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Tesi sul tema "Quartets"

Autore: Grafiati

Pubblicato: 4 giugno 2021

Ultima modifica: 25 febbraio 2023

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1

ZHAO, LINGYAN. "STRING QUARTETS." University of Cincinnati / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1147967807.

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2

Edwards, Angela M. "Frank Bridge : the string quartets." Thesis, University of Sheffield, 1992. http://etheses.whiterose.ac.uk/14826/.

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This study traces the stylistic development of the string quartets. The opening chapter shows the way that his personal idiom emerged in the earliest works. It also explains the analytical approach that has been used. The concept of symmetrical orderings fusing separate elements has been evident in music from all stages of Bridge's output. Overall tonal relationships have linked with inner tonal relationships as well as thematic ideas and chord structures. In addition, symmetry has drawn together the two aspects of Bridge's language, the traditional and the radical, and shown how the way that

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3

Nikan, Mehran. "Template-assembled synthetic G-quartets (TASQS)." Thesis, University of British Columbia, 2008. http://hdl.handle.net/2429/5825.

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Fabrication of functional supramolecular structures requires a certain degree of control which may not be achieved by relying solely on noncovalent interactions. The current study aims to investigate the effect of a rigid cavitand template on morphology, function and stability of lipophilic G-quadruplexes. The first Chapter of this thesis introduces different aspects of G quadruplex chemistry and explains how these structures are particularly suited for the creation of supramolecular architectures. The second Chapter of this thesis presents the synthesis and self-assembly of a new class of sup

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4

Bare, Grant. "Synthesis of template-assembled nucleotide quartets." Thesis, University of British Columbia, 2012. http://hdl.handle.net/2429/42842.

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The thesis work described herein addresses a desire to isolate a guanine quartet and other unknown nucleobase quartets in Nature's solvent, water. Template-assembly of the nucleobase quartets or tetrads by the application of a cavitand template molecule was utilized as a synthetic strategy. Several synthetic precedents were sought and included developing DNA synthetic methodologies for four-fold nucleotide coupling of deoxyguanosine onto an individual substrate, imparting solubility in water on the resultant supramolecular constructs, and designing molecules capable of stabilizing G-quartet or

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5

Chua, Daniel. "Beethoven's 'Galitzin' quartets : an analytical study." Thesis, University of Cambridge, 1991. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.239822.

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6

Finney, Ian James. "The string quartets of Vagn Holmoe." Thesis, Royal Holloway, University of London, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.245474.

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The introduction gives a global view of the Holmboe quartet cycle and hints at its place in twentieth-century music history. A brief survey is then made of the unpublished quartets (1926-44) written before the recognized First Quartet. Quotations are made from the manuscripts of these works; there is a discussion of the formative influences on Holmboe through this period, especially from Stravinsky, Bartok and Nielsen. Subsequent chapters divide the published quartet cycle into seven chronological groups. Each of Quartets nos. 1-16 is analyzed in some detail; the discussion of no-1 and nos. 3-

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7

Yang, Benjamin H. (Benjamin Hoh). "A Study of the Relationship Between Motive and Structure in Brahms's op. 51 String Quartets." Thesis, University of North Texas, 1989. https://digital.library.unt.edu/ark:/67531/metadc332309/.

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In 1873, Brahms completed the two op. 51 quartets. These were not the first string quartets Brahms composed, hut they were the first that Brahms allowed to be published. He found the string quartet difficult; as he confided to his friend Alwin Cranz, he sketched out twenty string quartets before producing a pair he thought worthy of publishing. Questions arise: what aspect of the string quartet gave Brahms so much trouble, and what in the op. 51 quartets gave him the inclination to publish them for the first time in his career? The op. 51 quartets are essential to understanding the evolution

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8

Puerta, José Luis, and José Luis Puerta. "A Performance Guide to Latin-American Guitar Quartets: The Quartets of Ernesto Cordero, Leo Brouwer, and Sérgio Assad." Diss., The University of Arizona, 2016. http://hdl.handle.net/10150/622968.

