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Artykuły w czasopismach na temat „1906-1962 Criticism and interpretation”

Autor: Grafiati

Data publikacji: 4 czerwca 2021

Data aktualizacji: 6 lutego 2022

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1

Baraniecka-Olszewska, Kamila. "Buffalo Bill and Patriotism: Criticism of the Wild West Show in the Polish-Language Press in Austrian Galicia in 1906." East Central Europe 47, no. 2-3 (November 9, 2020): 313–33. http://dx.doi.org/10.30965/18763308-04702007.

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Abstract The article juxtaposes two perspectives guiding the perception of ethnographic shows, namely, a contemporary and an earlier one. The article uses the example of Buffalo Bill’s Wild West shows, staged in 1906 in the Polish territories under Austrian rule. Deriving from present criticisms of ethnographic shows and their interpretation through the prism of colonial studies, the author examines the types of reception of such performances met in places in which the inhabitants did not identify with colonialism. Analyzing reactions to the Wild West shows published in the Polish-language dai

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Nurhikmi, Devi, Ajid Thohir, and Samsudin Samsudin. "Peran Abdul Haris Nasution dalam Pembebasan Irian Barat (1957-1962)." Historia Madania: Jurnal Ilmu Sejarah 4, no. 1 (July 30, 2020): 177–200. http://dx.doi.org/10.15575/hm.v4i1.9194.

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This article seeks to describe one of the Dutch-Indonesian conflict, the liberation of West Irian. The focus of this study is the role of Abdul Haris Nasution in the Liberation of West Irian in 1957-1962. The method used in this study is historical research method which is carried out through four stages: heuristic, criticism, interpretation, and historiography. Abdul Haris Nasution’s role in this event was taking over Dutch companies, establishing the National Front for the Liberation of West Irian (FNPIB) and becoming its chairman, also TNI diplomacy by buying weapons and mision abroad to he

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Kepnes, Steven D. "Buber as Hermeneut: Relations to Dilthey and Gadamer." Harvard Theological Review 81, no. 2 (April 1988): 193–213. http://dx.doi.org/10.1017/s001781600001004x.

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In speaking about his objective in translating the tales of Nahman of Bratslav in July of 1906 Martin Buber said, “In general it is not my goal to gather new facts, but rather solely to give a new interpretation of their coherence, a new synthetic presentation of Jewish mystics and their creations.” Before his death, in responding to harsh criticism of his translations of the Hasidic tales, Buber referred to his work as an attempt “to convey to our own time the force of a former life of faith.” His task, as Gershom Scholem once pointed out in derision, was not primarily historical; it was not

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Vaninskaya, Anna. "Korney Chukovsky in Britain." Translation and Literature 20, no. 3 (November 2011): 373–92. http://dx.doi.org/10.3366/tal.2011.0037.

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Korney Chukovsky is a neglected figure in the story of the British reception of Russian literature. This essay attempts to recover his place in the complex networks of translation, criticism, and interpretation in the twentieth century by examining his three visits to Britain (1903-4, 1916, and 1962), his activities as an intermediary for British writers in Russia, and the British dissemination of his literary criticism.In his alternate guises as indigent newspaper correspondent, feted member of a wartime delegation, and recipient of an Oxford honorary doctorate, Chukovsky came to be both a ke

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Ananda, Resky, and Mustari Bosra. "Yayasan Pendidikan Islam Tompobulu, 1962-2010." Jurnal Pattingalloang 6, no. 3 (December 23, 2019): 88. http://dx.doi.org/10.26858/pattingalloang.v6i3.12166.

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Penelitian ini bertujuan untuk mengetahui latar belakang, perkembangan, serta dampak keberadaan Yayasan Pendidikan Islam Tompobulu di Kecamatan Tompobulu, Kabupaten Gowa. Penelitian ini menggunakan metode penelitian sejarah yang terdiri atas empat tahapan yaitu: heuristik, kritik sumber, interpertasi, dan historiografi. Data untuk penelitian ini diperoleh dari situs resmi dari Badan Pusat Statistik Kecamatan Tompobulu, serta hasil wawancara dengan beberapa pihak yang berperan penting dalam Yayasan Pendidikan Islam Tompobulu. Beberapa sumber buku yang terkait dengan dengan kajian penulis yang d

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Rossius, Iuliia. "Emilio Betti: from the history of law to the general theory of interpretation." Философская мысль, no. 11 (November 2020): 30–44. http://dx.doi.org/10.25136/2409-8728.2020.11.34232.

