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Articoli di riviste sul tema "Quartets"

Autore: Grafiati

Pubblicato: 4 giugno 2021

Ultima modifica: 25 febbraio 2023

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1

Johnson, Bret. "David Diamond String Quartets." Tempo 59, no. 234 (September 21, 2005): 65–66. http://dx.doi.org/10.1017/s0040298205290320.

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DIAMOND: String Quartets (complete); Concerto for String Quartet; Night Music for Accordion and String Quartet1. Potomac String Quartet with 1Carmelo Pino (acc). 4-CD set (each disc available separately): Albany TROY 504 (Nos. 3 and 8, Concerto), 540 (Nos. 2, 9 and 10), 613 (Nos. 1, 5 and 6) and 727 (Nos. 4 and 7, Night Music).

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2

Graubart, Michael. "Schoenberg's String Quartets." Tempo 58, no. 229 (July 2004): 41–46. http://dx.doi.org/10.1017/s0040298204210221.

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SCHOENBERG: String Quartets Nos.1–4; String Quartet in D major; Presto in C major; Scherzo in F major. Aron Quartet (Ludwig Müller, Barna Kobori, Georg Hamann, Christophe Pantillon) with Anna Maria Pammer (sop). Preiser Records PR 90572 (3-CD set).

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3

Morabito, Fabio. "Rehearsing the Social." Journal of Musicology 37, no. 3 (2020): 349–82. http://dx.doi.org/10.1525/jm.2020.37.3.349.

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The history of Beethoven’s late quartets has usually been told by separating (and redeeming) the composer’s aesthetic priorities from the difficulties encountered by the works’ early performers, publishers, and listeners. This article weaves together Beethoven’s interests with those of his publisher Maurice Schlesinger and the violinist Pierre Baillot, whose ensemble first performed the late quartets in Paris between 1827 and 1829. I navigate the traffic among these parties to reassess what was difficult about this music and, on this basis, test new routes to explore early nineteenth-century s

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4

Cibişescu-Duran, Iulia. "Architecture and language in the seven String Quartets by Iulia Cibişescu-Duran." Artes. Journal of Musicology 21, no. 1 (March 1, 2020): 130–55. http://dx.doi.org/10.2478/ajm-2020-0008.

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AbstractWritten between 1990 and 2009, my seven works for string quartet: Poems for string Quartet and 6 numbered Quartets approach different modal languages, from prepentatonic or pentatonic structures to heptachordic or dodecaphonic configurations, sometimes overlapping musical languages, generating those polymorphous languages, with moments of overlapping or juxtaposing of syntaxes, with a motivic cycling determinant of a conceptual unit of works linked to synthetic, elaborate thinking. Pluripartite, seen as suites of miniatures (String Quartet No. 3, Poems for string quartet), tripartite (

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5

Szatylowicz, Halina, Paulina H. Marek, Olga A. Stasyuk, Tadeusz M. Krygowski, and Miquel Solà. "Substituted adenine quartets: interplay between substituent effect, hydrogen bonding, and aromaticity." RSC Advances 10, no. 39 (2020): 23350–58. http://dx.doi.org/10.1039/d0ra04585c.

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Substituent effects on hydrogen bonds in adenine quartets and aromaticity of adenine rings depend on the quartet type. A<sub>4</sub>-N3 and A<sub>4</sub>-N7 quartets are more responsive to the electronic nature of substituents than A<sub>4</sub>-N1.

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6

Conway, Paul. "London, Wigmore Hall and R.A.M.: String Quartets by Hans Abrahamsen, Rebecca Saunders, Colin Matthews, Graham Williams and John Hawkins." Tempo 67, no. 264 (April 2013): 75–77. http://dx.doi.org/10.1017/s0040298213000156.