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Latin-American guitarist-composers Ernesto Cordero, Leo Brouwer, and Sergio Assad are three of the most influential figures in the contemporary world of classical guitar. In addition to their important compositions for solo guitar, their compositions for guitar ensemble represent significant contributions to the concert repertory. These three guitarist-composers share a knowledge of popular, folkloric and classical music and demonstrate a commitment to bridging these realms in their compositions in the classical tradition. This study reviews the history of the guitar quartet. It then examines

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9

Ben-Tal, Oded. "String quartet /." May be available electronically:, 2002. http://proquest.umi.com/login?COPT=REJTPTU1MTUmSU5UPTAmVkVSPTI=&clientId=12498.

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10

Liddle, J. A. "Irony and ambiguity in Beethoven's string quartets." Thesis, University of Edinburgh, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.653893.

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This thesis explores the view that many of the difficulties and apparent eccentricities of Beethoven’s Late Quartets (particularly Op. 130, 132, 133 and 135) may be understood in terms of irony, in the sense that it appears in the philosophical and aesthetic writings of the early German Romantics. A chain of influence is demonstrated between Beethoven and Friedrich Schlegel’s philosophy of Romantic irony, through significant inter-personal relationships as well as through Beethoven’s exposure to Schlegel’s written works. This connection provides a firm hermeneutic basis for considering the com

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11

Choa, Sharon Andrea. "Sonata-fugue in Joseph Haydn's string quartets." Thesis, King's College London (University of London), 1998. https://kclpure.kcl.ac.uk/portal/en/theses/sonatafugue-in-joseph-haydns-string-quartets(82b5de10-3113-42a1-b683-c101cd19df3f).html.

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12

Oboussier, Jacques Philippe. "Hyacinthe Jadin (1776-1800) : the string quartets." Thesis, University of Exeter, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.425491.

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13

Black, Brian. "Schubert's apprenticeship in sonata form, the early string quartets." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/NQ29892.pdf.

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14

Gushue, Ariane C. "Self-Expression Through The String Quartet: An Analysis of Shostakovich's String Quartets No. 1, No. 8, and No. 15." Scholarship @ Claremont, 2015. http://scholarship.claremont.edu/scripps_theses/710.

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As a little boy, Dmitriĭ Dmitrievich Shostakovich pressed his ear against the wall to hear his neighbors play chamber music. He matured into one of the most prominent Soviet era composers. While the majority of academic interest Shostakovich centers on his symphonic works, his string quartets provide a window into a more intimate facet of Shostakovich’s life. This thesis explores first, why Shostakovich turned to the string quartet after some of the most fearful years of his life: his demise and rise after the scathing Pravda letter that all but threatened his life. Second, this thesis analyze

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15

Lindsay, Anne. "The real presences in T.S. Eliot's Four Quartets /." Title page, contents and introduction only, 1994. http://web4.library.adelaide.edu.au/theses/09AR/09arl748.pdf.

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16

Crispin, Darla May. "Re-reading the string quartets of Arnold Schoenberg." Thesis, King's College London (University of London), 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.409409.

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17

Bowers, Greg Jerome. "String quartet no. 2 : by-products of mass media /." Thesis, Connect to this title online; UW restricted, 2006. http://hdl.handle.net/1773/11378.

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18

Prestia, Chrysa. "Temporum mobile : for string quartet /." May be available electronically:, 2004. http://proquest.umi.com/login?COPT=REJTPTU1MTUmSU5UPTAmVkVSPTI=&clientId=12498.

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19

French, Daniel W. "String quartet in C major." Muncie, Ind. : Ball State University, 2009. http://cardinalscholar.bsu.edu/449.

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20

Hui, Benjamin Wei Qiang. "Construction of template-assembled pyrimidine-based quartets and quadruplexes." Thesis, University of British Columbia, 2014. http://hdl.handle.net/2429/48391.

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Abstract (sommario):

Pyrimidine-based quartets and quadruplexes are unstable and thus are rarely encountered in nature. Uracil (U) and thymine (T) quartets in the solution state have only been found as part of pre-existing G-quadruplex scaffolds and the corresponding quadruplexes have not been reported. Studies on such systems might shed light on their role in nucleic acid topology and stability. This thesis describes the assembly and structural characterization of these motifs in vitro as a result of grafting the respective nucleosides onto resorcinol-based cavitands. These rigid macrocycles serve as molecular te

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21

Elphick, Daniel. "The string quartets of Mieczysław Weinberg : a critical study." Thesis, University of Manchester, 2016. https://www.research.manchester.ac.uk/portal/en/theses/the-string-quartets-of-mieczyslaw-weinberg-a-critical-study(a156efef-b055-4415-8949-87791374c6bc).html.