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The goal of this article consists in demonstration of the impact of research in the field of history and theory of law alongside the hermeneutics of Emilio Betti impacted the vector of this philosophical thought. The subject of this article is the lectures read by Emilio Betti (prolusioni) in 1927 and 1948, as well as his writings of 1949 and 1962. Analysis is conducted on the succession of Betti's ideas in these works, which is traced despite the discrepancy in their theme (legal and philosophical). The author indicates &ldquo;legal&rdquo; origin of the canons of Bettis&rsquo; her

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Boltwood, Scott. "‘Mildly Eccentric’: Brian Friel's Writings for the Irish Times and the New Yorker." Irish University Review 44, no. 2 (November 2014): 305–22. http://dx.doi.org/10.3366/iur.2014.0126.

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The conventional view of Brian Friel's career portrays him as a struggling writer whose first stories appeared in the New Yorker in late 1959. After briefly producing a small body of finely crafted, albeit conventional, short stories, he devoted himself to writing plays full-time after the phenomenal success of Philadelphia, Here I Come! (1964). This traditional interpretation of Friel's career also relies upon the assertion that the young writer also turned away from prose because of his inability to break free of the genre's constricting conventions, which were imposed both by foreign editor

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BUDNYI, Vasyl. "BOHDAN LEPKY`S LITERARY CRITICISM IN “SLOVANSKÝ PŘEHLED” JOURNALLITERARY CRITICISM IN “SLOVANSKÝ PŘEHLED” JOURNAL." Problems of slavonic studies, no. 68 (2019): 162–74. http://dx.doi.org/10.30970/sls.2019.68.3077.

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Abstract Background: A famous literary critic and writer, representative of the “Moloda Muza” group, B. Lepky was published in numerous Ukrainian and foreign journals in the early twentieth century. Today, his cooperation with Polish and German editions has been partially explored, but the Czech direction remains almost unclear. There are only individual references to B. Lepky's cultural publications in the “Slovanský přehled” journal in the works of V. Doroshenko, V. Lev, B. Rubchak. Purpose: The purpose of the study is to analyze the interpretative bases of B. Lepky's publications in “Slovan

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Gonzalez Delgado, Mariano, and Tamar Groves. "La enseñanza programada, la UNESCO y los intentos por modificar el currículum en la España desarrollista (1962-1974)." Espacio, Tiempo y Educación 4, no. 2 (July 1, 2017): 73. http://dx.doi.org/10.14516/ete.186.

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This paper focuses on studying the origin and evolution of the programmed learning in Spain. For this, an interpretation about the influence exerted by the international governmental organization for its implantation is emphasizes. First, the paper explains its beginnings in relation to the educational framework opened by UNESCO. The article continues with the explanation of the first criticisms that were established on this curricular policy. Finally, an attempt is made to give an explanation about its rapid decline. It concludes by indicating the importance of international and local social

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Kraśko, Nina. "Witold Jedlicki (29 II 1929 – 7 IX 1995). Między samorealizacją a realiami." Kultura i Społeczeństwo 61, no. 4 (October 10, 2017): 189–213. http://dx.doi.org/10.35757/kis.2017.61.4.10.

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Witold Jedlicki (1929–1995), an important, if somewhat disregarded Polish sociologist, began work at the University of Warsaw as the first assistant of professor Stanislaw Ossowski, member of Ossowski’s circle, also known as the Warsaw School of Sociology. Little, however, is known of Jedlicki’s life after he emigrated to Israel in 1962; in present day Poland he is remembered mainly as the author of a single text Chamy i Żydy published in 1962 in Kultura [Culture], a leading Polish emigré journal appearing in Paris. Through research of Polish and Israeli archives, study of publications in poli

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Thuesen, Peter J. "Jonathan Edwards as Great Mirror." Scottish Journal of Theology 50, no. 1 (February 1997): 39–60. http://dx.doi.org/10.1017/s0036930600036127.

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‘There is no historical task’, wrote Albert Schweitzer in 1906, ‘which so reveals a man's true self as the writing of a Life of Jesus.’ In his famous study of the eighteenth- and nineteenth-century quest for the ‘historical Jesus’, Schweitzer exposed the tendency of each generation of scholars to find its own thoughts in the man from Nazareth. Since Schweitzer, scholars have become ever more skeptical about the possibility of ‘objective’ interpretation. Hans-Georg Gadamer, noting the predilection of readers to rewrite texts in their own language, concluded that ‘all understanding is self-under

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Morozova, Svetlana N., and Dmitriy N. Zhatkin. "CREATIVE WORKS OF JOHN WILLIAM CHEEVER IN THE LITERARY-CRITICAL INTERPRETATION OF KORNEY CHUKOVSKY." Vestnik of Kostroma State University, no. 2 (2020): 164–70. http://dx.doi.org/10.34216/1998-0817-2020-26-2-164-170.

