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Letteratura scientifica selezionata sul tema "Portraits"

Autore: Grafiati

Pubblicato: 4 giugno 2021

Ultima modifica: 25 luglio 2025

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Articoli di riviste sul tema "Portraits"

Lindell, Annukka K. "No Cheek Bias." Empirical Studies of the Arts 35, no. 2 (2016): 127–38. http://dx.doi.org/10.1177/0276237416661988.

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In the history of portraiture, left cheek poses dominate. However, self-portraits favor the right cheek. Previous studies consistently report left biases for portraits of others and right biases for self-portraits; only one study has examined self-portrait pose orientation across a single artist’s corpus. The present study investigated posing biases of prolific self-portraitist Vincent van Gogh. Posing orientation in single-figure portrait ( N = 174) and self-portrait ( N = 37) paintings was coded. Unlike other artists, van Gogh was equally likely to paint himself in left and right cheek poses

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Heikkilä, Martta. "From the Self-Image to the Image Itself." Glimpse 22, no. 1 (2021): 18–22. http://dx.doi.org/10.5840/glimpse20212214.

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In this article, I examine the idea of the portrait from two viewpoints: the ‘classical’ portrait as it appears in Jean-Luc Nancy’s post-phenomenological philosophy, and the recent self-portrait photographs or ‘selfies’ on social media. First, I consider the portrait’s value in Nancy’s theories of art: for him, portraits hold an important position among the genres of visual art, since they present themselves as distinctive images by extracting the innermost force of the portrayed person. Secondly, I take up the philosophical and political implications of Nancy’s notion of the portrait vis-a-vi

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Mikulcová, Anežka. "Profilové portréty ze sbírek Národního muzea." Časopis Národního muzea. Řada historická 190, no. 1-2 (2022): 3–18. http://dx.doi.org/10.37520/cnm.2021.001.

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A historic collection of the Department of Older Czech History of the National Museum, which includes, among others, a very extensive collection of portraits encompassing various techniques, from painted, graphic and photographic portraits, through ceroplastic portraits, portrait silhouettes and portrait medallions, to portrait busts. While painted portraits in the form of miniatures, small and large hanging paintings have been the subject of detailed scientific attention, other types of portraits have been somewhat neglected. The aim of this paper is to draw attention to the presence of cerop

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van de Puttelaar, Carla, and Fred G. Meijer. "Under the skin: Portraits by Abraham de Vries (c. 1590-1649/50) recognised and revealed." Oud Holland – Journal for Art of the Low Countries 136, no. 4 (2023): 180–94. http://dx.doi.org/10.1163/18750176-13604002.

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This article discusses four portraits by Abraham de Vries (c. 1590-1649/50), three of which were recently recognised as the artist’s work, and all of which were subject to changes over time. The appearance of these portraits, as the authors came across them, prompted further investigation. The first two are portraits of the same girl (figs. 1a and 2a) from c. 1629 that originally had virtually the same appearance, as technical research has revealed. The first was reduced in size, the second was overpainted substantially, particularly in the costume. A portrait of a bearded man (fig. 11a) had b

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Morozova, Anna V., and Valentina Z. Fedorenko. "Children portrait in the 16th–18th centuries Spanish colonies painting." Vestnik Tomskogo gosudarstvennogo universiteta. Kul'turologiya i iskusstvovedenie, no. 57 (2025): 168–83. https://doi.org/10.17223/22220836/57/14.

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The tradition of children portraits creating is formed in the New World under the influence of Spanish court portraiture. The colonial elites, led by viceroys, following the Madrid court, seek to perpetuate the memory of their family members. The first children portrait images appeared in the viceroyalties in the 17th century in religious compositions, in the 18th century, along with the flourishing of local portrait schools, the number of children images also grew. The colonial children portrait repeated the types of European, primarily Spanish portraits: family portraits with parents and chi

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Wu, Yiqian, Hao Xu, Xiangjun Tang, et al. "Portrait3D: Text-Guided High-Quality 3D Portrait Generation Using Pyramid Representation and GANs Prior." ACM Transactions on Graphics 43, no. 4 (2024): 1–12. http://dx.doi.org/10.1145/3658162.