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As attention on the music of Mieczysław Weinberg (1919-1996) has increased in the years after his death, so has the need for an analytical study of his musical style and language. This thesis surveys Weinberg’s changing style through a genre that spans almost his entire output: the string quartet. His close friendship and artistic affinity with Shostakovich helps make his music accessible to a wider audience, though closer examination reveals Weinberg’s individuality and a quite distinct language from that of his mentor. In support of this contention, a wide range of analytical approaches is d

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22

Williams, Joseph T. "Discontinuous continuity?: structural analysis of Sofia Gubaidulina's string quartets /." Cincinnati, Ohio : University of Cincinnati, 2007. http://www.ohiolink.edu/etd/view.cgi?ucin1186507085.

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Thesis (Master of Music)--University of Cincinnati, 2007.<br>Advisor: Dr. Catherine Losada. Title from electronic thesis title page (viewed Nov. 29, 2007). Includes abstract. Includes bibliographical references.

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23

Bakulina, Olga. "Polyphony as a loosening technique in Mozart's «Haydn» quartets." Thesis, McGill University, 2010. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=92332.

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This study explores the relationship between texture and form in Mozart's six string quartets dedicated to Haydn and claims that texture can act as a form-defining factor. Building on William Caplin's theory of formal functions and on his distinction between tight-knit and loose formal organization, I argue that polyphonic texture serves as a loosening device through grouping-structure conflicts and thus acts as one of the determinants of medial and sometimes concluding formal functionality. Polyphony is also used as a means of contrast, distinguishing two formal sections that use the same mot

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24

Black, Brian 1953. "Schubert's apprenticeship in sonata form : the early string quartets." Thesis, McGill University, 1996. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=41985.

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Until recently, Schubert's sonata forms have been treated as the partially successful products of a classicist who often misunderstood his models. The development of sonata form in his early string quartets, though, raises serious questions about such a view. The quartets (ca. 1810 to 1816), constitute the composer's first concentrated work in large-scale instrumental music and include some of his earliest compositions in any genre. The first sonata-form movements all lack the most basic features of the structure, specifically a clearly delineated subordinate theme and subordinate key in the e

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25

Hamilton, Katherine Lucy. "The vocal quartets of Johannes Brahms : a contextual study." Thesis, Royal College of Music, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.576941.

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26

Day, Thomas Anthony. "Four Quartets and poetic dialogue : Eliot, Davie, Hill, Tomlinson." Thesis, University of Warwick, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.412994.

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27

Irvine, Thomas. "Mozart’s ›Haydn‹ Quartets, ›Ausführung‹, and the Aesthetics of Nuance." Bärenreiter Verlag, 2012. https://slub.qucosa.de/id/qucosa%3A71939.

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28

Rice, Kathryn Elizabeth. "Pedagogical Applications in the Clarinet Quartets of Yvonne Desportes." Thesis, University of North Texas, 2020. https://digital.library.unt.edu/ark:/67531/metadc1707316/.

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Yvonne Desportes (1907-1993) was an influential female composer, teacher, and music theorist. Her early success as a recipient of the Prix de Rome for composition (1932) marked the beginning of her distinguished career in music culminating in a 35-year professorship at the Paris Conservatory. Despite the relative obscurity of her music, Desportes was a prolific composer and published numerous works for clarinet quartet. This dissertation seeks to promote the clarinet music of Yvonne Desportes through a pedagogical examination of her clarinet quartets. The equitable parts and quality of Desport

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29

WILLIAMS, JOSEPH T. "DISCONTINUOUS CONTINUITY?: STRUCTURAL ANALYSIS OF SOFIA GUBAIDULINA'S STRING QUARTETS." University of Cincinnati / OhioLINK, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1186507085.

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30

Finan, Ernest Thomas IV. "The idea and the reality: experience and Four Quartets." Thesis, Boston University, 2003. https://hdl.handle.net/2144/27647.

