Gotowe bibliografie tematyczne / 1782-1840

Spis treści

  1. Artykuły w czasopismach
  2. Rozprawy doktorskie
  3. Książki
  4. Części książek

Gotowa bibliografia na temat „1782-1840”

Autor: Grafiati
Data publikacji: 4 czerwca 2021
Data aktualizacji: 3 lutego 2022

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Artykuły w czasopismach na temat "1782-1840"

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Wolf, P. "Creativity and chronic disease Niccolo Paganini (1782-1840)." Western Journal of Medicine 175, no. 5 (November 1, 2001): 345. http://dx.doi.org/10.1136/ewjm.175.5.345.

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Fernández Rodríguez, María del Carmen. "Frances Burney and Female Friendships : Some Notes on "Cecilia" (1783) y "The Wanderer" (1814)." Journal of English Studies 9 (May 29, 2011): 109. http://dx.doi.org/10.18172/jes.167.

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British eighteenth-century fiction is rich in presentations of female friendship, a literary convention which permeated all genres and the works of women writers with different ideological backgrounds, ranging from Mary Wollstonecraft’s radical views to Jane Austen’s conservative ones. This paper analyses the oeuvre of the well-known novelist, playwright and diarist Frances Burney (1752-1840) by taking into account Janet Todd’s ideas on female ties and the female spectrum in Burney’s productions. The English authoress took part in a feminist polemic. Here I maintain that the complexity of the
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Kasper, Carlos B., Fábio D. Mazim, José B. G. Soares, Tadeu G. de Oliveira, and Marta E. Fabián. "Composição e abundância relativa dos mamíferos de médio e grande porte no Parque Estadual do Turvo, Rio Grande do Sul, Brasil." Revista Brasileira de Zoologia 24, no. 4 (December 2007): 1087–100. http://dx.doi.org/10.1590/s0101-81752007000400028.

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Entre janeiro de 2005 e dezembro de 2006 foram realizados estudos sobre a composição e abundância relativa dos mamíferos de médio e grande porte do Parque Estadual do Turvo. Para tanto, foram utilizados registros de armadilhas fotográficas além de visualizações e dados sobre presença e ausência de pegadas ao longo de transectos pré-determinados. No total foram registradas 29 espécies de mamíferos de médio e grande porte, das quais Dasyprocta azarae Lichtenstein, 1823 e Sylvilagus brasiliensis (Linnaeus, 1758) foram as espécies com maior número de registros. No que se refere a Carnivora, Nasua
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SHOCKLEY, F. W., K. W. TOMASZEWSKA, and J. V. MCHUGH. "An annotated checklist of the handsome fungus beetles of the world (Coleoptera: Cucujoidea: Endomychidae)." Zootaxa 1999, no. 1 (February 4, 2009): 1–113. http://dx.doi.org/10.11646/zootaxa.1999.1.1.

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A worldwide checklist is provided for the family Endomychidae (Coleoptera: Cucujoidea). An updated subfamilial classification is presented, based on recent higher-level phylogenetic analyses and incorporating many recently described taxa. At present, Endomychidae contains 1782 valid species and subspecies in 130 genera organized into 12 subfamilies. Two new synonyms are recognized: Symbiotes latus Redtenbacher, 1849 = Symbiotes latus var. roberti Falcoz & Roman, 1930 syn. nov.; and Cholovocerida Belon, 1884 = Displotera Reitter, 1887b syn. nov. Two new combinations are proposed: Cholovocer
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Smirnova, Irina. "Philaret, Metropolitan of Moscow and the Russian Church Policy in the Eastern Siberia." Przegląd Wschodnioeuropejski 8, no. 1 (June 1, 2018): 45–58. http://dx.doi.org/10.31648/pw.3602.

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The article is devoted to the Church policy of the Russian Orthodox Church in Eastern Siberia and the Far East with the participation of the Metropolitan of the Moscow Philaret (Drozdov, 1782–1867). Until recently historians did not focus their attention on “Asian” perspective of his activities, though there is an extensive historiography devoted to Moscow prelate. The most important aspects of the missionary activity of the Russian Orthodox Church in Eastern Siberia during the 1810s – 1860s are considered on the basis of materials from Russian archives (RSHA, St. Petersburg) and the little-kn
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Sarras, Michael P., and Rainer Deutzmann. "Hydra and Niccolo Paganini (1782-1840)?two peas in a pod? The molecular basis of extracellular matrix structure in the invertebrate,Hydra." BioEssays 23, no. 8 (2001): 716–24. http://dx.doi.org/10.1002/bies.1101.

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Perry, Jeffrey. "Paganini's Quest: The Twenty-four Capricci per violino solo, Op. 1." 19th-Century Music 27, no. 3 (2004): 208–29. http://dx.doi.org/10.1525/ncm.2004.27.3.208.

