation criteria, it also benefits from the extensive involvement of the media in the Turner Prize. The upsurge of visits and public discussion caused by this changed the cultural influence of contemporary art on the public, promoted the prosperity of the art market, and gave birth to new art forms. This paper attempts to analyse the positive and negative influences of mass media on British contemporary art from the Turner Prize and mass media. Keywords: Contemporary Art; Mass

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Skilbeck, Ruth. "Art journalism and the impact of ‘globalisation’: New fugal modalities of storytelling in Austral-Asian writing." Pacific Journalism Review : Te Koakoa 14, no. 2 (September 1, 2008): 141–61. http://dx.doi.org/10.24135/pjr.v14i2.949.

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The writing of art journalism has played a key yet little acknowledged role in the ongoing expansion of the international contemporary art world, and the multi-billion dollar global art economy. This article discusses some contradictory impacts of globalisation on art journalism—from extremes of sensationalist record-breaking art market reporting in the global mass media to the emergence of innovative modalities of story-telling in Australian independent journalistic art writing.  This article discusses some contradictory impacts of gobalisation on art journalism— from extremes of sensat

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Ahmed, Mohamed. "The Social Perspective in the Study of Mass Media Audience." Journal of King Abdulaziz University-Arts and Humanities 1, no. 1 (1988): 63–92. http://dx.doi.org/10.4197/art.1-1.5.

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Barker, Deborah E. "Visual Markers: Art and Mass Media in Alice Walker's Meridian." African American Review 31, no. 3 (1997): 463. http://dx.doi.org/10.2307/3042573.

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Leite, Rui Moreira. "Flávio de Carvalho: Media Artist Avant la Lettre." Leonardo 37, no. 2 (April 2004): 150–58. http://dx.doi.org/10.1162/0024094041139175.

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This paper examines the work of Brazilian artist Flávio de Carvalho (1899-1973) from the perspective of contemporary media art, highlighting his practical and theoretical legacy. Initially associated with the Anthropophagy art movement, Carvalho used mass media creatively and incorporated insights from psychology, sociology and anthropology into his art. He realized events that went beyond “performance art,” including a pioneering presentation on television in 1957. This article offers a brief overview of Carvalho's trajectory.

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Bain, Ellen. "Art of Persuasion." Digital Literature Review 10, no. 1 (April 18, 2023): 28–35. http://dx.doi.org/10.33043/dlr.10.1.28-35.

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Gillian Flynn’s 2012 novel Gone Girl portrays the story of a wife, Amy, whose suppressed resentment and dysfunctional marriage cause her to frame her husband, Nick, for her murder. This essay seeks to analyze the common rhetorical devices of emotional appeal, credibility, and common logic utilized by Amy Dunne’s character in the novel to manipulate other characters and media into believing that her husband killed her. It will also analyze how she uses those same rhetorical devices to attempt to convince the readers that her actions in framing her husband for her murder were justified. This ana

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THEOLOGOU, KOSTAS, YOULI RAPTI, PETER FETTNER, and YOULI PAPAIOANNOU. "ART AND COMMUNICATION AS A NOVEL EXPERIENCE IN MODERN CULTURE." Arhe 26, no. 32 (June 18, 2020): 141–67. http://dx.doi.org/10.19090/arhe.2019.32.141-167.

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In this paper we discuss the deadlocks of defining art in modern culture. The lack of criteria and modernism revisited are of crucial issue in this account. The theoretical mainframe of our approach is founded on the Frankfurt School thinkers (Max Horkheimer, Theodor Adorno, Walter Benjamin), and of course Jürgen Habermas. This theoretical apparatus also draws on contemporary accounts given by Sorbonne Professor Marc Jimenez and art critic John A. Walker.[1] The paper discusses whether fine art may survive, in what forms – and to what purpose – in an age of mass media and in conditions of rapi

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Potash, Jordan S. "Fast Food Art, Talk Show Therapy: The Impact of Mass Media on Adolescent Art Therapy." Art Therapy 26, no. 2 (January 2009): 52–57. http://dx.doi.org/10.1080/07421656.2009.10129746.

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Dahmen, Nicole Smith. "From the Walls to the Web: Media Aesthetics, Technological Innovation, and Audience Attention to Artwork Representations." International Journal of Art, Culture and Design Technologies 5, no. 2 (July 2016): 30–48. http://dx.doi.org/10.4018/ijacdt.2016070103.

