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Rozprawy doktorskie na temat „20th century Avant-Garde”

Autor: Grafiati

Data publikacji: 3 czerwca 2025

Data aktualizacji: 31 lipca 2025

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1

Gagné, Marie 1961. "Le mouvement "Tel Quel": neo-avant-garde et postmodernite." Thesis, McGill University, 1990. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=74534.

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Cette etude propose une analyse de "Tel Quel" en tant que mouvement de neo-avant-garde situe a la frontiere de la modernite et de la postmodernite. Nous y considerons tous les textes de creation (roman et poesie) publies dans la collection "Tel Quel" entre 1960 et 1982, sans negliger l'etude de leur rapport avec la reflexion theorique exposee dans les essais et les articles de la revue. Cette these represente en meme temps un effort de synthese des principales typologies ou tentatives de definition proposees par la critique occidentale pour caracteriser les mouvements litteraires issus des soc

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Berman, Nancy. "Primitivism and the Parisian avant-garde, 1910-1925." Thesis, McGill University, 2001. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=38149.

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At the beginning of the twentieth century, the primitive played a crucial role in the emerging European modernist aesthetic. While art historians have been exploring the role of primitivism in modern art for decades, this area of research has received little attention in musicology. In this dissertation I examine how primitivism is constructed in modern French culture as manifest in three of the most important avant-garde stage works of the first part of the century: the Ballets Russes's Le Sacre du printemps (1913) and Les Noces (1923), and the Ballets Suedois's La Creation du monde (1923). R

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Kirk, Elizabeth Gail. "Neo-orientalism : ugly women and the Parisian avant-garde, 1905-1908." Thesis, University of British Columbia, 1988. http://hdl.handle.net/2429/28091.

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The Neo-Orientalism of Matisse's The Blue Nude (Souvenir of Biskra), and Picasso's Les Demoiselles d'Avignon, both of 1907, exists in the similarity of the extreme distortion of the female form and defines the different meanings attached to these "ugly" women relative to distinctive notions of erotic and exotic imagery. To understand Neo-Orientalism, that is, 19th century Orientalist concepts which were filtered through Primitivism in the 20th century, the racial, sexual and class antagonisms of the period, which not only influenced attitudes towards erotic and exotic imagery, but also defined

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Maslowiec, Anna. "Sonorism and the Polish Avant-Garde 1958-1966." Phd thesis, Sydney Conservatorium of Music, 2008. http://hdl.handle.net/2123/8205.

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Devaney, Kieran John Michael. "Europe after the rain : Alan Burns and the post-war avant-garde." Thesis, Brunel University, 2016. http://bura.brunel.ac.uk/handle/2438/15212.

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Alan Burns was one of the key figures in the group of experimental writers working in Britain in the nineteen sixties and early nineteen seventies, which included writers such as B.S. Johnson, Christine Brooke-Rose, Ann Quin and Giles Gordon. All of them sought ways to update and radicalize the techniques of modernism to make them relevant for their contemporary situation. Alan Burns took the novel to more radical extremes than his counterparts, eschewing traditional narrative in favour of a dense accumulation of detail. This is the first full length study of Burns' work, which has largely bee

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Sacau-Ferreira, Enrique. "Performing a political shift : avant-garde music in Cold War Spain." Thesis, University of Oxford, 2011. http://ora.ox.ac.uk/objects/uuid:df601c57-c9f0-4320-9a3a-8493ecf1101a.

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In my thesis, Performing a Political Shift: Avant-Garde Music in Cold War Spain, I argue that towards the end of the 1950s the Spanish ultra-conservative regime of Francisco Franco started to promote avant-garde music. This music contrasted with the aesthetically conservative one that had been promoted since the end of the Civil War (1936-1939). I examine the causes of this shift and reveal for the first time that they are connected to specific trends in Spanish politics and policies. In terms of national politics, the second phase of the Spanish dictatorship, from the late 1950s until Franco’

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Maloy, Jennifer. "Making an Avant-Garde Composition: Intersections of Composition Theory and Innovative Poetics." Diss., Temple University Libraries, 2011. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/126719.