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Nicolo Paganini (1782-1840) has long been viewed as an emblem of virtuosity, his music heard, if at all, through the variations and adaptations of other composers. This historical neglect and the Paganini mythos notwithstanding, the twenty-four Caprices, op. 1, published in 1820, establish his place as a serious composer whose innovations must be considered in any assessment of early Romanticism. In the Caprices, two voices seem to speak. The first is lyrical and draws on the vocal and operatic roots of PaganiniÕs musical upbringing. The second I have labeled the questive voice. Romanticism is
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Angus, Bill. "Going down to the crossroads: popular music and transformative magic." Popular Music 39, no. 2 (May 2020): 257–69. http://dx.doi.org/10.1017/s0261143020000379.

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If there is a single narrative that captures the modern understanding of transformative crossroads magic it is the spurious fable of the selling of Robert Johnson's soul. When, in the palaeoanthropology of 20th century rock and roll music, the biographers of the short-lived blues legend claimed that he had been down to the Dockery Plantation crossroads at midnight to sell his soul to the Devil in exchange for guitar skills, they were perhaps unwitting witnesses to the deep history of myth and ritual that has long been associated with the transformative space of the crossroads. They were not la
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Bochkov, Andre V., and Michel P. Valim. "New species and records of mites of the superfamily Sarcoptoidea (Acariformes: Psoroptidia) from mammals in Brazil." Acta Parasitologica 61, no. 1 (January 1, 2016). http://dx.doi.org/10.1515/ap-2016-0003.

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AbstractSixteen species of the superfamily Sarcoptoidea (Acariformes: Psoroptidia) belonging to 10 genera of the families Atopomelidae, Listrophoridae, Chirodiscidae, and Listropsoralgidae are recorded in Brazil. Among them, three species, Prolistrophorus hylaeamys sp. nov. from Hylaeamys laticeps (Lund, 1840) (Cricetidae: Sigmodontinae) from Minas Gerais, Lynxacarus serrafreirei sp. nov. from Galictis cuja (Molina, 1782) (Carnivora: Mustelidae) from Rio de Janeiro (Listrophoridae), and Didelphoecius micoureus sp. nov. (Atopomelidae) from Micoureus paraguayanus (Tate, 1931) (Didelphimorphia: D
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Rozprawy doktorskie na temat "1782-1840"

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Rybicki, Marie-Hélène. "Le mythe de Paganini dans la presse et la littérature." Paris 4, 2004. https://acces.bibliotheque-diderot.fr/login?url=https://doi.org/10.15122/isbn.978-2-8124-2932-3.

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Notre étude est consacrée à la présence de Paganini dans la presse et la littérature de son temps. Nous examinons comment, en Italie, en France en Allemagne et en Angleterre, ce musicien exceptionnel devient personnage de fiction et quelle influence cette "entrée en littérature" exerce sur la représentation des musiciens dans les romans et nouvelles du XIXe siècle. Après avoir retracé le parcours du violoniste, nous nous penchons sur la manière dont ses faits et gestes sont relatés dans la presse et exposons les polémiques que la technique paganinienne entraîne. Nous analysons ensuite les imag
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Kim, Warren. "Marc-André Hamelin's "Variations on a Theme of Paganini": The Effect of Polystylism through Pastiche and Musical Borrowing in Variations." Thesis, University of North Texas, 2019. https://digital.library.unt.edu/ark:/67531/metadc1609093/.

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Paganini's 24th caprice still remains to this day one of the most celebrated themes in classical music history. Many composers have used this theme to create variations and each composer attempted to produce stylistically unique variations on this piece. Hamelin's Variations on a Theme of Paganini stands out because his piece incorporates musical borrowing and many different composers' styles. His variations integrate music from different centuries, using pastiche and musical borrowing from figures such as Beethoven, Liszt, Brahms, Chopin, and Rachmaninoff. More provocatively, Hamelin's variat
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Filipec, Goran. "Paganini au piano : Franz Liszt, Ferruccio Busoni, Michael Zadora, Mark Hambourg, Ignaz Friedman et la « grande manière »." Thesis, Sorbonne université, 2018. http://www.theses.fr/2018SORUL137.

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Dans l’art de la musique instrumentale, il y a certainement eu des moments de développement extraordinaires. La plus grande révolution dans le domaine du violon aura probablement été Paganini, avec ses innovations dans le cadre de la technique, de la texture et des effets timbriques du violon. Dans le domaine du piano, Liszt, suite à sa rencontre avec le violon assimilateur et imitateur du Génois, reforma son jeu et reconçut le pianisme de l’époque. Dans cette mission, il fut accompagné par des améliorations techniques à l’instrument. L’art du jeu du piano, qui hérita de Paganini le côté assim
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Dillard, Eguchi Patricia. "Satire du matérialisme dans le roman féminin britannique de 1778 à 1824 : Fanny Burney, Jane Austen, Suzan Ferrier." Phd thesis, Université d'Orléans, 2011. http://tel.archives-ouvertes.fr/tel-00690631.