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Due to Hurricane Sandy, the New York-based JACK Quartet were unable to cross the Atlantic to join forces with the Arditti Quartet at London's Wigmore Hall on 31 October 2012 for the British premières, now postponed, of 2012-S for two string quartets by James Clarke and the string octet Kampf zwischen Karneval und Fasten by Mauro Lanza. In lieu, the Ardittis substituted James Clarke's String Quartet No. 1 (2002–03) and Wolfgang Rihm's String Quartet No. 13 (2011), joining the first performances in the UK, as originally advertised, of quartets by Danish composer Hans Abrahamsen and British-born,

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7

Venn, Edward. "Maxwell Davies Naxos Quartets 3 and 4." Tempo 59, no. 234 (September 21, 2005): 58–59. http://dx.doi.org/10.1017/s0040298205240329.

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8

Conway, Paul. "Pascal Dusapin round-up." Tempo 59, no. 234 (September 21, 2005): 59–61. http://dx.doi.org/10.1017/s0040298205250325.

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PASCAL DUSAPIN: Perelà, uomo di fumo. Orchestre National de Montpellier c. Alain Altinoglu. Naïve MO 782168 (2-CD set).DUSAPIN: 7 Études pour piano; À quia (piano concerto). Ian Pace (pno), Orchestre de Paris c. Christoph Eschenbach. Naïve MO 782164.DUSAPIN: Granum Sinapis; Umbrae Mortis; Dona eis. Choeur de Chamber Accentus, Ensemble Ars Nova c. Laurence Equilbey. Naïve MO 782116.DUSAPIN: String Quartets Nos. 1 and 4. Danel String Quartet. Accord 476 1919.DUSAPIN: String Quartets Nos. 2 ‘Time Zones’ and 3. DUTILLEUX: Ainsi la Nuit. Arditti String Quartet. Naïve MO 782125.

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9

Kutluieva, Dar’ia. "PIANO QUARTETS OF L. BEETHOVEN: MOZART’S PROTOTYPES AND AUTHOR’S INITIO." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 58, no. 58 (March 10, 2021): 9–22. http://dx.doi.org/10.34064/khnum1-58.01.

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Background. The article provides an analysis of L. Beethoven’s piano quartets through the prism of the ensemble writing and composition experience by W. A. Mozart. The disclosure of the successive ties between the two great Viennese classics in the field of chamber instrumental music contributes to the scientific understanding of the history of this genre, which is not sufficiently covered in musicology. The analysis revealed that the four piano quartets of L. Beethoven are focused on Mozart’s prototypes, or rather, on sonatas for violin and piano. It was found that the formative principles of

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10

Miller, Malcolm. "Norgard's Quartets." Musical Times 131, no. 1769 (July 1990): 377. http://dx.doi.org/10.2307/965771.

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11

Griffiths, Paul. "Modern Quartets." Musical Times 130, no. 1752 (February 1989): 93. http://dx.doi.org/10.2307/966371.

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12

Walsh, Stephen. "Bartok Quartets." Musical Times 130, no. 1753 (March 1989): 162. http://dx.doi.org/10.2307/1193832.

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13

Drakeford, Richard, Georges Onslow, and Coull String Quartet. "String Quartets." Musical Times 134, no. 1810 (December 1993): 720. http://dx.doi.org/10.2307/1002957.

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14

Anderson, Robert. "Romantic Quartets." Musical Times 126, no. 1707 (May 1985): 290. http://dx.doi.org/10.2307/961320.

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15

Anderson, Robert. "Quartets, Quintets." Musical Times 126, no. 1706 (April 1985): 228. http://dx.doi.org/10.2307/962190.

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16

Theißen, Günter, and Heinz Saedler. "Floral quartets." Nature 409, no. 6819 (January 2001): 469–71. http://dx.doi.org/10.1038/35054172.

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17

Mermaz, Michel C. "Quartets reexamined." Physical Review C 53, no. 4 (April 1, 1996): 1613–17. http://dx.doi.org/10.1103/physrevc.53.1613.

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18

BEBBINGTON, W. G. "Four Quartets?" Essays in Criticism XXXIX, no. 3 (1989): 234–41. http://dx.doi.org/10.1093/eic/xxxix.3.234.

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19

Williamson, James R. "Guanine quartets." Current Opinion in Structural Biology 3, no. 3 (June 1993): 357–62. http://dx.doi.org/10.1016/s0959-440x(05)80106-x.

