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Letteratura scientifica selezionata sul tema "Violin"

Autore: Grafiati

Pubblicato: 4 giugno 2021

Ultima modifica: 25 luglio 2025

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Articoli di riviste sul tema "Violin"

1

Renat, Maryla. "The synthesis of tradition and avant-garde techniques in selected polish violin sonatas from the second half of the 20th century." Notes Muzyczny 2, no. 12 (2019): 199–216. http://dx.doi.org/10.5604/01.3001.0013.7175.

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The article presents four chamber violin sonatas for an instrument duo written in the 1970s and 1980s, which in their concept of form and shape combine the elements of the widely understood tradition with innovative means of composition technique. The subject for a closer analysis are the following works: • Witold Rudziński, Sonata pastorale per violino e piano forte, 1978 (PWM, Cracow 1983) • Sławomir Czarnecki, Sonate tragique für Violine und Klavier, 1982 (Tonos, Darmstadt 1988) • Jan Krenz, Sonatina for two violins, 1986 (Brevis, Poznań 1994) • Zbigniew Bargielski, Sonate für Violine und K

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2

Fu, Lei, Gary Scavone, and Claudia Fritz. "Influences of different string types on the perception of violin qualities." Journal of the Acoustical Society of America 157, no. 6 (2025): 4604–12. https://doi.org/10.1121/10.0036894.

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The brand and model of strings used on violins are considered to play an important role in their playability and sound quality. An experiment was designed to test whether and how violin players perceive changes in violin qualities when strung with different strings. Three models of strings were chosen for this study: Dominant, Kaplan, and Pro-Arté strings. Two violins with similar sound and playing qualities were selected and professional and advanced student violinists were invited to play and compare the violins in two locations: Oberlin, Ohio and Montreal, Canada. Both violins were initiall

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3

Perea, Manuel, and Victoria Panadero. "Does Viotin Activate Violin More Than Viocin?" Experimental Psychology 61, no. 1 (2014): 23–29. http://dx.doi.org/10.1027/1618-3169/a000223.

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The vast majority of neural and computational models of visual-word recognition assume that lexical access is achieved via the activation of abstract letter identities. Thus, a word’s overall shape should play no role in this process. In the present lexical decision experiment, we compared word-like pseudowords like viotín (same shape as its base word: violín) vs. viocín (different shape) in mature (college-aged skilled readers), immature (normally reading children), and immature/impaired (young readers with developmental dyslexia) word-recognition systems. Results revealed similar response ti

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4

Mihălcică, Mircea, Mariana Domnica Stanciu, Silviu Marian Nastac, et al. "Signature Modes of Old and New Violins with Symmetric Anatomical Wood Structure." Applied Sciences 11, no. 23 (2021): 11297. http://dx.doi.org/10.3390/app112311297.

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The paper aims to investigate old and new violins from the perspective of the correlation between the anatomical structure of spruce and maple wood, and the dynamic response of violins. Thus, in the first stage, for each violin, the characteristics of the annual rings were measured on the entire width of the top plate, determining the degree of symmetry of the face with respect to the longitudinal axis of the violin body. Then, each violin was dynamically tested with the impact hammer, determining its own frequency spectrum, mainly the so-called “signature” mode and quality factors. The most i

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5

Caselli, Gabriele, Giovanni Cecchi, and Giulio Masetti. "Characteristics, mechanisms, and perceivability of combination tones in violins." Journal of the Acoustical Society of America 152, no. 5 (2022): 2513–23. http://dx.doi.org/10.1121/10.0014600.

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Combination tones (CTs) generated by the inner ear have been widely investigated in the past, starting from the famous Tartini's “third tone.” Instead, much less attention has been dedicated to the CTs generated by musical instruments. In this paper, the CTs generated by a set of violins of different quality and age have been investigated when playing a selected set of dyads. CTs were found in all of the violins, and the strongest of them occurred at a frequency below the lower note of the dyad. Its amplitude was strongly dependent on violin and dyad played and was greatest in two old Italian

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6

Wang, Qi, and Changchun Bao. "Individual Violin Recognition Method Combining Tonal and Nontonal Features." Electronics 9, no. 6 (2020): 950. http://dx.doi.org/10.3390/electronics9060950.