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English<br>Ph.D.<br>The Making of an Avant-Garde Composition: Intersections of Composition Theory and Innovative Poetics, explores how current discussions in the field of Composition and Rhetoric intersect with the theories and practices of select members of the avant-garde poetry community, focusing on the issues of genre, identity, and language. It examines each of these issues by juxtaposing discussions of leading Composition and Rhetoric scholars with creative and critical work of avant-garde poets, identifying common concerns, and describing diverse approaches to creating innovative writi

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Strugnell, James Paul. "Paintings by numbers : applications of bivariate correlation and descriptive statistics to Russian avant-garde artwork." Thesis, University of St Andrews, 2017. http://hdl.handle.net/10023/10722.

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In this thesis artwork is defined, through analogy with quantum mechanics, as the conjoining of the nonsimultaneously measurable momentum (waves) of artwork-text (words within the primary sources and exhibition catalogues) with the position (particles) of artwork-objects (artist- productivity/exhibition-quantities). Such a proposition allows for the changes within the artwork of the Russian avant-garde to be charted, as such artwork-objects are juxtaposed with different artwork-texts from 1902 to 2009. The artwork of an initial period from 1902 to 1934 is examined using primary-source artwork-

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Song, Sun-Ju. "Music Analysis and the Avant-Garde Compositions of Post-World War II: Four Case Studies." Thesis, Griffith University, 2011. http://hdl.handle.net/10072/367570.

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This thesis examines four iconic piano works composed from 1949 to 1952 in relation to the discipline of music analysis: Olivier Messiaen’s Mode de valeurs et d’intensités (1949), Pierre Boulez’s Structures Ia for two pianos (1952), Karlheinz Stockhausen’s Klavierstück III (1952) and John Cage’s Music of Changes (1951). The primary aim is to investigate how music analysis has engaged with these four works over the last fifty years. Investigating the nature and content of earlier analyses reveals various aspects of the discipline: its aims and functions, its governing ideologies and, most impor

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10

Beckman, Seth. "The traditional and the avant-garde in late twentieth-century music : a study of three piano compositions by Frederic Rzewski (1938- )." Virtual Press, 1996. http://liblink.bsu.edu/uhtbin/catkey/1026705.

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Frederic Rzewski (1938- ) is a composer and pianist fluent in the styles of traditional pianism as well as the contemporary avant-garde. His musical breadth is most clearly demonstrated through his piano compositions, which are often large-scale, virtuosic, and tonal. For these reasons, they are frequently compared to works of the Romantic era. Furthermore, his pieces also display experimental, avant-gardistic leanings and thereby demonstrate complexity and eclecticism. The thread of continuity in Rzewski's works may be found through his incorporation of programmatic associations, which embrac

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Ferriere, Tamara. "La construction de l'extraterritorialité chez Roberto Bolano : écriture de l'émigration et avant-garde." Thesis, Clermont-Ferrand 2, 2012. http://www.theses.fr/2012CLF20021.

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Cette thèse doctorale étudie le caractère extraterritorial de l’œuvre de Roberto Bolaño, laquelle est enrichie par le nomadisme de l’auteur (celui-ci ayant notamment vécu au Chili, au Mexique et en Espagne). Il représente l’image d’un écrivain déraciné du fait du découplage de ses textes vis-à-vis de sa terre natale. Ses personnages migrants semblent souvent désolidarisés de leur pays d’origine. Ils errent d’un continent à l’autre sans savoir où leurs périples s’achèveront. Nous verrons que l’expérience de l’exil, chez l’auteur, permet l’identification des relations qui existent entre l’œuvre,

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Buffington, Adam. "In Relation to the Immense: Experimentalism and Transnationalism in 20th-Century Reykjavik." The Ohio State University, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=osu1587637102245713.