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The article deals with the comprehension of the features of perception of works of American prose writer John William Cheever (1912-1982) by Korney Chukovsky. The appearance of the works of J. Cheever in Russian language was accompanied by the comments of Soviet researchers who considered him to be an active propagandist of socialist ideas. Literary critical works written by Korney Chukovsky provoked a more thoughtful reading of the works of the American writer by Russian readers. Korney Chukovsky is the author of the preface to the collection of short stories written by J. Cheever in translat

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Szałek, Piotr K. "The Duhem-Quine Thesis Reconsidered." Studies in Logic, Grammar and Rhetoric 62, no. 1 (June 1, 2020): 73–93. http://dx.doi.org/10.2478/slgr-2020-0014.

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Abstract The high point of the falsification of physical theories in a standard view of the philosophy of science is the so-called crucial experiment. This experiment is a kind of manipulated empirical test, which provides the criterion for distinguishing between two rival hypotheses, where one is an acceptable theory due to passing the test, and the other turns out to be an unacceptable theory as it does not pass the test. The crucial experiment was supposed to play a significant role because, in virtue of an empirical disconfirmation of one theory, the experiment was assumed to confirm the o

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14

Gozdecka, Renata. "Trzy wiersze Jacka Kaczmarskiego inspirowane malarstwem polskim. Z muzyką Zbigniewa Łapińskiego i Przemysława Gintrowskiego." Annales Universitatis Mariae Curie-Sklodowska, sectio L – Artes 15, no. 1 (December 8, 2017): 121. http://dx.doi.org/10.17951/l.2017.15.1.121.

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<p>Tekst jest opracowaniem interdyscyplinarnym. Traktuje o związkach malarstwa, poezji i muzyki. Trzy obrazy polskich malarzy (Jacek Malczewski, <em style="mso-bidi-font-style: normal;">Wigilia na Syberii</em>, Bronisław Wojciech Linke, <em style="mso-bidi-font-style: normal;">Kanibalizm</em>, Jerzy Krawczyk, <em style="mso-bidi-font-style: normal;">Birkenau</em>) stały się inspiracją dla poezji Jacka Kaczmarskiego, jego zaś wiersze (odpowiednio: <em style="mso-bidi-font-style: normal;">Wigilia na Syberii</em>, <em style="mso-bidi-font-s

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Rohmana, Jajang A. "Tafsīr filantropīyat al-Qur’ān al-Karīm fī Indonesia: Musāhamat Tafsīr Sūrat al-Mā‘ūn li Kiai al-Ḥāj ‘Abd al-Ḥalīm (1887-1962)". Studia Islamika, 1 грудня 2018, 589–638. http://dx.doi.org/10.15408/sdi.v25i3.6367.

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This article discusses the Quranic exegesis concerning social care that is used as a base-praxis for philanthropy and social gatherings in the colonial period. The object of this study is Tafsier Soerat Al-Ma’oen (1930) written by K.H. Abdulchalim. This Sundanese-language work is actually developed as the result of Abdulchalim’s reading on the Quranic exegesis of Juz ‘Amma was written by Muhammad Abduh. Abdulchalim tried to interpret this surah and made it as the basis of the his philanthropic activities through the establishment of social institutions rather than carrying out casitas activiti

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Marshall, Jonathan. "Inciting Reflection." M/C Journal 8, no. 5 (October 1, 2005). http://dx.doi.org/10.5204/mcj.2428.

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   Literary history can be viewed alternately in a perspective of continuities or discontinuities. In the former perspective, what I perversely call postmodernism is simply an extension of modernism [which is], as everyone knows, a development of symbolism, which … is itself a specialisation of romanticismand who is there to say that the romantic concept of man does not find its origin in the great European Enlightenment? Etc. In the latter perspective, however, continuities [which are] maintained on a certain level of narrative abstraction (i.e., history [or aesthetic descri

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Stewart, Jon. "Oh Blessed Holy Caffeine Tree: Coffee in Popular Music." M/C Journal 15, no. 2 (May 2, 2012). http://dx.doi.org/10.5204/mcj.462.

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Introduction This paper offers a survey of familiar popular music performers and songwriters who reference coffee in their work. It examines three areas of discourse: the psychoactive effects of caffeine, coffee and courtship rituals, and the politics of coffee consumption. I claim that coffee carries a cultural and musicological significance comparable to that of the chemical stimulants and consumer goods more readily associated with popular music. Songs about coffee may not be as potent as those featuring drugs and alcohol (Primack; Schapiro), or as common as those referencing commodities li

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Dabek, Ryszard. "Jean-Luc Godard: The Cinema in Doubt." M/C Journal 14, no. 1 (January 24, 2011). http://dx.doi.org/10.5204/mcj.346.

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Photograph by Gonzalo Echeverria (2010)The Screen would light up. They would feel a thrill of satisfaction. But the colours had faded with age, the picture wobbled on the screen, the women were of another age; they would come out they would be sad. It was not the film they had dreamt of. It was not the total film each of them had inside himself, the perfect film they could have enjoyed forever and ever. The film they would have liked to make. Or, more secretly, no doubt, the film they would have liked to live. (Perec 57) Over the years that I have watched and thought about Jean-Luc Godard’s fi

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Goggin, Joyce. "Transmedia Storyworlds, Literary Theory, Games." M/C Journal 21, no. 1 (March 14, 2018). http://dx.doi.org/10.5204/mcj.1373.