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Individual recognition among instruments of the same type is a challenging problem and it has been rarely investigated. In this study, the individual recognition of violins is explored. Based on the source–filter model, the spectrum can be divided into tonal content and nontonal content, which reflects the timbre from complementary aspects. The tonal/nontonal gammatone frequency cepstral coefficients (GFCC) are combined to describe the corresponding spectrum contents in this study. In the recognition system, Gaussian mixture models–universal background model (GMM–UBM) is employed to parameteri

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7

Stanciu, Mariana Domnica, Mircea Mihălcică, Florin Dinulică, et al. "X-ray Imaging and Computed Tomography for the Identification of Geometry and Construction Elements in the Structure of Old Violins." Materials 14, no. 20 (2021): 5926. http://dx.doi.org/10.3390/ma14205926.

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Numerous studies on heritage violins have shown that there are a number of factors that contribute to the acoustic quality of old violins. Among them are the geometric shape of the violin, the thickness of the tiles, the arching of the tiles, the dimensions and position of the bass bar, the size and position of the acoustic holes. Thus, the paper aims to compare the structural and constructive elements of old violins made in various famous violin workshops (Stainer, Klotz, Leeb, Babos Bela), using nondestructive and noncontact techniques based on image analysis. The violins that were studied d

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8

Mahmudin, Mohammad. "ANALISIS TEKNIK PERMAINAN VIOLIN II PADA LAGU CONCERTO FOR TWO VIOLINS, 1st MOVEMENT KARYA J.S. BACH." Repertoar Journal 2, no. 2 (2022): 295–311. http://dx.doi.org/10.26740/rj.v2n2.p295-311.

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Abstrak: Penelitian ini membahas tentang teknik permainan violin yaitu teknik bowing dan teknik fingering lagu Concerto For Two Violins, 1st Movement karya J.S. Bach. Penelitian ini bertujuan untuk mendeskripsikan teknik permainan violin II pada Lagu Concerto For Two Violins, 1st Movement karya J.S. Bach. Metode yang digunakan pada penelitian ini adalah metode penelitian kualitatif deskriptif. Data yang diperoleh dalam penelitian ini melalui observasi, wawancara, dan dokumentasi. Teknik analisis data yang digunakan adalah reduksi data, penyajian data, dan kesimpulan data. Sementara itu, terdap

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9

Widyaswara, Silvana Nada, and Slamet Haryono. "Bamboo Violin Innovation in Japan Village Kudus Regency." Jurnal Seni Musik 12, no. 1 (2023): 60–70. http://dx.doi.org/10.15294/jsm.v12i1.68111.

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The violin is a common musical instrument constructed of wood, specifically a variety of maple wood. A bamboo violin musical instrument has been created by a woodworker from Kudus Regency's Japan Village. The aim of this study was to discover and describe the innovations used by woodworkers in the production of violins in Japan Village, Kudus Regency, as well as the discovery and description of the production method for bamboo-based violins in Japan Village, Kudus Regency. The research was conducted using a case study research design and a qualitative research methodology. Following are the st

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10

Dondi, Piercarlo, Luca Lombardi, Marco Malagodi, and Maurizio Licchelli. "3D modelling and measurements of historical violins." ACTA IMEKO 6, no. 3 (2017): 29. http://dx.doi.org/10.21014/acta_imeko.v6i3.455.

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Measuring historical violins provides crucial information about the morphology of the instruments, useful both for researchers and violin makers. Generally, these measures are taken manually using a calliper, but they can be repeated only occasionally due to both the restricted access to these precious instruments and the need of avoiding accidental damages to the wood or to the varnishes. In this work, we describe and assess the accuracy of a protocol for the acquisition and creation of high quality 3D models of violins, suitable for taking accurate measurements. Six historical violins of 17t

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Tesi sul tema "Violin"

1

Lischka, Rainer. "Violin-Samba: für 2 Violinen." Rainer Lischka, 2013. https://slub.qucosa.de/id/qucosa%3A23416.

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2

Bruderer, Conrad David. "A study of twentieth-century violin and viola duos : including critical reviews and analyses of selected works /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 1998. http://wwwlib.umi.com/cr/ucsd/fullcit?p9839494.

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Abstract (sommario):

Thesis (Ph. D.--Music)--University of California, San Diego, 1998.<br>Vita. Includes a "critical review" of approx. 200 scores of violin and viola duos, with bibliographical information. Includes analyses of the following works: Divertimento op. 37 no. 2 by Ernst Toch; Three madrigals by Bohuslav Martinu; Variations op. 57 by Wallingford Riegger; Ideas and transformations no. 1 by Kenneth Gaburo; Duetto (1986) by Goffredo Petrassi; Little canonic suite (1970) by Ingolf Dahl; and Duo concertante by Paul Chihara. Includes bibliographical references (leaves 360-370). Discography: leaves 181-212.