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20

Launer, John. "Supervision quartets." Postgraduate Medical Journal 88, no. 1037 (February 7, 2012): 185–86. http://dx.doi.org/10.1136/postgradmedj-2012-130793.

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21

Snir, Sagi, and Satish Rao. "Quartets MaxCut: A Divide and Conquer Quartets Algorithm." IEEE/ACM Transactions on Computational Biology and Bioinformatics 7, no. 4 (October 2010): 704–18. http://dx.doi.org/10.1109/tcbb.2008.133.

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22

Graham, Stephen. "String quartets at the Wigmore Hall (October 2013): Arditti Quartet and Diotima Quartet." Tempo 68, no. 268 (March 20, 2014): 82–83. http://dx.doi.org/10.1017/s0040298213001757.

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Abstract (sommario):

The string quartet retains the pull of intimacy and the promise of prestige it has held for composers since the late eighteenth century. Unlike, say, the historically over-determined piano sonata, there is a degree of flexibility and adaptability in the form that has allowed a wide range of modern composers, from Xenakis to Shostakovich to Rihm, to make distinctive marks on it.

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23

Smith, S. E., and R. P. Murphy. "Relationships between inbreeding, meiotic irregularity, and fertility in alfalfa." Canadian Journal of Genetics and Cytology 28, no. 1 (February 1, 1986): 130–37. http://dx.doi.org/10.1139/g86-017.

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Fertility (seed production) in alfalfa (Medicago sativa L.) is severely depressed by inbreeding; however, little is known of the factors directly responsible for this depression. Irregularities in meiotic behavior could be partially responsible for the inbreeding depression in fertility observed. This study considered relationships between fertility, inbreeding, and irregularity in microsporogenesis. Fertility declined markedly with inbreeding in the materials examined (S0–S3). Irregularity in microsporogenesis, as measured by the percent irregular quartets, (i.e., quartets with micronuclei, s

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24

Whittall, Arnold. "Hosokawa et al. - HOSOKAWA: String Quartets. Quatuor Diotima, Mayumi Miyata (shō). NEOS 11072. - SCIARRINO: String Quartets Nos. 7 and 8; Six Short Quartets. Quartetto Prometeo. Kairos 0013212KAI." Tempo 67, no. 265 (July 2013): 117–18. http://dx.doi.org/10.1017/s0040298213000740.

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25

Drabkin, William. "Review: 6 String Quartets, Opus 20; 6 String Quartets, Opus 33; 6 String Quartets, Opus 50." Music and Letters 85, no. 1 (February 1, 2004): 155–59. http://dx.doi.org/10.1093/ml/85.1.155.

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26

Farmer, Adrian. "LETTERS TO THE EDITOR." Tempo 57, no. 223 (January 2003): 57. http://dx.doi.org/10.1017/s0040298203220052.

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27

Liu, Haining, and James W. Gauld. "Protonation of guanine quartets and quartet stacks: insights from DFT studies." Phys. Chem. Chem. Phys. 11, no. 2 (2009): 278–87. http://dx.doi.org/10.1039/b811717a.

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28

Venn, Edward. "Peter Maxwell Davies new and classic." Tempo 59, no. 233 (June 21, 2005): 79–80. http://dx.doi.org/10.1017/s0040298205260254.

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MAXWELL DAVIES: Miss Donnithorne's Maggot; Eight Songs for a Mad King. Jane Manning (sop), Kelvin Thomas (bar), Psappha. PSA CS 1001MAXWELL DAVIES: Naxos Quartets Nos. 1 and 2. Maggini Quartet. Naxos 8.557396

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29

O'Loughlin, Niall. "Mozart Clarinet Quartets." Musical Times 128, no. 1731 (May 1987): 278. http://dx.doi.org/10.2307/965130.

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30

Heyde, Neil. "‘Period’ string quartets." Early Music XXIX, no. 4 (November 2001): 664–66. http://dx.doi.org/10.1093/earlyj/xxix.4.664.

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31

Behague, Gerard. "String Quartets (review)." Latin American Music Review 24, no. 2 (2003): 293–94. http://dx.doi.org/10.1353/lat.2003.0016.