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Quataert, Anne. "Sérgio Milliet: intermédiaire entre avant-garde française et modernisme brésilien (1922-1930) :contribution aux études de réception." Doctoral thesis, Universite Libre de Bruxelles, 1993. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/212764.

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Younge, James Gavin Forrest. "The mirror and the square : a study of ideology within contemporary art systems with special reference to the American avant-garde in the period 1933-1953." Master's thesis, University of Cape Town, 1987. http://hdl.handle.net/11427/16370.

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Bibliography: pages 232-240.<br>This dissertation argues that abstract art is not ideologically neutral. In spite of many artists' anti-fascist stance early in their careers, the mantle of neutrality was assumed as a reaction to the protracted struggle between the two major ideologies confronting artists living in Europe and the United States of America in the period 1933-1953, namely capitalism and communism. These ideologies were not peripheral to artists lives, but were actively debated by both artists and intellectuals and resulted in the establishment of powerful cultural organisations. T

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15

Byers, Mark. "After the new failure of nerve : Charles Olson and American modernism, 1946-1951." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:02478ea1-832a-4ecc-9c47-a264ba746c49.

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One medium has dominated accounts of American art in the years following the Second World War. The period witnessed, in the words of one critic, a 'Triumph of American Painting', with advances in the easel picture far surpassing those in other media. Whilst more recent accounts have nuanced this view, drawing attention to developments in music and sculpture, literary contributions to the new American modernism have gone almost without assessment. Were there advances in literature comparable to those of Mark Rothko and Barnett Newman, David Smith and John Cage? Drawing extensively on his unpubl

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Kirwan, Jon. "An avant-garde theological generation : the Fourviere Jesuits from 1920 to 1950 and the 'Crise Entre-Deux-Guerres'." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:92a7cb17-780c-4161-b52e-d3ed5874f339.

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This thesis seeks to offer a clearer understanding of the Jesuit theologians and philosophers who comprised the group known the 'Fourvière Jesuits'. Led by Henri de Lubac and Jean Daniélou, they formed part of the nouvelle théologie, an influential French reform movement that flourished from the 1930s until its suppression in 1950. After identifying a certain lacuna in the secondary literature, this thesis attempts to remedy certain historical deficiencies by constructing a history both sensitive to the wider intellectual, political, economic, and cultural milieu of the Fr

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Contreras, Zubillaga Igor. "L'avant-garde musicale espagnole sous le franquisme. Une histoire politique." Thesis, Paris, EHESS, 2017. http://www.theses.fr/2017EHES0058.

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L’historiographie de l’avant-garde musicale sous le franquisme a montré à quel point celle-ci s’était développée dans des structures proches du pouvoir. Selon les études produites sur cette question, les compositeurs se seraient emparés des organismes officiels comme d’espaces dépolitisés dans lesquels ils auraient pu mener une activité artistique autonome. Ce sont ainsi les attitudes de prise de distance et de critique face au gouvernement de Franco qui ont majoritairement suscité l’intérêt des chercheurs, laissant de côté la question de la proximité de ces musiciens avec le pouvoir en place.

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Mareuge, Agathe. "L'œuvre poétique tardive de Jean Hans Arp (1886-1966)." Thesis, Paris 4, 2014. http://www.theses.fr/2014PA040229.

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L’étude de l’oeuvre poétique tardive de l’artiste Jean Hans Arp (1886-1966) révèle que l’opposition entre non-sens et sens, au moyen de laquelle est souvent analysé le passage de sa production dada à sa poésie des années cinquante et soixante, n’a pas lieu d’être. L’introduction d’une cohérence aux plans formel et structurel permet au plan sémantique le maintien de la plurivocité et de la contradiction. L’analyse des formes poétiques arpiennes montre l’existence d’une invention et d’une variété formelles intactes dans la production tardives, entre actualisation de formes anciennes et innovatio

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Flock, Sarah Sylvie. "Rayonnement de la poétique d'Otomar Krejca en Belgique francophone." Doctoral thesis, Universite Libre de Bruxelles, 2011. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/209963.