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3

Heras, i. Fortuny Lluís Maria. "El violó tenor en la música espanyola dels segles XVI al XIX." Doctoral thesis, Universitat Autònoma de Barcelona, 2021. http://hdl.handle.net/10803/671814.

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La present tesi, al voltant de l’existència del violó tenor i el seu paper en la música espanyola dels segles XVI al XIX, basa la recerca en dos àmbits principals: d’una banda, clarifica els aspectes etimològics del terme ‘violón’ tot determinant a quin instrument corresponia aquest terme en cada època i lloc. D’altra banda, aporta evidències que avalen l’existència, i ús, del violó tenor en la música espanyola d’aquest període. La recerca sobre l’etimologia es basa en la consulta de documentació civil diversa: actes, diccionaris històrics, partitures, tractats, etc.. La recerca al voltant

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Benjumea, Natalia Londoño. "Posicionamento na mão esquerda do violino : um estudo experimental com iniciantes." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2015. http://hdl.handle.net/10183/115660.

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A presente pesquisa teve como objetivo principal elaborar um plano de ações com alternativas na preparação e colocação da mão esquerda no violino para estudantes de violino. Desenvolveu-se em um estudo experimental, com seis estudantes do Conservatório e da Graduação da Universidade de Caldas na Colômbia. O processo de investigação foi fundamentado em quatro tópicos: (1) a análise do posicionamento inicial da mão, dedos e braço esquerdo, (2) a introdução de padrões motores e de movimentos alternativos, (3) a comparação da mão esquerda antes e depois do plano de ações alternativas, e (4) a aval

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5

Andersson, Oskar. "Liten till stor : Att byta från violin till viola." Thesis, Luleå tekniska universitet, Institutionen för konst, kommunikation och lärande, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:ltu:diva-79008.

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Efter att vid två olika tillfällen spelat på masterclasses för violinprofessor Ulf Wallin, rekommenderades jag ett huvudinstrumentbyte från violin till viola. Detta med tanke på de rygg- och nackproblem som jag brottats med under en längre period och som hindrat mig från att komma vidare i mitt violinspel. I detta arbete utforskar jag speltekniska skillnader mellan violin och viola. Jag har under åtta veckor systematiskt övat på skalor, etyder och repertoar. Jag har valt att dela upp processen i fyra olika moment: instrumentfattning, stråkteknik, intonation och altklav. Under proce

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6

Walton, Eliot Alexander Lawson. "Léon Souroujon: complete works for violin solo." Doctoral thesis, Universidade de Évora, 2020. http://hdl.handle.net/10174/28521.

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Leon Souroujon (1913–2007) was a well-known Bulgarian violinist and pedagogue, however, his importance as a composer is yet to be recognised. One of the objectives of this dissertation is to present Souroujon as a composer who has a unique style and whose contribution to the unaccompanied solo violin genre is noteworthy. Another objective is to introduce and categorize his collection of published and unpublished compositions and to create a new complete edition of all his compositions. Adopting a qualitative approach, extensive research has been conducted in order to comprehend the historical

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7

Reinert, Gina. "Fantasia do Concerto para violino e orquestra de Octávio Meneleu Campos : uma proposta pedagógica." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2007. http://hdl.handle.net/10183/12220.

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O presente trabalho teve como objetivo a realização de uma proposta pedagógica para a obra Fantasia de Concerto, do compositor brasileiro nascido em Belém do Pará, Meneleu Campos. A partir do conhecimento da obra em questão, foi realizada uma comparação com o chamado repertório tradicional violinístico, a fim de identificar os aspectos técnicos semelhantes e, a partir disso, formular uma proposta pedagógica. A comparação com o repertório tradicional, foi baseada no artigo “Ousadia e convenção do Segundo Concerto para violino e Orquestra de Camargo Guarnieri” Alvarenga (2000). Para a realização

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8

Collins, Cheri D. "Connecting science and the musical arts in teaching tone quality integrating Helmholtz Motion and master violin teachers' pedagogies /." Fairfax, VA : George Mason University, 2009. http://hdl.handle.net/1920/4544.