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32

Gilbert, David. "Fauré's Piano Quartets." Notes 69, no. 1 (2012): 154–55. http://dx.doi.org/10.1353/not.2012.0123.

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33

Avni, Eliran, Reuven Cohen, and Sagi Snir. "Weighted Quartets Phylogenetics." Systematic Biology 64, no. 2 (November 19, 2014): 233–42. http://dx.doi.org/10.1093/sysbio/syu087.

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34

Dempsey, Laurie A. "Targeting by quartets." Nature Immunology 16, no. 7 (June 18, 2015): 688. http://dx.doi.org/10.1038/ni.3221.

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35

Mirka, D. "Analysing Haydn's quartets." Early Music 35, no. 1 (January 16, 2007): 122–25. http://dx.doi.org/10.1093/em/cal137.

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36

Ferraguto, Mark. "Beethoven à la moujik:." Journal of the American Musicological Society 67, no. 1 (2014): 77–124. http://dx.doi.org/10.1525/jams.2014.67.1.77.

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Beethoven's treatments of the Russian folksongs in the “Razumovsky” String Quartets, Op. 59, nos. 1 and 2, have long elicited sharp criticism. A closer look at these treatments allows for a reappraisal of the quartets and the circumstances of their commission. Beethoven's setting of “Ah, Whether It's My Luck, Such Luck” (Opus 59, no. 1/fourth mvt.) juxtaposes folk and learned styles in ways that complicate the traditional relationship between “nature” and “artifice.” His quasi-fugal treatment of the famous “Slava” tune (Opus 59, no. 2/third mvt.) engages this relationship from the perspective

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37

Ivanov, L. M., C. A. Collins, and T. Margolina. "On modulation instability in a system of jets, waves and eddies off California." Nonlinear Processes in Geophysics Discussions 1, no. 1 (February 20, 2014): 97–129. http://dx.doi.org/10.5194/npgd-1-97-2014.

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Abstract. SSH altimetry observations for 1992 to 2009 off Central and Southern California are used to show that observed quasi-zonal jets were likely driven by near-resonance interactions between different scales of the flow. Quartet (modulational) instability dominated and caused non-local transfer of energy from waves and eddies to bi-annual oscillations and quasi-zonal jets. The total number of quartets induced off California was approximately 10 times larger than the number of existing triads, and quartet amplitudes in general were larger than triad amplitudes. The spectral centroid regula

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38

JONES, DAVID WYN. "HAYDN'S FORGOTTEN QUARTETS: THREE OF THE ‘PARIS’ SYMPHONIES ARRANGED FOR STRING QUARTET." Eighteenth Century Music 8, no. 2 (July 25, 2011): 287–305. http://dx.doi.org/10.1017/s147857061100008x.

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ABSTRACTIn 1787 Artaria, Haydn's publisher in Vienna, issued three versions of The Seven Last Words: the original orchestral version, a quartet arrangement prepared by the composer and a keyboard arrangement sanctioned by him. A year later, in September 1788, Artaria issued three of the recent ‘Paris’ Symphonies, Nos 84, 85 and 86, in an arrangement for quartet. While the quartet version of The Seven Last Words has always been accepted as part of the canon, the three quartet arrangements of the symphonies have been ignored. Sympathetic consideration of a range of evidence, including the biblio

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39

Conway, Paul. "London, Wigmore Hall and Wilton's Music Hall: James Clarke and Jeremy Dale Roberts." Tempo 67, no. 266 (October 2013): 85–87. http://dx.doi.org/10.1017/s0040298213000995.

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In October 2012, Hurricane Sandy prevented the New York-based JACK quartet from crossing the Atlantic to join forces with the Arditti Quartet in the UK première of James Clarke's 2012-S. So the belated first performance within these shores of Clarke's new piece for two string quartets, which took place at a Wigmore Hall recital on 6 May 2013, had been much anticipated.