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Existing neural rendering-based text-to-3D-portrait generation methods typically make use of human geometry prior and diffusion models to obtain guidance. However, relying solely on geometry information introduces issues such as the Janus problem, over-saturation, and over-smoothing. We present Portrait3D , a novel neural rendering-based framework with a novel joint geometry-appearance prior to achieve text-to-3D-portrait generation that overcomes the aforementioned issues. To accomplish this, we train a 3D portrait generator, 3DPortraitGAN, as a robust prior. This generator is capable of prod

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Rendon, Laura, Tarek Taifour, Cynthia R. Ventrella, Ana Seara, and Adamo A. Donovan. "Personal Protective Equipment Portraits Canada (PPC)–Humanization and surveying mask-wearing nationally." PLOS ONE 19, no. 2 (2024): e0298052. http://dx.doi.org/10.1371/journal.pone.0298052.

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Background Personal Protective Equipment (PPE) Portraits is a hybridized art and medical intervention that lessens the alienating appearance of PPE through wearable, smiling headshot pictures. During the pandemic, the use of these portraits was expanded, but Canadian initiatives offered portraits only to immediate stakeholders. PPE Portraits Canada (PPC) aimed to provide PPE portraits to any Canadian healthcare institution and surveyed healthcare workers (HCW) regarding these portraits’ impact. Methods University student volunteers founded PPC via online platforms and coast-to-coast collaborat

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Williams, Joshua E. "Uzziah like his Son: Portraits of Uzziah in the Masoretic Text and the Syriac Peshitta of Chronicles." Perichoresis 23, no. 1 (2025): 79–92. https://doi.org/10.2478/perc-2025-0005.

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Abstract The various textual witnesses reveal more than one portrait of Uzziah. Two distinctive portraits of Uzziah emerge, one within the Masoretic tradition and another in the Syriac Peshitta. The present article aims to explore these portraits in order to demonstrate the shape of each portrait of Uzziah in light of Jotham and to determine what these portraits reveal about the nature of the textual transmission of the account of Uzziah in Chronicles.

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Luque, Amalia, Julio Barbancho, Javier Fernández Cañete, and Antonio Córdoba. "Phase Shadows: An Enhanced Representation of Nonlinear Dynamic Systems." International Journal of Bifurcation and Chaos 27, no. 14 (2017): 1730051. http://dx.doi.org/10.1142/s0218127417300518.

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Many nonlinear dynamic systems have a rotating behavior where an angle defining its state may extend to more than 360[Formula: see text]. In these cases the use of the phase portrait does not properly depict the system’s evolution. Normalized phase portraits or cylindrical phase portraits have been extensively used to overcome the original phase portrait’s disadvantages. In this research a new graphic representation is introduced: the phase shadow. Its use clearly reveals the system behavior while overcoming the drawback of the existing plots. Through the paper the method to obtain the graphic

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Akimova, Natalia V. "Portrait Poetics in Dostoevsky’s Novel “The Adolescent”." Current Issues in Philology and Pedagogical Linguistics, no. 4 (December 25, 2022): 167–82. http://dx.doi.org/10.29025/2079-6021-2022-4-167-182.

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The article is devoted to the analysis of the features of the construction of portrait characteristics, as well as determining the role of the portrait in revealing the image of the characters of Dostoevsky’s novel “The Adolescent”. The relevance of the article is determined by the study of the portrait as a means of exploring the inner world of characters, the ability to trace the evolution of the use of static and dynamic portraits. The purpose of the article was to study the portrait as a means of artistic and psychological analysis in relation to the author’s concept of personality, the ae

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Più fonti

Tesi sul tema "Portraits"

Shininger, Soni. "Portraiture : the self as art." Virtual Press, 1993. http://liblink.bsu.edu/uhtbin/catkey/864932.