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Thesis (D.A.)--George Mason University, 2009.<br>Vita: p. 157. Thesis director: James Gardner. Submitted in partial fulfillment of the requirements for the degree of Doctor of Arts in Community College Education. Title from PDF t.p. (viewed June 10, 2009). Includes bibliographical references (p. 145-156). Also issued in print.

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9

Ovaska, Johanna. "Hypermobility and violin playing : How hypermobility affects my violin playing." Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-3293.

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In this thesis I have studied how hypermobile joints affect my violin playing and tried to to find solutions how to cope with hypermobility. The purpose is to find tools how to change my left-hand technique so that I can play Bach´s Fugue from Solo sonata in g minor in my master concert without pain in my 4th finger and without tension in my left-hand. The goal is to find a way to play with hypermobile joints so that my technique will serve the music in the best possible way. The biggest questions are: what hypermobility is, how can I cope with it, how to play more relaxed and how to develop

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10

Chernova, Elena. "Graduate Violin Recital." FIU Digital Commons, 2006. http://digitalcommons.fiu.edu/etd/2168.

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Sonata for Solo Violin in G-minor, J. S. Bach (1685-1750) Adagio Fuga Siciliana Presto Sonata for Violin and Piano in G-major, L. Beethoven (1770-1827) Allegro assai Tempo di Menuetto Allegro vivace Sonata for Violin and Piano in A-major, G. Faure (1845-1924) Allegro molto Andante Allegro vivo Allegro quasi presto Jennifer Snyder, piano

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Libri sul tema "Violin"

1

Phạm, Thiên Tử. Violin trio: Tam tấu violon. Nhà xuất bản Dân Trí, 2017.

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2

Vivier, Claude. Pièce pour violon et piano: Violon et piano = violin and piano = Violine und Klavier. Doberman-Yppan, 1986.

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3

Catherine, Meyer, ed. The violin. Flammarion, 1996.

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Rice, Anne. Violin. Ballantine Books, 1998.

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5

Rice, Anne. Violin. Alfred A. Knopf, 1997.

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Riggs, Kate. Violin. Creative Paperbacks, 2014.

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Rice, Anne. Violin. Random House Large Print in association with Alred A. Knopf, Inc., 1997.

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Rice, Anne. Violin. Ballantine Books, 1999.

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9

Rouse, Steve. Violin sonata: Violin and piano. Henmar Press, 1995.

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10

Hildebrandt, Merrick B. Technique de l'archet: Pour violon = Technic of the bow : for violin = Bogentechnik : für Violine. 2nd ed. Schott, 2008.

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Capitoli di libri sul tema "Violin"

1

Colwell, Richard J., and Michael P. Hewitt. "Violin." In The Teaching of Instrumental Music, 6th ed. Routledge, 2024. http://dx.doi.org/10.4324/9781003406891-33.

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2

Curtin, Joseph, and Thomas D. Rossing. "Violin." In The Science of String Instruments. Springer New York, 2010. http://dx.doi.org/10.1007/978-1-4419-7110-4_13.

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3

MacLeod, Rebecca B. "Violin and Viola Fingerings." In Teaching Strings in Today’s Classroom. Routledge, 2018. http://dx.doi.org/10.4324/9781351254144-11.

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4

MacKnight, William J. "The Violin." In Progress in Pacific Polymer Science. Springer Berlin Heidelberg, 1991. http://dx.doi.org/10.1007/978-3-642-84115-6_48.

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5

Moon, Keon-Woong. "Violin Plot." In Use R! Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-53019-2_20.

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Colwell, Richard J., Michael P. Hewitt, and Mark Fonder. "The Violin." In The Teaching of Instrumental Music. Routledge, 2017. http://dx.doi.org/10.4324/9781315619033-28.

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7

Ihas, Dijana, Miranda Wilson, and Gaelen McCormick. "Berlin violin school." In Teaching Violin, Viola, Cello, and Double Bass. Routledge, 2023. http://dx.doi.org/10.4324/9781003154938-8.

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Ihas, Dijana, Miranda Wilson, and Gaelen McCormick. "French violin school." In Teaching Violin, Viola, Cello, and Double Bass. Routledge, 2023. http://dx.doi.org/10.4324/9781003154938-5.

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Peck, John. "VIOLIN." In Notre Dame Review. University of Notre Dame Press, 2009. http://dx.doi.org/10.2307/jj.21995485.87.