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IntroductionThis essay will focus on some of the connections between digitally transmitted stories, games, narrative processes, and the discipline whose ostensible job is the study of storytelling, namely literature. My observations will be limited to the specific case of computer games, storytelling, and what is often unproblematically referred to as “literature,” in order to focus attention on historical and contemporary features of the development of the relationship between the two that remain largely unexamined. Therefore, one goal of this essay is to re-think this relationship from a fre

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Hanscombe, Elisabeth. "A Plea for Doubt in the Subjectivity of Method." M/C Journal 14, no. 1 (January 24, 2011). http://dx.doi.org/10.5204/mcj.335.

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Photograph by Gonzalo Echeverria (2010)Doubt has been my closest companion for several years as I struggle to make sense of certain hidden events from within my family’s history. The actual nature of such events, although now lost to us, can nevertheless be explored through the distorting lens of memory and academic research. I base such explorations in part on my intuition and sensitivity to emotional experience, which are inevitably riddled with doubt. I write from the position of a psychoanalytic psychologist who is also a creative writer and my doubts increase further when I use the autobi

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Brien, Donna Lee. "Disclosure in Biographically-Based Fiction: The Challenges of Writing Narratives Based on True Life Stories." M/C Journal 12, no. 5 (December 13, 2009). http://dx.doi.org/10.5204/mcj.186.

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As the distinction between disclosure-fuelled celebrity and lasting fame becomes difficult to discern, the “based on a true story” label has gained a particular traction among readers and viewers. This is despite much public approbation and private angst sometimes resulting from such disclosure as “little in the law or in society protects people from the consequences of others’ revelations about them” (Smith 537). Even fiction writers can stray into difficult ethical and artistic territory when they disclose the private facts of real lives—that is, recognisably biographical information—in thei

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Butchart, Liam. "On the Status of Rights." Voices in Bioethics 7 (May 18, 2021). http://dx.doi.org/10.52214/vib.v7i.8352.

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Photo by Patrick Tomasso on Unsplash ABSTRACT In cases where the law conflicts with bioethics, the status of rights must be determined to resolve some of the tensions. This paper considers the origins of both legal and philosophical rights, arguing that rights per se do not exist naturally. Even natural rights that are constitutional or statutory came from relationships rather than existing in nature. Once agreed upon, rights develop moral influence. INTRODUCTION l. The Question of Rights The language of rights is omnipresent in current discourse in law, bioethics

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Harrison, Karey. "Building Resilient Communities." M/C Journal 16, no. 5 (August 24, 2013). http://dx.doi.org/10.5204/mcj.716.

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This paper will compare the metaphoric structuring of the ecological concept of resilience—with its roots in Holling's 1973 paper; with psychological concepts of resilience which followed from research—such as Werner, Bierman, and French and Garmezy and Streitman) published in the early 1970s. This metaphoric analysis will expose the difference between complex adaptive systems models of resilience in ecology and studies related to resilience in relation to climate change; compared with the individualism of linear equilibrium models of resilience which have dominated discussions of resilience i

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Burns, Alex. "Select Issues with New Media Theories of Citizen Journalism." M/C Journal 10, no. 6 (April 1, 2008). http://dx.doi.org/10.5204/mcj.2723.

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   “Journalists have to begin a new type of journalism, sometimes being the guide on the side of the civic conversation as well as the filter and gatekeeper.” (Kolodzy 218) “In many respects, citizen journalism is simply public journalism removed from the journalism profession.” (Barlow 181) 1. Citizen Journalism — The Latest Innovation? New Media theorists such as Dan Gillmor, Henry Jenkins, Jay Rosen and Jeff Howe have recently touted Citizen Journalism (CJ) as the latest innovation in 21st century journalism. “Participatory journalism” and “user-driven journalism” are othe

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Burns, Alex. "Select Issues with New Media Theories of Citizen Journalism." M/C Journal 11, no. 1 (June 1, 2008). http://dx.doi.org/10.5204/mcj.30.

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“Journalists have to begin a new type of journalism, sometimes being the guide on the side of the civic conversation as well as the filter and gatekeeper.” (Kolodzy 218) “In many respects, citizen journalism is simply public journalism removed from the journalism profession.” (Barlow 181) 1. Citizen Journalism — The Latest Innovation? New Media theorists such as Dan Gillmor, Henry Jenkins, Jay Rosen and Jeff Howe have recently touted Citizen Journalism (CJ) as the latest innovation in 21st century journalism. “Participatory journalism” and “user-driven journalism” are other terms to describe C

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