Gotowe bibliografie tematyczne / Actor

Spis treści

  1. Artykuły w czasopismach
  2. Rozprawy doktorskie
  3. Książki
  4. Części książek
  5. Streszczenia konferencji
  6. Raporty organizacyjne

Gotowa bibliografia na temat „Actor”

Autor: Grafiati
Data publikacji: 4 czerwca 2021
Data aktualizacji: 25 lipca 2025

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Artykuły w czasopismach na temat "Actor"

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Nenonen, Suvi, and Kaj Storbacka. "Actors, Actor Engagement and Value Creation." Journal of Creating Value 4, no. 2 (2018): 196–98. http://dx.doi.org/10.1177/2394964318809172.

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Barclay, Kari. "Willful Actors: Valuing Resistance in American Actor Training." Journal of Dramatic Theory and Criticism 34, no. 1 (2019): 123–41. http://dx.doi.org/10.1353/dtc.2019.0027.

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Munteanu, Radu, and Marin Apetroae. "Journal relatedness: An actor-actor and actor-objectives case study." Scientometrics 73, no. 2 (2007): 215–30. http://dx.doi.org/10.1007/s11192-007-1735-7.

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Plyukhin, Dan, Gul Agha, and Fabrizio Montesi. "CRGC: Fault-Recovering Actor Garbage Collection in Pekko." Proceedings of the ACM on Programming Languages 9, PLDI (2025): 945–69. https://doi.org/10.1145/3729288.

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Actors are lightweight reactive processes that communicate by asynchronous message-passing. Actors address common problems like concurrency control and fault tolerance, but resource management remains challenging: in all four of the most popular actor frameworks (Pekko, Akka, Erlang, and Elixir) programmers must explicitly kill actors to free up resources. To simplify resource management, researchers have devised actor garbage collectors (actor GCs) that monitor the application and detect when actors are safe to kill. However, existing actor GCs are impractical for distributed systems where th
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Jobbagy, Zoltan, Goran Boros, and Levente Sandor Kovats. "Some Remarks on the Dynamics of Strong Actor / Weak Actor Interaction." Land Forces Academy Review 26, no. 2 (2021): 108–17. http://dx.doi.org/10.2478/raft-2021-0016.

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Abstract The emergence of weak actors on global scale is one among the many undesired consequences of the post Cold War period. In a globalized world, weak actors increasingly possess the capability and will to challenge the existing status quo set earlier by strong actors. The complexity of the international theatre provides weak actors with an abundance of opportunities to become successful over a long period. From a military point of view strong actor / weak actor interaction becomes manifest when the latter prosecutes a special type of war. This war is asymmetric, irregular and of low inte
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Li, Loic Pengtao, Biljana Juric, and Roderick J. Brodie. "Actor engagement valence." Journal of Service Management 29, no. 3 (2018): 491–516. http://dx.doi.org/10.1108/josm-08-2016-0235.

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Purpose Valence is one of the key dimensions underlying actor engagement, yet there is limited research to provide a comprehensive understanding of the concept. The purpose of this paper is to conceptualise engagement valence in actor networks and develop an agenda for future research. Design/methodology/approach The exploration of the psychological foundations of the concept of valence and a systematic literature review from a multiple database search contribute to four sets of propositions defining the domain of the concept of actor engagement valence. Findings The propositions posit that va
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Grehan, Helena. "Actors, Spectators, and “Vibrant” Objects: Kris Verdonck’s ACTOR #1." TDR/The Drama Review 59, no. 3 (2015): 132–39. http://dx.doi.org/10.1162/dram_a_00475.

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In contrast to much new media performance, Kris Verdonck’s ACTOR #1 does not attempt to accelerate time or to enhance the spectatorial experience by juxtaposing theatrical elements. Instead the work presents a three-phase meditation that strips back the tools and techniques of theatre to allow, or perhaps even compel, spectators to focus on a single element, to inhabit one state, or to consider a single idea at a time.
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Herrera, Brian Eugenio. "My Actor Alibi." Theatre Survey 57, no. 3 (2016): 409–11. http://dx.doi.org/10.1017/s0040557416000417.