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The purpose of this project was to find out what it is about the self that deserves to be depicted in a work of art; what other artists have done in selfportraiture that may help me in my efforts; and what my own contribution to the history of self-portraiture could be. Self-portraiture is significant in its ability to serve as a personal platform to define the artist's life and relationships with society as well as other individuals. Many times selfportraiture becomes a visual self-search to recognize our own characteristics and traits that make us complete individuals. I investigated the his

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Arnold, J. David. "Naked portraits : figures in oil." Virtual Press, 1993. http://liblink.bsu.edu/uhtbin/catkey/864927.

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The purpose of this project is to create a group of paintings/portraits of two close friends, using the medium of oil bars on gessoed paper. This medium will be explained in the text of the paper. The paintings were an attempt to describe aspects of personality that I see in my friends, their own personal struggles and victories. I observed these changes first hand. I told the story of these changes, as they evolved, in the paintings.The six paintings explore the naturalistic style which is new for me. It will open other avenues of visual expression. It was necessary for me to spend time in re

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Richardson, Elaine M. "Portraits-within-Portraits: Immortalizing the Dutch Family in Seventeenth-Century Portraits." University of Cincinnati / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1212088663.

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Richardson, Elaine May. "Portraits within portraits immortalizing the Dutch family in seventeenth-century portraits /." Cincinnati, Ohio : University of Cincinnati, 2008. http://rave.ohiolink.edu/etdc/view.cgi?acc_num=ucin1212088663.

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Thesis (M.A.)--University of Cincinnati, 2008.<br>Advisor: Diane Mankin. Title from electronic thesis title page (viewed Feb. 24, 2010). Includes abstract. Keywords: Family Portraits; Dutch; Seventeenth Century; Jan Miense Molenaer; Jacob Ochtervelt; transience; harmony; prosperity. Includes bibliographical references.

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Ilmudeen, Jafeen S. "Portraits." Cleveland, Ohio : Case Western Reserve University, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=case1239824184.

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Bontorno, Nicholas J. "Portraits." BYU ScholarsArchive, 2012. https://scholarsarchive.byu.edu/etd/3267.

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This paper is a documentation of and supplement to my thesis project, which is on display in the Harold B. Lee Library Auditorium Gallery from April 2 - May 25, 2012. The seven paintings on display are included in this report are found on the following pages: Leann (18”x 24”) …………………………………………………………..9 Claire (28”x 36”) …………………………………………………………..10 Janell on a Couch (48”x 60”) ……………………………………………..11 My Dad in Winter (84”x 96”) ……………………………………………..13 Mel in Springtime (84”x 96”) ……………………………………………..14 Man on a Horse (48”x 60”) ………………………………………………..15 Danny Holding a Cat by the Ocean (28”x 36”) …………………

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Munsie, Richard. "Intimation of life : photographic portraiture in art." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2002. https://ro.ecu.edu.au/theses/719.

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Photographic artists have a continuing desire to express intimately aspects of their social world through the genre of portraiture. However, in attempting to make known the lives of those around them, portraitists encounter a range of complexities inherent in the representation of the human subject in a two-dimensional visual field. Portraits were initially an indicator of social class until the introduction of photography, when more and more people became involved in their production and ownership. It was at its inception that the photographic portrait assumed conventions consistent with thos

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Grinchtein, Olga. "Portraits of Sculptors in Modernism." Thesis, Uppsala universitet, Konstvetenskapliga institutionen, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-443240.

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The portrait of sculptor emerged in the sixteenth century, where the sitter’s occupation was indicated by his holding a statue. This thesis has focus on portraits of sculptors at the turn of 1900, which have indications of profession. 60 artworks created between 1872 and 1927 are analyzed. The goal of the thesis is to identify new facets that modernism introduced to the portraits of sculptors. The thesis covers the evolution of artistic convention in the depiction of sculptor. The comparison of portraits at the turn of 1900 with portraits of sculptors from previous epochs is included. The the

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Tahir, M. Zaki. "Nationalistic portraits." The Ohio State University, 2000. http://rave.ohiolink.edu/etdc/view?acc_num=osu1318950065.