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Harvey, Brian W., and Carla J. Shapreau. "Intentional and Innocent Misdescriptions." In Violin Fraud. Oxford University PressOxford, 1997. http://dx.doi.org/10.1093/oso/9780198166559.003.0010.

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Abstract When a seller makes incorrect statements regarding a violin’s authenticity, value, provenance, condition, or title, several potential claims may arise, including claims for fraud (intentional mis representation), negligent misrepresentation, breach of contract, or breach of express and implied warranties. As discussed by Brian Harvey in Chapter 2, violin makers and dealers have long engaged in the practice of making and selling copies of well known violins. Such efforts are sometimes innocent, and some times not.

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Atti di convegni sul tema "Violin"

1

Dubey, Ratnesh Kumar, Mr Mohit Kumar, Dr Salim Ahmad, Dr Shubha Mishra, Suraj Sharma, and Aravendra Kumar Sharma. "Intelligent Noise Reduction for Violin Signals." In 2024 International Conference on Advances in Computing, Communication and Materials (ICACCM). IEEE, 2024. https://doi.org/10.1109/icaccm61117.2024.11059012.

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2

Biletska, Maryna, Tatiana Pidvarko, Lina Kotova, and Karina Oleksenko. "THE CREATIVE HERITAGE OF DAVID OISTRAKH IN THE MUSICAL ART OF THE XX CENTURY." In 11th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2024. SGEM WORLD SCIENCE, 2024. https://doi.org/10.35603/sws.iscah.2024/s08.21.

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The creation of D. Oistrakh is one of the highest achievements in the native musical art of the 20th century. D. Oistrakh�s impressive performing skills, the philosophical depth and the scale of his interpretations, the sensitivity to everything new were combined with the inspiration of the pedagogical work, the special care about the transformation of his great creative experience to the new generation of the violinists. Studying the creative heritage of D. Oistrakh, we can confirm that he has created the original pedagogical system that synthesized the most progressive methods of the native

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3

Kim, Daewoong, Hao-Wen Dong, and Dasaem Jeong. "ViolinDiff: Enhancing Expressive Violin Synthesis with Pitch Bend Conditioning." In ICASSP 2025 - 2025 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP). IEEE, 2025. https://doi.org/10.1109/icassp49660.2025.10890613.

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4

Yoo, Seong Jong, Snehesh Shrestha, Irina Muresanu, and Cornelia Fermüller. "VioPose: Violin Performance 4D Pose Estimation by Hierarchical Audiovisual Inference." In 2025 IEEE/CVF Winter Conference on Applications of Computer Vision (WACV). IEEE, 2025. https://doi.org/10.1109/wacv61041.2025.00482.

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Sankaranarayanan, Raghavasimhan, and Gil Weinberg. "A Novel Violin Playing Robot for South Indian Classical Music." In 2025 20th ACM/IEEE International Conference on Human-Robot Interaction (HRI). IEEE, 2025. https://doi.org/10.1109/hri61500.2025.10973912.

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Momozawa, Miyu, Ryotaro Okada, Ayako Minematsu, and Takafumi Nakanishi. "Visualization Method for Rhythmic Differences in Violin Performance Audio Data." In 2024 17th International Congress on Advanced Applied Informatics (IIAI-AAI-Winter). IEEE, 2024. https://doi.org/10.1109/iiai-aai-winter65925.2024.00053.

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Lo, Yu-Hsuan, Shih-Peng Li, and Shih-Wei Sun. "Deep Violin: Deep Learning-Based Violin Bowing Training System." In 2023 International Conference on Consumer Electronics - Taiwan (ICCE-Taiwan). IEEE, 2023. http://dx.doi.org/10.1109/icce-taiwan58799.2023.10227040.

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8

Huang, H. H., W. H. Li, Y. J. Chen, and C. C. Wen. "Automatic violin player." In 2012 10th World Congress on Intelligent Control and Automation (WCICA 2012). IEEE, 2012. http://dx.doi.org/10.1109/wcica.2012.6359122.

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Yin, Jun, Ye Wang, and David Hsu. "Digital violin tutor." In the 13th annual ACM international conference. ACM Press, 2005. http://dx.doi.org/10.1145/1101149.1101353.

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Thorn, Seth Dominicus. "Hybrid Violin Performance." In MOCO '20: 7th International Conference on Movement and Computing. ACM, 2020. http://dx.doi.org/10.1145/3401956.3404251.