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I study the history of actors, emphasizing the historical conditions of their working and creative lives amid the ever shifting cultural and performance conventions guiding which bodies are privileged in the telling of which stories. My research expeditions have routinely prompted me to follow a given actor from the stage, often to screens large and small and, just as frequently, to the ostensibly nontheatrical realms of politics, community organizing, or education. Sometimes these actors return to the theatrical stage, but not always. But I go where actors go, no matter the industry, enterpri
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Rajaravivarma, K. R., and Suresh Chandra Das. "THERUKUTHU AS A TRAINING METHOD FOR CONTEMPORARY THEATRE ACTOR." ShodhKosh: Journal of Visual and Performing Arts 3, no. 2 (2022): 115–22. http://dx.doi.org/10.29121/shodhkosh.v3.i2.2022.147.

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The contemporary acting in theatre has resembling in many features of the Tamil traditional theatre form Therukuthu. So, this discussion intended to establish the possibilities of the Therukuthu as a method of actor training for contemporary theatre actors. The primary concern of the discussion includes the actor and acting of contemporary theatre; the way how actor presents the character and communicates with the audience as co-actors, which are the two significant features of contemporary theatre. So, the discussion considers at those factors of Therukuthu form and acting or performance thos
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Aryanto, Dhami, Catur Nugroho, Roro Retno Wulan, Astri Wulandari, and Jasmine Alya Pramesthi. "Social Media and Social Movement in Indonesia; Communication Network on Twitter Regarding the Kanjuruhan Football Supporter Tragedy." SHS Web of Conferences 204 (2024): 01004. http://dx.doi.org/10.1051/shsconf/202420401004.

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This research focuses on the communication network analysis method that discusses the relationships in the communication network on the hashtag #PrayForKanjuruhan on Twitter (X) social media. This research aims to find out the communication network pattern, the role of actors in the network, and the main actors in the communication network on the hashtag #PrayForKanjuruhan for the period October 1 - November 30, 2022. This study uses a quantitative method with a descriptive communication network analysis approach. Researchers chose four main actors to disseminate information related to the key
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Rozprawy doktorskie na temat "Actor"

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Kilarski, Sharon K. "An emerging theory of actor learning : the actors' perspective /." free to MU campus, to others for purchase, 2000. http://wwwlib.umi.com/cr/mo/fullcit?p9988676.

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Krishnakumar, Sita Srinivasaraghavan. "Intelligent actor mobility in wireless sensor and actor networks." Diss., Atlanta, Ga. : Georgia Institute of Technology, 2008. http://hdl.handle.net/1853/24735.

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Thesis (Ph.D.)--Electrical and Computer Engineering, Georgia Institute of Technology, 2008.<br>Committee Chair: Abler, Randal T.; Committee Member: Copeland, John A.; Committee Member: Haas, Kevin; Committee Member: Moore II, Elliot; Committee Member: Owen III, Henry L.
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Mahjoub, Reem Khalid. "Efficient Actor Recovery Paradigm for Wireless Sensor and Actor Networks." Thesis, University of Bridgeport, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=10745143.

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<p> Wireless sensor networks (WSNs) are becoming widely used worldwide. Wireless Sensor and Actor Networks (WSANs) represent a special category of WSNs wherein actors and sensors collaborate to perform specific tasks. WSANs have become one of the most preeminent emerging type of WSNs. Sensors with nodes having limited power resources are responsible for sensing and transmitting events to actor nodes. Actors are high-performance nodes equipped with rich resources that have the ability to collect, process, transmit data and perform various actions. WSANs have a unique architecture that distingui
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Helmhout, Jan Martin. "The social cognitive actor a multi-actor simulation of organisations /." [S.l. : [Groningen : s.n.] ; University Library Groningen] [Host], 2006. http://irs.ub.rug.nl/ppn/297984268.

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Pippen, Judith Irene. "Inscribing actors' bodies : towards an epistemology of movement praxis in actor training." Thesis, Queensland University of Technology, 1998.