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CALLAHAN, DUSTIN LEE. "URBAN PORTRAITS." University of Cincinnati / OhioLINK, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1179519705.

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Libri sul tema "Portraits"

Daruger, Gitty. Porträts =: Portraits = Ritratti. Braus, 1993.

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Company, British Petroleum, ed. 500 portraits: BP Portrait Award. National Portrait Gallery Publications, 2011.

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Ploeger, Ann. Portraits. William, James & Co., 2007.

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Ricciardi, Nicola. Patrick Tuttofuoco: Portraits, portraits, portraits. Mousse Publishing, 2015.

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Denimal, Laurent. Portraits d'auteurs: Author portraits. Carlsson Bokförlag, 2020.

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Saderman, Anatole. Retratos, autorretratos + retratos: Portraits, self-portraits + portraits. Fundación Alon para las Artes, 2012.

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Mark, Mary Ellen. Portraits. Smithsonian Institution Press, 1997.

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Diane, Droin-Michaud, and Martane Anais, eds. Chinese portraits. Snoeck, 2008.

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Sherman, Cindy. History portraits. Schirmer Art Books, 1991.

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Sherman, Cindy. History portraits. Rizzoli, 1991.

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Capitoli di libri sul tema "Portraits"

Wakolbinger, Manfred. "Portraits." In Unter der Oberfläche / Under the Surface. Springer Vienna, 2012. http://dx.doi.org/10.1007/978-3-7091-1075-1_17.

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Laws, Ben. "Portraits." In Asylum and Nonreligion. Springer Nature Switzerland, 2024. https://doi.org/10.1007/978-3-031-71765-9_2.

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AbstractThis chapter presents a series of pen portraits, offering a detailed and contextual view of nonreligious asylum seekers’ experiences. These portraits aim to foreground the voices of the research participants, revealing the variety and complexity of their cases. The chapter highlights key themes for deeper analysis in subsequent chapters revealing pejorative assumptions made about cultural differences and the difficulty in materialising nonreligion. It further emphasises the importance of confidentiality and the ethical considerations involved in presenting these narratives.

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Smith, Michael G. "Portraits." In The Spacefaring Earth. Routledge, 2024. http://dx.doi.org/10.4324/9781003494409-13.

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Prior, William J. "The Portrait Of Socrates In Plato’s Symposium." In Oxford Studies In Ancient Philosophy. Oxford University PressOxford, 2006. http://dx.doi.org/10.1093/oso/9780199204212.003.0005.

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Abstract Plato’s dialogues offer us numerous portraits of Socrates. Some of these are dramatic depictions that show us Socrates in conversation with various interlocutors. Others are descriptions of Socrates, sometimes presented by others, sometimes by Socrates himself. One of these descriptive portraits occurs in Plato’s Symposium. The portrait is complex, being made up of several contributions from several different characters. The relation between these various portraits is complicated. I believe that, taken together, they constitute a coherent description, when certain perspectival differe

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Brusberg-Kiermeier, Stefani. "On the Narrative and Moral Functions of Fictitious Portraits in E.A. Poe’s “The Oval Portrait”, M.E. Braddon’s Lady Audley’s Secret, and Oscar Wilde’s The Picture of Dorian Gray." In Literature as an Art Form - Evolving Literary Landscape [Working Title]. IntechOpen, 2025. https://doi.org/10.5772/intechopen.1009288.

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This chapter investigates the functions of portraits in narrative texts and argues that their use helps authors to comment on their characters and that portraits can play an important role for whole plots. The relations between painting and writing are complex and multidirectional and involve questions of style, genre and realism. In reference to A.S. Byatt’s essay Portraits in Fiction, this contribution suggests that a differentiation between “literary portraits”, “portraits in literature” and “fictitious portraits” will prove helpful for future discussions of the interrelations between art a

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Evans, Duncan. "Essential Hardware." In Portraits. Routledge, 2020. http://dx.doi.org/10.4324/9781003103783-1.