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Rapporti di organizzazioni sul tema "Violin"

1

Brewer, Charles E. Sonata á Violino Solo by Johann Heinrich Schmelzer. Society for Seventeenth-Century Music, 2022. http://dx.doi.org/10.53610/tkcn2435.

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This edition presents a sonata for solo scordatura violin by Johann Heinrich Schmelzer comprised of 99 varied repetitions of an ostinato. Included here is a detailed examination of the source, problems with the continuo, and a possible performance solution. A complete score and continuo part are included in the appendices along with a detailed formal analysis of the work.

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Cai, Wenjie, and Hwan-Ching Tai. String Theories: Chemical Secrets of Italian Violins and Chinese Guqins. AsiaChem Magazine, 2020. http://dx.doi.org/10.51167/acm00006.

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Abstract (sommario):

The most valuable musical instruments in the world are 17-18th century violins from Cremona, Italy (made by Stradivari and Guarneri), and Chinese guqins (7-string zithers) from the 8-13th century. Today, musicians still prefer these antique instruments for their superior acoustic qualities that cannot be reproduced by later makers. Over the centuries, many theories have been proposed to explain the unique playing properties of famous violins and guqins, but most are based on conjectures rather than factual evidence.

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Graham, R. A., M. U. Anderson, G. T. Holman, and M. R. Baer. Prediction of violent mechanochemical processes. Office of Scientific and Technical Information (OSTI), 1997. http://dx.doi.org/10.2172/437696.

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Sagartz, M. J. Violent reaction source term study. Office of Scientific and Technical Information (OSTI), 1995. http://dx.doi.org/10.2172/10114881.

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Secretariat, Commonwealth. Preventing and Countering Violent Extremism. Commonwealth Secretariat, 2022. https://doi.org/10.14217/comsec.971.

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Abstract (sommario):

The capacity-building workshop on Preventing/Countering Violent Extremism, on which this Practitioners’ Guide is based, came at the right time for the Governing Board, Regional Peace Councils, Regional Executive Secretaries and Management of the Head Office of the National Peace Council, considering the threats posed by terrorism and violent extremism in West Africa and the Sahel and in other neighbouring countries. Even though Ghana has consistently been celebrated as a stable democracy, growing fears of the spread of extremist groups across the sub-region — given the porous borders — have he

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Scrivens, Ryan, Steven M. Chermak, Joshua D. Freilich, Thomas W. Wojciechowski, and Richard Frank. Detecting Extremists Online: Examining Online Posting Behaviors of Violent and Non-Violent Right-Wing Extremists. RESOLVE Network, 2021. http://dx.doi.org/10.37805/pn2021.21.remve.

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Abstract (sommario):

Like most of us, violent extremists often leave a digital footprint behind. Researchers, practitioners, and policymakers raise questions about whether violent individuals can be identified online prior to their attacks offline based on their online posting behaviors. Despite ongoing concerns, few empirically grounded analyses have identified which online users have engaged in violent extremism offline and then assessed their digital footprints, and fewer analyses have identified differences in posting behaviors of those who share extreme ideological beliefs but are violent or non-violent in th

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Villalta, Carlos J., José G. Castillo, and Juan A. Torres. Violent Crime in Latin American Cities. Inter-American Development Bank, 2016. http://dx.doi.org/10.18235/0000428.

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Dahl, Gordon, and Stefano DellaVigna. Does Movie Violence Increase Violent Crime? National Bureau of Economic Research, 2008. http://dx.doi.org/10.3386/w13718.

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Lindo, Jason, Isaac Swensen, and Glen Waddell. Persistent Effects of Violent Media Content. National Bureau of Economic Research, 2020. http://dx.doi.org/10.3386/w27240.

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Torres, Juan A., José G. Castillo, and Carlos J. Vilalta Perdomo. Violent Crime in Latin American Cities. Inter-American Development Bank, 2016. http://dx.doi.org/10.18235/0007973.

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Abstract (sommario):

In the last two decades, Latin America has been describes as an unsafe and violent region. Nonetheless, such picture is mostly based on homicide rates. Even though homicide is considered the best recorded crime, it does not provide full account of other forms of violent crime. Moreover, a great deal of research on crime throughout the region tends to be descriptive and anecdotal. Misunderstanding the causes of crime and disregarding evidence might induce policy makers to implement ineffective strategies, particularly at the local level. Therefore, based on Social Disorganization Theory, this s

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