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Boston University. University Professors Program Senior theses.<br>PLEASE NOTE: Boston University Libraries did not receive an Authorization To Manage form for this thesis. It is therefore not openly accessible, though it may be available by request. If you are the author or principal advisor of this work and would like to request open access for it, please contact us at open-help@bu.edu. Thank you.<br>2031-01-02

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31

Moran, David W. (David Wayne). "Chaos, Cosmos, and Communion: Three Movements for String Quartet." Thesis, University of North Texas, 1994. https://digital.library.unt.edu/ark:/67531/metadc278804/.

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The three movements of this piece are related proportionally in that movements one and two represent three-fifths of the length of the whole. Movement three represents two-fifths of the length of the whole. Another proportional relationship exists between movements one and two. Movement one represents two-fifths of the length of the first two movements, while movement two represents three-fifths of the length of the two. An additional link between the three movements is pitch content. Movements one and two have little in common in this regard, but movement three combines elements of the first

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32

Liu, Bo. "Template-assembled synthetic G-quartets as targets for anticancer drugs." Thesis, University of British Columbia, 2012. http://hdl.handle.net/2429/42814.

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DNA is a classic target for small-molecule ligands. In order to reduce significant toxicities of anticancer drugs resulting from unspecific interactions with DNA duplexes, it aroused great interest to investigate the specific interactions of ligands with a secondary DNA structure, G-quadruplex, formed by a guanine-rich DNA sequence. Induction and stabilization of G-quadruplex structures by ligands have been shown to inhibit telomerase activities and regulate the transcription and expression levels of oncogenes in cancer cells; therefore, the design of synthetic G-quartets under physiological c

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33

Moyle, Joanna. "Towards a common style : 'Four quartets' and biblical wisdom poetry." Thesis, University of Oxford, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.416520.

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34

Noel-Tod, Jeremy. "T.S. Eliot, Four Quartets and the poetics of mock-prophecy." Thesis, University of Cambridge, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.612176.

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35

Winterbach, Veranza. "Stylistic characteristics of Gabriel Fauré's piano quartets and piano quintets." Master's thesis, University of Cape Town, 2003. http://hdl.handle.net/11427/7979.

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Includes bibliographical references.<br>Gabriel Fauré has been neglected as composer in terms of international recognition. It is indeed true that the art of his music is not revealed at first sight: one must take time to discover the beauty and authentic meaning concealed in the depths thereof. While it is relatively true that musicians recognize the originality of his melodies, there seems to be a lack of appreciation of his contributions in the field of chamber music.

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36

Von, Bergen Megan Kimberly. "Spiritual meaning and the prophetic mode in T.S. Eliot's Four quartets." Manhattan, Kan. : Kansas State University, 2010. http://hdl.handle.net/2097/4147.

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37

Gray, Vashti Diane. "The critical writings of Henri Blanchard on the Beethoven string quartets." College Park, Md. : University of Maryland, 2004. http://hdl.handle.net/1903/2319.

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Thesis (M. A.) -- University of Maryland, College Park, 2004.<br>Thesis research directed by: Music. Title from t.p. of PDF. Includes bibliographical references. Published by UMI Dissertation Services, Ann Arbor, Mich. Also available in paper.

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38

Watters-Cowan, Peter Edward English Media &amp Performing Arts Faculty of Arts &amp Social Sciences UNSW. "Nigel Butterley??s string quartets: compositional processes from sketch to score." Publisher:University of New South Wales. English, Media, & Performing Arts, 2009. http://handle.unsw.edu.au/1959.4/43676.

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Nigel (Henry) Butterley (b. 1935) is recognised as one of Australia??s foremost contemporary composers. His works span most compositional genres. By making a case for the value of sketch study in the process of musical analysis, the principal purpose of this thesis is to augment understanding of Butterley??s music and in particular, his compositional processes and procedures through the various stages of the genesis of a composition, from the sketch to final score. Butterley??s string quartets, composed between the years 1965 to 2001 provide the basis for this study; these works are contextual

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39

Rainbolt, Steven Robert. "Vocal chamber duets, trios, and quartets an examination of the genre /." College Park, Md. : University of Maryland, 2005. http://hdl.handle.net/1903/3163.

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40

Von, Bergen Megan Kimberly. "Spiritual meaning and the prophetic mode in T.S. Eliot’s Four quartets." Thesis, Kansas State University, 2010. http://hdl.handle.net/2097/4147.