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This thesis explores some of the issues involved in movement praxis in actor training, contextualising itself within the QUT Academy of the Arts in Brisbane and arts research in Australian Universities. To elucidate these issues the researcher applies the epistemology of Humberto Maturana's constitutive ontology (the philosophical underpinnings of the biology of cognition) in multiple sites of performance theory and practice, with particular reference to the movement learning of actors. The research process has focused on publishing articles and a monograph for different groups of observers o
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Konda, Vijaymohan (Vijaymohan Gao) 1973. "Actor-critic algorithms." Thesis, Massachusetts Institute of Technology, 2002. http://hdl.handle.net/1721.1/8120.

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Thesis (Ph. D.)--Massachusetts Institute of Technology, Dept. of Electrical Engineering and Computer Science, 2002.<br>Includes bibliographical references (leaves 143-147).<br>Many complex decision making problems like scheduling in manufacturing systems, portfolio management in finance, admission control in communication networks etc., with clear and precise objectives, can be formulated as stochastic dynamic programming problems in which the objective of decision making is to maximize a single "overall" reward. In these formulations, finding an optimal decision policy involves computing a ce
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Hildebrand, Sara. "Creating an actor." Thesis, University of Iowa, 2015. https://ir.uiowa.edu/etd/1628.

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It is the goal of this paper to document through written description the personal approach that I would take in creating a role for the theatre. It will also describe what I feel to be valuable attributes and traits that make successful theatrical performance. Through the dissection of these two areas, I will glean a valuable personal insight into my work, how I've grown within it, and where I need to continually push to learn more.
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Scafuto, Vincenzo. "Actor Kit: Design and Development of an Actor Framework for Swift." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2016.

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Nell'ambito dello sviluppo software, la concorrenza è sempre stata vista come la strada del futuro. Tuttavia, questa è stata spesso ignorata a causa del continuo sviluppo dell'hardware che ha permesso agli sviluppatori di continuare a scrivere software sequenziale senza doversi preoccupare delle performance. In un'era in cui le nuove architetture hardware presentano processori multi-core, tutto questo non è più possibile. L'obiettivo di questa tesi è stato quello di considerare il Modello ad Attori come valida alternativa allo sviluppo di applicazioni in ambito mobile e quindi di proget
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Thimmapuram, Aravind. "Distributed recovery of actor failures in wireless sensor and actor networks /." Available to subscribers only, 2008. http://proquest.umi.com/pqdweb?did=1559859581&sid=7&Fmt=2&clientId=1509&RQT=309&VName=PQD.

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Guneydas, Ismail. "ACTOR POSITIONING IN WIRELESS SENSOR AND ACTOR NETWORKS USING MATCHING THEORY." Available to subscribers only, 2008. http://proquest.umi.com/pqdweb?did=1674095431&sid=1&Fmt=2&clientId=1509&RQT=309&VName=PQD.

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Thesis (M.S.)--Southern Illinois University Carbondale, 2008.<br>"Department of Computer Science." Keywords: Gale-Shapley, Wireless sensor networks. Includes bibliographical references (p. 42-45). Also available online.
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Książki na temat "Actor"

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Somervill, Barbara A. Actor. Cherry Lake Pub., 2012.

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Steven, Berkoff, ed. Actor. Bloomsbury, 2013.

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Hall, Parnell. Actor. Mysterious Press, 1993.

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Quinlan, Kathryn A. Actor. Capstone High/Low Books, 1998.

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Stroppel, Frederick. Actor! Samuel French, 2003.

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Fundação Calouste Gulbenkian. Serviço de Belas-Artes., ed. Ciclo de cinema actor/actor. s.n., 1987.

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1959-, Hodge Alison, ed. Actor training. 2nd ed. Routledge, 2010.

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Rāẏa, Arabinda. Ākṭara: Actor. Paścimā Pablikeśansa, 2013.

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B, Goffstein M. An actor. Harper & Row, 1987.

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B, Goffstein M. An Actor. Harper & Row, 1987.

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Części książek na temat "Actor"

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Weik, Martin H. "actor." In Computer Science and Communications Dictionary. Springer US, 2000. http://dx.doi.org/10.1007/1-4020-0613-6_274.

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Kautsch, Andrés Ibañez. "The Main Actor & Final Actors." In Modern Concurrency on Apple Platforms. Apress, 2022. http://dx.doi.org/10.1007/978-1-4842-8695-1_8.