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40

Segall, Christopher. "Sergey Ivanovich Taneyev - Sergey Ivanovich Taneyev. Complete String Quartets, vol. 1, String Quartets Nos. 1 and 3. Carpe Diem String Quartet. Naxos 8570437, 2007 (1 CD: 61 minutes). - Sergey Ivanovich Taneyev. Complete String Quartets, vol. 2, String Quartets Nos. 2 and 4. Carpe Diem String Quartet. Naxos 8572421, 2010 (1 CD: 67 minutes). - Sergey Ivanovich Taneyev. Complete String Quartets, vol. 3, String Quartets Nos. 5 and 7. Carpe Diem String Quartet. Naxos 8573010, 2012 (1 CD: 62 minutes)." Nineteenth-Century Music Review 11, no. 2 (December 2014): 375–77. http://dx.doi.org/10.1017/s1479409814000470.

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41

Vikárius, László. "Bartók: The String Quartets •." Studia Musicologica 62, no. 3-4 (June 28, 2022): 193–95. http://dx.doi.org/10.1556/6.2021.00014.

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42

Chang, S. "F. Mendelssohn. Piano Quartets." Университетский научный журнал, no. 57 (2020): 184–201. http://dx.doi.org/10.25807/pbh.22225064.2020.57.184.201.

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43

Bates, Paula, Jean‐Louis Mergny, and Danzhou Yang. "Quartets in G‐major." EMBO reports 8, no. 11 (September 28, 2007): 1003–10. http://dx.doi.org/10.1038/sj.embor.7401073.

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44

Spitzer, Michael. "Haydn symphonies and quartets." Early Music XXVII, no. 3 (August 1999): 502–6. http://dx.doi.org/10.1093/earlyj/xxvii.3.502.

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45

SON, Ki-Pyo. "Alchemy and Four Quartets." Journal of the T. S. Eliot Society of Korea 23, no. 2 (December 30, 2013): 47–74. http://dx.doi.org/10.14364/t.s.eliot.2013.23.2.47-74.

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46

Quinn, Peter. "Tigran Mansurian string quartets." Tempo 60, no. 236 (March 23, 2006): 82. http://dx.doi.org/10.1017/s004029820628015x.

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47

ALON, NOGA, JÁNOS KÖRNER, and ANGELO MONTI. "String Quartets in Binary." Combinatorics, Probability and Computing 9, no. 5 (September 2000): 381–90. http://dx.doi.org/10.1017/s0963548300004375.

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48

Fitch, Lois. "Brian Ferneyhough's String Quartets." Contemporary Music Review 33, no. 3 (May 4, 2014): 290–317. http://dx.doi.org/10.1080/07494467.2014.975545.

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49

Kutluieva, Daria. "Piano quartets by F. Mendelssohn as a phenomenon of the Romantic era." Aspects of Historical Musicology 16, no. 16 (September 15, 2019): 143–57. http://dx.doi.org/10.34064/khnum2-16.08.

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Abstract (sommario):

Background. Nowadays, the typology of the piano quartet is actively studied by the modern scientists. The genesis of this genre is becoming more contentious. As pointed out by L. Tsaregorodtseva (2005), and earlier I. Byaly (1989), a connection of concerts for clavier solo accompanied by a string ensembles and a string quartet form a foundation for a genre of the piano quartet. N. Samoilova (2011) sees the origin of this genre in ensembles with clavier, L. Tsaregorodtseva (2005) &#8210; in the historical and cultural situation of the last third of the 18th century, including the genre (str

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50

Zeil, Catharina, Michael Widmann, Silvia Fademrecht, Constantin Vogel та Jürgen Pleiss. "Network Analysis of Sequence-Function Relationships and Exploration of Sequence Space of TEM β-Lactamases". Antimicrobial Agents and Chemotherapy 60, № 5 (16 лютого 2016): 2709–17. http://dx.doi.org/10.1128/aac.02930-15.

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ABSTRACTThe Lactamase Engineering Database (www.LacED.uni-stuttgart.de) was developed to facilitate the classification and analysis of TEM β-lactamases. The current version contains 474 TEM variants. Two hundred fifty-nine variants form a large scale-free network of highly connected point mutants. The network was divided into three subnetworks which were enriched by single phenotypes: one network with predominantly 2be and two networks with 2br phenotypes. Fifteen positions were found to be highly variable, contributing to the majority of the observed variants. Since it is expected that a cons

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