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Master of Arts<br>Department of English<br>Michael L. Donnelly<br>Among the body of criticism on T.S. Eliot’s Four Quartets, critics such as Cleo McNelly Kearns and Alireza Farahbakhsh have recently interpreted the poet’s “intolerable wrestle / With words and meanings” (EC II) in light of deconstructionist theory. Although the poetry does recognize the difficulty of speaking about spiritual experience, it does not embrace the resulting linguistic miscommunication. In fact, the poems resist such a move, identifying the spiritual danger of such miscommunication; instead, they seek to overcome th

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41

Bocanegra, Cheryl D. "Accent and Grouping Structures in the String Quartets of Béla Bartók." Thesis, University of North Texas, 2001. https://digital.library.unt.edu/ark:/67531/metadc2820/.

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The music of Béla Bartók is defined in part by its unique blend of rhythmic vitality and inventiveness, and his string quartets offer a glimpse into a consistency of technique evident throughout his compositional career. Bartók's rhythmic environments are primarily metrical, but many of his rhythmic configurations are placed in such a way as to potentially override established meter. It is necessary, therefore, to institute an analytical means by which the delineation and comparison of rhythmic structures both within and without the metrical context may be accomplished. An analytical meth

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42

Blanche, Linda Susanne. "Selected etudes for the development of string quartet technique : an annotated compilation /." Access Digital Full Text version, 1996. http://pocketknowledge.tc.columbia.edu/home.php/bybib/12025689.

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Thesis (Ed.D.)--Teachers College, Columbia University, 1996.<br>Issued also on microfilm. Includes tables. Sponsor: Lenore M. Pogonowski. Dissertation Committee: Harold F. Abeles. Includes bibliographical references (leaves 123-125).

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43

Lee, Ming-Wen. "Brahms's string quartet in C minor, op. 51, no. 1 : context, analysis and interpretive approaches /." Thesis, Connect to this title online; UW restricted, 2002. http://hdl.handle.net/1773/11265.

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44

Laghi, Simone. "Italian string quartets and late eighteenth-century London : publication and production : with a critical edition of the quartets opp. 2 and 7 by Venanzio Rauzzini (1746-1810)." Thesis, Cardiff University, 2017. http://orca.cf.ac.uk/107709/.

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This dissertation presents an overview of the situation of the printed string quartet output in London in the years between 1765 (year of publication of Gaetano Latilla's set) and 1790 (year of publication of last set of quartets by Felice Giardini). Between these years the London publishers printed about one hundred string quartets by musicians operating within or at the margins of the King's Theatre environment. Many of them were opera composers, several were prominent violinists and some of them were singers, as in the case of Venanzio Rauzzini (1746-1810), who published two set of six stri

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45

Ayling, Benjamin Charles II. "An historical perspective of international champion quartets of The Society For The Preservation and Encouragement of Barber Shop Quartet Singing in America, 1939-1963." The Ohio State University, 2000. http://rave.ohiolink.edu/etdc/view?acc_num=osu1304016438.

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46

Ayling, Benjamin Charles. "An historical perspective of international champion quartets of The Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America, 1939-1963 /." The Ohio State University, 2000. http://rave.ohiolink.edu/etdc/view?acc_num=osu1488193665233569.

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47

Middleton, Arthur S. "The centrality of paradox : the influence of Heraclitus on Eliot's Four quartets /." Connect to resource, 1987. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1133901856.

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48

Kuhn, Judith Ellen. "Shostakovich in dialogue: Form and imagery in the first sic string quartets." Thesis, University of Manchester, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.488767.

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49

Roberts, Heidi Francie. "The moment in the garden spiritual autobiography and T.S. Eliot's Four quartets /." Online full text .pdf document, available to Fuller patrons only, 2003. http://www.tren.com.

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50

Crafton, Elizabeth B. "Preferential Strategies in Elliott Carter's String Quartet No. 2." Thesis, University of North Texas, 1999. https://digital.library.unt.edu/ark:/67531/metadc278805/.

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For the purposes of expressive intent, Carter developed compositional strategies that possess qualities congruent with the musical language in his Second Quartet (1959). He employed strategies including tempo modulation, triple groupings, and large-scale ratios to assemble the musical discourse and to guide the listener's perception of large-scale continuity. I label these devices collectively as "preferential strategies" because it is Carter who selects certain pre-compositional ideas that organize musical material and demarcate structural locations. Tempo modulations that organize dual meter

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