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de Vries, Henk J. "Actor Needs." In Standardization: A Business Approach to the Role of National Standardization Organizations. Springer US, 1999. http://dx.doi.org/10.1007/978-1-4757-3042-5_4.

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Summers, Alexander J., and Peter Müller. "Actor Services." In Programming Languages and Systems. Springer Berlin Heidelberg, 2016. http://dx.doi.org/10.1007/978-3-662-49498-1_27.

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Aulin, Arvid. "Human Actor." In The Origins of Economic Growth. Springer Berlin Heidelberg, 1997. http://dx.doi.org/10.1007/978-3-642-60712-7_10.

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Walsh, Keri. "Method Actor." In Mickey Rourke. British Film Institute, 2014. http://dx.doi.org/10.1007/978-1-84457-925-9_2.

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Martínez-Ariño, Julia. "Actor constellations." In Urban Secularism. Routledge, 2020. http://dx.doi.org/10.4324/9780429320606-3.

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Martinez, Mario C. "Actor Interactions." In The Science of Higher Education. Routledge, 2023. http://dx.doi.org/10.4324/9781003448068-4.

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Larimore, Earls. "The Actor." In A History Of Early Television Vol 3. Routledge, 2024. http://dx.doi.org/10.4324/9781032660387-28.

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Anderson, Joel. "Actor portraits." In Theatre & Photography. Macmillan Education UK, 2015. http://dx.doi.org/10.1007/978-1-137-34562-2_6.

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Streszczenia konferencji na temat "Actor"

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Ren, Tianqi, Chun Cao, and Jun Ma. "Actor of Things: Resilient and Efficient Distributed AIoT Applications in an Actor System." In 2024 31st Asia-Pacific Software Engineering Conference (APSEC). IEEE, 2024. https://doi.org/10.1109/apsec65559.2024.00054.

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Romero, Angel, Yunlong Song, and Davide Scaramuzza. "Actor-Critic Model Predictive Control." In 2024 IEEE International Conference on Robotics and Automation (ICRA). IEEE, 2024. http://dx.doi.org/10.1109/icra57147.2024.10610381.

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Koc, Ozcan, Chaiporn Jaikaeo, and Chien-Chung Shen. "Navigating actors in mobile sensor actor networks." In the Ffrst ACM workshop. ACM Press, 2007. http://dx.doi.org/10.1145/1287731.1287736.

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Cedersjo, Gustav, and Jorn W. Janneck. "Actor classification using actor machines." In 2013 Asilomar Conference on Signals, Systems and Computers. IEEE, 2013. http://dx.doi.org/10.1109/acssc.2013.6810612.

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Zamanifar, Azadeh, Mohsen Sharifi, and Omid Kashefi. "Self Actor-Actor Connectivity Restoration in Wireless Sensor and Actor Networks." In 2009 First Asian Conference on Intelligent Information and Database Systems, ACIIDS. IEEE, 2009. http://dx.doi.org/10.1109/aciids.2009.45.

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Dima, Sofia-Maria, John Gialelis, and Stavros Koubias. "Knowledge based actor to actor coordination in Wireless Sensor and Actor Networks." In Factory Automation (ETFA 2011). IEEE, 2011. http://dx.doi.org/10.1109/etfa.2011.6059187.

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Chinnappen-Rimer, S., and G. P. Hancke. "Actor Coordination in Wireless Sensor-Actor Networks." In 2009 Annual IEEE India Conference. IEEE, 2009. http://dx.doi.org/10.1109/indcon.2009.5409466.

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Alaiwy, Mona H., Fatema H. Alaiwy, and Sami Habib. "Optimization of Actors Placement within Wireless Sensor-Actor Networks." In 2007 IEEE Symposium on Computers and Communications. IEEE, 2007. http://dx.doi.org/10.1109/iscc.2007.4381511.

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Lamghari, Soufiane, Guillaume-Alexandre Bilodeau, and Nicolas Saunier. "ActAR: Actor-Driven Pose Embeddings for Video Action Recognition." In 2022 IEEE/CVF Conference on Computer Vision and Pattern Recognition Workshops (CVPRW). IEEE, 2022. http://dx.doi.org/10.1109/cvprw56347.2022.00055.