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La thèse démontre l’impact du théâtre de Krejča sur l’évolution de l’art dramatique belge francophone. Elle scinde l’activité théâtrale de Krejča en Belgique en deux parties, chacune placée sous le sceau d’une réalité politique différente. La première correspond à un moment de détente dans le paysage politique tchécoslovaque et débute avant la création du Divadlo za branou. Assimilée à la seconde avant-garde théâtrale tchèque, elle inaugure aussi la série de succès internationaux de Krejča dans des pays non socialistes. La seconde période survient après la liquidation du Divadlo za branou par

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Dufficy, Rory J. "The content of the avant-garde : subjectivity, community, revolution." Thesis, 2015. http://hdl.handle.net/1959.7/uws:35543.

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This thesis develops a new conception of the twentieth century avant-garde, viewed through its relationship to the revolutionary politics of that century. In so doing, it stresses the importance of generating a concept that both isolates the specificity of avant-garde aesthetic production, apart from broader trends in aesthetic experimentation, and is able to account for both the initial emergence of such movements and their later reappearance in the ‘neo’-avant-garde. This requirement is met by developing three concepts, the intersection of which, and commitment to, is the unique property of

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Yektaparast, Mahmoud R. "Rhythms of anger : Daoism and Chinese untrammelled painting, toward a counter-theorisation of avant-garde." Thesis, 2010. http://handle.uws.edu.au:8081/1959.7/496589.

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Philosophy, arts and politics share a passion for dissent. Avant-garde art, as that which mines the territories of the conventions and undermines the what is, has always existed as a social and highly political phenomenon. 'Rhythms of Anger' is, theoretically, an anti-colonial research that highlights the existence of Daoist texts, aesthetic theories and artistic styles in the Chinese paintings that antedate the European Modernist and Avant-garde impulses by at least a millennium. Thus, it opens ways for a counter-theorisation and re-theorisation of the predominantly Eurocentric, already exist

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Wood, Dafydd Gwilym. "Modernism and the classical tradition." Thesis, 2010. http://hdl.handle.net/2152/ETD-UT-2010-12-2193.

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This dissertation seeks to abolish the inherited cliché that the Modernist writers and artists rejected earlier art and literature, particularly that of the classical tradition. In fact, both literature and art of the early 20th century made widespread use of the inherited Greco-Roman tradition in a myriad of ways. Moreover, beginning after the First World War and maturing in the 1920s, a demonstrative Neoclassical “movement” appeared across different types of art and different nations. A neoclassical or classicizing style or form is inherently malleable, an empty signifier that can, thr

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Uchowicz, Katarzyna. "Działalność Bohdana Lacherta (1900-1987) jako architekta i teoretyka architektury." Praca doktorska, 2021. https://ruj.uj.edu.pl/xmlui/handle/item/291002.

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Górniak-Prasnal, Karolina. ""Otwieranie wszechświata" : polska powojenna awangarda poetycka : Tymoteusz Karpowicz i Krystyna Miłobędzka." Praca doktorska, 2020. https://ruj.uj.edu.pl/xmlui/handle/item/277245.

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Krátká, Eva. "Vizuální poezie v síti mezinárodní komunikace. Pojmy, kategorie, typologie." Doctoral thesis, 2013. http://www.nusl.cz/ntk/nusl-322525.

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The doctoral thesis is concerned diachronically with the term "visual poetry". The focus is on its progress during the period after the Second World War in the context of the extensively advanced movement, as substantially defined in international expert discussion. The use of the term, which is supported by the arguments of many theoreticians and artists of the period, is studied in the thesis from the viewpoint of the inspirational sources and specific contacts between art and literature. The focus is on the specific positions and strategies of visual perception. Visual poetry is studied - c

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Ruggiero, Mauro. "Esoterická tematika v italské literatuře 1. poloviny 20. století." Doctoral thesis, 2017. http://www.nusl.cz/ntk/nusl-371287.