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Evans, Duncan. "Metering." In Portraits. Routledge, 2020. http://dx.doi.org/10.4324/9781003103783-2.

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Evans, Duncan. "Using Colour and Monochrome." In Portraits. Routledge, 2020. http://dx.doi.org/10.4324/9781003103783-3.

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Evans, Duncan. "Natural Lighting and Supplementary Flash." In Portraits. Routledge, 2020. http://dx.doi.org/10.4324/9781003103783-4.

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Evans, Duncan. "Studio Lighting." In Portraits. Routledge, 2020. http://dx.doi.org/10.4324/9781003103783-5.

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Atti di convegni sul tema "Portraits"

Li, Na, Zhenlei Ji, Gang Song, Xinzheng Zhang, Jincheng Li, and Ye Tian. "Personalized Recommendations Based on Vehicle Portraits." In 2024 IEEE 7th International Conference on Information Systems and Computer Aided Education (ICISCAE). IEEE, 2024. https://doi.org/10.1109/iciscae62304.2024.10761894.

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Nizomovich, Aslonov. "Feminine Portraits in Baburnama: A Historical Perspective." In The Second Pamir Transboundary Conference for Sustainable Societies- | PAMIR. SCITEPRESS - Science and Technology Publications, 2023. https://doi.org/10.5220/0012952500003882.

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Marian, Ana. "Anatomical constructions of the creation of a sculptural portrait in the works of Lazar Dubinivsky." In Conferința științifică internațională "Învăţământul artistic – dimensiuni culturale". Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2022. http://dx.doi.org/10.55383/iadc2022.26.

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Anatomical constructions are the important point in creating a sculptural portrait. The academic school of modelling, as well as modernist tendencies can be tested in the work of Alexandru Plămădeală (1888—1940). A severe anatomical interpretation also characterized the creativity of Lazăr Dubinovschi (1910—1982). Already in a series of works, dedicated to colleagues in the workshop (1968—1979), Lazăr Dubinovschi realized the prevalence of the inner world in the portrait, which contributed to the modeling of the anatomical features of the portrayed people. Claudia Cobizev (1905—1995) went thro

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Mohanty, Vikram, David Thames, Sneha Mehta, and Kurt Luther. "Supporting Historical Photo Identification with Face Recognition and Crowdsourced Human Expertise (Extended Abstract)." In Twenty-Ninth International Joint Conference on Artificial Intelligence and Seventeenth Pacific Rim International Conference on Artificial Intelligence {IJCAI-PRICAI-20}. International Joint Conferences on Artificial Intelligence Organization, 2020. http://dx.doi.org/10.24963/ijcai.2020/660.

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Identifying people in historical photographs is important for interpreting material culture, correcting the historical record, and creating economic value, but it is also a complex and challenging task. In this paper, we focus on identifying portraits of soldiers who participated in the American Civil War (1861-65). Millions of these portraits survive, but only 10-20% are identified. We created Photo Sleuth, a web-based platform that combines crowdsourced human expertise and automated face recognition to support Civil War portrait identification. Our mixed-methods evaluation of Photo Sleuth on

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Hou, Keyu, Shunxun Li, Jingjing Li, Wei Xu, Rui Wang, and Jin Zhou. "Research on consumer portraits of offline fast fashion shoe stores based on IoT smart hardware." In The 8th International Conference on Advanced Materials and Systems. INCDTP - Leather and Footwear Research Institute (ICPI), Bucharest, Romania, 2020. http://dx.doi.org/10.24264/icams-2020.iii.9.

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There is a close relationship between consumer’s portrait and product’s attributes. Consumer portraits are usually obtained from information provided by consumers or by using data analysis of computer vision technology when they were in store. However, there was few concerns on the product’s attribute which was a critical factor affecting consumer portrait establishment. Therefore, the purpose of this study was to establish IoT based product attributes’ data collection system then to use this system to portrait consumers behaviors. Firstly, we used our own developed smart hardware to collect c

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Clarke, Rachel, Peter Wright, Madeline Balaam, and John McCarthy. "Digital portraits." In CHI '13: CHI Conference on Human Factors in Computing Systems. ACM, 2013. http://dx.doi.org/10.1145/2470654.2481348.