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Aesthetic theory considers the reciprocal relationship between the creator, the object, and the viewer of an artwork. When viewing artworks on a museum website, a new element is added to the aesthetic model: the mass-mediated representation of the art object. This research brings together art and media theory, as well as technological understanding, to study mass-mediated presentations of artworks and to gauge audiences' visual attention to artworks based on differences in media presentations. Study findings indicate that art museums are generally showing rigor for visual displays of their art

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Gordienko, Natalia N. "Enlightenment activities of modern mass media." Vestnik of Kostroma State University 28, no. 1 (April 20, 2022): 123–28. http://dx.doi.org/10.34216/1998-0817-2022-28-1-123-128.

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The enlightenment activity of the media is aimed at raising the cultural level of people, is associated with the dissemination of information, knowledge, norms and values from the field of intangible production. The purpose of the article is to describe the main directions of enlightenment activities of the media. It talks about the importance of the enlightenment function of journalism and how to implement it. Informing consists in familiarising society with any facts or results of intellectual activity – politics, philosophy, religion, science, culture, art. These data contain socially signi

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Puspitasari, Fingky Ayu, and Ayub Dwi Anggoro. "Semiotic analysis of gender bias in news coverage of Reog Ponorogo art." Jurnal Studi Komunikasi (Indonesian Journal of Communications Studies) 8, no. 1 (March 28, 2024): 163–72. http://dx.doi.org/10.25139/jsk.v8i1.7057.

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The focus of this research is to analyse the semiotic meaning conceptualised by Roland Barthes, which includes denotative and connotative meanings. This also delves into the myths constructed by the media-related representation of gender switching in Jathil Dancers in Reog Ponorogo and its relationship with the Media Coverage of Gemblak. Researchers extracted data by collecting news from mass media portals that discussed Gemblak Ponorogo. The results showed that mass media significantly maintains people's views on culture and tradition. In Roland Barthes' semiotic analysis, some media employ n

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Zhang, Yunhe. "A Study on the Potential of UGC New Media Platforms for Art Education: A Case Comparison Based on Wikipedia and Bilibili." Korean Association For Learner-Centered Curriculum And Instruction 23, no. 15 (August 15, 2023): 979–90. http://dx.doi.org/10.22251/jlcci.2023.23.15.979.

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Objectives The purpose of this study is to explore how art education can be achieved in user participation in editing content and comments by comparing new media platforms under the UGC model-Wikipedia and Bilibili. Methods For this, a case comparison method was applied to Wikipedia and Bilibili, two new media sites that follow the UGC model. The two platforms were compared by carefully examining a number of factors, including media editing techniques, knowledge linkages, and media participants. To gather data and gain comprehensive insights into the Wikipedia and Bilibili platforms, thi

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Shechtman, Anna. "The Medium Concept." Representations 150, no. 1 (2020): 61–90. http://dx.doi.org/10.1525/rep.2020.150.1.61.

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In the second half of the twentieth century, in the very decades when the concept of “media” entered the vernacular, the “medium concept” began to shape American art criticism and curation. This was no coincidence: “mediums” emerged as a category for the organization and appreciation of art as the dialectical counterpart to media, and in response to the cultural imperialism of its mass-produced forms. As art became increasingly public, mediums became the public face of art.

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Svitich, Luisa, Olga Smirnova, and Mikhail Shkondin. "Social Creation and Media Publicity." Theoretical and Practical Issues of Journalism 8, no. 2 (May 24, 2019): 229–43. http://dx.doi.org/10.17150/2308-6203.2019.8(2).229-243.

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The article discusses the problems of formation of a model of informational impulse-wave interaction of society and mass media within a system of social creativity, which were suggested by A.P. Sukhodolov and co-authors, as well as characterizes systematic properties of media publicity as a factor of social creativity on the current civilization stage. Media publicity is analyzed as an informational phenomenon closely related to social art, to creativity of social practice, to interaction within society providing unity of thought and action, to intellectual interaction within a society, to en

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Lipskiy, Vladimir N. "Development and transformation of mass culture." Yaroslavl Pedagogical Bulletin 5, no. 122 (2021): 218–25. http://dx.doi.org/10.20323/1813-145x-2021-5-122-218-225.