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De fortes contraintes juridiques, morales et coutumières pesaient sur les femmes de la fin du " long " 18ème siècle en Grande Bretagne. Les écrits féminins s'en ressentaient autant du point de vue des stratégies littéraires que de l'intrigue. Pour contourner les interdits et les tabous dont l'écriture féminine devait tenir compte, certaines romancières eurent recours à une satire ingénieuse qui ridiculisait les travers d'une société qui leur interdisait le sens critique. L'étude du contexte permet de faire la lumière sur le pourquoi et le comment de leurs stratégies satiriques. C'était l'époqu
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Davenport, Andrew Russell. "Paganini's 24 Caprices opus 1 : a transcription for electric guitar, and analysis and development of the techniques required to perform them : a thesis submitted in fulfillment of the requirements for the degree of PhD, Massey University, New Zealand." 2008. http://hdl.handle.net/10179/713.

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Since the late 1970s much interest has been shown in the development of electric guitar technique. Advances have been considerable, enabling players to explore new genres and repertoires but development methodologies have remained woefully fragmented. A new approach that sets out to promote electric guitar technique with development methodology is the purpose of this study. To this end, a process of transcription combined with an advanced technical analysis has been undertaken including a full categorization of the technical subgroups extant within each Caprice. The hypothesis behind this task
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Książki na temat "1782-1840"

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Dark fiddler: The life and legend of Nicolò Paganini. Mankato, MN: Creative Editions, 2008.

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Musical life in Biedermeier Vienna. New York, NY: Cambridge University Press, 1988.

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Piet, Mary A. Early Catholic church records in Baltimore, Maryland, 1782 through 1800: From the original records of "Old St. Peter's Pro-Cathedral," baptisms, 1782 through 1800, marriages, 1783 through 1800, burials, 1783 through 1800. Westminster, Md: Family Line Publications, 1989.

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Fetis, Francois J. Biographical Notice of Nicolo Paganini. Ams Pr Inc, 1988.

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Paganini, Niccolo. La Campanella (Kalmus Edition). Alfred Publishing Company, 1985.

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Jean-Bernard, Condat, Imbert de Laphalèque Georges, Guibal du Rivage, Alexandre, b. 1775., and Fétis François-Joseph 1784-1871, eds. Nicolò Paganini, 1782-1840: Musicien, magicien, ou mutan[t] de marfan? Paris: Libr. Honoré Champion, 1990.

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Paganini: The 'demonic' virtuoso. Boydell Press, 2013.

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Early Journals and Letters of Fanny Burney, 1782-1783. McGill-Queen's University Press, 2012.

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Hanson, Alice M. Musical Life in Biedermeier Vienna. Cambridge University Press, 2009.

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Części książek na temat "1782-1840"

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Wordsworth, William, and Dorothy Wordsworth. "1782. W. W. to John North." In The Letters of William and Dorothy Wordsworth, Vol. 7: The Later Years: Part IV: 1840–1853 (Second Revised Edition), 532. Oxford University Press, 2000. http://dx.doi.org/10.1093/oseo/instance.00084971.

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Goldstein, Jonathan. "Nathan Dunn (1782–1844) as Anti-Opium China Trader and Sino-Western Cultural Intermediary." In The Private Side of the Canton Trade, 1700-1840. Hong Kong University Press, 2018. http://dx.doi.org/10.5790/hongkong/9789888390939.003.0007.

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American trader Nathan Dunn’s experience as a private China trader shows that one individual can indeed make a difference. A practicing Quaker who refused to buy or sell opium, Dunn pioneered innovative trading strategies while championing a mercantile code that was unusual for his day. At a time when few Americans regarded the opium trade as inappropriate, he showed that it was possible to succeed in the Canton Trade without dealing in opium. Dunn was also a dedicated educator of Chinese culture. He seems to have found his life’s purpose in bringing an understanding of China to English-speaking audiences. Unlike virtually all of his contemporaries except for Robert Waln Jr., his aim was not to trade and get wealthy purely for the sake of personal aggrandizement. Rather, it was to become a self-educated, self-proclaimed advocate for China in the United States and later in the United Kingdom. The wealth that he gained through trade provided funds needed to realize his higher calling. In addition, he was arguably the pioneer of Sinological museology and ethnology in both the United States and Europe. Because of the earnestness and thoroughness of his quest, he elevated both sciences beyond the level of randomly collecting ‘cabinets of curiosities’. Shortly after he established a ‘Chinese Museum’ in Philadelphia in 1838, several other similar museums appeared in America and England, although none were as focussed and all-encompassing or as positively inclined as his.
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