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Bjelkhagen, Hans I. "Holographic portraits." In SPIE Institutes for Advanced Optical Technologies 8, edited by Pal Greguss. SPIE, 1990. http://dx.doi.org/10.1117/12.2283699.

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Donath, Judith, Alex Dragulescu, Aaron Zinman, Fernanda Viégas, and Rebecca Xiong. "Data portraits." In ACM SIGGRAPH 2010 Art Gallery. ACM Press, 2010. http://dx.doi.org/10.1145/1836786.1836793.

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Knoller, Noam. "InterFace portraits." In the 1st ACM workshop. ACM Press, 2004. http://dx.doi.org/10.1145/1026633.1026648.

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Jalal, Ghita, Nolwenn Maudet, and Wendy E. Mackay. "Color Portraits." In CHI '15: CHI Conference on Human Factors in Computing Systems. ACM, 2015. http://dx.doi.org/10.1145/2702123.2702173.

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Rapporti di organizzazioni sul tema "Portraits"

Lim, Doris. Twenty-Four Self-Portraits. Portland State University Library, 2000. http://dx.doi.org/10.15760/etd.2085.

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McGinnis, Wendy J., Richard H. Phillips, Terry L. Raettig, and Kent P. Connaughton. County portraits of Washington State. U.S. Department of Agriculture, Forest Service, Pacific Northwest Research Station, 1997. http://dx.doi.org/10.2737/pnw-gtr-400.

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DiGiano, Amelia. Portraits of a Planet in Crisis. Montana State University, 2025. https://doi.org/10.15788/1751923055.

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The climate crisis makes my future, and the future of humanity, feel alarmingly precarious. I started to develop this series as a way of documenting this sensation, the chronic fear associated with climate change. But as I began approaching people to include in the project, it became clear that we do not all conceptualize climate change in the same way. To some it feels existential, but to others it feels fabricated and to many, it feels entirely beyond human control. Portraits of a Planet in Crisis explores and documents this broad spectrum of human stories that transpire within stories of en

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McGinnis, Wendy J., Richard H. Phillips, and Kent P. Connaughton. County portraits of Oregon and Northern California. U.S. Department of Agriculture, Forest Service, Pacific Northwest Research Station, 1996. http://dx.doi.org/10.2737/pnw-gtr-377.

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Mills, Kelly, Josh Weisgrau, Quinn Burke, Keun-woo Lee, Teresa Solorzano, and Merijke Coenraad. Shifting Education with Learning Pathways: Becoming Your Portrait of a Graduate. Digital Promise, 2024. http://dx.doi.org/10.51388/20.500.12265/205.

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There is a necessity for an educational shift to equip today’s learners for success in a dynamically evolving world shaped by emerging technologies and globalization. Emphasizing the importance of academic and technical skills, this report stresses the need for learners to possess adaptability and interpretive abilities to apply these skills in diverse contexts. The “Portrait of the Graduate” initiative is introduced as a visionary framework where readers will learn more about the skillsets districts across the country have identified for students. Furthermore, this report will introduce reade

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Browne, Daniel, and Sarosh Syed. Expanding Learning, Enriching Learning: Portraits of Five Programs. The Wallace Foundation, 2013. http://dx.doi.org/10.59656/yd-g1435.001.

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Galenson, David. Portraits of the Artist: Personal Visual Art in the Twentieth Century. National Bureau of Economic Research, 2008. http://dx.doi.org/10.3386/w13939.

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Christensen, Laurene. Writing in the Contact Zone: Three Portraits of Reflexivity and Transformation. Portland State University Library, 2000. http://dx.doi.org/10.15760/etd.1885.

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Miller, D. J. Fields of Grass; Portraits of the Pastoral Landscape and the Nomads of the Tibetan Plateau and Himalayas. International Centre for Integrated Mountain Development (ICIMOD), 1998. http://dx.doi.org/10.53055/icimod.282.

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