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The article shows that the phenomenon of mass culture in its current understanding is proceeded by a period of formation. Having begun its transformation with various kinds of mass spectacles even before our era, mass culture only by the middle of the XX century took shape into a modern kind of cultural practice. It is stated that for a long period, mass and «high» art were in opposition, since their value principles contradicted each other. At the same time, there comes a period in the development of mass culture when it needed «fresh» blood for its effective impact on the mass consciousness

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Protsenko, E. A. "ART OR ISKUSSTVO? PECULIARITIES OF RECODED LEXICAL ITEMS ASSIMILATION IN MASS MEDIA." Modern Linguistic and Methodical-and-Didactic Researches, no. 1(40) (December 31, 2023): 24–33. http://dx.doi.org/10.36622/mlmdr.2023.21.67.002.

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Problem statement. The problem of using foreign words is still relevant for the last decades due to a wide-spread “invasion” of Anglicisms and Americanisms. The article presents the analysis of foreign words that are widely used in modern press but not considered as a part of the Russian language system. Lexical items recoded into Russian from a foreign language are determined as a specific object of study. Results. More than 5000 examples of using the word «art» in modern Russian newspapers have been revealed during the research. A complex quantitative and qualitative analysis in regards to g

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Belousova, Daria S. "The Impact of Cultural Industries on the Development of Performative Art in the Regions." Observatory of Culture 20, no. 3 (July 14, 2023): 302–12. http://dx.doi.org/10.25281/2072-3156-2023-20-3-302-312.

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The article examines the development of contemporary performative practices in the regions and the influence of cultural industries on them. The concepts of “performance art”, “art activism”, and “happening” are discussed. The dichotomy of exclusive/ mass is revealed: performative art is an exclusive personified creative act, and mass art is presented in the form of typical standardised works that are available for the general public. The question of cultural institutions is highlighted and their influence on the development of actual art in regions and the formation of cultural identity of th

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Parajuli, Pradip. "Information, Communication and Mass Media; A Positive Outlook." Historical Journal 11, no. 1 (August 1, 2020): 26–33. http://dx.doi.org/10.3126/hj.v11i1.34632.

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Mass media was gifted on the Nepali soil early as one and half century ago. We have no longer history on mass media and journalism as other countries compared to the four and half century long history of world journalism, the history of Nepalese mass media and journalism is undoubtedly a recent phenomenon. The art and science of using information to one's advantage is one of the keys to influence and power in any society. As a matter of fact man alone has the capacity to generate information through new symbols, and to share the meaning of these symbols with fellow men. One may even look with

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Borgen, Maibritt. "Fundamental Feedback: Öyvind Fahlström's Kisses Sweeter than Wine." ARTMargins 4, no. 3 (October 2015): 17–39. http://dx.doi.org/10.1162/artm_a_00121.

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The article analyzes Öyvind Fahlström's (1928–1976) performance Kisses Sweeter Than Wine, which took place as part of the festival 9 Evenings: art&engineering in New York (1966). It situates the performance's use of multimedia material as continuations of earlier investigations into manipulating language that played a central part in the artist's practice of both visual art and concrete poetry. It further argues that in Kisses Sweeter Than Wine such manipulations form a series of ruptures into the wider circulation of mass-media images, ruptures that locate Fahlström's use of media images

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Zayyrbekova, Aychurok. "FREQUENCY OF AGGRESSION IN THE MASS MEDIA." Applied psychology and pedagogy 6, no. 1 (December 17, 2020): 97–105. http://dx.doi.org/10.12737/2500-0543-2020-97-105.

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The article examines the frequency of the content of aggression in the media and its impact on the human psyche. The article presents the results of a study of the frequency of manifestation of aggression in the media, using the method of quantitative content analysis, which is based on the study of the content of any documents, media materials, literature, works of art, personal and official documents. As an object of research, we identified the frequency of manifestation of aggression, the material of the study is a random sample of 7 films ("The Great Gatsby", "Pompeii", "State Councilor",

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Mazzone, Marian. "Andy Warhol: Computational Thinking, Computational Process." Leonardo 53, no. 2 (April 2020): 179–82. http://dx.doi.org/10.1162/leon_a_01574.

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This article positions Andy Warhol as a model for computational thinking and art-making, linking him to concepts in new media art. Warhol's work is analyzed for its variability in form generation and output, both in painting and on the early Amiga computer. His work becomes a simulation of the abstraction of process and methods of production familiar to us in electronic computational art of today. Rather than seen as banal mass production on the modern assembly line, Warhol's work can be seen as inspiration for new media arts practitioners.

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Dwan, David, and Emilie Morin. "Introduction: Yeats and Mass Communications." International Yeats Studies 3, no. 1 (November 1, 2018): 1–13. http://dx.doi.org/10.34068/iys.03.01.01.