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ENG Esotericism and Occultism in the Italian Literature of the Early Twentieth Century The purpose of this research is to bring contribution to the branch of academic studies dedicated to Western Esotericism with aim to clarify the relationship between this literary field and culture in general. Numerous studies were made in this area of research, specifically tackling the influence of Esotericism on modern and contemporary literature. The goal was to show, in particular, the contribution Italian authors had to establishing of esoteric directions in literature, throughout a limited time-span (

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Wheeler, Belinda. "AT THE CENTER OF AMERICAN MODERNISM: LOLA RIDGE’S POLITICS, POETICS, AND PUBLISHING." Thesis, 2008. http://hdl.handle.net/1805/1683.

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Indiana University-Purdue University Indianapolis (IUPUI)<br>Although many of Lola Ridge's poems champion the causes of minorities and the disenfranchised, it is too easy to state that politics were the sole reason for her neglect. A simple look at well-known female poets who often wrote about social or political issues during Ridge's lifetime, such as Edna St. Vincent Millay and Muriel Rukeyser, weakens such a claim. Furthermore, Ridge's five books of poetry illustrate that many of her poems focused on themes beyond the political or social. The decisions by critics to focus on selections of R

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Pučerová, Klára. "Architekt Antonín Tenzer." Doctoral thesis, 2015. http://www.nusl.cz/ntk/nusl-352232.

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The work of Antonin Tenzer involves his activities in the period of six decades in the turbulent era of development of Czechoslovak history of architecture. The architect is known as one of the representatives of the avant-garde and High functionalism, author of Faculty Hospital in Prague-Motol and other medical buildings or the Jalta hotel, a building associated with socialist realism. In my dissertation, I tried to map the main typological fields that Antonín Tenzer used in his work. My goal was to widen the portfolio of famous buildings, and on the basis I defined the architect's major them

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Garlatyová, Gabriela. "Maria Bartuszová (1936 - 1996). Sochařské dílo v kontextu umění." Doctoral thesis, 2020. http://www.nusl.cz/ntk/nusl-437136.

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This dissertation is devoted to a monographic processing of the work of sculptress Maria Bartuszová (1936, Prague - 1996, Košice). Methodologically, it is mainly based on the compilation and evaluation of knowledge from the in-depth research of the first list of works of M. Bartuszová "Catalogue Raisonné 2012-2018", Collection of drawings and photographs from the Archive of M. Bartuszová, biography, exhibitions and bibliography. It is divided into four chapters, in which it deals with the sculpture of M. Bartuszová, its transformations in the period of her ceramics studies at the Academy of Fi

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Hrabová, Martina. "Mýtus a realita: čeští asistenti Le Corbusiera 1924-1937." Doctoral thesis, 2016. http://www.nusl.cz/ntk/nusl-267826.

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The impetus for this study was the question of whether the information, which has been handed down on Czech architects who worked with Le Corbusier is true or not. Working in the studio of one of the leading architects of the 20th century was a crucial formative experience for dozens of architects while also being an attractive entry in their résumés. The doctoral thesis Myth and Reality: The Czech Assistants of Le Corbusier 1924-1937 is based on vast research of primary sources abroad as well as in the Czech Republic. The thesis critically examines the information known in the literature unti

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Mladičová, Iva. "Jan Kotík 1916-2002 - monografie." Doctoral thesis, 2012. http://www.nusl.cz/ntk/nusl-322931.

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1 Abstract A monograph on Jan Kotík (1916-2002) introduces both his art and theoretical work, it deals with a historical and cultural context of the now-defunct Czechoslovakia. Kotík's - an artist's, theoretician's, published author's, educator's - artwork enjoys a prominent position in the context of Czech art of the second half of 20th century. An art-historical assessment of artwork was based on Kotik's artwork inventory and on all the documentation on Kotik's life and art work archived in the Documentation Department of the Institute of Art History of the Academy of Sciences of the CR and

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