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Habib, Sami J., M. Safar, and N. El-Sayed. "Automatic Placement of Actors within Wireless Sensor-Actor Networks." In 2008 Australasian Telecommunication Networks and Applications Conference (ATNAC). IEEE, 2008. http://dx.doi.org/10.1109/atnac.2008.4783327.

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Raporty organizacyjne na temat "Actor"

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Hewitt, Carl. The Actor Model. Defense Technical Information Center, 1993. http://dx.doi.org/10.21236/ada260196.

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Benson, Dennis, Jay Mead, William Walker, and Douglas Blazer. Air Force Bad Actor Program. Defense Technical Information Center, 1997. http://dx.doi.org/10.21236/ada326050.

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Arango Dávila, Lina María, and Jonathan Röders. Decentralised and Community-Driven Formerly Armed Actor Reintegration. Trust After Betrayal Research Brief Series, 2024. http://dx.doi.org/10.59498/70347.

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This Research Brief delves into the decentralised and community-driven reintegration of formerly armed actors (FAAs), shedding light on its potential role in sustainable peacebuilding efforts and local ownership. Illustrated by case studies from Ukraine, Northern Ireland and Sub Saharan Africa, the Brief highlights the significance of decentralising administration and decision-making processes for reintegration programs. By empowering local and community levels, this approach may not only boosts efficiency and participation but also fosters broader social and economic development objectives. I
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Gill, Paul. The Data Collection Challenge: Experiences Studying Lone-actor Terrorism. RESOLVE Network, 2020. http://dx.doi.org/10.37805/rve2020.2.

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Green, Carla. An attempt to reduce actor-observer differences in attributions. Portland State University Library, 2000. http://dx.doi.org/10.15760/etd.5589.

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Moss, J. C. Elegant Coercion and Iran: Beyond the Unitary Actor Model. Defense Technical Information Center, 2005. http://dx.doi.org/10.21236/ada476960.

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Röders, Jonathan, and Mari Mirasol. Research Brief: Deconstructing the Formerly Armed Actor Threat Stigma. Trust After Betrayal, 2023. http://dx.doi.org/10.59498/68050.

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This research brief highlights the critical importance of deconstructing the threat stigma associated with formerly armed actors (FAAs) to ensure a more inclusive and successful (re)integration process. By challenging the prevailing perception that FAAs are inherently violent beings, disarmament, demobilisation, and reintegration (DDR) programmes can promote societal acceptance and prevent the marginalisation of FAAs. Public awareness campaigns that contribute to a more nuanced understanding of their backgrounds play a key role in reshaping community perceptions and empowering FAAs as active a
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Prudnikov, Andrei, and Julia Lektorova. Image of the Political Actor. Overview of Current Practices. DOI CODE, 2022. http://dx.doi.org/10.18411/doicode-2023.249.

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McFee, Erin, and Connor Christensen. Formerly Armed Actor Reintegration: A Crucial Pillar of International Security. Trust After Betrayal, 2024. http://dx.doi.org/10.59498/13285.

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This Research Brief explores how lacking or inadequate formerly armed actor (FAA) reintegration programming is not only a humanitarian concern but carries global security ramifications, contributing to prolonged violence and instability, extremist resurgence, and transnational threats. The underdeveloped global focus on prevention and risk mitigation among warrants a shift towards recognising attention to FAAs as a global policy imperative. The interconnected nature of security threats necessitates international cooperation and prioritisation for a well-executed and holistic reintegration proc
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Magyar, Luke, and Jonathan Röders. Implications of Armed Group Hierarchies for Formerly Armed Actor Reintegration. Trust After Betrayal Research Brief Series, 2024. http://dx.doi.org/10.59498/18037.

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This Research Brief explores the implications of armed group hierarchies on the reintegration pathways of formerly armed actors (FAAs). It highlights how ranks within armed groups significantly shape key determinants of succesful reintegration, such as skill sets, financial security, traumatic exposure, and access to networks post-demobilisation and how reintegration programmes often entrench disparities between higher and lower ranking FAAs. By comparing dynamics within state-sponsored militaries and across centralised and decentralised non-state armed groups (NSAGs), the Research Brief advoc
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