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W. B. Yeats’s pursuit of an audience led him into the world of mass media—a landscape populated first by newspapers and later by radios, which he learned to navigate with shrewdness and skill. The purpose of this special issue is to examine Yeats’s various ventures in mass communication. Enlisting a broad range of critical approaches, contributors to this volume show how the demands of print journalism and radio broadcasting informed Yeats’s poetics, his thinking about the social vocation of art, and his ideas about how literature might be best received and structured. The essays also examine

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Kaloev, Alan Tarielovich, and Elena Vladimirovna Lashcheva. "Academic and mass genres in the works of M. Magomayev." Культура и искусство, no. 2 (February 2023): 43–54. http://dx.doi.org/10.7256/2454-0625.2023.2.37826.

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This article examines academic and mass genres in the work of the legendary singer of the Soviet pop music Muslim Magomayev. The subject of study is the musical creativity of M. Magomayev. The purpose of the study is the role of the creative heritage of a gifted singer, as well as understanding the value of his concert and artistic activities in the process of formation of the musical and artistic layer of the second half of the twentieth century, identifying the features of his musical language. The theoretical basis of the research was the works of M. Magomayev [16, 17, 22, 23], V. I. Antono

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Baragona, Alan. "Medievalism, Politics and Mass Media: Appropriating the Middle Ages in the Twenty-first Century by Andrew B.R. Elliott." Arthuriana 28, no. 1 (2018): 74–76. http://dx.doi.org/10.1353/art.2018.0007.

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Song, Mi Sook. "Combination of art and technology: The aesthetics of borrowing from media art." Liberal Arts Innovation Center 13 (November 30, 2023): 45–67. http://dx.doi.org/10.54698/kl.2023.13.45.

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This study examines aspects of appropriation art using mechanical and digital reproduction and reconsiders its aesthetic signifi cance. In addition, we looked at the new direction of liberal arts education by examining how the beauty and aesthetics of borrowed works help a different appreciation and understanding of classical paintings. Modern art has continued to spread and develop into new art through its encounter with media following the development of science and technology. Media art, a form of combining media with art, generally refers to the introduction of various mass media suc

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Marinach, Carine, Marie-Christine Papillon, and Claude Pepe. "Identification of binding media in works of art by gas chromatography–mass spectrometry." Journal of Cultural Heritage 5, no. 2 (April 2004): 231–40. http://dx.doi.org/10.1016/j.culher.2003.12.002.

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Makulbekov, А., and T. Dronzina. "THE ART AUDIENCE AS A CULTURAL PHENOMENON." Adam alemi 89, no. 3 (September 30, 2021): 16–23. http://dx.doi.org/10.48010/2021.3/1999-5849.02.

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Despite some theories based on the concept of “arts for art” and denying the connection with the public, in trend art cannot exist in Russia without the public. Only through the public art transmit an artistic message and realize its social functions. Re- lations with the public especially determine the development of art, the conditions for the existence of its institutions. Therefore, they always remain among the main subjects in the studies of the social functioning of art, bringing to the foreground one or another aspects of interaction. Modern civilizational trends are globalization, urba

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Setiaji, Rony Siswo. "SMARTPHONE MEDIA BERKARYA SENI MASA KINI." Imaji 18, no. 1 (April 30, 2020): 72–78. http://dx.doi.org/10.21831/imaji.v18i1.27826.

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Dunia telah memasuki Era Revolusi Industri 4.0. Era dimana terjadi percepatan teknologi dan digitalisasi dalam berbagai bidang. Informasi, komunikasi, interaksi, transaksi dan edukasi dapat dilakukan hanya dalam genggaman layar smartphone. Begitu pula dalam menciptakan sebuah karya seni dan desain dapat memanfaatkan teknologi smartphone. Berdasarkan studi pendahulan yang dilakukan peneliti yaitu sekitar 80% mahasiswa seni rupa dan desain tidak menggunakan teknologi smartphone untuk berkarya seni. 60 % dari mereka tidak mengenal aplikasi smartphone yang dapat dimanfaatkan untuk berkarya seni. T

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Kitnick, Alex. "Massage, c. 1966." October 159 (January 2017): 86–102. http://dx.doi.org/10.1162/octo_a_00283.

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Tied to the body, the word “massage” in the mid-1960s was also associated with media, as well as the idea of mass manipulation. Framed through the work of the media theorist Marshall McLuhan and the artist Claes Oldenburg, this essay considers the intersections between media theory and body and performance art.

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Ivshin, Konstantin, and Ekaterina Kudelina. "Digital visual modelling of educational virtual media." E3S Web of Conferences 389 (2023): 08011. http://dx.doi.org/10.1051/e3sconf/202338908011.

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The modern educational process exists in an interactive information world. Modelling educational virtual media for mass involvement of learners in the process of formation of relevant competences. Digital visual art approaches form a holistic visual image of a virtual medium to actualize the subject of learning for learners. Examples of the implementation of the approaches in the creation of virtual media by Boxglass (Izhevsk) in educational institutions are described.

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Havrilova, Liudmula, Olena Beskorsa, and Olena Ishutina. "Designing a Distance Course for Developing the Art Teachers’ Media and Information Literacy." Educological discourse 43, no. 1 (2023): 22–39. http://dx.doi.org/10.28925/2312-5829.2023.12.

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Abstract (sommario):

Currently, media literacy is a necessary component of the general information culture of a person, which becomes absolutely crucial in the conditions of Russia’s military aggression and the harsh realities of the Ukrainian information space with numerous examples of spreading untrue, unverified, and “fake” information. In recent years, the concept of “media information literacy” (MIL) has become normalized in scientific circulation. It implies recognition of the leading role of information and media in everyday life, enables citizens to understand the functions of mass media and other informat

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Tuters, Marc, and Kazys Varnelis. "Beyond Locative Media: Giving Shape to the Internet of Things." Leonardo 39, no. 4 (August 2006): 357–63. http://dx.doi.org/10.1162/leon.2006.39.4.357.

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Abstract (sommario):

Locative media has been attacked for being too eager to appeal to commercial interests as well as for its reliance on Cartesian mapping systems. If these critiques are well founded, however, they are also nostalgic, invoking a notion of art as autonomous from the circuits of mass communication technologies, which the authors argue no longer holds true. This essay begins with a survey of the development of locative media, how it has distanced itself from net art and how it has been critically received, before going on to address these critiques and ponder how the field might develop.

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Kartseva, Ekaterina A. "Transformation of Art Communications and the Art Market in the Context of Digital Culture." Observatory of Culture 16, no. 1 (March 26, 2019): 16–28. http://dx.doi.org/10.25281/2072-3156-2019-16-1-16-28.

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Abstract (sommario):

Digital culture has moved people to a fundamentally new environment, which has its own characteristics, patterns and practices. Studies show that the digitalization of society occurs exponentially from year to year. Society is increasingly interacting with digital, and its influence affects various aspects of modern culture. New cultural patterns of behavior are being formed, traditional communication practices are being modified. As any complex phenomenon, digital culture not only opens up new opportunities for society, but also poses new challenges. The search for an effective, ethical, com

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Zharovskiy, Egor. "Features of Culture Coverage in Crimean Mass Media." Theoretical and Practical Issues of Journalism 9, no. 1 (March 23, 2020): 173–91. http://dx.doi.org/10.17150/2308-6203.2020.9(1).173-191.

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Abstract (sommario):

Culture is one of the basic dimensions of social existence and human life, and influences functioning and development of any civilization. The mass media as social institute tend to focus their attention on the most significant aspects of a society's life. Items of culture often become topics of media texts. Therefore, the issue of the composition of these media texts is of currently relevance. The present-day media space is oversaturated with information and mass culture, which may result in the audience's low perceptivity of information and poorer aesthetic sense. In this relation, there is

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Bezruchko, Oleksandr, and Volodymyr Bardyn. "Presentation of the Sacred Heritage of Boikos by Means of Audiovisual Art." Bulletin of Kyiv National University of Culture and Arts. Series in Audiovisual Art and Production 5, no. 1 (June 1, 2022): 38–45. http://dx.doi.org/10.31866/2617-2674.5.1.2022.256950.

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Abstract (sommario):

The purpose of the study is to analyze the coverage of the Boiko church heritage in live-action films and documentary films, in mass media and in photographs. To determine the role of audio-visual art in the coverage of sacred objects of Boikivshchyna and to prove the necessity to preserve works of sacred heritage by means of photo art. The researh methodology consists in the application of the following methods: theoretical – the analysis of television plots and documentaries providing information about the church art of Boikivshchyna, synchronous and comparative method for deeper analysis of

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Cutler, Edward. "News and the “new spirit” in art: Mass media roots of the temporal aesthetic." Communication Review 3, no. 4 (December 1999): 251–86. http://dx.doi.org/10.1080/10714429909368587.

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Spitulnik, Debra. "Anthropology and Mass Media." Annual Review of Anthropology 22, no. 1 (October 1993): 293–315. http://dx.doi.org/10.1146/annurev.an.22.100193.001453.

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Pavlova, Daniela. "New Art Forms and Process Management Strategy in an Era of Mass Digitalization." Digital Presentation and Preservation of Cultural and Scientific Heritage 11 (September 10, 2021): 297–302. http://dx.doi.org/10.55630/dipp.2021.11.28.

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Abstract (sommario):

In ancient times it took centuries before a genre of art was adopted as cultural development (like painting, sculpture etc.), while with the bursting expansion of modern audiovisual forms this process occurs much more frequently, and the need for publicly recognized criteria for evaluating these new media becomes more apparent.

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Ritzer, Ivo. "Maghreb forever: From Third-Worldism to the epistemology of multiplicity in media culture." Journal of African Cinemas 11, no. 2 (October 1, 2019): 103–15. http://dx.doi.org/10.1386/jac_00009_1.

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Abstract (sommario):

Abstract Focusing on Post-Third Cinema in the Maghreb, this article analyses productions that break ith both the elitism and the nativist agenda of Third Cinema to establish film as a mass art, which, hile still heavily politicized, no longer needs to call itself ‘African’, or ‘Arabic’ or ‘non-western’, fter all. Post-Third Cinema may therefore be a paradigm of multiplicity within World Cinema that is based n an emphatically universal approach. Regarded this way, it is an art form that is universal to the extent that it achieves a global appeal that transcends cultural differences. Drawing on

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Choy, Maria C. "The Art of Bilingual Editing of Magazines." Babel. Revue internationale de la traduction / International Journal of Translation 42, no. 2 (January 1, 1996): 84–94. http://dx.doi.org/10.1075/babel.42.2.04cho.

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Abstract (sommario):

Abstract Mass communication has become a daily feature of our technological civilisation. This is as true of cross-cultural or intercultural encounters as it is of intra-cultural communication, and mass media have facilitated effective international information flow. Bilingual editing becomes an important medium of mass communication. The effectiveness of such communication rests upon the grammatical, lexical, sociolinguistic, socio-cultural, discourse and strategic competence of participants (editors, writers, translators and readers). It rests upon their ability to use creatively and to resp

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Atanasovski, Srđan. "Socialism or Art: Yugoslav Mass Song and Its Institutionalizations." AM Journal of Art and Media Studies, no. 13 (September 15, 2017): 31. http://dx.doi.org/10.25038/am.v0i13.185.

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Abstract (sommario):

The genre of the mass song is one of the fundamental phenomena in aesthetics and practice of socialist realism. Mass songs are supposed not only to be accessible to the lay audience, but also to be composed in a way that invites the participation of amateurs. Importantly, the institutions which have been disseminating the mass song under state socialism, such as various institutions of education, culture and art, have also served as mechanisms for the normalization of its ideological content. This article summarizes important aspects of the concept of the mass song in general and offers a mult

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Shestakova, Eleonora. "Приключения эстетической функции в кулинарном медиатексте". Studia Rossica Gedanensia, № 9 (31 грудня 2022): 157–71. http://dx.doi.org/10.26881/srg.2022.9.09.

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Abstract (sommario):

Adventures of the aesthetic function in culinary media text The paper formulates and substantiates the importance of distinguishing food photo as a new independent type of text and a genre of culinary media text, as well as its genre variant – a photo of a thematic dessert. Food photo, as a culinary media text, has a special «mass-media-gastronomic» language. In the thematic dessert photo, the aesthetic wholeness and function are tightly fused with other functions and address the practice and objectivity of social-home reality and leisure time. In food photography it is not important to play w

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Nikolić, Sanela. "Izvođenje umetničko/teorijskog rada u mediju hiperteksta – net art Marka Amerike / Performance of Artistic/Theoretical Work in Medium of Hypertext – Mark Amerika’s Net Art." AM Journal of Art and Media Studies, no. 6 (October 15, 2014): 34–47. http://dx.doi.org/10.25038/am.v0i6.72.

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Abstract (sommario):

In this study, I focus on the problem of relations between art and theoretical work when they are performed in hypertext/hypermedia Net Art environment. Mark Amerika’s hypermedia practice, produced by digital technologies and focused on the questions of status, functions and modes of art and theory productions in information and biopolitical society, is considered as a case study. Amerika uses hypertext and hypermedia for realization of research art practice and as a media of post-pedagogical and theoretical work which deviate from determined types of scholarly discourses about art and expandi

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